New Releases for the Week of October 20, 2017


GEOSTORM

(Warner Brothers) Gerard Butler, Jim Sturgess, Abbie Cornish, Alexandra Maria Lara, Daniel Wu, Eugenio Derbez, Amr Waked, Andy Garcia, Ed Harris. Directed by Dean Devlin

In a future where we have the ability to control the weather, the satellites that do the controlling suddenly and inexplicably start to turn on the Earth, creating massive and deadly weather events. As the weather worsens, a massive worldwide Geostorm that could potentially wipe out all life on earth is forming and it’s a race against time to find out who is behind it and stop them before our home is turned into a lifeless wasteland.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, DBOX, IMAX, IMAX 3D
Genre: Sci-Fi Action
Now Playing: Wide Release

Rating: PG-13 (for destruction, action and violence)

Breathe

(Bleecker Street) Andrew Garfield, Claire Foy, Ed Speleers, Tom Hollander. Legendary motion capture king Andy Serkis makes his directorial debut with this inspiring true story of Robin Cavendish, a young man whose life is full of adventure, promise and love but is cruelly paralyzed by polio from the neck down, leaving a grim prognosis. Refusing to live out his days in a hospital, against all odds he returns home and slowly but surely with the help of mechanically-inclined friends he works on ways to make his life – and the lives of others in his predicament – better.

See the trailer and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Regal Ormond Beach, Regal Oviedo Marketplace, Regal Pointe Orlando, Rialto Spanish Springs

Rating: PG-13 (for mature thematic material including some bloody medical images)

Faces, Places

(Cohen Media Group) Jean-Luc Godard, Agnés Varda, JR, Laurent Levesque. Legendary French new wave director Varda and acclaimed muralist JR strike up an unlikely friendship and decide to make a film together. Travelling France to photograph new faces, art is created in the most unlikely and occasionally delightful of places.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village

Rating: PG (for brief nude images and thematic elements)

Killing Gunther

(Saban/Lionsgate) Arnold Schwarzenegger, Cobie Smulders, Bobby Moynihan, Allison Tolman. Gunther is the world’s most successful assassin. So much so that the world’s other assassins are getting together and plotting to take him down. The trouble is, their plans don’t always work the way they are intended to.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action Comedy
Now Playing: AMC West Oaks

Rating: R (for violence, language and some sexual material)

Mark Felt: The Man Who Brought Down the White House

(Sony Classics) Liam Neeson, Diane Lane, Marton Csokas, Tony Goldwyn. The story of Felt, who for years hid his identity as the mystery man who helped take down the Nixon White House. Felt, a respected agent in the intelligence community discovered the wrongdoings of Watergate and became the most famous whistleblower in history – known to most as Deep Throat.

See the trailer and clips here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, AMC Universal Cineplex, Regal Winter Park Village, Rialto Spanish Springs

Rating: PG-13 (for some language)

Only the Brave

(Columbia) Josh Brolin, Jeff Bridges, Miles Teller, Jennifer Connelly. This is based on the Granite Mountain Hotshots, a volunteer firefighting brigade that took a heroic stand trying to defend their town from a historic wildfire. In the context of what has been happening in California, the Pacific Northwest and Big Sky country, this movie couldn’t be any more timely.

See the trailer, clips, interviews and Premiere footage here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic content, some sexual references, language and drug material)

Same Kind of Different as Me

(Paramount/Pure Flix) Renee Zellweger, Jon Voight, Djimon Hounsou, Greg Kinnear. A successful art dealer whose marriage is on the rocks befriends a dangerously volatile homeless man as a means of reconnecting with his wife. Her dreams will send the three of them on a journey none of them could have ever anticipated.

See the trailer, clips, interviews and a featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG=13 (for thematic elements including some violence and language)

The Snowman

(Universal) Michael Fassbender, Rebecca Ferguson, Charlotte Gainsbourg, Val Kilmer. Detective Harry Hole investigates the disappearance of a woman whose only clue is her pink scarf wrapped around the throat of an ominous looking snowman. Hole fears that this case may be linked to some bizarre murders that took place years earlier.

See the trailer, clips, interviews and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for grisly images, violence, some language, sexuality and brief nudity)

Tyler Perry’s Boo 2! A Madea Halloween

(Lionsgate) Tyler Perry, Patrice Lovely, Brock O’Hurn, Lexy Panterra. America’s favorite grandmother returns as she and her family visit a haunted campground on Halloween and unwittingly unleash a wave of monsters, goblins, ghouls and boogeymen. Run for your lives, America!

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Comedy
Now Playing: Wide Release

Rating: PG-13 (for sexual references, drug content, language and some horror images)

ALSO OPENING IN ORLANDO/DAYTONA:

Golmaal Again
Mersal
Raja the Great
Secret Superstar
Tokyo Ghoul
The Unknown Girl

ALSO OPENING IN MIAMI:

4 Days in France
A Silent Voice
Golmaal Again
Inseparables
Jungle
Mersal
Raja the Great
Secret Superstar
Tokyo Ghoul
Walking Out
Where’s the Money
The Woman Who Left

ALSO OPENING IN TAMPA:

Demons
Golmaal Again
Leatherface
Let Her Out
Mersal
Never Here
Raja the Great
Secret Superstar
So B. It

ALSO OPENING IN JACKSONVILLE:

Golmaal Again
Mersal
Raja the Great
Secret Superstar
Tokyo Ghoul

SCHEDULED FOR REVIEW:

Breathe
Geostorm
Only the Brave
The Snowman
Walking Out

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Lambert & Stamp


The debonair Chris Stamp.

