New Releases for the Week of June 7, 2019


DARK PHOENIX

(20th Century Fox/Marvel) James McAvoy, Michael Fassbender, Sophie Turner, Jennifer Lawrence, Nicholas Hoult, Tye Sheridan, Kodi Smit-McPhee. Directed by Simon Kinberg

During a rescue mission to space, Jean Grey of the X-Men is hit by an unknown cosmic force which causes her powers to grow out of control and her personality to become unstable. The X-Men are forced to defend themselves against their friend and as an alien race seeks to weaponize her powers, the prospect that they might have to kill one of their own.

See the trailer, video featurettes, clips and interviews here
For more on the movie this is the website
Genre: Superhero
Now Playing: Wide Release
Rating: PG-13 (for intense scenes of sci-fi violence and action including some gunplay, disturbing images and brief strong language)

All is True

(Sony Classics) Kenneth Branagh, Judi Dench, Ian McKellen, Kathryn Wilder. After playing this year’s Florida Film Festival, this British production is making its theatrical run. William Shakespeare has retired and seeks to make peace with his inner demons while reconnecting with a family that may be beyond reconciling with.

See the trailer, clips and an interview here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Regal Oviedo Marketplace
Rating: PG-13 (for thematic elements, suggestive material and language)

Bharat

(Viva) Salman Khan, Katrina Kaif, Tabu, Disha Patani. As the day of India’s independence dawns, a man makes a promise to his father that he will keep his family together no matter what. Over the next 60 years, he keeps that promise despite the challenges thrown at him by each passing decade.

See the trailer and clips here
For more on the movie this is the website  
Genre: Drama
Now Playing: AMC West Oaks, Cinemark Universal Citywalk, Touchstar Southchase
Rating: NR

Loopers: The Caddie’s Long Walk

(Gravitas) Bill Murray, Lee Trevino, Nick Faldo, Ben Crenshaw. While golf was invented in Scotland in the 15th century, it has only really boomed in popularity over the last century or so with golfers becoming huge celebrities. However, who gives a thought to the men who carry the clubs of those superstars? This is their story.

See the trailer here
For more on the movie this is the website  
Genre: Documentary
Now Playing: Old Mill Playhouse, Regal Pointe Orlando
Rating: PG (for some suggestive/rude humor, mild thematic elements, and smoking images)

The Secret Life of Pets 2

(Universal/Illumination) Starring the voices of Patton Oswalt, Kevin Hart, Harrison Ford, Tiffany Haddish. Max and his friends in his apartment building continue their adventures from the first film as they head back out to explore the big city.

See the trailer, video featurettes and clips here
For more on the movie this is the website  
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for some action and rude humor)

The Tomorrow Man

(Bleecker Street) John Lithgow, Blythe Danner, Derek Cecil, Katie Aselton. A grumpy old man prepares for a disaster that may never happen. He meets a woman who can’t let go of the things she has. Together they fall in love but can they figure out a way not to get lost in each other’s stuff? This was another film that played this year’s Florida Film Festival.

See the trailer and clips here
For more on the movie this is the website  
Genre: Dramedy
Now Playing: Regal Winter Park Village, Rialto Spanish Springs Square
Rating: PG-13 (for brief strong language and some suggestive material)

ALSO OPENING IN ORLANDO/DAYTONA:

Changeland
Mouthpiece
Virus

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

All About My Mother
Meeting Gorbachev
My Best Summer
The Silence of Others
The Souvenir
Wrong No. 2

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Abduction
The Brink
The Souvenir

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

None

SCHEDULED FOR REVIEW:

All is True
Dark Phoenix
The Secret Life of Pets 2
The Tomorrow Man

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New Releases for the Week of January 18, 2019


GLASS

(Blumhouse/Universal) Samuel L Jackson, Bruce Willis, James McAvoy, Sarah Paulson, Anya Taylor-Joy, Spencer Treat Clark, Luke Kirby. Directed by M. Night Shyamalan

