The Accountant (2016)


Ben Affleck sets his sights on those who criticized his casting as Batman.

Ben Affleck sets his sights on those who criticized his casting as Batman.

(2016) Thriller (Warner Brothers) Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, Cynthia Addai-Robinson, John Lithgow, Jean Smart, Andy Umberger, Alison Wright, Jason Davis, Robert C. Treveiler, Mary Kraft, Seth Lee, Jake Presley, Izzy French, Ron Prather, Susan Williams, Gary Basaraba, Fernando Chien, Alex Collins, Sheila Maddox. Directed by Gavin O’Connor

 

Most people have an idea of autism that is decidedly out of step with reality. The truth is that there all sorts of different types of autism and all sorts of different types of autistics. Some are low functioning, unable to take care of themselves and who are requiring of supervision. These are generally the types of autism that we tend to picture when we think about autism at all. Others are high functioning, some to the point where you wouldn’t know they were autistic if they didn’t tell you. The myth about autism that is most pervasive and most untrue is that autism goes hand in hand with mental retardation. Some autistics can be brilliant. Some can even be deadly.

Christian Wolff (Affleck) was born with a gift – a genius at problem solving. He’s a math whiz and able to ferret out patterns you and I could never see. He is also autistic, unable to interact well socially although he’d like to. He has rigid habits that govern his life; his breakfast is the same, every day, arranged on the plate in the very same way. He has his silverware in a drawer, arranged exactly the way he wants them – with no extraneous flatware to clog up his drawers. He likes things simple in his life.

Perhaps that’s because his job is so complex. You see, he’s an accountant and not just for anyone; he uncooks the books for some of the world’s most dangerous criminals, ranging from drug kingpins to assassins to terrorists to warlords. This has attracted the attention of the Treasury Department and it’s lead agent, Ray King (Simmons) who is getting ready to retire but who has been chasing the accountant for years. He wants to get him as a crowning achievement to his career so he enlists agent Marybeth Medina (Addai-Robinson) who is even more brilliant than he.

In the meantime, Wolff has been brought in by a biomedical robotics firm called Living Robotics to investigate some irregularities in their accounting, irregularities unearthed by a junior accountant – the chirpy Dana Cummings (Kendrick). CEO Lamar Black (Lithgow) wants these irregularities cleared up before he takes the company public. Wolff begins his investigation and turns up something – something that puts he and Dana in mortal danger, as a killer named Braxton (Bernthal) shows up to clean house at Living Robotics.

I like the concept here a lot; a high-functioning autistic action hero and Affleck is the perfect choice to play him. Affleck can play closed-off as well as anybody in the business and he shows that skill here. Christian is socially awkward and a little bit wary of social interactions. When Dana starts flirting with him, he’s attracted but he doesn’t know how to react. The scenes between the two are some of the best in the film. The other supporting roles are solid here as well, although Lithgow may have left a few too many tooth marks on the scenery for comfort.

One of the issues I have with the film is that I don’t think O’Connor and screenwriter Bill Dubuque were quite sure whether they wanted to make a thriller or an action film. Perhaps they wanted to make a hybrid of both but the pendulum kept swinging in one direction or the other and it ended up being unsatisfying in that regard. Worse yet, there are several plot twists, including one regarding the Braxton character which may as well have neon arrows pointing to them and blinking graphics screaming “HERE! PLOT TWIST! YOU’LL NEVER GET THIS ONE!!!!!” and of course anyone with a reasonable amount of experience at the movies should figure it out early on.

I like Affleck a lot as an actor; always have, even when his career was in a slump. Heck, I even liked him in Gigli which is saying something. He does elevate this somewhat, as does Kendrick and to a lesser extent, Addai-Robinson and Tambor (whose scenes are all too brief as Wolff’s mentor). It’s enough for me to give this flawed film a mild recommendation. It’s not a movie to write home about but neither is it one to troll Internet forums over. It’s a solidly made bit of entertaining fluff that will keep you occupied and be promptly forgotten. That may be enough in a lot of ways, especially in these stressful times, but it could have been a whole lot more.

