New Releases for the Week of December 21, 2018


AQUAMAN

(Warner Brothers) Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Nicole Kidman, Dolph Lundgren, Yahya Abdul-Mateen II, Temeura Morrison. Directed by James Wan

Arthur Curry, the son of a lighthouse keeper, discovers that he is heir to the throne to Atlantis. There are forces aligned against him, however, that want him to stay on land – and who also wish to wage war against the land-dwellers.

See the trailer, clips and video featurettes here
For more on the movie this is the website
Release Formats: Standard, 3D, DBOX, DBOX 3D, DTSX, IMAX, IMAX 3D, RPX, RPX 3D, ScreenX, XD, XD 3D

Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi violence and action, and for some language)

Ben is Back

(Roadside Attractions) Julia Roberts, Lucas Hedges, Courtney B. Vance, Kathryn Newton. When her drug addicted teen son from a first marriage returns unexpectedly on Christmas Eve, a mother is at first delighted but cautious. As the evening goes on it becomes apparent that things are not as they seem with him and soon she is dragged unwillingly into his world with the rest of her family dragged in behind her. Look for the review on Cinema365 tomorrow.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Barnstorm Theater, Regal Oviedo Marketplace, Regal Winter Park Village

Rating: R (for language throughout and some drug use)

Bumblebee

(Paramount) Hailee Steinfeld, Dylan O’Brien (voice), John Cena, Megyn Price. In 1987 a young girl finds the battle-scarred and broken Transformer Bumblebee in the junkyard of a small California town. She soon finds herself in the middle of an interstellar conflict which threatens the very existence of planet Earth itself.

See the trailer clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, Dolby, RPX, XD, XD 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action violence)

Mary Queen of Scots

(Focus) Saoirse Ronan, Margot Robbie, Guy Pearce, David Tennant. The story of the half-sister of Queen Elizabeth I the two of whom were once close but turned into bitter rivals and eventually, deadly foes.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Cinemark Universal Citywalk, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for some violence and sexuality)

Mary Poppins Returns

(Disney) Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer. The Banks children, one of the beneficiaries of the legendary Mary Poppins, have all grown up and have children of their own. Now Mary returns to save the Banks family once more with her heartwarming brand of magic.

See the trailer, interviews and video featurettes here
For more on the movie this is the website
Release Formats: Standard, DBOX, Dolby, RPX
Genre: Family
Now Playing: Wide Release (opened Wednesday)
Rating: PG (for some mild thematic elements and brief action)

Second Act

(STX) Jennifer Lopez, Leah Remini, Vanessa Hudgens, Treat Williams. An ambitious big box retail clerk reinvents her job history and biography and ends up with a golden opportunity to show the Wall Street boys club what a street smart Puerto Rican woman can do.

See the trailer, clips, interviews, a video featurette and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Wide Release

Rating: PG-13 (for some crude sexual references, and language)

Welcome to Marwen

(Universal/DreamWorks) Steve Carell, Leslie Mann, Diane Kruger, Janelle Monáe. A man who was the victim of a brutal beating that cost him his memory, tries to rebuild his shattered life through a make-believe town that he constructs where he can be heroic and strong. This is based on an actual incident.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama/Fantasy
Now Playing: Wide Release

Rating: PG-13 (for sequences of fantasy violence, some disturbing images, brief suggestive content, thematic material and language)

Zero

(Yash Raj) Shah Rukh Khan, Anushka Sharma, Karina Kaif, Salman Khan. A young man born to wealth and privilege and was content in his life. Then he meets two women who broaden his outlook and give him a purpose he never knew he needed.

See the trailer, promos and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC West Oaks, Cinemark Universal Citywalk, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

American Renegades
Antariksham
Burning
KGF Chapter 1
Padi Padi Leche Manasu

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Antariksham
KGF Chapter 1
Padi Padi Leche Manasu
Shoah: Four Sisters
Swimming with Men

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Antariksham
KGF Chapter 1
Padi Padi Leche Manasu

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

KGF Chapter 1

SCHEDULED FOR REVIEW:

Aquaman
Ben is Back
Bumblebee
Mary Queen of Scots
Mary Poppins Returns
Swimming with Men
Welcome to Marwen

Furious 7


Paul Walker and Vin Diesel prepare for one last ride.