Three men have been committed to a mental institution because they think they have super powers. A dedicated shrink thinks she can cure these men of their delusions but when it turns out that they really do have super powers and that one of them is an evil mastermind who wants to see a whole lot of people get killed, the party gets real.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, 4DX, DBOX, Dolby, IMAX, RPX, XD
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for violence including some bloody images, thematic elements, and language)

Burning

(Well Go USA) Ah-in Yoo, Steven Yeun, Jong-seo Jun, Soo-kyung Kim. Two former neighbors bump into each other quite accidentally while one is making a delivery. The woman asks the delivery man to watch her cat while she’s on a trip to Africa. When she returns, she introduces him to a man she’s met who turns out to have some interesting hobbies.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater

Rating: PG (for thematic elements, some peril and language)

Canal Street

(Smith Global Media) Bryshere Y. Gray, Mykelti Williamson, Mekhi Phifer, Lance Reddick. A father and son on Chicago’s South Side are facing long odds when the teen is accused of murdering a white classmate. The fight will bring the two closer together through their faith in God.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal The Loop, Regal Waterford Lakes

Rating: PG-13 (for thematic elements including some bloody images, drug use and teen partying)

ALSO OPENING IN ORLANDO/DAYTONA:

All These Small Moments
Buffalo Boys
Aurora
Dragon Ball Super: Broly
Parkland: Inside Building 12
Shoplifters

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Cold War
Dragon Ball Super: Broly
The Heiresses
The Standoff at Sparrow Creek

ALSO OPENING IN TAMPA/ST. PETERSBURG:

The Brawler
Dragon Ball Super: Broly
Ente Ummante Peru
The Last Man
The Standoff at Sparrow Creek

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Aurora
Dragon Ball Super: Broly

SCHEDULED FOR REVIEW:

Cold War
Glass

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Saint Augustine Film Festival, St. Augustine

New Releases for the Week of March 23, 2018


PACIFIC RIM: UPRISING

(Universal/Legendary) John Boyega, Scott Eastwood, Burn Gorman, Cailee Spaeny, Charlie Day, Tian Jing, Max Zhang, Adria Arjona, Rinko Kikuchi. Directed by Steven S. DeKnight

The son of heroic Stacker Pentecost from the first film unites with survivors of the original Kaiju attack to take on a new peril from the gigantic enigmatic creatures. This time they are bigger and badder than ever and they mean to wipe out everything that isn’t Kaiju. Only a few good men (and women) can stop the threat.

See the trailer, clips, interviews, video featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, DBOX, DBOX-3D, Dolby Atmos, IMAX, IMAX 3D, RPX, RPX-3D, XD, XD-3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi violence and action, and some language)

The Death of Stalin

(IFC) Steve Buscemi, Simon Russell Beale, Michael Palin, Jeffrey Tambor. In 1953, the Soviet dictator Joseph Stalin died suddenly, leaving a power vacuum at the top. Commissars and politicians scrambled amidst the chaos to avoid being shot and to grab what power they could in the brave new world. Armando Iannucci, mastermind behind such powerful satires as Veep and In the Loop takes an irreverent look at this pivotal moment in Russian history based on the graphic novel of the same name.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy/Satire
Now Playing: Enzian Theater

Rating: R (for language throughout, violence and some sexual references)

Getting Grace

(Hannover House) Daniel Roebuck, Madelyn Dundon, Dana Ashbrook, Duane Whitaker. A teenage girl who is dying of cancer is curious as to what will happen to her body once she’s passed on. To find out more about it, she befriends the local funeral home director, a shy and retiring man who has spent his life with the dead to the point where he’s forgotten how to live. These two wildly different personalities may just be what they each needed in this film co-written and directed by Roebuck.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Oviedo Marketplace, Regal Pointe Orlando

Rating: PG-13 (for thematic elements and some suggestive material)

Midnight Sun

(Open Road) Bella Thorne, Patrick Schwarzenegger, Rob Riggle, Quinn Shephard. A young teenage girl, stricken by a disease that makes her violently allergic to sunlight, lives in a world of perpetual darkness until she meets a sweet young teen boy who falls in love with her – and she with him. This is apparent teenage girl with a serious illness week at the movies.

