Robert Klein Still Can’t Stop His Leg


Two giants of stand-up comedy reunited.

(2016) Documentary/Comedy (Weinstein) Robert Klein, Fred Willard, Mike Binder, Bill Maher, Jon Stewart, David Steinberg, Budd Friedman, Jerry Seinfeld, Richard Lewis, Larry Miller, Sheila Levine, Myrna Jacobson, Billy Crystal, Rick Overton, Lucie Arnaz, James Burrows, Allie Klein, Robert Mankoff, Jay Leno, Eric Bogosian, Michael Fuchs, Ray Romano, Bob Stein, Melanie Roy Friedman  Directed by Marshall Fine

 

When I was in high school (and I realize this dates me tremendously) there were three names that dominated stand-up comedy; George Carlin, Richard Pryor and Robert Klein. The first two became legends, cultural icons. The third became more of an influence on other stand-ups than he did a household name, although anyone who has seen any of his numerous HBO stand-up specials will attest to the man’s genius in the field.

Film critic and historian Marshall Fine has put together this loving tribute to Klein who quite frankly deserves to be feted. The documentary is very loosely structured with a number of chapters looking at aspects of Klein’s career and comedy. This does have the effect of leaping around chronologically which is fine but it also feels at times like there is no flow to what’s going on, which may well be an appropriate measure. He talks about his history somewhat; growing up in the Bronx (as in most retrospectives Klein visits his childhood home on Decatur Avenue), his time honing his craft in both Second City and at the Improv in Los Angeles, spending time being mentored by Rodney Dangerfield, his marriage to opera singer Belinda  Boozer and so on and so forth.

He also talks about why Jews seem to dominate the stand-up market, the use of profanity in his act and adjusting to the times. He imparts some of his experience to students at Binghamton University and endures squealing little girls who see the camera and exult in being in a movie – without having a clue of who Klein is (some of him recognize him from How to Lose a Guy in 10 Days).

Fine obviously feels a great affection for his subject and we don’t get a sense that Klein is anything but a nice guy. His divorce is given little coverage and although it appears that there was some acrimony between them, the causes and effects of the split on the couple are given little play. Boozer is conspicuously not interviewed for the film.

Of course, I’m a warts and all kind of guy and I want to get to know the man behind the laughs but that isn’t what this film is after and if you’re okay with that, you’ll be okay with this. There are a lot of wonderful clips here, including some of Klein’s signature songs like “The Colonoscopy Song” and “I Can’t Stop My Leg” from which the title of the documentary is taken. This is a pleasant diversion, a career retrospective for a performer who is as sharp at 75 as he was at 25 and continues to make us laugh today. There are fewer summations of a career that could possibly be better than that.

REASONS TO GO: The film makes a good case for Klein’s place in comedy history.
REASONS TO STAY: The film is a bit of a mishmash.
FAMILY VALUES: There is some mild profanity.
TRIVIAL PURSUIT: Klein was nominated for a Tony award for his role in the musical They’re Playing Our Song.
BEYOND THE THEATERS: Starz
CRITICAL MASS: As of 4/2/17: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Lenny Bruce: Swear to Tell the Truth
FINAL RATING: 6/10
NEXT: From War to Wisdom

Advertisements

Top Five


Chris Rock, standin' around.

Chris Rock, standin’ around.

(2014) Dramedy (Paramount) Chris Rock, Rosario Dawson, Gabrielle Union, J.B. Smoove, Romany Malco, Hayley Marie Norman, Anders Holm, Cedric the Entertainer, Kevin Hart, Karlie Redd, Ben Vereen, Sherri Shepard, Annaleigh Ashford, Jay Pharaoh, Tracy Morgan, Hassan Johnson, Leslie Jones, Luis Guzman, Jerry Seinfeld, Adam Sandler, Whoopi Goldberg. Directed by Chris Rock

Fame is something we all kind of wish we had deep down. We want all the perks – admiration, adulation and wealth to name a few. The reality of fame though is far different than our perception of it, particularly among celebrities in the popular arts. The pressure to produce can be absolutely crushing and the availability of alcohol and drugs – and the encouragement to use them irresponsibly – also can add to a celebrity’s woes.