REASONS TO GO: Affleck is terrific here and his chemistry with Kendrick is authentic.
REASONS TO STAY: Most of the plot twists are telegraphed and the movie falls apart towards the end.
FAMILY VALUES: There is plenty of violence as well as regular occurrences of profanity
TRIVIAL PURSUIT: While the film is set in Plainfield, Illinois (just outside of Chicago) it was shot in Atlanta where the production company got much better tax incentives than Illinois offered.
CRITICAL MASS: As of 11/12/16: Rotten Tomatoes: 51% positive reviews. Metacritic: 51/100.
COMPARISON SHOPPING: The Transporter
FINAL RATING: 6/10
NEXT: Keeping Up with the Joneses

New Releases for the Week of October 14, 2016


The AccountantTHE ACCOUNTANT

(Warner Brothers) Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, John Lithgow, Jean Smart, Cynthia Addai-Robinson. Directed by Gavin O’Connor

A young high-functioning autistic boy grows up to be a CPA, a math savant who has Einstein-like genius when it comes to numbers. As an adult, he works under the cover of a small, insignificant CPA office in the Rust Belt with an unbelievable secret to hide. He in fact works for some of the most dangerous criminal organizations on Earth, uncooking their books and protecting their wealth. When he takes on his first legitimate client, a robotics firm where an accounting clerk has uncovered some discrepancies in the books, he discovers that the deadliest clients aren’t always the ones operating outside the law.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for strong violence and language throughout)

American Honey

(A24) Sasha Lane, Shia LaBeouf, Riley Keough, McCaul Lombardi. A young adolescent girl living in a house that is nothing like a home impulsively runs away with a crew that sells magazines door to door. Feeling like this is where she belongs, she begins to adjust to the lifestyle of lawless days, hard-partying nights and eventually, the onset of love among the ruins.

See the trailer and B-roll video here.
For more on the movie this is the website
.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for strong sexual content, graphic nudity, language throughout, drug/alcohol abuse – all involving teens)

Blue Jay

(The Orchard) Mark Duplass, Sarah Paulson, Clu Gallagher. A pair of former sweethearts from a small California mountain town has returned home for separate reasons and meet up unexpectedly in a grocery store. Although both have gone on to separate lives they find themselves reconnecting as if no time at all has passed. Filmed in black and white and starring the irrepressible Duplass who was one of the guests of honor at this year’s Florida Film Festival.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater

Rating: NR

Denial

(Bleecker Street) Rachel Weisz, Timothy Spall, Tom Wilkinson, Andrew Scott. A history scholar is sued for libel in Britain when she is accused of labeling a writer a Holocaust denier. In order to prove her innocence (in the United Kingdom, the burden of proof is on the defendant in libel cases) she must prove that the Holocaust actually occurred, a much more difficult feat as it turned out than at first it sounded.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for thematic material and brief strong language)

Desierto

(STX Entertainment) Gael Garcia Bernal, Jeffrey Dean Morgan, Alondra Hidalgo, Diego Cataño. A group of immigrants navigating the treacherous border crossing from Mexico into the United States find they have an additional obstacle to overcome. They are being stalked by a psychopath with a high powered rifle who starts picking off the group one by one.

See the trailer, interviews, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Disney Springs, Regal The Loop

Rating: R (for strong violence and language)

The Greasy Strangler

(FilmRise) Michael St. Michaels, Sky Elobar, Elizabeth De Razzo, Gil Gex. A degenerate father and his brow-beaten son run a disco-themed walking tour of L.A. When a sexy young woman takes the tour, both father and son end up competing for her attention. At about the same time, a serial killer of women begins a reign of terror in Los Angeles. This gross yet compelling film played at the Florida Film Festival this past April.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Comedy
Now Playing: Enzian Theater

Rating: NR

Kevin Hart: What Now?

(Universal) Kevin Hart, Halle Berry, Don Cheadle, Ed Helms. Last year Kevin Hart performed to 50,000 people in Philadelphia’s Lincoln Stadium, the first time a stand-up comic had performed to capacity in a stadium venue. The show was filmed for theatrical release, but some framing material, casting Hart as a sort of tiny James Bond is also included.

See the trailer, interviews and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy/Documentary
Now Playing: Wide Release

Rating: R (for some sexual material, and language throughout)

Max Steel

(Open Road) Maria Bello, Andy Garcia, Ben Winchell, Josh Brener. A young boy who has the ability to generate a powerful energy force is befriended by a techno-organic alien. The two together form Max Steel, a superhero more powerful than any on Earth. Unfortunately, they have enemies after them – from this world and beyond.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sci-fi action violence)

Miss Sharon Jones!