See the trailer, clips and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Teen Romance
Now Playing: Wide Release

Rating: PG-13 (for some teen partying and sensuality)

Paul, Apostle of Christ

(Columbia) James Faulkner, Jim Caviezel, Olivier Martinez, Joanne Whalley. Paul, the apostle of Christ, awaits his death sentence in a dank Roman prison. As he recalls the events of his life – the years of persecuting those who followed Jesus, his conversion to the cause, the letters that unbeknownst to him would inspire billions over more than two millennia – he wonders if his life has been a worthwhile one. I’m guessing the answer will be “yes.”

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biblical Biography
Now Playing: Wide Release

Rating: PG-13 (for some violent content and disturbing images)

Sherlock Gnomes

(MGM/Paramount) Starring the voices of James McAvoy, Emily Blunt, Johnny Depp, Chiwetel Ejiofor. When their fellow garden ornaments start disappearing mysteriously, Gnomeo and Juliet recruit renowned detective Sherlock Gnomes to investigate the mystery and return the missing to their home. This isn’t going to be easy but with music by Elton John you can’t really go wrong now can you.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for some rude and suggestive humor)

Unsane

(Bleecker Street) Claire Foy, Joshua Leonard, Amy Irving, Jay Pharoah. A young woman goes to a mental health clinic to talk about the stalking incident that haunts her. When she is tricked into signing papers that result in her being committed to the hospital against her will, she discovers to her horror that her stalker is working there as a nurse – or is he just a part of her delusion?

See the trailer, clips and a video featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for disturbing behavior, violence, language and sex references)

ALSO OPENING IN ORLANDO/DAYTONA:

MLA
My Perfect You
Rajaratham
Shifting Gears

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Claire’s Camera
Followers
Foxtrot
Hichki
I Kill Giants
Itzhak
The Last Suit
Loveless
MLA
Needhi Naadhi Oke Katha
On the Beach at Night Alone
Rajaratham
Souvenir

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hichki
Isle of Dogs
Itzhak
Poomaram
Rajaratham
Shifting Gears

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

None

SCHEDULED FOR REVIEW:

The Death of Stalin
Isle of Dogs
Pacific Rim: Uprising
Sherlock Gnomes
Unsane

Atomic Blonde


This is what a femme fatale looks like.

(2017) Action (Focus) Charlize Theron, James McAvoy, Eddie Marsan, John Goodman, Toby Jones, James Faulkner, Roland Møller, Sofia Boutella, Bill Skarsgård, Sam Hargrave, Jóhannes Haukur Jóhannesson, Til Schweiger, Barbara Sukowa, Attila Arpa, Martin Angerbauer, Lili Gessler, Declan Hannigan, Daniel Bernhardt, Sara Natasa Szonda. Directed by David Leitch

 

Hitchcock famously had a thing about icy blondes; along comes a film that may have the best one yet. For one thing, Charlize Theron isn’t just a master manipulator – she can kick quantum ass. Here, set to a pulsing and throbbing soundtrack and a cornucopia of mayhem she becomes the coolest and sexiest assassin of them all – drinking, smoking and seducing her way to Bond’s title.

Theron plays Lorraine Broughton, an MI-6 agent in Berlin days before the Wall fell in November 1989 to retrieve a list of double agents that, should the Soviets get their hands on it, would mean the end of a goodly number of high-value assets, to use spy film terminology. Broughton, who also has an agenda of her own, is assisted by the none-too-trustworthy station chief who in the dry words of her MI-6 handler (Jones) “has gone native.” Basically she goes looking for the list and every step of the way she gets attacked by goons and beats the snot out of them while getting her share of lumps as well.

There are some amazing action sequences here, particularly one set in an abandoned apartment building that is as brutal and as realistic a fight as you’re ever going to see. Lorraine dishes out the pain but gets her own share of it as well and even though this is set up in many ways as a distaff Bond film, this feels more in tune with the real world. The soundtrack of mainly Euro-New Wave (heavy on the Depeche Mode, Nena and Siouxsie and the Banshees) will bring a smile to the face of anyone who was young during that era i.e. people my age.

