Frances


Crazy is in the eye of the beholder.

Crazy is in the eye of the beholder.

(1982) Biographical Drama (Universal) Jessica Lange, Kim Stanley, Sam Shepard, Bart Burns, Jonathan Banks, Jeffrey DeMunn, Zelda Rubinstein, Anjelica Huston, Pamela Gordon, Kevin Costner, Bonnie Bartlett, James Brodhead, Daniel Chodos, Nancy Foy, Gerald S. O’Loughlin, James Karen, Biff Yeager, Allan Rich, M.C. Gainey. Directed by Graeme Clifford

Waiting for Oscar

1983 OSCAR NOMINATIONS
Best Actress – Jessica Lange
Best Supporting Actress – Kim Stanley
WINS: 0

Times change. So much meaning can be packed into two little words. It can hide all manner of sins, convey all sorts of poignant meanings. It can refer to an individual, or to society. However it is meant, it is true for all of us.

Frances Farmer (Lange) was just a high school girl in Seattle when she won an essay contest the subject of which was that God was dead. She courted further controversy when she accepted an all-expenses paid trip to Moscow to observe the Moscow Art Theater. Returning home, she had been bitten by the acting bug but hard. It is also here she met Harry York (Shepard), a budding writer who liked her very much but her mind was on other things.

She tries out Hollywood for size and immediately makes a big splash. She refuses to do publicity stunts, won’t wear make-up on camera and essentially opts out of the Hollywood game, even though she’d by this time rung up a couple of legitimate hits. Clifford Odets (DeMunn), the noted playwright, convinced her that she would be better served on Broadway and the two began an affair, one which ended badly for her as Odets was already married.

Frances had her demons however and the break-up of her relationship brought them howling to the surface. She began to rely more and more on alcohol and pills and her combative nature came more and more to the fore. She was arrested for driving in a black-out zone with her headlights on during wartime and was sued by a hairdresser (Bartlett) for breaking her jaw during a studio on-set tiff. Her mother (Stanley) came down from Seattle to help but that was more or less like throwing gasoline on a fire.

Farmer would be institutionalized twice; after the first her constant battles with her mother led the elder Farmer to commit her daughter to Western States Hospital where Farmer underwent shock and insulin therapy, was repeatedly abused and raped by the male staff (who would give her to soldiers to use sexually) and finally was lobotomized. When she was released she was perhaps a more pleasant person but the fire inside her was gone forever.

One thing to remember about this movie is that it is far from a definitive biography; director Clifford says during the DVD commentary that he “didn’t want to nickel and dime the audience with facts” and obliges by sparing us many. For example, York is made up out of whole cloth, the lobotomy sequence never happened (there is no evidence that it occurred) and Farmer was married three times, making her far from the lonely woman who had no romantic relationships other than with the married Odets that the movie portrays her as.

This is Jessica Lange’s movie and in many ways it is the role that this talented actress is most remembered for. It shows a woman in a time when women were expected to be submissive and meek but was instead demanding, loud and full of fire. Watching Lange’s performance you can’t help but think that if this was anything close to how the real Frances Farmer was, there’s no doubt in that case that she had two strikes against her from the outset – the men of that era would certainly not have tolerated the kind of strident independence that Lange portrays Farmer possessing. She may well have been institutionalized for that alone.

Even though there are plenty of people who do Frances Farmer wrong in this movie, there is no single villain. Certainly Odets, the lobotomy doctor (O’Loughlin) and Farmer’s mother come off poorly but then there were other factors leading to the actress’ spectacular fall which makes the story all the more poignant. While I can wish that the filmmakers hadn’t been such bastards in reality (reneging on an agreement with a writer and in general treating people badly) and that they had stuck to the facts of Farmer’s real life which were compelling in themselves, I can only go by the finished product, not by what I wish it might have been. This is a tremendous performance by Lange, one which is worth seeing all by itself.

WHY RENT THIS: Outstanding performances by Lange and Stanley. Real chemistry between Lang and Shepard.

WHY RENT SOMETHING ELSE: Jumps from time frame to time frame. Never really explains Frances’  breakdown.

FAMILY VALUES:  Some fairly disturbing scenes and mature content as well as its share of foul language.

TRIVIAL PURSUIT: The movie was originally based on a fictionalized biography of Farmer by author William Arnold called Shadowland but in order to make the movie seem like original material, the screenwriters created the fictional character of Harry York in order to give Frances a love interest. However, things like the lobotomy which never happened in reality, came straight from Mr. Arnold’s book. He would eventually lose a lawsuit years after the film was released.