Paul Walker and Vin Diesel prepare for one last ride.

(2015) Action (Universal) Vin Diesel, Jason Statham, Paul Walker, Michelle Rodriguez, Dwayne Johnson, Jordana Brewster, Tyrese Gibson, Ludacris, Lucas Black, Kurt Russell, Natalie Emmanuel, Elsa Pataky, Gal Gadot, John Brotherton, Luke Evans, Tony Jaa, Djimon Hounsou, Noel Gugliemi, Ali Fazar, Sung Kang, Ronda Rousey, Iggy Azalea, Levy Tran. Directed by James Wan

If there is a motion picture franchise that has escaped convention and turned all Hollywood wisdom on its ear, it is this one. The first movie in the series that has now reached seven films was pretty good, the next two not so much, the fourth one was excruciating but the fifth and sixth ones were the two best of the series. Would this continue that trend?

Picking up directly where Fast & Furious 6 left off, Dominic Toretto (Diesel) is looking forward to some down time with his friends – except he has no friends, only family. His sister Mia (Brewster) is in full-on maternal mode, bringing up a little baby girl with another one on its way. His best friend Brian O’Connell (Walker) is moving into the daddy role although he’s not always happy about it, telling Mia in a moment of reflection that he misses the bullets. His wife Letty (Rodriguez) is still suffering from amnesia and doesn’t remember that she and Dom are married. Tej (Ludacris) and Roman (Gibson) are getting on with their lives after the run-in with Owen Shaw (Evans) that nearly killed them and left the bad guy comatose.

Except that Owen’s bigger and badder brother Deckard (Statham) is out for vengeance and he has already murdered Han (Kang). He drops a bomb on Dom’s house and puts their own private federal agent Hobbs (Johnson) in the hospital. The crew realize they’re being hunted down one by one by a superior killer.

Enter Mr. Nobody (Russell), a black ops sort who is willing to help them drop Deckard out of the world but there’s one little catch; they must retrieve Ramsey (Emmanuel), a comely hacker and her ultimate surveillance hack Godseye from ruthless warlord Jakande (Hounsou). Considering that he doesn’t care how many civilians die for him to get ultimate power and control through Godseye which essentially accepts the feeds from everything with a camera or a cell phone in the world, it can locate anyone anywhere on the planet.

They’ll have to pull out all the stops, taking crazy to a whole new level in the process. None of them will be safe, either from the heavily armed drone that is chasing them or from the lethal Deckard who has already offed one of their numbers and looks to add others to the tally before all is said and done.

This continues the frenetic pace that has made the last two movies in the franchise so enjoyable. The stunts are more breathtaking with cars dropping out of airplanes and flying out of skyscrapers into other skyscrapers. This is some of the best car-centric action you’re likely to see this year and although some of the stunts defy logic, they will nonetheless leave even the most intellectual moviegoer on the edge of your seat. Just go with it, says I.

And there are some pretty badass baddies to deal with. Statham is the best villain to date in the franchise and he is absolutely lethal, having one of the better fight sequences in recent memory with Johnson early on in the movie. Hounsou, an Oscar nominee, also makes for a mad dog African warlord that while somewhat over-the-top and somewhat stereotypical is still one you love to hate. And the great Tony Jaa makes his English language debut as Jakande’s enforcer and he gets a couple of fight scenes with Walker that are amazing.

Yeah, that’s a lot of superlatives to throw around but in fact this may well be the best of the franchise, although I think that the sixth entry edges it out by a hair. There’s a little bit too much mention of “family” by Dom (which would make a great home video drinking game if you take a shot every time he says the word) and this really doesn’t do much more than give us more of the same only at greater volume.

There is also a very nice tribute to Walker at the movie’s end. Walker, who passed away in a car crash (ironically) on November 30, 2014 was about halfway through filming his role when he died, but thanks to stand-ins and body doubles (supplied in part by his brothers Cody and Caleb) as well as timely CGI and archival footage the movie was able to be finished. Now there are some snarky critics who claim they could tell when Walker was “real” and when he was CGI. That’s odd because I couldn’t and I suspect the average moviegoer won’t be able to either. However, Walker’s voice was stilled for much of the film and the actors and crew paid tribute to him in subtle ways throughout.