The film, based on the graphic novel The Coldest City gets more convoluted as the film wears on but the pace is always frenetic and you’re never more than two or three minutes away from another breathtaking action scene. 2017 has been the year of the renaissance of action movies (and of horror movies as well but that’s for another review) and this one is right up there among the best of a year that brought us Baby Driver, Logan Lucky and The Hitman’s Bodyguard among others. That’s some fine company to be included in.

REASONS TO GO: The action sequences are stunning. The 80s soundtrack is perfectly matched to the action. Theron takes an unforgettable character and runs with it. As spy films go, this one is much more realistic.
REASONS TO STAY: The plot gets a bit convoluted and the ending is not unexpected.
FAMILY VALUES: There is plenty of profanity and violence as well as some graphic sexuality and brief nudity.
TRIVIAL PURSUIT: Charlize Theron cracked two teeth during the course of filming the action sequences for this film.
BEYOND THE THEATERS: Amazon, Fandango Now, Frontier, Google Play, iTunes, Microsoft, Movies Anywhere, Verizon, Vudu, Xfinity, YouTube
CRITICAL MASS: As of 12/23/17: Rotten Tomatoes: 77% positive reviews. Metacritic: 63/100.
COMPARISON SHOPPING: Knight and Day
FINAL RATING: 8/10
NEXT:
The Shape of Water

New Releases for the Week of July 28, 2017


ATOMIC BLONDE

(Focus) Charlize Theron, James McAvoy, Eddie Marsan, John Goodman, Toby Jones, Sofia Boutella, Til Schweiger, Barbara Sukowa, James Faulkner. Directed by David Leitch

The most lethal assassin in MI6 is sent on assignment to Berlin to smuggle a dossier out of the city which has been destabilized by opposing forces. In a simmering cauldron of betrayal and murder, she is allied with the embedded station chief to navigate the back alleys and halls of power to get what Her Majesty’s government requires of her. She soon realizes that she has been betrayed from within and you know what they say hell hath no fury like. This is based on the Oni Press graphic novel The Coldest City.

See the trailer, clips, interviews, B-roll video and premiere footage here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for sequences of strong violence, language throughout and some sexuality/nudity)

A Ghost Story

(A24) Casey Affleck, Rooney Mara, Kesha Sebert, Will Oldham. Recently deceased, a ghost – complete with white sheet – haunts his beloved home while silently observing his grief-stricken wife. He is also able to see other inhabitants of the house both past and present. The latest film from director David Lowery has gotten much acclaim on the festival circuit.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal Winter Park Village

Rating: R (for brief language and a disturbing image)

The Emoji Movie

(Columbia) Starring the voices of T.J. Miller, James Corden, Anna Faris, Patrick Stewart. Deep in the heart of your smart phone lies a place called Textopolis where all your favorite emojis live. Each one of them has but one facial expression – except for poor Gene who has many. Wanting to be normal, he and his friends Hi-Five and Jailbreak search the phone and all its apps to find the code that will fix Gene. When unwittingly they discover a greater danger threatening the entire phone, the resourceful emojis will have to use all their skills to keep the emojis from being deleted for good.

See the trailer, a featurette and premiere footage here.
For more on the movie this is the website

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for rude humor)

The Exception

(A24) Christopher Plummer, Jai Courtney, Lily James, Janet McTeer. As the Second World War looms, Kaiser Wilhelm II lives in exile in the Netherlands. A German soldier is assigned to determine whether the Dutch resistance has a spy or spies in the former ruler’s household. In the course of his investigation he falls for a Dutch Jewish girl who may or may not be the droid he’s looking for.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Historical Drama
Now Playing: Enzian Theater

Rating: R (for sexuality, graphic nudity, language and brief violence)

OPENING IN ORLANDO/DAYTONA:

Manifesto
Mubarakan
Vikram Vedha

ALSO OPENING IN MIAMI:

13 Minutes
A Family Man
Imperfections
Lady Macbeth
Landline
Mubarakan
My Father’s Land
My Journey Through French Cinema
Vikram Vedha
Wolf Warrior 2

ALSO OPENING IN TAMPA:

A Family Man
The Black Prince
Imperfections
The Last Face
Maurizio Cattelan: Be Right Back
Mubarakan

ALSO OPENING IN JACKSONVILLE:

I, Daniel Blake
Mubarakan
Vikram Vedha

SCHEDULED FOR REVIEW:

A Ghost Story
Atomic Blonde
The Emoji Movie
The Exception
Lady Macbeth
Landline

 

Split


James McAvoy is having a ball.