The debonair Chris Stamp.

(2014) Musical Documentary (Sony Classics) Chris Stamp, Pete Townshend, Roger Daltrey, John Hemming, Terence Stamp, Kit Lambert (archival footage), Heather Daltrey, Irish Jack, Richard Barnes, Robert Fearnley-Whittingstallt6. Directed by James D. Cooper

Few bands have had the impact that The Who have had in their career. It can be argued that of all the bands in rock and roll, only the Beatles, the Rolling Stones and the Beach Boys have had the kind of influence on the medium that they have had. Guitarist and principle songwriter Pete Townshend is considered one of the best songwriters in the history of rock and their rock operas Tommy and Quadrophenia expanded the art form and of course their songs continue to be staples of classic rock radio even now.

Once upon a time, though, they were a scruffy band playing in dingy clubs to crowds of diffident Mods. There, they were discovered by nascent filmmakers Kit Lambert and Chris Stamp, who met as assistant directors at Shepperton Studios. Both were devotees of French New Wave cinema in general and Jean-Luc Godard in particular and both aspired to become great directors in their own right. They hit upon the idea of filming in London’s rocking underground club scene and focusing on a single group, which after seeing their wild performances they hit upon a band called the High Numbers.

The film never came to pass but the band so impressed the two filmmakers that they were inspired to become their managers and  this fortuitous encounter would lead to some of the most potent rock and roll in history. Lambert, an Oxford-educated homosexual (in an era where it was illegal in England to be one) and Stamp, a rough and tumble Cockney who was a ladies’ man couldn’t have been more different if they’d tried but somehow they meshed together well; Lambert furnished Townshend with classical recordings to help his songwriting form while Stamp helped their stage show become one of the more talked about of its time.

All the elements are here for a documentary film that should have been absolute amazing; the film taken by Lambert and Stamp of the band in their High Numbers days alone would be enough to recommend the movie. Sadly, though, the film is overloaded with talking heads. Stamp, who passed in 2012 after his interviews were recorded, is a pleasant enough raconteur (and looks the part, dressed in a tux for Townshend and Daltrey’s Kennedy Center Honors) but just watching him talk is not in and of itself compelling enough.

Most of the interview time goes to Stamp, Townshend and Daltrey – Lambert died in 1981 after years of drug problems which would lead to the pair being fired as manager and an extended estrangement between the band and their former managers. Strangely, Lambert’s death is implied through the interviews and nothing concrete is really said about his death or its effect on Stamp or the band. Even Keith Moon’s untimely death was only mentioned in passing as reference to a legal meeting between the Who and their former managers. Considering the importance of Moon and bassist John Entwhistle to the sound of the band, it is kind of odd that they get very little attention in the documentary.

Given the richness of the source material and some of the really amazing archival footage, this is a disappointment. The movie is at its best when delving down into the creative process of the band, and when we got to know them (and their managers) more personally; Stamp talks about a notorious fistfight between Daltrey and Moon onstage that nearly splintered the band early in their career and how he intervened in getting Daltrey to find other ways to resolve conflicts rather than using his fists. We also get a sense of how wounded Stamp was when the band chose Ken Russell to direct a film version of Tommy, once again frustrating his dream of being a film director (he and Lambert assumed they would get the job). There is also footage of a young Townshend playing an acoustic version of “Glittering Girl” for Lambert and Stamp, both nodding approval as he plays.

Don’t get me wrong; there are some wonderful anecdotes, like friend John Hemming joking that chain-smoking Lambert only used one match in his entire life – the one that lit his first cigarette. Moments like that are swamped by endless discussion of minutiae that will only be of interest to diehard Who fans, who admittedly are going to love this movie a lot more than those viewers who aren’t into the band as much, which is a shame because there’s a whole generation that would benefit from discovering their music, which is some of the best rock and roll ever made. When the interviewees talk facts and figures, you’ll find yourself nodding off. When the interviewees open up, so does the movie. Sadly though that doesn’t happen enough to make this a memorable film.

REASONS TO GO: Wonderful subject. Some great archival performances.
REASONS TO STAY: Unforgivably boring. Too many talking heads.
FAMILY VALUES: Some rough language, a bit of drug content and one scene of brief nudity.
TRIVIAL PURSUIT: Chris Stamp is the younger brother of actor Terence Stamp.
CRITICAL MASS: As of 5/19/15: Rotten Tomatoes: 89% positive reviews. Metacritic: 75 /100.
COMPARISON SHOPPING: The Kids are Alright
FINAL RATING: 5/10
NEXT: 3 1/2 Minutes, 10 Bullets