New Releases for the Week of April 6, 2018


A QUIET PLACE

(Paramount) Emily Blunt, John Krasinski, Noah Jupe, Millicent Simmonds, Leon Russom, Cade Woodward, Doris McCarthy. Directed by Steven Spielberg

The Earth has been overrun by deadly creatures that hunt totally by sound; even the slightest noise an be fatal. A family finds a refuge in an abandoned home but soon determines that survival does not thrive in silence.

See the trailer, clips, video featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, DBOX, Dolby Atmos, IMAX, RPX, XD
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for terror and some bloody images)

Blockers

(Universal) Leslie Mann, John Cena, Ike Barinholtz, Kathryn Newton. The parents of three beautiful high school-aged daughters are horrified to discover that their sweet little princesses have made a pact to lose their virginity on prom night. Now they head out on a desperate mission to keep the maidenheads of their daughters strictly out-of-bounds.

See the trailer, clips, video featurettes, an interview and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R  (for crude and sexual content, and language throughout, drug content, teen partying, and some graphic nudity)

Chappaquiddick

(Entertainment Studios) Kate Mara, Clancy Brown, Jason Clarke, Olivia Thirlby. This is the story of the infamous scandal that rocked the Democratic Party to its core and essentially put a permanent “Keep Out” sign on the White House lawn for Ted Kennedy.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material, disturbing images, some strong language, and historical smoking)

Isle of Dogs

(Fox Searchlight) Starring the voices of Bryan Cranston, Greta Gerwig, Bill Murray, Edward Norton. In a future where a tyrant has banished all dogs to a contaminated island, a brave young boy goes to the forbidden island to find his lost dog and bring him home. This is the latest from Wes Anderson of The Grand Hotel Budapest and The Fantastic Mr. Fox fame.

See the trailer, video featurettes, interviews and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Regal Winter Park Village

Rating: PG-13 (for thematic elements and violent images)

The Miracle Season

(LD Entertainment) Helen Hunt, William Hurt, Tiera Skovbye, Erin Moriarty. A powerhouse high school girls volleyball team is hit by a terrible tragedy. They must find a way to pull together and put themselves in a position to win the State Championship but the odds are against them.

See the trailer, clips, interviews, a video featurette and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Sports Drama
Now Playing: Wide Release

Rating: PG (for thematic elements)

ALSO OPENING IN ORLANDO/DAYTONA:

Chal Mohan Ranga
Furlough
Never Not Love You
Spinning Man

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Chal Mohan Ranga
Gemini
Never Not Love You
Subedar Joginder Singh
The Workshop

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Never Not Love You

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

The Other Side of Hope

SCHEDULED FOR REVIEW:

A Quiet Place
The Workshop

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Florida Film Festival, Orlando FL

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Daddy’s Home 2


A boy’s night out isn’t necessarily meant for all boys.

(2017) Comedy (Paramount) Will Ferrell, Mark Wahlberg, Mel Gibson, John Lithgow, Linda Cardellini, Alessandra Ambrosio, Owen Wilder Vaccaro, Scarlett Estevez, Didi Costine, John Cena, Andrea Anders, Kyle Tristan Wakefield, Hector Presedo, Yamilah Sarivong, Daniel DiMaggio, Matthew Delameter, Yimmy Yim, Bill Mootos, Chesley “Sully” Sullenberger, Sylvia Barjolo. Directed by Sean Anders

 

In our modern age, children often have more than one father or more than one mother (and occasionally both). Marriages don’t last a lifetime as they did back in the day. Sometimes having more than one pair of hands can be helpful. More often though things just get confused.

Co-Dads Brad (Ferrell) and Dusty (Wahlberg) have patched up their differences and are humming along as a unit; Dusty has found his inner touchy-feely guy and Brad is still dangerous around power tools. Christmas is coming and rather than bounce from house to house, the two have decided to have one massive Christmas celebration, a “together Christmas.” The prospect is exciting but for the advent of…the granddaddies.

Dusty’s dad Kurt (Gibson) is a womanizing ex-astronaut who looks at his son’s new-found soft side about the same way a steak lover would look at maggots in his filet. He is convinced that Brad is emasculating his son and seeks to drive a wedge between the two of them. At the same time Brad’s dad Don (Lithgow) has arrived with his love of improv comedy and enough hugs to give Richard Simmons diabetes.