James McAvoy is having a ball.

(2016) Thriller (Blumhouse/Universal) James McAvoy, Anya Taylor-Joy, Betty Buckley, Haley Lu Richardson, Jessica Sula, Izzie Leigh Coffey, Brad William Henke, Sebastian Arcelus, Neal Huff, Ukee Washington, Ann Wood, Robert Michael Kelly, M. Night Shyamalan, Rosemary Howard, Jerome Gallman, Lyne Renee, Kate Jacoby, Peter Patrikios, Kash Goins, Julie Potter. Directed by M. Night Shyamalan

 

The human mind is a marvelous thing but also a dangerous thing. When you scratch the veneer, you never know what you’re going to find. Sometimes what you find can be absolutely horrifying.

Three young girls – haughty Claire (Richardson), sycophantic Marcia (Sula) and outsider Casey (Taylor-Joy) – are kidnapped in broad daylight from a birthday party at a mall in suburban Philadelphia. They are rendered unconscious with a kind of spray chloroform and brought to a dungeon by Kevin (McAvoy), a seemingly mild-mannered young man.

Except it’s not just Kevin; there are a lot of different personalities jockeying for position “in the light” (i.e. the dominant personality allowed to show their face to the light) including prim and proper Miss Patricia, scheming manipulative Dennis, foppish Bradley, and 9-year-old child Hedwig. All are completely unique and some are more dangerous than others.

Kevin is under the care of a psychiatrist (Buckley) who specializes in Dissociative Identity Disorder, what used to be called Multiple Personality Disorder or good ol’ schizophrenia. Kevin has 23 such personalities rummaging around his head and a 24th getting ready to emerge with the ominous name of The Beast who has special plans for the young girls.

There have been some who have called for a boycott of the movie for it’s portrayal of DID patients which is, to say the least, far from realistic. I find that kind of disingenuous since nobody in their right mind would think of this movie as a scientifically accurate portrayal of a very real psychiatric issue – it certainly isn’t meant to be that any more than The Incredible Hulk is meant to be a realistic presentation of radiation poisoning. It’s a case of agenda-pushing politically correct sorts with sticks lodged firmly and deeply up their anal cavities trying to inflict their world view on the rest of us. Sometimes a movie is only after being a good time; lighten the hell up already.

Shyamalan who started out as a golden boy after his first couple of movies fell out of favor with both critics and fans alike and after a couple of really awful movies (I’m talking about you, After Earth and The Last Airbender) rebounded in 2015 with The Visit which was the highest-grossing horror film of that year. Judging on its performance so far, Split has a good shot at equaling that accomplishment.

One of Shyamalan’s strengths has always been his ability to tell a story well. It is when he drifts away from that strength and tries to be either too complicated or too cute that he gets into trouble. His last two movies have been more economical not only in terms of budget but also in terms of story; there is little or no fat on the bones of either film and as a result the movies feel more taut and involving.

Of course, it doesn’t hurt to have an actor deliver an exceptional performance and McAvoy does as Kevin. It’s hard to imagine but Joaquin Phoenix was originally cast in the role but had to drop out due to scheduling conflicts; I don’t think the movie lost a thing for the change. In fact, I think Phoenix might have been less effective in the role, as good an actor as he is. McAvoy doesn’t oversell the various personalities and uses a lot of subtle facial expressions to convey his characters. There is a little CGI help, particularly near the end of the movie (which is not coincidentally the weakest part of the movie) but otherwise it’s all McAvoy and hopefully it will help him garner some meatier roles in the future.

