New Releases for the Week of January 12, 2018


THE POST

(20th Century Fox) Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Jesse Plemons, Alison Brie.  Directed by Steven Spielberg

After the New York Times published the Pentagon Papers, they were in the center of a firestorm of controversy. Not to be outdone, the Washington Post also acquired some of the classified documents that detailed American acts that violated the Constitution as well as the Geneva Convention. With the Nixon Administration threatening to shut down the freedom of the press over the Papers, new Post publisher Katherine Graham – already a rarity in the newspaper business for being a woman as a publisher of a major newspaper – and her crusty editor Ben Bradlee face a decision to do what’s safe for the newspaper or what’s right for the country.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for language and brief war violence)

Agnyaathavaasi

(Haarika and Hassine Creations) Pawan Kalyan, Keerthi Suresh, Anu Emmanuel, Aadhi. An exiled heir to a massive fortune in India returns home in disguise as an ordinary employee of his father’s company in order to discover the identity of his father’s murderer and to make things right with the company, only to become a target himself.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: AMC West Oaks, Cinemark Artegon Marketplace

Rating: NR  

Call Me By Your Name

(Sony Classics) Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar.  In 1983 the son of an American researcher working in Northern Italy is enjoying a leisurely summer enjoying the cultural delights of the region. However when his father’s research assistant arrives, the teen discovers that his own emerging sexuality may be more difficult to deal with than his academic pursuits.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for sexual content, nudity and some language)

The Commuter

(Lionsgate) Liam Neeson, Vera Farmiga, Patrick Wilson, Sam Neill. A businessman is taking the commuter train home from work when he is given an offer he can’t refuse; to find the person on the train who “doesn’t belong there” or else face increasingly dire consequences. However, this businessman has a particular set of skills…

See the trailer and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for some intense action/violence, and language)

Condorito: The Movie

(Pantelion/Lionsgate) Starring the voices of Omar Chaparro, Jessica Cediel, Cristián de la Fuente, Jey Mammon. A soccer-playing condor (and the star of a Chilean comic strip) must save the world – and especially his family – from evil invading aliens.

See the trailer here.
For more on the movie this is the website (Spanish)

Release Formats: Standard
Genre: Animated Feature
Now Playing: Regal The Loop, Regal Waterford Lakes

Rating: PG (for rude and suggestive humor, and some mild action)

I, Tonya

(Neon) Margot Robbie, Sebastian Stan, Allison Janney, Julianne Nicholson. Figure skater Tonya Harding comes from an impoverished background which places her at a competitive disadvantage – the snooty judges of the sport count her background and trailer park look against her. Still, there’s no denying her ability as the first woman to attempt and complete a triple axel. She could be on the way to Olympic gold; but her husband and his best friend take her down the road to scandal and late night talk show jokes instead. Look for the Cinema365 review tomorrow.

See the trailer, interviews and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Dramedy
Now Playing: AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Waterford Lakes (expanding next week)

Rating: R (for pervasive language, violence and some sexual content/nudity)

Paddington 2

(Warner Brothers) Michael Gambon (voice), Ben Whishaw (voice), Sally Hawkins, Imelda Staunton (voice). Now comfortably ensconced with the Brown family and a beloved member of the community, Paddington is looking to buy the perfect gift for Aunt Lucy’s 100th birthday – a pop-up book. He takes on a variety of odd jobs so that he can afford to buy the tome. However when it turns up stolen, Paddington looks to be the prime suspect. The Browns and their friends must find the real thief in order to clear the bear’s name and save Aunt Lucy’s birthday.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: Wide Release

Rating: PG (for some action and mild rude humor)

Proud Mary

(Screen Gems) Taraji P. Henson, Neal McDonough, Danny Glover, Xander Berkeley. Mary is a paid assassin for a Boston crime family. In the course of a hit, things go South and she ends up crossing paths with a young boy. That fateful meeting turns her life completely around which is a dangerous thing to have happen when you’re in her line of work.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for violence)

ALSO OPENING IN ORLANDO/DAYTONA:

Acts of Violence
Ang Panday
The Ballad of Lefty Brown
Jai Simha

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Acts of Violence
Dim the Fluorescents
Hostiles
Inside
Jai Simha
Sketch
Thaanaa Serndha Koottam

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Gang
Inside
Jai Simha
Rangula Ratnam
Sketch
Thaanaa Serndha Koottam

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Ang Panday

SCHEDULED FOR REVIEW:

Call Me By Your Name
The Commuter
Hostiles
I, Tonya
Paddington 2
The Post
Proud Mary

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Bridge of Spies


Tom Hanks meets the press.

