Suicide Squad


Wanna come out and play?

Wanna come out and play?

(2016) Superhero (Warner Brothers) Will Smith, Margot Robbie, Jared Leto, Viola Davis, Joel Kinnaman, Cara Delevingne, Jay Hernandez, Jai Courtney, Ben Affleck, Ezra Miller, Ike Barinholtz, Scott Eastwood, Karen Fukuhara, Adam Beach, Kenneth Choi, Alain Chanoine, Adewale Akinnuoye-Agbaje, Common, Jim Parrack, David Harbour, Shailyn Pierre-Dixon. Directed by David Ayer

 

There are those who maintain that a hero is nothing without a memorable villain to oppose him. That’s largely true; what would James Bond be without Blofeld, Holmes without Moriarty or Luke Skywalker without Darth Vader? We usually see things from the hero’s point of view but rarely do we get a glimpse into the world of the super villain.

Following the events of Batman v. Superman: Dawn of Justice, the American government is extremely nervous. What would happen, posits Amanda Waller (Davis) who works for a shadowy intelligence agency, if Superman had instead of saving the world decided to destroy it? Who would stop him? Waller has an idea, one that is magnificent in its simplicity and alarming at its utter amorality.

She “recruits” (i.e. forces) several super villains locked up in the Belle Reve black ops prison in the swamps of Louisiana to form up a team to take on certain situations which are essentially hopeless. Situations in which the superheroes that are out in public (which are essentially Batman (Affleck) and the Flash (Miller) at this point) shouldn’t be risked as they aren’t exactly expendable. These guys are exactly that. Waller knows that and at the same time, she knows they have nothing to lose by running. She has a solution that recalls The Running Man to a certain extent but absolutely doesn’t say anything particularly nice about the woman.

And who are these guys? For one, there’s Deadshot (Smith), an assassin for hire who never misses with any firearm you give him. Then there’s Harley Quinn (Robbie), the deranged ex-psychiatrist who is now the Joker’s (Leto) girlfriend but who is a formidable opponent of her own. Then there’s Diablo (Hernandez), a gang banger who can shoot flames in any direction but when his powers caused the death of his wife and son, is attempting to reform and has vowed to never use his powers again.

=Add to that list Killer Croc (Akinnuoye-Agbaje), a horribly mutated man who is half man, half crocodile and eats people when he gets the chance. Then there’s Enchantress, a demonic spirit that has possessed archaeologist June Moon (Delevingne) and possesses incredible magic powers, Captain Boomerang (Courtney), an Aussie thief whose weapon of choice is a boomerang that he is absolutely deadly accurate with. Finally there’s Slipknot (Beach), whose ability to climb any surface makes him a useful scout.

Overseeing these representatives of the lunatic fringe is Captain Rick Flagg (Kinnaman), a Navy SEAL who just happens to be Professor Moon’s boyfriend – and who is himself tough as nails. Having his back is Katana (Fukuhara), a Japanese martial artist with an enchanted sword that captures the souls of its victims – which include her husband among their number. Katana is able to communicate with the spirits in the blade, including her late hubby.

They are battling a mystical opponent who wants to essentially open a rift in the dimension that will end civilization as we know it. The problem is that the Suicide Squad as they have come to be known as don’t really give a rat’s tush about civilization. If they can stop fighting amongst themselves, though, they might just come through of it alive. The odds are not good for either however.

Let’s be blunt to start out; the DC Extended Universe (what they call their cinematic division) has not had the kind of success that Marvel has and the critics have absolutely excoriated this movie. Now, I will be the first to say that DC’s cinematic path hasn’t caught on for a reason; in trying to duplicate the tone of the very successful Dark Knight trilogy of Christopher Nolan. You’ll notice that the Marvel cinematic universe is anything but.

But is this movie really that bad? I don’t think so…for one thing it’s entertaining as all get out. Ayers is a director who has a very fine eye and a well-developed story-telling sense. He also knows how important it is for there to be fun in the equation, and there’s lots of great by-play between the characters and a lot of humor injected into the script.