NOTABLE HOME VIDEO EXTRAS: A 30 minute featurette on the real Frances Farmer.

BOX OFFICE PERFORMANCE: $5M on an $8M production budget.

COMPARISON SHOPPING: One Flew Over the Cuckoo’s Nest

FINAL RATING: 8/10

NEXT: Waiting for Oscar continues!

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New Releases for the Week of April 5, 2013


Evil Dead

EVIL DEAD

(Tri-Star) Shiloh Fernandez, Lou Taylor Pucci, Jane Levy, Jessica Lucas, Elizabeth Blackmore, Jim McLarty, Rupert Degas (voice), Randal Wilson. Directed by Fede Alvarez

You’ve seen it before but you’ve never seen it like this. The 1981 cult hit gets a new coat of paint as a group of young people go to a remote cabin in the woods where they find (da-da-DAAAAAAAAH) the Book of the Dead. Even though they’re warned not to of course one of them reads aloud from it, unleashing demonic possession and all kinds of carnage. You’d think people would know by now…

See the trailer, clips and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: R (for strong bloody violence and gore, some sexual content and language)

6 Souls

(Radius) Julianne Moore, Jonathan Rhys-Meyers, Jeffrey DeMunn, Frances Conroy. After the death of her husband, a psychiatrist has lost her faith in God, choosing to believe only in science. She is then introduced to a patient with multiple personalities who takes on the physical characteristics of each personality. As she discovers that each of those personalities is the soul of a murder victim living inside him, she discovers that what is happening may transcend science and have deadly consequences for her and those she loves.

See the trailer, clips and a link to download the full move on Amazon here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: R (for violent content, disturbing images and terror)

Himmatwala

(UTV) Ajay Devgn, Tamanna Bhatia, Paresh Rawal, Zarina Wahab. A remake of a 1983 blockbuster in India, a shy schoolteacher inadvertently witnesses a local thug commit a crime, only to see him go free after his testimony. Ashamed and terrified, he leaves his village. His family then sets out to redeem his good name.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Jurassic Park 3D

(Universal) Sam Neill, Laura Dern, Richard Attenborough, Jeff Goldblum. The question is, does post-converting this ’90s classic add anything to the experience that your imagination didn’t already put there? Thought not…

See the trailer, clips, a featurette and a link to download the full move on Amazon here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Adventure

Rating: PG-13 (for intense science fiction terror) 

The Playroom

(Freestyle Releasing) John Hawkes, Molly Parker, Olivia Harris, Jonathan Brooks. A teenager is forced to become a surrogate mother to her younger siblings during the 70s. She tells them fantastic stories to mask the realization that their parents’ drinking is raging way out of control.

See the trailer and a link to download the full movie on Amazon here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: NR 

Tattoo Nation

(D&E Entertainment) Danny Trejo, Don Ed Hardy, Freddy Negrete, Travis Barker. How did tattoos go from being something sailors got when drunk on shore leave in Singapore or something prisoners got to identify themselves as criminals to becoming “body art” and where 25% of all young adults under the age of 40 now have one? It’s actually a pretty good question…

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: NR

The Green Mile


The Green Mile

Michael Clarke Duncan shows Tom Hanks which direction he'll have to grow in to be as tall as he.

(1999) Drama (Warner Brothers) Tom Hanks, Michael Clarke Duncan, David Morse, Bonnie Hunt, James Cromwell, Michael Jeter, Graham Greene, Gary Sinese, Doug Hutchison, Sam Rockwell, Barry Pepper, Jeffrey DeMunn, Patricia Clarkson, Harry Dean Stanton, William Sadler. Directed by Frank Darabont

 

I know of at least three authentic American geniuses in the arts named Steve: Stephen Sondheim, who doesn’t figure into this; Steven Spielberg; and Stephen King.

Spielberg started out as a director of entertainments that while not always taken seriously by the critical cognoscenti nonetheless enjoyed extreme popularity. Later, he would direct projects that met with critical acclaim, Oscars and the respect of his peers. He is now rightly considered one of the greatest directors of all time.

Stephen King appears to be paralleling Spielberg’s course. At the start of his career, his work was dismissed as mere horror novels, but they sold in record numbers. Then starting in the late 1990s, he began to produce works of greater depth and heart. Witness The Green Mile, which has been brought to the screen by Frank Darabont, who also directed one of the best filmed adaptations of King’s work, The Shawshank Redemption.