It is a fitting farewell to Walker who was just coming into his own as an actor and looked to be moving past the typical mumble-mouthed wooden action hero he was generally cast as. Imagining what kind of career he had ahead of him will haunt an awful lot of people’s imagination as to what sort of future he had ahead of him. That his last movie broke box office records is kind of a lovely grace note to all this.

REASONS TO GO: Incredible stunts and driving sequences. A fitting farewell to Walker. Statham, Jaa and Hounsou make fine adversaries.
REASONS TO STAY: More of the same but who cares?
FAMILY VALUES: Nearly non-stop action, violence and automotive mayhem, a fair amount of cussing and some sexually suggestive visuals.
TRIVIAL PURSUIT: At 2 hours and 17 minutes, this is the longest entry to date in the film franchise.
CRITICAL MASS: As of 4/8/15: Rotten Tomatoes: 82% positive reviews. Metacritic: 67/100.
COMPARISON SHOPPING: Need for Speed
FINAL RATING: 7/10
NEXT: A Better Life

The Conjuring


Even illumination via match is better than stumbling around in the dark.

Even illumination via match is better than stumbling around in the dark.

(2013) Supernatural Horror (New Line) Patrick Wilson, Vera Farmiga, Lili Taylor, Ron Livingston, Joey King, Shanley Caswell, Haley McFarland, Mackenzie Foy, Kyla Deaver, Sterling Jerins, Shannon Kook, John Brotherton, Morganna Bridgers, Zach Pappas, Amy Tipton, Joseph Bishara, Ashley White, Rose Bechtel, Desi Domo. Directed by James Wan

Six Days of Darkness 2014

There are things we know, things we can guess at and things we don’t have a clue about. If the sum total of all that can be known is represented by a volume of War and Peace the collective human knowledge to this point would fit in the first letter on the front cover of the book. Things we don’t know much about – the paranormal – we tend to disbelieve. If it can’t be proven scientifically, the rationale goes, then it isn’t real. Poppycock. Balderdash! All that it means is that we don’t have the wherewithal to prove it at the moment. Our scientific understanding of the paranormal hasn’t reached a point where we can do much more than rule out the mundane. The fact of the matter is, there have been plenty of phenomena captured either anecdotally or on video and for us to say that there’s no such thing as the paranormal is a bit arrogant at best.

One of the first paranormal investigative teams were the Warrens, Ed (Wilson) and Lorraine (Farmiga). Lorraine, a clairvoyant and Ed, who tends to be the more pragmatic of the pair, make a pretty good team. They tell people going in that nearly all of the cases they consult on end up having a non-spiritual explanation. There are the few though that do – and often those cases involve some kind of entity. Something malevolent. Something not human.

The Perron family, on the other hand, are salt of the earth sorts. They’ve just moved into a Rhode Island farmhouse that has enough room for the seven of them – trucker husband Roger (Livingston), his wife Carol (Taylor) and daughters Nancy (McFarland), Christine (King), Cindy (Foy), April (Deaver) and Andrea (Caswell). However, it soon becomes evident that the family isn’t the only tenant of the farmhouse. Things are going bump in the night (more like BANG!), there are disembodied voices of children, things are misplaced and moved at random and the dog refuses to go inside the house. As Roger is frequently away for work Carol is left to protect her daughters and she is beginning to suspect that is something she’ll be unable to do. Desperate, she contacts the Warrens.

At first Ed isn’t very enthusiastic about taking on a new case. In a recent case, Lorraine was endangered and ended up suffering injury and he is very concerned for her well-being. However, even he can’t deny that the Perron family is in grave danger and he and Lorraine just can’t turn their backs on them.

Their investigation leads them to the conclusion that this is not explainable by conventional means; there is a malevolent spirit in the house, that of an accused witch named Bathsheba Sherman who had died by her own hand in the house centuries before. She doesn’t take kindly to strangers in her domicile and she means to get them out by any means necessary.

This is the movie that spun off the recent hit Annabelle and the doll figures in the action in a pre-credits sequence and then later on near the climax of the film. However, she definitely takes a back seat in the movie to the Warrens themselves (although she decidedly makes an impression). Wilson, who has worked with Wan in the Insidious movies is excellent here – Wan seems to bring out the best in him. His chemistry with Farmiga is wonderful; they are completely believable as a married couple. In fact, both married couples have good chemistry. The casting in this movie is impeccable.