He also has a helluva cast. Smith, one of the biggest stars in the world, has rarely been better than he is here. Yes, his Deadshot is one of the more developed characters in the film, but Smith gets to play a villain who has some human qualities as well (he’s absolutely devoted to his daughter, played by Pierre-Dixon for one). He also shows the kind of leadership skills shown by Chris Evans’ Steve Rogers in the Marvel Universe. The DC Universe sorely needs that.

Robbie has almost as much time in the movie as Smith and her Harley Quinn took a different path to the silver screen; Harley Quinn didn’t initially come from the comic books but from the television animated shows. She went from there to the comic books which she became something of an icon, particularly to female comic book fangirls. Robbie fills the role well; while some have groused that the character has been overly sexualized here (including Robbie herself), she turns in an intense performance, particularly since she has to go up against Oscar winner Jared Leto as her boyfriend/abuser the Joker.

Leto has been very vocal in his disappointment about what the role turned out to be, and in all fairness the Joker was never supposed to be a central character here. However, it stands to reason that you can’t really have Harley Quinn with Mr. J; it doesn’t work. His take on the Joker is a lot different than that of Jack Nicholson, Mark Hamill, Heath Ledger or even Cesar Romero. Not better, not worse, just different. I liked Leto’s Joker just fine; he’s supposed to be unpredictable and Leto certainly makes him that. He isn’t nearly as menacing as Ledger’s Joker, nor as twisted as Nicholson’s. However, this Joker is wilder, more untamed than either. It is a good interpretation.

There are a lot of special effects, particularly involving the mystical vortex thingy that the Big Bads are creating. There are an awful lot of trans-dimensional vortices in superhero movies as of late and as those sorts of things go, this one is no worse nor any better than most. It just isn’t all that impressive; neither are most of the practical effects. Also, there are moments when the plot gets a little bit, ahh, thick. I found it a touch confusing at times and perhaps more casual comic book fans might feel the same.

Otherwise, I enjoyed the heck out of the movie. These really aren’t the A-list of DC villains (although the Joker is present) but some of the mid-level guys. Quinn and Deadshot both look like slam-dunks coming back for more cinematic superhero goodness. And all things considered, this didn’t do the DC Extended Universe better; it might well be the best of the three that have appeared so far, at least in my book. However, it still isn’t slam dunk enough to really elevate the franchise into a place where I’m actually excited about it. Maybe Wonder Woman will bring that to the game.

REASONS TO GO: There is excellent interaction between an excellent cast. Smith is at his very best here. Brings some of DC’s lesser villains to light.
REASONS TO STAY: The special effects are unimpressive. The story is occasionally confusing.
FAMILY VALUES: As you’d expect, plenty of violence and superhero action, some sexually suggestive material and a bit of profanity.
TRIVIAL PURSUIT: Harley Quinn’s baseball bat was given to Kevin Smith to thank him for hosting the TV special Dawn of the Justice League shortly before this film came out.
CRITICAL MASS: As of 8/29/16: Rotten Tomatoes: 26% positive reviews. Metacritic: 40/100.
COMPARISON SHOPPING: Deadpool
FINAL RATING: 7/10
NEXT: Gleason

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New Releases for the Week of August 5, 2016


Suicide SquadSUICIDE SQUAD

(Warner Brothers) Will Smith, Margot Robbie, Jared Leto, Joel Kinnaman, Ben Affleck, Viola Davis, Jai Courtney, Adewale Akinnuoye-Agbaje, Cara Delevingne. Directed by David Ayer

There are some jobs that a superhero just can’t do. They are far too valuable to risk. That’s when you send in the other guys, or in this case, a government-selected group of super-villains who have nothing to lose and are completely expendable. Given no option but to succeed or die, will they take on an impossible task and perhaps save the world, or bicker among themselves and go down in flames along with the rest of us?