The supporting performances are adequate but frankly the three captives have little depth to them (which is more a function of the writing than the performances) although Taylor-Joy continues to develop as one of the most exciting up-and-coming actresses in Hollywood right now. Buckley hams it up a little bit as the scientist too blinded by her research to see the real danger that is developing right in front of her very eyes. Like McAvoy, she seems to be having a grand old time making the film and it shows. In fact, I get the sense that Shyamalan himself seemed more confident and while he did express that this was one of his most challenging shoots ever, there is an element of fun throughout with some appropriately placed humor.

Some are calling this his comeback film but I am still a bit on the fence about that. Certainly he is on the right path but this doesn’t compare with his best two films, both made at the beginning of his career. While the post-credits scene absolutely floored me and left me leaving the theater with a huge grin on my face (and sets up a sequel that is sure to happen), the movie drags a bit particularly in the middle and the final sequence when The Beast makes his appearance is a bit of a letdown in many ways.

Still this is in the upper echelon of Shyamalan’s filmography and that’s a good thing. While he has been disappointing of late, his last two movies are showing a return to form and leaves me hopeful that we will soon be seeing movies on the level of The Sixth Sense and Unbreakable. Now that would be truly a Hollywood miracle.

REASONS TO GO: The tone is nicely taut and suspenseful. McAvoy gives a very strong performance. The twist in the post-credits scene is absolutely wonderful.
REASONS TO STAY: The girls are in general pretty much without personality. The film drags a bit in the middle. The Beast is a little bit of a letdown.
FAMILY VALUES: There are some disturbing images, thematic content that may be squirm-inducing for some, a bit of foul language and some behavior that is suggestive of pedophilia.
TRIVIAL PURSUIT: This is the fifth film directed by Shyamalan to gross more than $100 million at the box office.
CRITICAL MASS: As of 2/19/17: Rotten Tomatoes: 75% positive reviews. Metacritic: 62/100.
COMPARISON SHOPPING: Psycho
FINAL RATING: 6.5/10
NEXT: The Book of Love

X-Men: Apocalypse


Oscar Isaac strikes a dramatic pose.

Oscar Isaac strikes a dramatic pose.

(2016) Superhero (20th Century Fox) James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Oscar Isaac, Rose Byrne, Evan Peters, Josh Helman, Sophie Turner, Tye Sheridan, Lucas Till, Kodi Smit-McPhee, Ben Hardy, Alexandra Shipp, Lana Condor, Olivia Munn, Warren Scherer, Hugh Jackman, Monique Ganderton, Rochelle Kooky, Ally Sheedy. Directed by Bryan Singer

 

Human history is full of the strong oppressing the weak. Sometimes the strong are that in name only; they have strength only in the will to seize power and wield it. Other times they have the strength of numbers. Power can come from many different sources.

In the world of X-Men: Apocalypse the oppressed are feared by the oppressors. Mutants are powerful but they are few in numbers; it is the non-mutants who fear what they can potentially do. Professor Charles Xavier (McAvoy), once the most powerful telepathic mind in the world, sees things differently. He sees a world in which mutants and normals live harmoniously, in which mutants use their powers to protect those who have none. He’s established a school to teach young mutants to fulfill exactly that purpose.

It is a different world than what Magneto (Fassbender) sees but with good reason. The Master of Magnetism is powerful, but was unable to prevent the deaths of his parents at Auschwitz, nor could he protect his wife and daughter while he lived in anonymous exile in Poland (methinks Magneto should stay away from Poland, where Auschwitz is also located, because horrible things seem to happen to him there). He is ripe for being swayed over to the dark side of things.

Enter Apocalypse (Isaac). He may or may not have been the first Mutant, but he is certainly among the most powerful. In his day, he had been worshipped as a God and in fact ruled Egypt as a living God, a despotic tyrant who was eventually ambushed by those who opposed his rule and buried under the rubble of a collapsed pyramid, knocked unconscious before he could change his psyche to the body of a younger man (which is how he remains immortal). His long slumber has been interrupted by misguided followers of his cult and now he’s back in the world, and he doesn’t like what he sees.

In his day, the mutants ruled the normals but that’s not what is happening in the 1980s. It is the height of the cold war and new wave, an era in which the mutants are regarded with suspicion after what happened in the events of X-Men: Days of Future Past. Apocalypse always has a personal guard of four powerful mutants whose powers are enhanced and in this case he chooses Storm (Shipp) with powers over the weather, Psylocke (Munn) who can hurl telepathic daggers and Angel (Hardy) with wings of steel that can hurl steel projectiles.