With the kids undergoing crises of their own and Sara (Cardellini) – Dusty’s ex and Brad’s current wife – showing justifiable jealousy over Dusty’s new girlfriend, the extremely sensuous best-selling author Karen (Ambrosio) and this family is a Christmas meltdown waiting to happen.

Like the first film, the comedy is strictly hit or miss with the edge going towards the latter. However, the sequences that work will induce plenty of laugh-out-loud guffaws in all but the most jaded of audiences. However, most audiences will also experience extended sequences of dead silence, possibly punctuated by an occasional groan or eye-roll.

The chemistry between Ferrell and Wahlberg remains pretty strong; adding the two veterans Gibson and Lithgow to the mix doesn’t appear to affect it much. Lithgow however is in top form, hitting a comedic stride that actors who specialize in comedic roles might envy. I found myself grinning every time Lithgow was onscreen; even though Don is a bit of a one-note character, Lithgow keeps that note fresh and sounding clear as a bell throughout.

Some critics have expressed absolute disgust that Gibson was cast at all. I have three words for them; Let. It. Go. You’re talking about events that happened 20 years ago when Gibson was a raging alcoholic. Yes, I get that he said some absolutely detestable things but his career was effectively derailed and by all accounts he’s sober at the moment. Do people have to pay for their mistakes the rest of their lives or do we forgive them and move on at some point?

The subplots involving the children seem to be aimed at an entirely different audience and the movie could have easily done without them. And not for nothing but the juvenile actors here give performances that can only be deemed as “excruciating.”

It also should be said that none of the women in the film – and there aren’t many – have any character development to speak of. All of that is reserved for the men. Make of that what you will but personally think the filmmakers could have spared a little bit of time to allow us to get to know Karen and Sara a little better.

Mainly this is adults behaving badly and at times the film descends into shtick and cliché. There are enough funny moments to balance that out for the most part but generally speaking, Daddy’s Home 2 left me with absolutely no desire to check out a third film. I suspect I’m not alone in that regard.

REASONS TO GO: Lithgow is hysterically funny here. There are some pretty decent laughs here and there.
REASONS TO STAY: None of the female characters are developed at all. The kids are extremely annoying.
FAMILY VALUES: There is a bit of profanity and some sexually suggestive material.
TRIVIAL PURSUIT: Although Gibson plays Wahlberg’s father in the film, in reality Gibson is only 15 years older than his onscreen son.
CRITICAL MASS: As of 1/16/18: Rotten Tomatoes: 19% positive reviews. Metacritic: 30/100.
COMPARISON SHOPPING: Daddy Day Camp
FINAL RATING: 6/10
NEXT:
Small Crimes

New Releases for the Week of December 15, 2017


STAR WARS: THE LAST JEDI

(Disney) Daisy Ridley, Mark Hamill, Oscar Isaac, Carrie Fisher, Laura Dern, John Boyega, Adam Driver, Domhnall Gleeson, Andy Serkis.  Directed by Rian Johnson

Rey, having utilized some of her nascent Jedi powers, has found Luke Skywalker but he is unwilling to teach any more disciples the secrets of the Force. At last, begrudgingly, he is convinced but the more Rey discovers about the Force the more she discovers about her mysterious past.

See the trailer and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D, RPX, D-Box, Dolby Atmos
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for scenes of sci-fi action and violence)

Ferdinand

(20th Century Fox) Starring the voices of John Cena, Kate McKinnon, Jeremy Sisto, Anthony Anderson. A big-hearted bull is mistaken for a wild beast and brought to the arena to be a fighting bull. Knowing that he won’t come out of the arena alive, he attempts an escape to get back home where he belongs along with his misfit friends.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard 
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for rude humor, action and some thematic elements)

Wonder Wheel

(Focus) Kate Winslet, Jim Belushi, Juno Temple, Justine Timberlake. Four lives intersect in the Coney Island of the 1950s; an emotionally volatile former actress now working as a waitress in a clam joint; her rough and tumble carousel operator husband; a lifeguard with dreams of becoming a playwright and the estranged daughter of the waitress and her husband who is hiding out from gangsters in her father’s apartment.

See the trailer and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Altamonte Mall, Cinemark Artegon Marketplace, Regal Oviedo Mall, Regal Winter Park Village, Rialto Spanish Springs

Rating: PG-13 (for thematic content including some sexuality, language and smoking)

ALSO OPENING IN ORLANDO/DAYTONA:

Love Ni Bhavi
The Tribes of Palos Verdes

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Dealt
Love Ni Bhavi
Oro
The Shape of Water
The Tribes of Palos Verdes
Youth

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hedgehogs
Love Ni Bhavi

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Unrest

SCHEDULED FOR REVIEW:

Ferdinand
The Shape of Water
Star Wars: The Last Jedi
Unrest

The Wall (2017)


Everything is more intense when you’re under fire.