See the trailer, a clip, a promo, a featurette and a video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sequences of violence and action throughout, disturbing behavior, suggestive content and language)

Bazodee

(Serafini) Staz Nair, Kabir Bedi, Natalie Perera, Valmike Rampersad. The daughter of an Indian businessman agrees to marry a wealthy man in order to get her father out of the crushing debt he’s under. However, at her engagement party she meets an intriguing reggae musician with whom she develops a complicated friendship…which leads to forbidden feelings that catch the eye of the protective brother of her fiance who sets out to ruin everything and everyone involved.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC West Oaks

Rating: PG-13 (for some suggestive content and brief language)

Nine Lives

(EuropaCorp/Relativity) Kevin Spacey, Jennifer Garner, Robbie Amell, Christopher Walken. A workaholic Dad on the eve of his biggest career triumph ever is on the way home to his daughter’s 11th birthday with the gift she’s always wanted – a cat. He hates cats, but had to scramble to find a gift and this is what he came up with. After a terrible car accident, he awakens with his consciousness inside the cat. He begins to get an entirely new outlook about his family through the eyes of the cat and begins to understand what he could potentially lose. It will take an extreme effort on his part to earn back his humanity and rejoin the family he’d taken for granted for so long.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family Comedy
Now Playing: Wide Release

Rating: PG (for thematic elements, language and some rude humor)

Child 44


You've got to admire that old Soviet fashion sense.

You’ve got to admire that old Soviet fashion sense.

(2015) Mystery (Summit) Tom Hardy, Joel Kinnaman, Noomi Rapace, Gary Oldman, Jason Clarke, Paddy Considine, Fares Fares, Vincent Cassel, Agnieszka Grochowska, Mark Lewis Jones, Petr Vanek, Jana Strykova, Ursina Lardi, Michael Nardone, Lottie Steer, Zdenek Barinka, Ned Dennehy, Finbar Lynch, Nikolaj Lie Kaas, Sam Spruell, Tara Fitzgerald, Lorraine Ashbourne. Directed by Daniel Espinosa

I wonder sometimes if the current American regime misses the Soviet Union. After all, they gave us someone to hate and an ideology to deride. Then again, I suppose that ISIS has given that to us as well.

But in the bad old days there was Stalin and the Russians but despite everything they couldn’t have been worse for us than they were for the Russians themselves. The country was rebuilding after suffering horribly during the Second World War but after having Hitler’s troops knocking on their doorstep they had somehow managed to push them all the way back to Berlin. Orphan Leo Demidov (Hardy) had distinguished himself during the war, taking the Reichstag and planting the Soviet flag, becoming a national hero in the process. Boyhood friends Alexei (Fares), a wild but loyal man, and Vasili (Kinnaman), a vicious coward, had been at his side (and in Vasili’s case, slightly behind him).

These days, instead of chasing the German army Leo is chasing Soviet traitors for the MGB along with Alexei and Vasili. Their latest case, a veterinarian named Brodsky (Clarke) had resulted in Vasili shooting a mother and a father who had harbored the fugitive before Leo stopped him and humiliated him in front of the men. This makes Leo Vasili’s sworn enemy, one who will plot and scheme Leo’s downfall.

But things are already in motion. For one, Alexei’s child is found dead by the railroad tracks. It is officially ruled an accident but Alexei knows better – he knows his child was murdered. However since Stalin declared that murder was a Western capitalist affliction, it wasn’t possible for murder to occur in the Soviet Union. “There are no murders in paradise” goes the refrain (and it is repeated more than once, usually ironically). When Alexei questions the official ruling, he runs afoul of the authorities who quickly force him to recant. Leo is in fact the one who warns his friend what is happening.

Leo should be watching his own back. His wife Raisa (Rapace), a schoolteacher, has been getting restless in her marriage to the driven Leo and has been having an affair. However, Vasili makes a case against Raisa for being a traitor because the man she is seeing, a fellow schoolteacher, seems to have non-communist (or at least non-Stalinist) sympathies. When Leo refuses to denounce Raisa, he is punished by being sent to a backwater town under the command of General Nesterov (Oldman), himself in disfavor with the current Soviet regime. Normally Leo would have been executed but being a hero of the Soviet Union has its perks.

But there have been a series of child deaths in the vicinity, all with similar wounds to what Alexei’s son had suffered. Leo realizes that there is a serial killer in their midst. And since murder doesn’t exist in the Soviet Union (much less serial killers), the official position is that these deaths are all accidents. However Leo realizes that in order to protect the children of the district he will have to risk everything – including his own life – to bring the killer to justice. In the meantime, Vasili, who sees the perfect opportunity to take Leo out permanently, is closing in.