In the meantime, Mystique (Lawrence) has chosen to remain in her human form and is recruiting new mutants to the Xavier School, including the telepath Jean Grey (Turner) who has the potential to be even more powerful than Xavier himself, Nightcrawler (Smit-McPhee) who can teleport and Scott Summers (Sheridan) who can shoot incredibly strong force bolts from his eyes. Along with Hank McCoy (Hoult) – the ever-loving Beast and resident scientist for the group – and Havok (Till), Summers’ brother whose force beams come out of his chest, and Quicksilver (Peters), a super-speedster, the school is full of very powerful and dangerous kids which attracts the attention of Col. Stryker (Helman) who has a mutant experiment of his own going at Alkili Lake.

Now we’re setting up a potential battle – Apocalypse who wants to destroy the world and repopulate it with mutants who would be the only ones strong enough to withstand the destruction, and Xavier who wants to save the world. Each has their own team; Apocalypse with the Four Horsemen, Xavier with the X-Men and they will duke it out with the fate of the world hanging in the balance.

Of course, the plot is fairly endemic to most superhero movies especially this year when it is the third of three different movies from three different studios all with superheroes battling one another. While critics have been decrying the similarity of the plots, there are subtle differences in each that for my money make them all different takes on a similar but not identical theme.

Here the theme has to do with the oppression of minorities and whether it is the responsibility of those with power to protect their own at the expense of everyone else, or to protect those who need it. The latter is a crucial question in the four color world of superheroes and one which does get repeated fairly regularly in the cinematic world of superheroes as well; as was said in a certain webslinger’s movie, with great power comes great responsibility.

As summer blockbusters go, it has plenty of spectacular action and amazing visuals which is what one looks for in a hot weather diversion. Unfortunately, the movie also has what has proven to be a superhero movie killer on many occasions recently; too many characters. I only touched on the main characters here and there were many others involved in the film, like Wolverine (Jackman) who shows up in a memorable cameo appearance in Jackman’s penultimate appearance as the character.

This is based on a classic comic story arc which is one I was actually familiar with as it was written while I was still collecting comics. The Apocalypse of the comic books was, in my opinion, much more of a villain than he is here and certainly much more dangerous, even though Isaac turns in a pretty strong performance despite the layers and layers of make-up. The Apocalypse of the comics was simply evil and didn’t really have an agenda beyond ruling the world; here, he has a philosophy which is supposed to give him motivation but ends up as unnecessary clutter. There’s a lot of that here, including the Wolverine appearance.

The producers of the X-Men franchise have said that this will conclude the trilogy started in X-Men: First Class in 2011. They have established several new young versions of some of the more beloved characters in the franchise. Where they will go with them is anybody’s guess but you can be sure there will be plenty more X-Men action coming in the future from Fox, for whom this franchise has been a gold mine.

This isn’t the weakest entry in the X-Men franchise but it’s certainly not the strongest. I think some judicious trimming of the number of characters as well as the plot itself (the movie clocks in at well over two hours) might have been beneficial to the final product. Singer has always had the best grip on the X-Men universe of any of the directors who have tackled it. Hopefully whomever inherits the reins will improve on this film which is merely decent.

REASONS TO GO: Some of the visuals are spectacular. It does give the First Class trilogy a nice definite conclusion.
REASONS TO STAY: Feels bloated and overpopulated with characters. Apocalypse felt far more dangerous in the comic book edition than he did here.
FAMILY VALUES: Plenty of superhero action and destruction, some brief strong language and a scene that is sexually suggestive.
TRIVIAL PURSUIT:  Oscar Isaac’s voice was recorded with three different types of microphones, and then melded together to create the voice of Apocalypse.
CRITICAL MASS: As of 7/10/16: Rotten Tomatoes: 48% positive reviews. Metacritic: 52/100.
COMPARISON SHOPPING: The Fantastic Four
FINAL RATING: 6/10
NEXT: Keeper of Darkness