(Starz Digital Media) Sharon Jones, Alex Kadvan, Austen Holman. Sharon Jones is one of the greatest soul singers of the 21st century. She and her band the Dap-Kings have been wowing audiences all throughout the world over the past couple of decades. The challenges that she faced in the music business were nothing like what she faced in her own life, as this documentary captures the essence of an exemplary artist who is also a strong, brave woman.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater

Rating: NR

Priceless

(Roadside Attractions) David Koechner, Joel Smallbone, Jim Parrack, Bianca A. Santos. A widower, already reeling from the death of his wife, loses custody of his daughter on top of his bereavement. At rock bottom, he gets a new job driving a truck cross country – no questions asked. When he discovers what the cargo is, however, he’ll be confronted by an agonizing choice.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall, Regal Waterford Lakes

Rating: NR

Barry Munday


Barry Munday

Is the football game on yet?

(2010) Comedy (Magnolia) Patrick Wilson, Judy Greer, Chloe Sevigny, Jean Smart, Cybill Shepherd, Missi Pyle, Shea Whigham, Malcolm McDowell, Billy Dee Williams, Barret Swatek, Christopher McDonald, Colin Hanks, Kyle Gass, Mae Whitman. Directed by Chris D’Arienzo

 

There is no shortage of guys out there who live for the conquest. You’ll find them in bars and clubs, trolling for potential one night stands, out to sleep with as many women as they possibly can with varying degrees of success. It’s how they define themselves. What happens when you are suddenly faced with having to redefine yourself?

Barry Mundy (Wilson) is one of those minor league Don Juans who seem to have that magic touch when it comes to scoring with the ladies. He has had plenty of sex without any consequence; but one of the girls he seduces comes complete with an angry father who administers the beating of a lifetime to Barry in a movie theater. When the smoke clears, Barry is missing some good buddies – his testicles.

Bitter, angry and feeling betrayed, he holes up at home, only to discover that he is being served with a paternity suit. The woman who is suing him, Ginger Farley (Greer) is a bitter, snarky woman who is about as unpleasant as a porcupine enema. For his part, Barry doesn’t remember sleeping with her. At first he wants to fight the suit but when he thinks about it he realizes this might well be the very last chance for him to leave anything genetic behind him, so he throws himself enthusiastically into the idea of being a dad.

The trouble is, Ginger isn’t so sure she wants Barry around and she makes it completely unpleasant for him to be around. She reluctantly introduces him to her family – her parents (McDowell, Shepherd) and her slutty stripper sister Jennifer (Sevigny) who takes an unhealthy interest in Barry. Still, Ginger is warming to Barry and he to her. Can they change enough to be good together and more importantly, good parents?

This is one of those indie movies which is going to seem very familiar to you if you’ve seen any indie movies in your time. Many of the characters have that familiar quirkiness to them that makes them endearing – the first twenty times around. By this point endearing indie quirkiness is annoying for the main part.

Patrick Wilson often plays the romantic rival and a lot of the characters he plays are real shmendricks. Here he plays a part we really haven’t seen him tackle much and he carries it off nicely. I haven’t seen many other parts of this sort come his way since; I hope some casting directors see this and consider him for more of these sorts of roles.

Judy Greer has also made a career for the most part out of the driver’s seat, often playing the wacky best friend. She is thoroughly unlikable through much of the movie which is risky; it’s hard to root for someone so bitchy but Greer pulls it off for the most part. She is definitely a fine comic actress but I suspect she’d do real well in the dramatic field as well.

While this is based on a novel, I couldn’t help but feel that the writers were occasionally unsure how to proceed. The movie flounders awkwardly in places although I can easily accept that life is all about floundering awkwardly. Still, when the movie seems to lose its focus it’s hard for the audience to maintain theirs. It’s a cardinal filmmaking sin. Fortunately the performances are such that the audience focuses on that rather than the story.

This is one of those movies that is elevated by the stars. Greer and Wilson aren’t known for carrying movies but they show they are well able to do it. I would really love to see the public discover them both in that sense. This movie isn’t necessarily the vehicle to get them there – it’s very flawed but it isn’t without merit despite the clichés  – but it’s certainly worth a look.

WHY RENT THIS: Wilson is surprisingly deft in a romantic comic lead. Greer boldly makes her character wholly unlikable.

WHY RENT SOMETHING ELSE: Too many indie clichés. Seems to be rudderless at times.

FAMILY VALUES: As you might imagine from the subject matter, there’s a good deal of sexual content and dialogue. The language is a bit foul in places.

TRIVIAL PURSUIT: Had its premiere at the 2010 South by Southwest Film Festival.

NOTABLE HOME VIDEO EXTRAS: There’s a gag reel and a faux PSA about the horrors of genital detachment.