I expected this to be not very good, given that it got almost no push from the studio and received pretty miserable reviews but this is one of those times I got to be pleasantly surprised. The setting of the old Soviet Union filmed mostly in the Czech Republic – the Russia of Putin found the movie to be insulting to their history and promptly banned it – is unusual for Hollywood thrillers. The depiction here is of a drab and paranoid world in which the only colors seem to be grey and red and the only way to survive is to assume that everyone is out to get you which it seems is pretty much the case.

Hardy has become one of my favorite actors at the moment. Poised to be Hollywood A-list royalty (and will probably achieve that status with Mad Max: Fury Road later this month) he is on a role in which he seems to be incapable of delivering an uninteresting performance. His Leo is like a pit bull in many ways, but an honorable one – he doesn’t attack indiscriminately but only to those who in his view deserve it, such as traitors to his motherland. He chooses not to question the corruption that is in plain sight all around him, merely accepting it as part of the Way Things Are and when he becomes a victim of it chooses not to complain but simply adapt.

The rest of the supporting cast is for the most part solid; Rapace seems oddly subdued but still remains a very underrated actress, one who underlines how few really well-written roles for women there are out there. She makes the best of a fairly undefined character. Oldman is also another one of those actors who seems to always elevate the part he’s in whether it’s well-written or not.

While based on an actual case, this fictionalized movie comes across as a fairly predictable thriller despite being based on an international best seller which was reportedly anything but (I haven’t read it as of yet). It is the first of a trio of novels and no doubt Summit was hoping for a franchise here initially but given that the movie has been given little push and has been a box office disappointment, the other two are unlikely to be filmed.

But that doesn’t mean this isn’t worth seeing. Now largely out of first release theaters with the first blockbusters of the summer season taking the lion’s share of screens, you can still catch it in second run theaters and likely soon on VOD. It’s actually a pretty interesting film and a well-made thriller worth taking the time to seek out. It isn’t perfect but I found it to be entertaining enough to overcome its flaws.

REASONS TO GO: Hardy continues to be a reason to go see a movie all by himself. Captures the paranoia and political infighting of Stalinist Soviet Russia.
REASONS TO STAY: A bit too rote in terms of plot.
FAMILY VALUES: Plenty of violence, a few disturbing images, adult themes, some foul language and a scene involving sexuality.
TRIVIAL PURSUIT: The novel the movie is based on was inspired by the hunt for the real serial killer Andrei Chikatilo which was chronicled in the excellent HBO movie Citizen X.
CRITICAL MASS: As of 5/8/15: Rotten Tomatoes: 23% positive reviews. Metacritic: 41/100.
COMPARISON SHOPPING: Citizen X
FINAL RATING: 7/10
NEXT: Misery Loves Comedy

New Releases for the Week of April 17, 2015


Paul Blart Mall Cop 2PAUL BLART: MALL COP 2

(Columbia) Kevin James, Raini Rodriguez, Eduardo Verastegui, Daniela Alonso, Neal McDonough, David Henrie, D.B. Woodside, Nicholas Turturro, Ana Gasteyer. Directed by Andy Frickman

After six years of keeping his mall safe, you’d think Paul Blart would have earned a vacation. Given the opportunity to speak at a security officers convention in Vegas, he decides to bring his teenage daughter with him for one last family vacation before she goes off to college. However, when Blart gets wind that a security professional is planning a major heist, Blart goes into high gear to detect, observe, detain and…oh, what was that again?

See the trailer, interviews, clips and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Comedy
Now Playing: Wide Release
Rating: PG (for some violence)

Child 44

(Summit) Tom Hardy, Joel Kinnaman, Gary Oldman, Noomi Rapace. A 1950s-era Soviet secret policeman, exiled to a remote provincial outpost for refusing to denounce his wife as a traitor, joins forces with an army General to find a serial killer that preys on young boys. The problem is that officially speaking, there are no serial killers in the Soviet Union and so they find themselves fighting their own government to protect those who need protection the most.

See the trailer, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Thriller
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal Winter Park Village
Rating: R (for violence, some disturbing images, language and a scene of sexuality) 

Monkey Kingdom

(DisneyNature) Tina Fey (voice). Focuses on a young mother and her newborn son who are part of a troop of monkeys that live in the ruins of an ancient temple. Low standing on the social ladder puts them near the bottom of the food chain, so the two face constant starvation and threats from other monkeys. Then, when the whole tribe is forced out of their ancestral home into a more urban environment, everything changes.