Andre Allen (Rock) is best-known as a stand-up comedian, considered by many to be one of the funniest men in America. His film career has spawned a lucrative franchise of a crime fighter in a bear suit. Now he’s trying to get up after hitting rock bottom after having gone through rehab and recovery. Sober a year and a half, he’s getting ready to marry Erica Long (Union), a reality TV star, on a Bravo reality series. His new movie, Uprizing about the Haitian slave rebellion is about to come out, and through it he hopes to reinvent himself as a serious Actor. Note the capital.

But the film is going to bomb. Everyone knows it except for Andre. His agent (Hart) has arranged for New York Times reporter Chelsea Brown (Dawson) to follow Andre around for a day, which he’s not very pleased about. The Times’ film critic has repeatedly excoriated his performances, comparing them to “crimes against humanity.” However he needs the publicity for the movie so he grudgingly goes along with it.

In the course of the night she will witness him reconnect with old friends and family, undergo interviews of often the most insensitive and inert kind, endure heartbreak and disappointment and come out on the other side – maybe with a clear understanding of who he is, maybe not.

I have always blown hot and cold when it comes to Chris Rock. His genius is plain to see but it hasn’t always been showcased properly in movies. His skills are in being Chris Rock, to present his views through his experiences and make them funny and relatable. He is not really a character actor; he never did the SNL thing of developing characters with their own distinct personalities. While that may limit one on the stand-up stage, it is excellent preparation for a motion picture career and has stood many alumni of the show well.

Rock stands out here. He is cocky and vulnerable, arrogant and humble, forceful and lost. I can’t think of many movie characters with as many contradictions as Andre Allen – and yes, having contradictions in a character is a good thing. We get to see facets of Rock that he usually doesn’t reveal. I don’t know that Rock is particularly looking to reinvent himself but he comes close here.

The support crew is pretty outstanding as well, a who’s who of modern American stand-up as well as some pretty fine actors in their own right. Dawson is one of those ladies who has a devastating smile, one that can melt solid steel and turn a glacier into a puddle in just about five seconds flat and yet it is rare that a director has really utilized it to good effect. Rock does and when he is the focus of that smile, every man in the audience feels it. This is one of her best roles ever.

Union has the thankless job of playing the fame-addicted reality TV star with a huge heaping helping of control freak factored in. She doesn’t have very many scenes with Rock (most of their interaction is over the phone) and the part isn’t terribly sympathetic but she still manages to make it real. Although we still don’t like her character.

Most of the cameos are just that but Last Comic Standing host J.B. Smoove gets himself a meaty part as Andre’s boyhood chum and bodyguard/chauffeur/right-hand man and runs with it. He reminds me a little bit of Arsenio Hall in Coming to America. In any case, the part works.

The movie itself is a bit of a mixed back. There were times I was drawn in and felt like a fly on the wall in someone’s life, which is when the movie works best. There were also some times when it felt like I was watching something staged, like the reality show within the movie. That’s when the movie works least.

This probably won’t be contending for my year-end top ten list but it should likely make the Honorable Mention. It’s pretty dang good but not great. There’s a lot here that works, like when Andre is visiting with folks from his past in the old New York neighborhood. When the movie is pouring it on about the movie star, then it felt a little bit forced. I would have liked to have seen more of the New York Chris Rock than the Hollywood Chris Rock. So, I suspect, would a lot of you.

REASONS TO GO: Has moments where it really fires on all cylinders. Rock is always a fascinating study.
REASONS TO STAY: Loses focus occasionally and overdoes it.
FAMILY VALUES: Nudity and strong sexual content, plenty of adult language, crude humor and some drug use.
TRIVIAL PURSUIT: Rock wrote the screenplay in his trailer while filming Grown-Ups 2 so at least something good came out of that movie.
CRITICAL MASS: As of 12/23/14: Rotten Tomatoes: 90% positive reviews. Metacritic: 81/100.
COMPARISON SHOPPING: Stardust Memories
FINAL RATING: 7/10
NEXT: The Holly and the Quill begins!