Let’s be frank; this movie is as scary as any that has come out in the last few years, maybe the scariest. Wan does this wonderfully, establishing the ordinary and building slowly to the terrifying. He does it in a very matter-of-fact way without resorting to a lot of CGI (most of the effects here are practical). A children’s game of hide and clap turns into something menacing as phantom arms come out of an armoire or a basement to lead players astray. All of this leads to one of the best climaxes in a horror movie that I’ve seen in ages.

If you haven’t seen this one yet, this should be a priority especially during the Halloween season. With a spin-off already under its belt and a sequel on the way, the success of the movie financially is equaled by its success cinematically. While critics tend to give short shrift to horror movies in general, this is the sort of ride that fans tend to love – and make converts out of non-fans. You can add this to your list of horror classics, folks.

WHY RENT THIS: Scary as all get out. Great chemistry between Wilson and Farmiga as well as with Livingston and Taylor. Sets up ordinary and builds nicely.
WHY RENT SOMETHING ELSE: A raft of 70s-set horror films lately.
FAMILY VALUES: A whole lot of disturbing violence and scenes of intense terror.
TRIVIAL PURSUIT: The movie is the third-highest box office opening weekend for an R-rated horror film, behind only Paranormal Activity 3 and Hannibal.
NOTABLE DVD EXTRAS: There are featurettes both on the real life Warrens and the real life Perrons. The surviving Perrons and Lorraine Warren are all interviewed for the disc.
BOX OFFICE PERFORMANCE: $318M on a $20M production budget.
SITES TO SEE: Netflix (DVD rental only), Amazon (purchase only), Vudu (not available),  iTunes (rent/buy), Flixster (purchase only), Target Ticket (purchase only)
COMPARISON SHOPPING: The Amityville Horror
FINAL RATING: 8.5/10
NEXT: Six Days of Darkness Day Five!

Dead Silence


She's bummed because she's out of both Clearasil and Coppertone.

She’s bummed because she’s out of both Clearasil and Coppertone.

(2007) Horror (Universal) Ryan Kwanten, Amber Valletta, Donnie Wahlberg, Bob Gunton, Michael Fairman, Joan Heney, Laura Regan, Dmitry Chepovetsky, Judith Roberts, Keir Gilchrist, Steven Taylor, David Talbot, Steve Adams, Shelley Peterson, Enn Reitel (voice), Fred Tatasciore (voice), Austin Majors (voice), Julian Richings. Directed by James Wan.

The thing with urban legends is that they tend to be more folklore than folk. Legends like Bloody Mary and Spring-Heeled Jack, both of whom are likely to have at least some basis in fact, have evolved into creatures who haunt our nightmares but can do little more than that.

Jamie Ashen (Kwanten) and his wife Lisa (Regan) are young and have their whole lives ahead of them. They don’t have much, but they do have a ventriloquist dummy that arrived mysteriously on their doorstep. So what does one do when one receives a ventriloquist dummy from an unknown source? If you’re Jamie Ashen, you go out for Chinese.

Naturally while he’s out picking up his Mu Shu Pork, his wife is being brutally murdered and yes, the dummy figures into it. Detective Lipton (Wahlberg), being no dummy himself, figures that the husband is suspect number one because he was the last person to see his wife alive, and this whole dummy story is completely preposterous, right? Not as preposterous as the cops letting him head back to his home town of Raven’s Falls to bury his wife, nor as much as later leaving the dummy at Jamie’s apartment despite it being an important bit of evidence. We’ll get to that later.

Jamie meets up with his Dad (Gunton) with whom his relationship has been strained to say the least but latest stepmom Ella (Valletta) seems to have mellowed him. Unfortunately, Dad’s new attitude doesn’t make much headway with his son, whose bridges have apparently been bombed and burned. However, Jamie meets up with the local undertaker (Fairman) and his addled sister (Heney) who inform him about the town’s dirty little secret; a ventriloquist named Mary Shaw (Roberts) once was accused of kidnapping and murdering a local child and was herself murdered by the irate townsfolk, who didn’t cotton much to that kind of thing. Mary was buried with her collection of more than 100 dummies, and has had her cadaver deformed to resemble a doll herself.