See the trailer, clips, featurettes and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Nature Documentary
Now Playing: Wide Release
Rating: G

The Squeeze

(ARC Entertainment) Jeremy Sumpter, Christopher McDonald, Jillian Murray, Michael Nouri. A caper film about a notorious gambler who discovers a modest young man in a rural town with astonishing golf skills. While the golfer dreams of winning the U.S. Open, the gambler knows it would be far more lucrative for him to become involved in high stakes match play. However, the stakes continue to grow higher and higher until they become life or death.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Downtown Disney
Rating: PG-13 (for some sexuality, language, drug material and thematic elements)

True Story

(Fox Searchlight) Jonah Hill, James Franco, Felicity Jones, Ethan Suplee. A disgraced New York Times reporter discovers to his shock that a serial killer has taken his identity. When he goes to interview the man who claimed to be him when he was arrested, the reporter embarks on a deadly game of cat and mouse with the accused and as the reporter sets out to unravel the tangled skein of the killer’s deceptions, the balance will teeter between redemption and loss.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: True Life Drama
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Cinemark Artegon Marketplace, Regal Oviedo Mall, Regal Winter Park Village
Rating: R (for language and some disturbing material)

Unfriended

(Universal) Heather Sossaman, Matthew Bohrer, Courtney Halverson, Shelley Hennig. When the video of a vicious bully getting drunk and doing things not in her character are posted online, the girl commits suicide. A year later, a group of her victims are chatting on Skype when they are stalked by a mysterious figure who wants to know which one of them posted the video. As the friends are bumped off one by one it soon becomes apparent that they aren’t dealing with an earthly threat.

See the trailer and a promo here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Horror
Now Playing: Wide Release
Rating: R (for violent content, pervasive language, some sexuality, and drug and alcohol use – all involving teens)

While We’re Young

(A24) Ben Stiller, Naomi Watts, Adam Driver, Amanda Seyfried. The latest from indie darling Noah Baumbach finds a middle aged couple having their lives and their points of view changed by the friendship of a younger, hipper couple. Their newfound friends remind them that of who they were and what they’ve become; and they kinda prefer their old selves to their new.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Comedy
Now Playing: Cinemark Artegon Marketplace, AMC Downtown Disney, Regal Winter Park Village
Rating: R (for language)

Run All Night


Liam Neeson's having a bad night.

Liam Neeson’s having a bad night.

(2015) Action (Warner Brothers) Liam Neeson, Ed Harris, Joel Kinnaman, Vincent D’Onofrio, Nick Nolte, Genesis Rodriguez, Boyd Holbrook, Bruce McGill, Common, Lois Smith, Beau Knapp, Patricia Kalember, Daniel Stewart Sherman, James Martinez, Radivoje Bukvic, Tony Naumovski, Lisa Branch, Holt McCallany, Aubrey Joseph, Jessica Ecklund. Directed by Jaume Collet-Serra

No matter how low you sink, there is always family. Sure, occasionally there are those who sink so low that their family loses sight, maybe even give up on them but that doesn’t mean they don’t stop loving them – nor does it mean they wouldn’t do anything to help.

You can’t sink much lower than Jimmy Conlon (Neeson). Once one of the most feared assassins in the Irish Mob, he was known by his nickname of The Gravedigger. He worked for his childhood friend Shawn Maguire (Harris) until Shawn decided to go legitimate and divest himself of his illegal activities. Shawn keeps Jimmy around these days more out of a sense of loyalty.

Jimmy’s activities have cost him everything. His wife, from whom he was estranged at the time of her death and his son Michael (Kinnaman) who is trying to build himself a good, straight and narrow life with a pregnant wife (Rodriguez), a little girl and working two jobs; one as a boxing coach for underprivileged kids, the other as a limo driver to keep the bills paid.

Jimmy isn’t really getting his bills paid, although his buddy Shawn bails him out once in awhile. Jimmy has crawled into a bottle and looks to stay there; even Detective Harding (D’Onofrio) who’s been chasing him for decades has given up on Jimmy, although he still wheedles him for the names of those he’s murdered so that some closure might be brought.