Tom Hanks meets the press.

(2015) True Life Drama (DreamWorks) Tom Hanks, Mark Rylance, Amy Ryan, Alan Alda, Sebastian Koch, Peter McRobbie, Austin Stowell, Dakin Matthews, Eve Hewson, Jesse Plemons, Scott Shepherd, Lucia Ryan, Wil Rogers, Nadja Bobyleva, Joe Forbrich, David Wilson Barnes, Mikhail Gorevoy, Steve Cirbus, Billy Magnussen, Noah Schnapp, Jillian Lebling. Directed by Steven Spielberg

The Cold War was in many ways, anything but. While the Soviet Union and the United States weren’t shooting at each other, that didn’t mean there weren’t casualties.

Rudolf Abel (Rylance) is a painter living in Brooklyn. The FBI thinks he’s a spy for the Soviet Union and they are following him, although he manages to evade their pursuit. He picks up a nickel on a park bench and discovers the coin has been hollowed out with a message left for him inside. However, eventually the FBI catches up with him and arrests him.

Eager to make a good impression on the world stage, rather than summarily executing the spy the government is keen on putting Abel on trial. They engage insurance lawyer James V. Donovan (Hanks) to represent him. At first Donovan wants nothing to do with it; he knows that representing an accused spy would bring him into a spotlight he doesn’t want he or his family to be in; he knows that people will hate him almost as much as they hate Abel but he truly believes that every man is entitled to a proper defense and decides that this is the least he can do to serve his country after having served it well in the Second World War.

He undertakes to defend Abel, advising him to cooperate with the U.S. Government but Abel refuses. Donovan grows to admire Abel for his loyalty to his cause, even if that cause is diametrically opposed to that of his country. Donovan endeavors to give Abel the most vigorous defense he can, knowing the judge (Matthews) in his case is predisposed to let Abel swing from the highest rope in the land. Donovan pleads with the judge to consider sparing Abel’s life, arguing that it would be a good thing to have Abel in hand just in case an American spy were to get captured, not to mention it would make America look merciful in the eyes of the world.

As it turns out, they were about to get a reason to keep Abel alive when pilot Francis Gary Powers (Stowell), piloting a U2 spy plane over the Soviet Union, is shot down and contrary to his orders captured alive (his orders was to take a cyanide pill and kill himself before getting captured). The government, knowing that Powers has knowledge of their spy plane program that they don’t want the Soviets to have, discovers that the Soviets are making overtures for a prisoner swap through the East Germans and to Donovan. CIA chief Allen Dulles (McRobbie) sends Donovan to East Berlin to negotiate the exchange. However, the Berlin Wall is being built, splitting the city in two. Tensions are high and the East Germans have captured an American student named Frederic Pryor (Rogers) who was studying economics there as a spy. Everyone knows that Pryor is no spy but now there is another element to the mix – and the Soviet and East German agendas might be entirely different.

Spielberg is a master storyteller and in many ways he’s the equivalent of Frank Capra. Hanks as I’ve mentioned before is the modern Jimmy Stewart and like Capra and Stewart, Spielberg and Hanks make as dynamic a director/actor pairing as we’ve seen in the last 20 years (with the exceptions maybe of Scorsese/Di Caprio and maybe Burton/Depp in that mix. This is the fifth time the two have been paired together and they’ve never made a bad movie.