(2017) War Drama (Roadside Attractions/Amazon) Aaron Taylor-Johnson, John Cena, Laith Nakli. Directed by Doug Liman

 

In the desert, there is not much beyond scorching sun, deep blue sky and wind-whipped sand. It is dusty, hot and dry. Humans can survive there but far from comfortably. It is a terrible place to have a war.

And yet we’ve spent the last 16 years and counting in the desert at war. In this movie, it is 2007 and the war in Iran is “winding down” as the opening credits inform us. Remembering that this is the era of the infamous “Mission Accomplished” faux pas of George W. Bush, the movie begins on a wry, humorous note. We see that there are two Marines – Shane Matthews (Cena), a sniper and “Eyes” Isaac (Taylor-Johnson), his spotter – observing a pipeline construction site. Their banter is the kind between brothers or bar buddies; occasionally vulgar, snarky for certain but affectionate nonetheless.

All the men working on the pipeline are dead. The spotter thinks they are all head shots; the sniper is not so sure. If the former is right, then there is a highly skilled sniper in the neighborhood. If the latter is correct, then it was likely an insurgent patrol that surprised the construction workers and is likely long gone. The two men have been sitting in the hot son in full camouflage for 22 hours. Matthews has about had enough. There has been no movement. Nobody is there.

He heads down to the construction site to make sure and to request that the two be picked up and returned to base. There is a crack-thump and down goes the Marine. His buddy runs out to help him and crack-thump he’s hit as well. Isaac is forced to take shelter behind a crumbling wall, one which is barely standing on its own and threatens to come down on top of him if the wind gets too high.

He is forced to take the bullet out of his own leg in a squirm-inducing moment and then needs to look to the survival of himself and his buddy who appears to be unconscious or dead. The outlook is grim; the radio antenna has been damaged so all he can pick up are people who are close by; his canteen has also been shot and the water drained out. The dehydration combined with his serious wound is likely to kill him before base camp comes looking for them.

At first things take a turn for the better; Isaac gets in contact with a patrol team who must be close by but when they keep asking for his exact position, he begins to get suspicious, suspicions which are confirmed when the man on the radio tells him that he is the sniper who has shot him. The two strike up a conversation; it turns out that the sniper is the legendary Juba, who has 75 confirmed American kills to his credit. He seems eager to get to know Isaac who wants nothing more than to figure out where Juba is so that he can shoot him.

It becomes a game of cat and mouse with Juba threatening to shoot off the face of Matthews if Isaac doesn’t answer the questions that Juba poses, the most important being “Why are you still here?” That’s a question Americans have been asking as well.

Liman has constructed a taut three-person movie that keeps the viewer on the edge of their seats from minute one. It’s a short but sweet movie that doesn’t overstay its welcome and although there is a bit of a lull in the middle, mostly keeps the tension at a high level throughout. The movie is shot so well you can almost feel the sand getting in your eyes.

There is an authentic feel to the film from a military standpoint. I’m not ex-military myself but the characters act as I would think well-trained Marines would; they are imperfect and have their moments when they let their guard down but nonetheless they (particularly Taylor-Johnson) act with a sense that the training has kicked in as the situation is assessed, immediate needs seen to and a plan to get out of a bad situation put together. We see all of this from the comfort of our theater seats (or our living room sofa as the case may be) and likely feel quite grateful that it is not us cringing beneath that poorly constructed wall.

Cena spends most of the movie lying face down in the dirt but this is maybe his best performance of his fairly brief acting career. The WWE superstar has always impressed me with his screen presence but over time he has developed some real acting skills. I’m not sure he’s at the level of a Dwayne Johnson yet but as wrestlers turned thespians go, he certainly has the tools to construct a pretty satisfying career and maybe more down the line.

Taylor-Johnson has been in my opinion on the fringe of breaking it big with some fairly good performances in fairly good movies, but nothing has really brought him to the A-list quite yet. Much of the film rests on his shoulders as he is interacting with a voice on his radio more than with a live actor as Cena is mostly unconscious in the film. That takes a lot of chops and fortunately Taylor-Johnson has them. We shall see if this finally puts him over the top and gets him that role that will elevate him into the next level.