Shawn’s son Danny (Holbrook) is the heir apparent to Shawn’s legitimate business concerns but Shawn is a drug addict and a hothead who wants to follow in his father’s criminal footsteps. He makes a deal with Albanian drug dealers to import some heroin into the U.S. and wants to bring his dad aboard to legitimize the deal but Shawn is having none of it.

This is a problem for Danny because the Albanians gave him money to make the deal with his dad. Now the deal has collapsed and the money has essentially gone up Danny’s nose. The Albanians, who have a certain amount of taste for the good life, take a limo to Danny’s house to collect. The only thing they end up collecting is a bunch of bullets from Danny’s gun.

Danny witnesses this and flees home. Shawn finds out about the debacle and asks Jimmy to talk to Michael and make sure he keeps what he saw to himself. He also orders his son Danny to stay put. Danny being Danny heads over to Michael’s house instead and is set to shoot dead his childhood friend. Instead Jimmy kills Danny before he can kill his son.

Shawn doesn’t take the news well. He assures Jimmy that he is going to go after Michael with everything he has and once Michael is dead, only then will he allow Jimmy to die. Jimmy tells Shawn that this is a very bad idea but Shawn won’t listen and so Jimmy’s gotta do what he’s gotta do to help his son, who hasn’t talked to him in years, stay alive through the course of a very long and cold December New York City night.

This is pretty typical for Neeson’s recent action movies; lone wolf killer sort on the downward swing, protecting family, killing anyone and everyone who threatens said family even if they’re wearing a badge. Neeson has this kind of character down pat and even though he could play it in his sleep gives it a professional effort.

Collet-Serra has collaborated with Neeson on some of his better films, Unknown and Non-Stop, of his action era. This is a slickly produced and photographed action piece, with Collet-Serra using the lurid neon and dimly lit bars and pubs of New York as an expressive backdrop. Although Shawn is rich, his home is the residence of essentially a blue collar guy, the background from whence Shawn sprang. Jimmy’s apartment is the home of a drunk, the last place on earth anyone would want to live but Jimmy looks at home there. Details like that can elevate a mediocre film into a good one.

The story won’t set the world on fire; we’ve seen this sort of thing before but Collet-Serra does it as well as it can be done, at least thus far. There are some peripheral characters, chief among which is Andrew Price, a methodical and fastidious hit man played by rapper Common and done surprisingly well – he’s impressive in this brief role and shows the chops it takes to become a big time leading man which hopefully we’ll soon see him become.

I have to admit, I’m an Ed Harris fan. He’s one of those actors who seems to never phone in a performance, always giving a terrific performance no matter what the role or how good the movie it’s in. He elevates every movie he appears in and he’s no different here. Shawn clearly loves Jimmy as a brother but is heartbroken over the death of his boy, driven to unspeakable rage that will mean the obliteration of his friend and his family. There’s a Shakespearean component to the role in many ways.

Run All Night is like many March movies in that it isn’t going to win any awards and is not likely to break box office records. It’s not going to wow many critics nor is it going to inspire legions of devoted fans. What it will do is provide consistent, solid entertainment for those who love action movies and Liam Neeson’s version of them in particular. Chances are you’ll get exactly what you expect you’ll get when you buy your ticket and you really can’t ask any more from a movie than that.

REASONS TO GO: Nobody does the hangdog action hero better than Neeson. Harris always lends credibility to any production he’s in.
REASONS TO STAY: Plays to Irish stereotypes. Somewhat predictable.
FAMILY VALUES: Tons o’ violence, plenty of un-charming foul language, some drug use and lots of Irish temperament.
TRIVIAL PURSUIT: The two young men in the film, the sons of Shawn and Jimmy respectively are named Danny and Michael, which are also the names of Liam Neeson’s sons in real life.
CRITICAL MASS: As of 3/27/15: Rotten Tomatoes: 60% positive reviews. Metacritic: 59/100.
COMPARISON SHOPPING: A Walk Among the Tombstones
FINAL RATING: 6/10
NEXT: Cinderella