Of course, being murdered by irate townspeople will give a spirit one gnarly mad-on, so her spirit is rumored to have come back and picked off those responsible for her untimely demise one by one. The rumor goes that if her victim screams, Mary yanks out their tongue as well as a good deal of their soul/life force/whatever. It makes for an unpleasant nursery rhyme, but is the vengeful ghost of Mary Shaw real, and if she is, how do you fight something that has been dead for thirty years?

A fairly likable young cast performs as well as can be expected, with the character actors thrown in for good measure delivering. Kwanten is pleasant-looking enough, but struck me as more whiny than heroic. Valletta is awfully nice to look at but had sadly little to do. Gunton is one of my favorite character actors, but again is given a thankless role that gets very little screen time and makes little impact. Wahlberg is solid playing a role he has already done in the Saw movies, which Wan and writer Leigh Whannell created. He does it well enough, I suppose.

Director Wan works the tension up nicely although the pace drags occasionally. There aren’t a lot of special effects to deal with other than the articulated dolls but the dolls are first-rate when they do appear. The cinematography was adequately dark and murky to suit the mood although the set of the old theater where the climax takes place was unconvincing to my eyes.

A neat little twist at the end is the icing on a well-written cake. Although the “urban legend supernatural villains” has been done before, it hasn’t been done much better than this. Wan and Whannell go for a more atmospheric and less visceral movie than Saw and excel at it.

Unfortunately, Kwanten is uninspiring as the lead, and Wahlberg walks through his part as if he’s done it all before – which he has. There are a few too many preposterous plot points that were completely unnecessary such as the police leaving the ventriloquist dummy in the crime scene apartment. In real life something like that would be bagged for evidence along with the package it arrived in if for no other reason to rule out that the dummy’s appearance wasn’t tied to the murder. Something tells me that even I, not a professional detective, would find it a bit unusual that a murder victim received a ventriloquist dummy on their doorstep minutes before their demise and being the unprofessional that I am would be inclined to investigate it.

There are some pretty nifty scares here and some genuine creep-out moments. Horror film buffs, of which I am one, will find it a fairly fresh take on a genre that has been somewhat weak historically – the supernatural urban legend. Fans of Saw might be disappointed at the lack of gore but this is a pretty decent spookfest for those who love their horror atmospheric more than visceral.

WHY RENT THIS: Nice atmospheric thrills. Some scary moments liable to give you the creepy-crawlies.
WHY RENT SOMETHING ELSE: Kwanten is not convincing as the lead. Lapses in logic throughout,
FAMILY MATTERS: Although the gore is cut down significantly from the Saw movies, the atmosphere is far too spooky for the impressionable.
TRIVIAL PURSUITS: Among the dolls seen in the climax are replicas of Edgar Bergen’s doll Charlie McCarthy, Jimmy Nelson’s doll Danny O’Day and Jigsaw’s doll from Saw.
NOTABLE HOME VIDEO EXTRAS: There’s a music video for Aiden’s “We Sleep Forever” as well as a featurette on the making of the film’s villain.
BOX OFFICE PERFORMANCE: $22.2M on a $20M production budget.
SITES TO SEE: Netflix (DVD Rental/Stream), Amazon (Rent/Buy), iTunes (Purchase only), Vudu (Rent/Buy), Flixster (Rent/Buy), Target Ticket (Purchase Only)
COMPARISON SHOPPING: Darkness Falls
FINAL RATING: 6/10
NEXT: My Old Lady

New Releases for the Week of September 13, 2013


Insidious Chapter 2

INSIDIOUS: CHAPTER 2

(FilmDistrict) Patrick Wilson, Rose Byrne, Lin Shaye, Ty Simpkins, Barbara Hershey, Danielle Bisutti, Leigh Whannell, Steve Coulter, Angus Sampson. Directed by James Wan

Following the events of Insidious the Lambert family thinks the terror is behind them. However, little do they know that they were signed to do a sequel and the supernatural forces that bedeviled them in the first film aren’t done with them yet. Not only are they back but they are more frightening than ever – which is good news for gorehounds looking for a pre-Halloween scarefest.  