And neither is this one. Hanks imbues Donovan with decency without making him cloying. Donovan’s faith in the Constitution resonates and once more, he’s absolutely right to. Donovan – and through him Spielberg and writers the Coen Brothers – preach that the Constitution is our roadmap to guide us through difficult situations; suspending it or ignoring it lessens us as a nation. Considering how fast and loose we’ve played with the Constitution in our War on Terror, the lesson has an extra importance especially now.

Rylance, who has won his share of Tony Awards for his work on Broadway, nearly steals the show from Hanks (a daunting task) by creating a man who is loyal to his nation, intelligent but also a human being, who grows to respect Donovan for his own loyalty to the U.S. Constitution. The real Rudolf Abel was a complicated man and Rylance conveys that.

The movie really is divided into two halves; the first part in which Donovan defends Abel which is essentially a courtroom drama, and the second in which Donovan goes to arrange the exchange which is more of a Cold War spy thriller. The first part actually works a little bit better than the second although it is in fact a bit drier in some ways; while I suspect the average moviegoer will like the second half better (the first can be slow-moving), it is the first where the meat of the message is delivered and has much more connection with me, at least.

For those who lived through the Cold War, the fear of nuclear holocaust was a real one you lived with every day. Duck and cover was a real thing. It looks quaint to modern eyes but it was the reality of the situation. People fully expected that World War III would be the last war – and that war would be inevitable. People in America really thought the Soviet Union was as evil as Nazi German. The Soviet citizenry probably thought much the same about America.

In some ways we haven’t grown much past those days. We still need an enemy to fear. We still lose our shit when someone outrages us. We still think the constitution should be suspended when it comes to terrorists, never realizing that once you go down that road that you can never go back – and that constitution that has guided us and protected us all these years becomes a little less shiny, a little less secure. The lessons from Bridge of Spies are extremely important in that regard; that they are presented in a well-crafted tale is icing on the cake.

REASONS TO GO: Spielberg and Hanks make a terrific pair. Rylance gives Oscar-worthy performance. Period of history brought ably to life.
REASONS TO STAY: Plods a little bit. Feels like two different movies…
FAMILY VALUES: There is some violence, some brief foul language and adult thematic material.
TRIVIAL PURSUIT: The scene filmed on the Glienecke Bridge near the end of the film is the exact spot where the events depicted in the scene took place.
CRITICAL MASS: As of 11/10/15: Rotten Tomatoes: 92% positive reviews. Metacritic: 81/100.
COMPARISON SHOPPING: Thirteen Days
FINAL RATING: 7.5/10
NEXT: Too Hip for the Room

Black Mass


You don't want to get on Jimmy Bulger's bad side.

You don’t want to get on Jimmy Bulger’s bad side.

(2015) Biographical Drama (Warner Brothers) Johnny Depp, Joel Edgerton, Benedict Cumberbatch, Dakota Johnson, Kevin Bacon, Peter Sarsgaard, Jesse Plemons, Rory Cochrane, David Harbour, Adam Scott, Corey Stoll, Julianne Nicholson, W. Earl Brown, Bill Camp, Juno Temple, Mark Mahoney, Brad Carter, Scott Anderson, Lonnie Farmer, Mary Klug, Bill Haims, Erica McDermott. Directed by Scott Cooper

There are certain people that you meet who are corruptors. Any contact with them sends you spiraling down a rabbit hole of bad choices which once taken build upon each other until you are hopelessly lost in it. One day you wake up and realize that you are as corrupt as that which you associated with, without meaning to be.

In the 70s and 80s, James “Whitey” Bulger (Depp) – who incidentally hated that nickname and saying it to his face was a good way to get on his bad side, a place you surely didn’t want to be – was the kingpin of crime in Boston. Something of a folk hero in South Boston where he grew up and where most of the Winter Hill Gang, the crew which he ran, were from, he was known to be less flashy than other criminal bosses but no less vicious, although he could be kind and supportive to those in his neighborhood that he felt merited it, as well as faultlessly loyal to family and friends.