New Releases for the Week of March 13, 2015


CinderellaCINDERELLA

(Disney) Lily James, Cate Blanchett, Helena Bonham Carter, Richard Madden, Stellan Skarsgard, Nonso Anozie, Holliday Grainger, Derek Jacobi, Rob Brydon. Directed by Kenneth Branagh

An orphaned girl, cruelly abused at the hands of her stepmother and her two vicious daughters, dreams of meeting a kindred soul and seems to have found one in the form of Kit, an apprentice at the palace. But secrets abound; Kit is really the Prince, he is head over heels for the girl and the Grand Duke plots with the evil stepmother to keep the two apart. Fortunately, the courageous and kind young girl has a fairy godmother on her side and with pumpkin and mice transforms the girl into a beautiful young woman.

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, IMAX (opens Thursday)
Genre: Fantasy
Now Playing: Wide Release
Rating: PG (for mild thematic elements)

The Life and Mind of Mark DeFriest

(Naked Edge/City Drive) Scoot McNairy, Shea Whigham. Sentenced to four years for a petty crime, DeFriest finds his sentence being extended after escape attempts and generally bad behavior. But now his four year stretch has become twenty and as he comes up for yet another parole hearing, hard questions about our penal system begin to surface.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater
Rating: NR

Red Army

(Sony Classics) Scotty Bowman, Vlacheslav Fetisov, Vladislav Tretiak, Ken Kurtis (voice). In the 1970s and 1980s, hockey wasn’t just the national sport in the Soviet Union, it was an obsession. The best team in the world was the Red Army team and it formed the basis for the formidable Soviet National team. The captain of that team took exception to the brutal training methods and often heartless treatment of its players and stood up to the system, going from national hero to political enemy in the process but paving the way for a revolution that would transform a nation and change the whole world.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village
Rating: PG (for thematic material and language)

Run All Night

(Warner Brothers) Liam Neeson, Ed Harris, Joel Kinnaman, Vincent D’Onofrio. A prolific hit man for the mob knows he is at the tail end of his career, and as the sins of his past begin to catch up to him, he takes solace in the bottom of a bottle. He remains more or less protected by his boss who is his closest friend. However, when his boss’s son attempts to kill his own estranged son, he is forced to make a choice between his biological family and the Family. On the run with his boy, he has a single night to keep them both alive and to somehow make things right.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Action
Now Playing: Wide Release
Rating: R (for strong violence, language including sexual references, and some drug use)

RoboCop (2014)


RoboCop takes aim at skeptical critics.

RoboCop takes aim at skeptical critics.

(2014) Science Fiction (MGM/Columbia) Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish, Samuel L. Jackson, Jackie Earle Haley, Michael K. Williams, Jay Baruchel, Jennifer Ehle, Marianne Jean-Baptiste, Aimee Garcia, Douglas Urbanski, John Paul Ruttan, Patrick Garrow, K.C. Collins, Daniel Kash, Zach Grenier, Maura Grierson. Directed by Jose Padilha

Military drones have become over the past 12 months something of a cause célèbre, although drones have been in use for years. In the near future, those drones will be even more sophisticated – human control may well be entirely unnecessary. However most Americans are uncomfortable with the idea of life and death being doled out by machines.

Pat Novak (Jackson) begs to differ. The host of the right-wing news magazine show The Novak Element thinks that having robots in law enforcement would be a very good thing. However, existing laws in the United States prevent drones and robots being used in a military or law enforcement fashion on U.S. soil. Novak is campaigning to change all that.

Raymond Sellars (Keaton) would like to see him succeed. As the CEO of OmniCorp, the multinational corporation that supplies robotic devices to the military and to international law enforcement, he’s chomping at the bit to get at the virgin U.S. market but is frustrated that public opinion is against him. However, he knows that given the right stimulation, public opinion can change. What the machine needs is a human element.

Cue Alex Murphy (Kinnaman). An honest cop on the Detroit Police Department, he is chasing a  criminal gang leader named Vallon (Garrow) whose investigation by other cops on the force has stalled. An inadvertent miscue by a lowlife gun dealer gives him and his partner Jack Lewis (Williams) an opportunity to connect Vallon to actual crimes and put him away. Unfortunately, someone tips off Vallon and Lewis gets shot for their troubles.