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Supernatural Horror

Rating: PG-13 (for intense sequences of terror and violence, and thematic elements)

Austenland

(Sony Classics) Keri Russell, Jane Seymour, James Callis, Jennifer Coolidge.  A New Yorker with a not-so-secret passion for the world of Jane Austen, finds herself the perfect vacation – an English resort in a Regency-era estate which has been outfitted to take their guests back to that time, complete with actors playing the characters from the novel. But as she flirts and finds her perfect nirvana, perhaps someone will turn out to be her perfect Mr. Darcy.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for some suggestive content and innuendo)

The Family

(Relativity) Robert De Niro, Michelle Pfeiffer, Tommy Lee Jones, Dianna Agron. A mafia boss who testified against the mob has been in witness protection but that doesn’t mean they’re safe. Unruly, unable to give up their life of crime and mayhem despite the danger it puts them in, their exasperated handler puts them in a house in rural France but even there they can’t get past that they’re most definitely not in Brooklyn anymore. And as the mob closes in on them, they realize they have no other place to go.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Crime Action Comedy

Rating: R (for violence, language and brief sexuality) 

The Investigator

(Gabriel’s Messenger) Wade Williams, David Sanborn, Kevin White, Mollyanna Ward. A veteran police detective, weary of the worst side of humanity he confronts every day, is forced to retire after a drug bust goes horribly wrong.  He becomes a criminal justice teacher and baseball coach at a local Christian high school, but after his wife’s miscarriage he questions his once-strong faith. However, one of his students urges him to put his police skills to the test – to investigate the murder of one Jesus of Nazareth. Based on a true story.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Faith

Rating: PG-13 (for some drug material and a scene of violence)

Winnie Mandela

(RLJ Entertainment) Jennifer Hudson, Terrence Howard, Wendy Crewson, Elias Koteas. While many are aware of the accomplishments of the South African activist and politician Nelson Mandela, his wife Winnie was no less a formidable advocate for freedom and a major figure in bringing down the system of apartheid in that country. This is that story from her point of view.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Biographical Drama

Rating: R (for some violence and language)

New Releases for the Week of July 19, 2013


The Conjuring

THE CONJURING

(New Line) Vera Farmiga, Patrick Wilson, Lily Taylor, Ron Livingston, Joey King, Mackenzie Foy, Shanley Caswell, Hayley McFarland, Kyla Deaver. Directed by James Wan

When a family is terrorized by unexplainable phenomenon in an isolated Pennsylvania farmhouse, they call in world-renowned husband-wife paranormal investigators Ed and Leslie Warren who made their bones on the Amityville house. What they discover there is something so frightening and violent that they’ve kept that case secret…until now.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard (Opens Thursday)

Genre: Supernatural Horror

Rating: R (for sequences of disturbing violence and terror)

The East

(Fox Searchlight) Brit Marling, Alexander Skarsgard, Ellen Page, Patricia Clarkson. An ambitious young operative for a private security firm goes undercover in an anarchist group that’s targeting major corporations that it finds guilty of covering up criminal activity. The deeper she gets, the more she finds her own moral compass beginning to point East.

See the trailer, clips and featurettes here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG-13 (for thematic elements, violence, some disturbing images, sexual content and partial nudity)

Evidence

(RLJ/Image) Stephen Moyer, Radha Mitchell, Torrey DeVitto, Caitlin Stasey. Detectives investigating a massacre find a number of recording devices found at the crime scene. The footage reveals survivors of a bus crash fighting for their lives after a mysterious killer picks them off one by one.

See the trailer and stream the full movie on Amazon here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: NR

Girl Most Likely

(Roadside Attractions) Kristen Wiig, Annette Bening, Matt Dillon, Natasha Lyonne. When a New York playwright finds her career swirling down the toilet bowl after a crisis in confidence, she fakes a suicide attempt to win back her boyfriend who is dumping her. However, things don’t turn out as planned when she is put in the custody of her estranged mother, a gambling and drug addict, and leaving her Manhattan society circle for the Jersey Shore.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for sexual content and language) 

R.I.P.D.

