(2013) Adventure (20th Century Fox) Ben Stiller, Kristen Wiig, Sean Penn, Shirley MacLaine, Adam Scott, Kathryn Hahn, Adrian Martinez, Patton Oswalt, Jonathan C. Daly, Terence Bernie Hines, Olafur Darri Olafsson, Gunnar Helgason, Kai Lennox, Conan O’Brien, Andy Richter, Haroon Nawabi, Marcus Antturi, Paul Fitzgerald, Grace Rex. Directed by Ben Stiller
There is a real difference between the lives we lead and the lives we lead in our heads. In our own worlds, we’re beautiful, smart, popular, courageous, daring, heroic and irresistible to our preferred sex. We are saviors of the weak and protectors of the helpless.
For Walter Mitty (Stiller) the disconnect is more than most. He is a shy and somewhat socially clumsy man who works at Life Magazine as a negative assets manager (i.e. he is in charge of the negatives of the photographs for the iconic magazine) and often his daydreams stop him dead in his tracks. His sister (Hahn) calls it zoning out.
Walter crushes on the lovely Cheryl Melhoff (Wiig), recently hired in the accounting department but is too unselfconfident to approach her. What’s worse is that Life is about to be shut down, as announced by the somewhat petty transition manager (Scott) who also says the very last issue will have a cover photo by the magazine’s most famous photographer, Sean O’Connell (Penn). The problem is that the negative for the cover isn’t with the rest of O’Connell’s submissions.
O’Connell, a rootless sort who travels the world looking for that perfect shot isn’t exactly easy to get hold of – he doesn’t even own a cell phone (the teenagers in the audience couldn’t believe their ears). So the only way to get that cover for the last issue is to go out there and fine the reclusive photographer. However that’s easier said than done. The only clues to Sean’s whereabouts lay in the galley sheet of the same set of photos as the missing negative and those clues are pretty vague at best.
While ostensibly based on the beloved James Thurber short story of the same name, the title, the lead character and his daydreaming conceit are basically all that the short story and this movie have in common. Thurber’s short story is much darker in tone and even the Danny Kaye version from 1947 which wasn’t all that much of a match for the short story either was much less uplifting than the Ben Stiller interpretation. It’s all about seizing the day and living life while you still can.
Stiller is a likable enough lead and he has just enough schlubbiness to invest the characters he normally plays with a kind of underdog situation and that is true here as well. Walter is a good-hearted sort who doesn’t have enough go-getter in him to fill a thimble. He is well-liked but not well-respected if you get my drift. People dismiss him as a hopeless dreamer. Stiller fills this role well.
Veteran Shirley MacLaine makes a rare but welcome screen appearance as Walter’s mom but isn’t really given a lot to do – still, she’s always worth the added effort to see her. Comic Patton Oswalt also puts in an appearance as an eHarmony phone representative (mostly we hear his voice in phone conversations) and I’m reminded at how good he can be onscreen as he was in the Charlize Theron black comedy Young Adult.
Stiller the director also makes some interesting moves, nicely going from reality to fantasy and uses graphics within the film to advance the story. It’s a visually clever film. The soundtrack is awfully nice to with Swedish indie artist Jose Gonzalez supplying songs. So why didn’t I like this movie more?
The movie lacked soul, in my opinion, which is a different thing than heart which it has a lot of. I just didn’t get that spark of joy that the film should have produced. Sure one roots for Walter to find Sean and to get the girl but there are too many cliché moves and not enough genuine passion to make the movie more memorable. That’s not to say that it isn’t a pleasant diversion – you can do worse than to spend your entertainment dollar on Walter Mitty. It just let me down a bit so I feel justified in rating it perhaps lower than I would have liked given the source material and the talent involved.
The overall message of doing instead of dreaming is a tricky one to navigate. There is nothing wrong with dreaming big – every action begins as a dream more or less – but it shouldn’t happen at the expense of living life to the fullest. Not all of us can get on a plane to the middle of nowhere and embark on an epic adventure but that doesn’t mean we can’t embark on the epic adventures that are already around us.
REASONS TO GO: Inventive use of graphics and effects. Always a joy to see MacLaine.
REASONS TO STAY: Lacks spark.
FAMILY VALUES: There is a little bit of crude language and some action violence.
TRIVIAL PURSUIT: When the fishing boat lands in Iceland, Walter is urged to grab the lone bicycle before a group of “horny Chileans” from a different trawler gets the bike to use to get to the strip club. Those Chileans would be sorely disappointed because strip clubs have been essentially illegal in Iceland since 2010
CRITICAL MASS: As of 1/13/14: Rotten Tomatoes: 48% positive reviews. Metacritic: 54/100.
COMPARISON SHOPPING: Bedtime Stories
FINAL RATING: 6/10