Realizing that Murphy is not going to give up until he gets an arrest, Vallon arranges for Murphy’s car to be wired with an explosive device. It goes off, critically injuring the cop in full view of his wife Clara (Cornish) and son David (Ruttan).

This gives Sellars the perfect opportunity. Brilliant cyberneticist Dennett Norton (Oldman) can rebuild Alex; he has the technology. He can give Murphy all the advantages of being a robot while still retaining his human control. However, there are glitches. A machine doesn’t hesitate or consider human consequences; it just acts. Murphy is held back by having a conscience and emotions. Norton reluctantly must delete these items from the programming.

In his RoboCop role, Murphy scarcely even responds to his family who quickly realize that something is wrong. Norton isn’t happy about the situation either – the whole point was to retain both the human and machine and what he has created is essentially an automaton with some organic material. Nonetheless RoboCop is a huge success and Sellars is getting exactly what he wants – a repeal of the laws that keep his company from profiting in America. However, when Murphy’s human side begins to reassert itself, RoboCop becomes expendable in a hurry.

The 1987 Paul Verhoeven-directed feature was more of an over-the-top satire of consumerism as well as social commentary on urban decay and the ultimate soullessness of our society. It was most definitely a product of its time. Brazilian director Padilha (making his English language debut) is far more subtle but no less satirical, but with a little bit more thought beneath the satire – what constitutes humanity and at what point do we cease being human? He also asks a question that is very much one that should be getting asked more often – is trading freedom for security a wise idea?

I appreciate undertones of that nature, and give the movie points for it. However, movies of an action/sci-fi bent also need to be entertaining and for the most part, this one is. Kinnaman has a facial resemblance to Peter Weller (who originated the role) but in the Alex Murphy scenes shows a little more warmth than Weller radiated. He does surprisingly well as RoboCop and gets the right movement that you’d expect from a robot.

Michael Keaton is one of those actors that you don’t realize you miss until he shows up for an infrequent role. He is perfect for Sellars, making him almost likable despite his black heart. Only near the end of the movie do we see Sellars’ true colors but by then Keaton’s sucked us in. Oldman also manages to bring the conflicted nature of Norton to the fore and show both sides of the coin equally. Cornish is, I think, supposed to act as the conscience for the movie but doesn’t quite jell there. Jackie Earle Haley is awesome as OmniCorp’s prejudiced chief of security.

While the CGI is good (especially a squirm-inducing scene in which we see Murphy without the RoboCop armor) and the action decent, the story has a fractured element to it and seems to be travelling in all sorts of directions. Reportedly, the studio was extremely involved in the film and frustrated Padilha’s creative control to the extent that he made some unwise comments which he later recanted. However, the movie does show all the earmarks of studio interference which is never a good thing. Too many RoboCooks spoil the RoboBroth.

Despite the critical bashing it’s received, the movie is decent enough entertainment. If you go in expecting the same humor as the original, you’re not going to like this much. In fact, this version could have used a little more humor which it mostly gets from the Novak show segments that open the movie and are shown intermittently throughout. I would have been interested to see what Padilha’s vision for the film would have turned out to be although I understand that the movie’s budget became an issue in that regard. I suspect that he could have turned this into a better film than it turned out to be – although what he did produce is pretty good in and of itself.

REASONS TO GO: Pretty decent entertainment value. Kinnaman does a fine job as does Oldman and Keaton.

REASONS TO STAY: Muddled and unfocused, a sure sign of studio interference.  

FAMILY VALUES:  While not as violent as the 1987 original, there are plenty of bullets flying and some mayhem. There’s also a few choice bad words here and there as well as a disturbing image of the remains of Alex Murphy after the bomb blast.

TRIVIAL PURSUIT: Michael Keaton and Gary Oldman have both been involved in the Batman franchise; Keaton as the Caped Crusader in Tim Burton’s two films, Oldman as Commissioner Gordon in Christopher Norton’s trilogy.

CRITICAL MASS: As of 2/23/14: Rotten Tomatoes: 50% positive reviews. Metacritic: 52/100.

COMPARISON SHOPPING: Total Recall

FINAL RATING: 6.5/10

NEXT: Hysteria