(Universal) Jeff Bridges, Ryan Reynolds, Kevin Bacon, Mary-Louise Parker. When a tough-as-nails cop is killed in the line of duty, he discovers that his duty doesn’t end with his mortal life; instead he is brought aboard the R.I.P.D., a next-life law enforcement team that tracks monstrous spirits on Earth who aren’t supposed to be there. Teamed up with a cynical Wild West lawman, the rookie is about to come face-to-face with a threat that could mean Armageddon…or at the very least Hell on Earth.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard, 3D (Opens Thursday)

Genre: Supernatural Comedy

Rating: PG-13 (for violence, sci-fi/fantasy action, some sensuality, and language including sex references)

Ramaiya Vastavaiya

(Tips Industries) Girish Taurani, Shruti K. Haasan, Randhir Kapoor, Vinod Khanna. A young man, Indian of descent but raised in Australia and a young woman from a beautiful village in the north of India. They meet at his cousin’s wedding and become instant friends, which deepens into an intense love. Circumstances force them to return to their homes. The man wants to woo his lady love but her protective family want him to prove himself. Will love triumph over all?

See the trailer, clips, featurettes and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

RED 2

(Summit) Bruce Willis, John Malkovich, Helen Mirren, Anthony Hopkins. After re-retiring, the AARP superspies are called back to active duty to thwart a plot to detonate a nuclear device in Russia. The guy who created the device is crazy as a loon however and only one guy can actually get him to fork over the information they need – and I can bet you can guess who that is!

See the trailer, clips, promos and a featurette here.

For more on the movie this is the website.

Release formats: Standard (Opens Thursday)

Genre: Action Comedy

Rating: PG-13 (for pervasive action and violence including frenetic gunplay, and for some language and drug material)

Turbo

(DreamWorks) Starring the voices of Ryan Reynolds, Paul Giamatti, Samuel L. Jackson, Maya Rudolph. What could be more ridiculous than a snail that dreams of going fast. I’m not talking about crossing the sidewalk in five hours fast, I’m talking Indy 500 fast. Yeah, right…but this is an animated feature so anything is possible. Heck if snails can talk, why not have them go 200 MPH?

See the trailer, featurettes and clips here.

For more on the movie this is the website.

Release formats: Standard, 3D (Opened Wednesday)

Genre: Animated Feature

Rating: PG (for mild action and thematic elements)

The Way, Way Back

(Fox Searchlight) Steve Carell, Toni Collette, Sam Rockwell, Liam James.  A 14-year-old boy’s summer is being ruined by his mom’s overbearing boyfriend. Retreating into a shell, he finds an unlikely friend in the owner of a water park. As he is coaxed into a less introverted state, he finds his own two feet to stand on – and a sense of who he is becoming in the summer of his life.

See the trailer, a promo, a clip and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Coming of Age Dramedy

Rating: PG-13 (for thematic elements, language, some sexual content and brief drug material)  

Insidious


Insidious

Rose Byrne and Patrick Wilson are skeptical this "breathing in the ear amplifier" will improve their sex lives.

(2011) Supernatural Horror (FilmDistrict) Patrick Wilson, Rose Byrne, Ty Simpkins, Barbara Hershey, Lyn Shaye, Andrew Astor, Leigh Whannell, Angus Sampson, Corbett Tuck, Heather Tocquigny, Ruben Pla, John Henry Binder, Joseph Bishara, Philip Friedman. Directed by James Wan

The things that happen to us when we sleep are mysterious, even with all the technology at our disposal. Nobody really knows what awaits us when we close our eyes.

At first glance things look pretty good for Josh Lambert (Wilson) and his wife Renai (Byrne) – pronounced “Renee” but spelled differently. They have just moved into a pretty spiffy old house. Josh works as a math teacher at the local high school – or is that college? We’re never really sure. I’m betting the latter because it’s a really spiffy house and Renai isn’t working. Well, she’s writing songs…but she’s also unpacking, taking care of two energetic young boys and a baby. Okay, she’s working harder than Josh is.

But there are some odd things going on. Things are being moved around. There are odd sounds that can be heard at night. Things disappear. Of course, some of it might be due to the chaos of moving. The sounds, well, it’s an old house, spiffy as it is.

Then things turn darker. Their eldest son Dalton (Simpkins) takes a tumble in the attic. At first glance, it doesn’t seem to be anything particularly serious; a little bump on the noggin. But he doesn’t wake up the next morning and nothing can rouse him from his slumber.

The doctors can’t explain it. His tumble didn’t produce any brain trauma. There’s no inflammation, no infection, nothing that would explain his coma, but he is most assuredly in one. After a few months of fruitless tests, the boy is sent home to lie in his own bed. A home nurse (Tuck) explains to Renai how to lubricate his feeding tube while Renai muses how the universe must be testing her to see how far she’ll bend before she breaks. It’s an honest moment but the universe isn’t done with her yet.