One of those friends was John Connolly (Edgerton) who went into the other side of the law as an FBI agent. A rising star in the Bureau, he was brought to Boston to take down Jerry Angiulo (Haims) and his organization which at the time was the undisputed criminal leaders of North Boston and who were making inroads into Southie which was Bulger territory. The two would form an alliance that in exchange for information about the Angiulo family, Connolly would essentially protect his childhood friend and allow him free reign in Boston, which would come back to haunt him.

In addition, Jimmy’s brother Billy (Cumberbatch) was a state senator and the most powerful politician in Boston at the time. While Jimmy took great care not to involve Billy in his affairs, Billy would later suffer by association to his notorious brother and be forced out of politics.

Jimmy would run roughshod over Boston for more than a decade until an incorruptible Federal Prosecutor, Jimmy’s own hubris and Connolly’s own lies and misinformation would lead to Jimmy going on the run for 16 years until he was eventually captured in 2011 (he has strongly denied that he was ever a government informant, incidentally).

Scott Cooper, most notable for his Oscar-winning film Crazy Heart, has elicited the most powerful performance Depp has given in years and one of his best ever. Barely recognizable in a protruding forehead prosthetic, receding white-blonde hairline and rotting teeth, Depp inhabits his role like it’s a comfortable apartment. Early in the film, he shows a compassionate Bulger – devoted son and father  and loyal friend – but as the film goes on, a vicious and paranoid streak begins to emerge as Bulger, prone to violence, begins to lose control. It’s a riveting performance, not unlike that of Al Pacino in the original Godfather although not quite to that level of accomplishment. Nonetheless, it’s wonderful to see an actor who has been on a bit of a cold streak of late return to form and deliver the kind of performance we know he’s capable of. Hopefully this will mean that Depp will have some really good roles in his near future.

The supporting cast is extremely accomplished. Best of the bunch is Edgerton who is blossoming into an extraordinary actor and building on his performance here and in The Gift is poised to ascend to Hollywood’s A-list. His John Connolly is a Southie street kid who has matured into a federal agent, but whose misguided loyalties and tragic misfire on crime fighting strategy brings the character to an inevitable fall. Cumberbatch, who has parlayed an ability to spot roles that grow his career into stardom, has little to do but when he gets the opportunity to shine makes the most of it. Plemons, Cochrane and Brown as Bulger associates Kevin Weeks, Steve Flemmi and John Martorano respectively are also outstanding as are Kevin Bacon, Corey Stoll and David Harbour as lawmen Charles McGuire, Fred Wyshak and John Morris respectively.

While the movie mainly takes place in the late 70s and early to mid 80s, Cooper doesn’t club you over the head with the era recreation. There is a timeless feel to Southie and it is in many ways much the same now as it was then. Cooper wisely chooses not to mess with that by throwing tons of bell-bottoms, mutton chops and floofy hair. Sure, there are period automobiles and signage as well as home furnishings but it is all rather low-key. Boston itself is given a kind of wintry patina that makes you feel a little bit on the cold side throughout, even when some of the action takes place on beautiful spring and summer days.

While I don’t think this is quite as good as some of the gangster epics of Scorsese and Coppola, it nevertheless merits consideration as a memorable addition to the elite films of the genre, which I think it will be considered as when years go by. Depp will have a good deal of stiff competition this year but his performance here will have to merit at least some Best Actor consideration for next year’s Oscars. It may lack quality women’s roles and might feel a little bit on the long side, but it is the best crime drama you’ll see this year.

REASONS TO GO: Depp’s best performance in years. Likely to become an essential gangster movie in years to come.
REASONS TO STAY: Maybe a bit too long and a little too masculine.
FAMILY VALUES: A fair amount of bloody violence, quite a bit of profanity, some sexual references and some drug use.
TRIVIAL PURSUIT: Many of the scenes depicting murders in the movie were filmed in the same locations where the actual murders took place.
CRITICAL MASS: As of 9/26/15: Rotten Tomatoes: 75% positive reviews. Metacritic: 68/100.
COMPARISON SHOPPING: :Goodfellas
FINAL RATING: 7.5/10
NEXT: Cold Nights, Hot Salsa