BOX OFFICE PERFORMANCE: Not available.

COMPARISON SHOPPING: Percy

FINAL RATING: 7/10

NEXT: The Matrix Reloaded

Hope Springs


 

Hope Springs

Meryl Streep may be the greatest actress of her generation but at least Tommy Lee Jones has a Yale education.

(2012) Romantic Comedy (Columbia/MGM) Meryl Streep, Tommy Lee Jones, Steve Carell, Elisabeth Shue, Jean Smart, Brett Rice, Ben Rappaport, Marin Ireland, Patch Darragh, Charles Techman, Daniel J. Flaherty, Damian Young, Mimi Rogers, Ann Harada, Jack Haley. Directed by David Frankel

 

Marriages are rarely simple relationships. The longer you are in one, the more depth it creates, the more layers are produced. This is usually a good thing but sometimes habit can become routine which can become stifling. It isn’t long before a good marriage on the surface can turn into quite something else on the inside.

Kay (Streep) and Arnold (Jones) have been married for 31 years. They live a comfortable existence in Omaha; he works for an insurance company, she works part time in a boutique. They have a grown daughter Molly (Ireland) who is married to Mark (Darragh). They also have a grown son Brad (Rappaport) who is single. When they gather for their parents anniversary, they are unsurprised to learn that their anniversary gift to each other is a new cable package.

The thrill is most definitely gone and while Kay longs for intimacy, Arnold seems far more interested in golf magazines. He’s terse, rigid and really doesn’t listen to his wife at all. Kay is miserable and she has reached her breaking point.

Then she discovers Dr. Feld (Carell), who specializes in couples counseling. She signs up the two of them using her own money for an intensive couples therapy session for a week in Great Hope Springs, Maine. At first, Arnold is aghast at the idea. When Kay (for once) stands up and lets him know she’s going with or without him, he finally relents and shows up on the plane at the last minute.

Once at counseling, Arnold proves to be not much better. He growls and grouses, finding no value in what is being offered, sure that this is some kind of scam meant to take a perfectly healthy relationship (which he believes his relationship with Kay to be) and somehow turn it on itself, creating problems where there were none in order to prolong the agony (and the payments).

Kay grows frustrated an walks away from the EconoLodge they are staying in  (in separate beds – they haven’t slept in the same room let alone the same bed for years) and finds a sympathetic bartender (Shue). Eventually she is convinced to return back to therapy.

Arnold does try a little bit harder but there seems to be an insurmountable gulf between them. Dr. Feld gives them intimacy exercises but after some early success they seem to end in abject failure. Dr. Feld counsels Arnold that some couples come to him to save their relationship; others come to end it. Which one will Arnold and Kay opt for?

Points to Frankel and writer Vanessa Taylor for taking a long, adult look at what goes on inside a real marriage. Usually when Hollywood does so there’s some sort of infidelity involved. That’s not the case here. This is a relationship with real problems (not that cheating isn’t a real problem – it’s just the kind of sexy problem that Hollywood tends to beat with a stick until it’s hamburger, mainly because studio chiefs think forbidden fruit tends to sell a lot of tickets which it does). There are warts here, and to the credit of both Frankel and Taylor along with Streep and Jones there are no attempts to hide the warts with make-up.

Streep is, as I’ve said elsewhere, maybe the best actress of her generation. This is a bit of a courageous role for her; she has to play a shy, girlish and somewhat hen-pecked wife who is coming to terms with a force of sexuality she’s never had to really face. There are several scenes in which she displays sexual arousal to a rather strong degree and it’s quite…stimulating. But this isn’t really her movie.

The movie belongs in every way to Tommy Lee Jones. This is a bit outside his comfort zone thus far in his career; he tends to play testy, irritable people and he does so here; but Arnold is a testy, irritable person with problems he hasn’t yet confronted about himself and during the course of the movie, he does just that. Jones has never seemed comfortable with a lot of self-analysis in his films but he gives an adept performance that carries the film which Streep mostly is content for him to do.

Carell has emerged as one of the biggest comedic actors today but he is curiously subdued, almost a straight man. This isn’t one of his more memorable roles, but he is well-suited for the part and underplays it nicely.

The problems of sex in a long marriage are not really discussed in polite society; we just assume that married couples approaching their sixties don’t have much sex and are perfectly content to do so. In fact, we assume that anyone who doesn’t look like they’re in their 30s at most don’t have sex because…well, ewwww.