Things go from bad to worse. The paranormal activity in the house increases. Sinister figures are half-glimpsed and then fully seen. Things don’t just go bump in the night, they go CRASH BANG!!! Security alarms go off without reason, while the security company that installed them doesn’t respond.

So they do what any sensible family would do. They move. Josh’s mom Lorraine (Hershey) welcomes them to the neighborhood. Renai is relieved; at last the nightmare is over. But it’s not – it’s just beginning. The apparitions are showing up in the new place, more menacing and more solid than ever. At last, the couple in desperation calls a psychic that Lorraine recommends – Elise Rainier (Shaye). But before she shows up, she sends a couple of paranormal experts – Specs (Whannell) and Tucker (Sampson), who show up with elaborate homemade equipment. The looks on the face of Josh and Renai are pretty easy to read although they’re polite.

Then Elise herself shows up and makes the pronouncement that it isn’t the house that’s haunted, its Dalton. You see, apparently he astral projects at night while he’s asleep and like most young boys, he goes a little farther than he’s supposed to, ending up in a realm she calls The Further (yes, it’s capitalized). That’s where people go when they die. That’s where Dalton is. That’s where dear old dad has to go to fetch him (you see, Dalton inherited his skills). And Josh needs to do it fast; there are some real bad dudes out there who have plans for Dalton’s empty shell of a body.

The movie was written and directed by the team who did the same for the Saw series, and produced by the guy who directed Paranormal Activities, so the pedigree is good. Wan does a good job bringing out the chills and that all-important sense of dread that haunted house movies need to have in order to be successful.

He’s got a decent cast to work with. Wilson is most often cast as a baddie but here he plays a troubled father with a skeleton in his own closet (and yes, that’s pretty literal) who is weak in moments when he should be strong. That makes him a little bit more likable in an odd way – he’s like, normal and not some Hollywood superdad. Byrne’s best scenes come early after which she’s mostly supposed to scream, cry and beg. She can do hysterical as well as anybody can.

For my money, Shaye steals the show as the psychic who is something of a nod to Zelda Rubinstein in Poltergeist. She knows far more about the afterlife than anybody alive, and is able to reach into the other dimension and communicate. Like Rubinstein, she knows trouble when she sees it and is well aware the other side has some things in it that should stay there – not that they’ll stop trying to cross over at any opportunity mind you. Whannell (who wrote the script) and Sampson add much-appreciated comic relief, looking at magnetic fields through View Masters. Priceless, I tell you.

Now, despite the twist (which is given away in the trailer so I don’t have a problem revealing it here) that I thought could have really been a game-changer much the way the twist in The Sixth Sense was, the movie doesn’t really add too much to the genre. What happens is that Elise Rainier goes off to explain the Further in great detail, with a whole lot of paranormal technobabble until all you can do is throw your popcorn at the screen and yell “enough!” The movie would have worked better without the explanation and left the cast to work it out on their own. I also thought the sending of the dad in to fetch his son was a little too reminiscent of JoBeth Williams going into the closet to rescue the late Heather O’Rourke from the light – I half expected Wilson and Byrne to start calling “Carol Ann!” in reference to the character.

Even with all that, this is still a crackerjack of a horror flick. It scares you properly; none of these false scares or red herrings; they come right at you and put the horror right in your face where it’s supposed to be. There’s no overt gore (although there are certainly some disturbing images of dead things) and the movie is the better for it. The humans act like rational people other than a couple of slight miscues but still in all this is as good a horror movie as I’ve seen for awhile.

REASONS TO GO: Some very effective scares and a nice performance for Shaye. Some of the off-beat humor is very welcome.

REASONS TO STAY: Doesn’t really add too much to the haunted house genre and the twist is mostly a bunch of mumbo jumbo.

FAMILY VALUES: There are plenty of creepy images and big time scares, as well as some foul language. The overall theme that involves a child vulnerable to demonic possession might be way too much for small children.

TRIVIAL PURSUIT: This is the first release from the new distribution company FilmDistrict.

HOME OR THEATER: While the big scary noises do enhance the movie and work best in a theater, the intimate nature of the movie is just fine at home.

FINAL RATING: 7/10

TOMORROW: Cold Souls