Like Shawshank, The Green Mile is set in a prison in the ’30s at the start of the film. In this case, it’s in cellblock E of the Cold Mountain Penitentiary in Louisiana (moved from Mississippi in the book) circa 1935. Paul Edgecombe (Hanks) supervises the guards on the cellblock, which is better known as Death Row. He has a pretty good team of guards working for him, most notably Brutus “Brutal” Howell (Morse), a surprisingly gentle-natured bear of a man. Their job is to keep calm the men who are waiting to die because, as Edgecombe tells Percy Wetmore (Hutchison), a sadistic guard with connections to the governor, “they can snap at anytime and hurt themselves, or somebody else.”

Into this volatile mix comes John Coffey (Duncan), a huge, hulking, simple man who dwarfs even Brutal. He has been convicted of the rape and particularly brutal murder of two young girls. He seems gentle and frightened, but as his lawyer (an uncredited Gary Sinese) explains, a dog may seem gentle and loving and then unexpectedly turn on you.

Coffey joins a group of men waiting to be executed, including Eduart Delacroix (Jeter), a timid prisoner with a very precocious pet; Wild Bill Wharton (Rockwell), who is understatedly described by Warden Hal Moores (Cromwell) as “a problem child”; and Mr. Jingles, a mischievous mouse.

Coffey, you see, has a gift – a unique and miraculous gift. He shoulders the burden of this gift in a world of suspicion, prejudice and brutality. The Green Mile looks at that world without flinching or blinking, the kind of a world that produces a Wild Bill, a John Coffey and a Paul Edgecombe, who is a decent man doing a horrible job.

Parts of The Green Mile are hideous (a botched execution attempt) and sometimes beautiful (unexplainable cures, fireflies in the moonlight). It also has more urine than you’ll ever see in five movies (courtesy a urinary tract infection for Edgecombe), so those who are squeamish about bodily fluids be warned.

 The acting here is uniformly good, with Hanks at the top of his game and Morse, Jeter and Cromwell – some of the finest character actors in Hollywood then and now – all delivering fine performances. Duncan and Rockwell, both at the very beginnings of their careers, were both terrific, Duncan receiving an Oscar nomination as Best Supporting Actor for his performance. That was one of four Oscar nominations the film received and while it didn’t win any of them, certainly it received plenty of love from the Academy who are not known for extending much of it to Stephen King and his movie adaptations.

Despite being three hours long, The Green Mile never drags for a moment. That’s because this really isn’t a film about prisons and crime; the human spirit is really the subject of the picture – the nature of good and evil, death and dignity. There are some emotionally gut-wrenching moments. Da Queen had tears streaming down her face for about the last half hour. She claims that The Green Mile is off the Hankie scale completely, and advises that you just have a whole box of tissues available when you sit down and watch the movie. Preferably one of those industrial strength Costco sizes. Trust me, you’re gonna need it.

Sometimes, a movie comes along that you know from the first few moments is going to be a great motion picture experience, one that touches you in deep places, perhaps even comforts you. The Green Mile is just such a movie. It was my pick for the best film of 1999 and remains to this day more than a decade later a modern classic, one which bears repeated viewings. It certainly is a staple in my family and I’m not alone in that assessment. If you haven’t seen it, you are truly missing out.

WHY RENT THIS: A modern classic. A touching treatise on the human spirit. Excellent performances from Hanks, Morse, Duncan, Rockwell, Cromwell and Jeter.

WHY RENT SOMETHING ELSE: Maybe you hate Stephen King on general principles.

FAMILY MATTERS: The language can be pretty foul, there are some sexually oriented scenes as well as some fairly disturbing images of murder and execution. There are also lots of scenes involving urine, so be warned.

TRIVIAL PURSUITS: Stephen King visited the set during filming and asked to be strapped into the electric chair. He was somewhat unnerved by the experience and immediately asked to be released.

NOTABLE DVD FEATURES: While the original DVD release (2000) didn’t have much room for features, the 2-disc special edition (2006) did and included Duncan’s original screen test and a make-up test with Hanks (he was originally set to play Edgecomb as an old man but the make-up was unconvincing and so Dabbs Greer was cast in the role in his final screen appearance) as well as a new nearly two hour feature on the making of the film. The Blu-Ray (2009) has all of these as well as a 34-page Digibook with background on the film, actor bios and an essay on Darabont’s three King adaptations to date.

BOX OFFICE PERFORMANCE: $286.8M on a $60M production budget; the movie was pretty much a Blockbuster (and is the highest-grossing Stephen King adaptation to date).

FINAL RATING: 10/10

TOMORROW: Ghost Rider: Spirit of Vengeance