That’s not terribly realistic. The sex drive may diminish but it doesn’t go away completely for all of us and there are some couples in their 80s who have surprisingly healthy sex lives. People don’t have to look like Brad and Angelina to have sex although Hollywood tends to reinforce the idea that people who are obese, less attractive or socially awkward are less sexually desirable.

That’s hogwash. There’s somebody for everybody but you have to be willing to take a chance. This movie is really about a couple who haven’t been doing that for awhile; they’ve wrapped themselves up in routines and familiarity so tightly that they’ve forgotten what attracted them to one another in the first place – and that part is still there. So there that it can’t be hidden but it can be overlooked.

REASONS TO GO: Quite funny in places. Great chemistry between Jones and Streep. Carell is also quite droll.

REASONS TO STAY: Mostly predictable.

FAMILY VALUES: The situations are adult and generally fairly sexual; there is also a scene of masturbation.

TRIVIAL PURSUIT: There was another romantic comedy named Hope Springs set in New England (in this case Vermont) from 2003 and starring Colin Firth, Heather Graham and Minnie Driver. Other than the title, the two films are unrelated.

CRITICAL MASS: As of 8/13/12: Rotten Tomatoes: 74% positive reviews. Metacritic: 66/100. The reviews are solidly positive.

COMPARISON SHOPPING: It’s Complicated

NEW ENGLAND GETAWAY LOVERS: While the charms of a New England village getaway are extolled here, some of the scenes were filmed in New York as well as Connecticut.

FINAL RATING: 6.5/10

NEXT: The Campaign

New Releases for the Week of August 10, 2012


August 10, 2012

THE BOURNE LEGACY

(Universal) Jeremy Renner, Rachel Weisz, Edward Norton, Albert Finney, Joan Allen, Scott Glenn, Stacy Keach, Oscar Isaac, Donna Murphy, David Strathairn. Directed by Tony Gilroy

Jason Bourne created a whole lot of trouble for the government and their super-secret Treadstone project. Bourne has disappeared off the grid, but he wasn’t the only agent created by that program. Meet Aaron Cross who like Bourne has an incredible skill set. And in the aftermath of the Bourne fiasco, the government is eager to erase every trace of Treadstone and its related projects. That includes Aaron Cross; trouble is, he doesn’t want to be erased.

See the trailer, clips, promos and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Action

Rating: PG-13 (for violence and action sequences)

The Campaign

(Warner Brothers) Will Farrell, Zach Galifianakis, Jason Sudeikis, Dan Aykroyd. A long-term congressman who has had little competition for the seat that he’s owned for some time finds himself in a competition with a fumbling bumpkin whose got the support of some deep-pocketed benefactors who have their own agenda. The mudslinging quickly gets personal as the two candidates engage in a little game of “how low can you go.”

See the trailer, promos and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for crude sexual content, language ad brief nudity)

Hope Springs

(Columbia/MGM) Meryl Streep, Tommy Lee Jones, Steve Carell, Jean Smart. A happily married couple approach their golden years but the wife is feeling a bit of the old magic missing. She wants to attend a couples therapy session in a bucolic Maine village under the guidance of a published psychologist but the husband is skeptical, not wanting to upset his routine. Hilarity ensues. Now go about your business..

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: PG (for mature thematic content involving sexuality)

Neil Young Journeys

(Millennium) Neil Young. One of the most respected rockers of his generation reminisces about his Canadian childhood, his rise to fame and his career in the spotlight on the occasion of the last two nights of his world solo tour in 2011.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Musical Documentary

Rating: PG (for language including some drug references, and brief thematic material) 

Nitro Circus The Movie 3D

(ARC Entertainment) Travis Pastrana, Tommy Passemante, Jolene Van Vugt, Gregg Godfrey. Jackass with cars. Oh joy.

See the trailer here.

For more on the movie this is the website.

Release formats: 3D

Genre: Sports…Sorta

Rating: PG-13 (for depiction of extreme and dangerous stunts throughout, and for language)

Ruby Sparks

(Fox Searchlight) Paul Dano, Zoe Kazan, Annette Bening, Antonio Banderas. A young writer who achieved extraordinary success early is trapped by writer’s block and a romantic life that, safe to say, is just as moribund. At last, he makes a breakthrough and creates a character named Ruby Sparks, a woman full of life and charm and just perfect for him. He falls a little bit in love with the character he created. When she turns up on his couch about a week later, he doesn’t know what to think – only that forces are at work that are beyond his comprehension. But who cares when your soulmate is involved?

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: R (for language including some sexual references, and for some drug use)