This is a movie in which sound plays an unusually important part and Liman’s sound team comes through in spades. From the sound of the wind whipping the sand around, the crack-thump of the gunshots and the metallic bangs of the construction site, the sounds make the movie. We really don’t have a lot to look at other than endless vistas of sand and the half-finished construction site. We need the additional stimulation and we get it.

Amazon Studios helped to produce this, likely with a goal of getting their Prime users to watch this at home, but this is one of those rare movies that I think despite having an intimate setting should be seen in a theater where the outstanding sound work and impressive visuals will work best. This hasn’t gotten a ton of buzz amongst indie film fans but it deserves some. This is a very strong movie that is worth seeking out and at least here in Orlando is playing in enough theaters that there’s no excuse not to find it.

REASONS TO GO: The expected route is not taken. Taylor-Johnson and Cena; who knew? There is a lot of authenticity to this film.
REASONS TO STAY: The middle third is a little bit slow. Juba as a disembodied voice lacks menace.
FAMILY VALUES: There is plenty of salty language and a fair amount of war violence.
TRIVIAL PURSUIT: Nicholas Irving, the Army Rangers sniper who served as technical adviser for the film, was nicknamed “The Reaper” during his tour of duty.
CRITICAL MASS: As of 5/12/17: Rotten Tomatoes: 65% positive reviews. Metacritic: 58/100.
COMPARISON SHOPPING: Phone Booth
FINAL RATING: 7.5/10
NEXT: The Last Shaman

New Releases for the Week of May 12, 2017


KING ARTHUR: LEGEND OF THE SWORD

(Warner Brothers) Charlie Hunnam, Jude Law, Djimon Hounsou, Eric Bana, Aidan Gillen, Freddie Fox, Astrid Bergés-Frisbey, Annabelle Wallis. Directed by Guy Ritchie

A new take on the Arthurian legend from iconoclastic director Guy Ritchie. When Arthur’s father, the King, is murdered his power-mad brother seizes the throne. Arthur is forced to flee and live a life in the alleys and streets of the capital, but all that changes when he pulls a sword from the stone. Now he must face his history and seize his legacy. The trouble is that Arthur isn’t all that eager to do either.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Fantasy Action
Now Playing: Wide Release

Rating: PG-13 (for sequences of violence and action, some suggestive content and brief strong language)

A Quiet Passion

(Music Box) Cynthia Nixon, Jennifer Ehle, Keith Carradine, Duncan Duff. Emily Dickinson is one of the most beloved and acclaimed poets in American history, but few know all that much about the reclusive woman who passed away in 1886. What was she like? What prompted her to write such beautiful poetry? Why did she never marry? Legendary director Terence Davies takes on the story of one of the most revered figures in American literature.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for thematic elements, disturbing images and brief suggestive material)

Absolutely Anything

(Atlas) Simon Pegg, Kate Beckinsale, Robin Williams (voice), Monty Python. A group of eccentric aliens bestow an ordinary man with virtually unlimited power – the ability to make anything he wishes come true. As he struggles to control his power, observed from space by the aliens, he starts to rely more and more heavily on his loyal dog. Now, however, with a beautiful woman literally in the palm of his hands, he finds himself forced to choose between the girl and the dog. The movie is notable as for being the last film in which the late Robin Williams appears (he is the voice of the dog) and as a reunion for the surviving members of Monty Python, whose Terry Jones directed the film.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Comedy
Now Playing: Premiere Fashion Square

Rating: R (for language including sexual references, and brief nudity)

Lowriders

(BH Tilt/Telemundo) Gabriel Chavarria, Demian Bichir, Eva Longoria, Melissa Benoist. East L.A. is a world unto its own. Danny is a talented street artist who has his own goals and dreams; his father and brother are part of the car culture of East LA, fabled Lowriders who have built a street rep over the years. Danny gets caught between their world and his own and must choose between family and future.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs

Rating: PG-13 (for language, some violence, sensuality, thematic elements and brief drug use)

Snatched

(20th Century Fox) Amy Schumer, Goldie Hawn, Wanda Sykes, Joan Cusack. A young woman is getting ready to go on the vacation of a lifetime when her boyfriend abruptly dumps her just before they are due to leave. With her options limited and not wanting to give up her vacation, she reluctantly invites her uptight mom with her. When they are kidnapped, the two polar opposites realize they must work out their differences and lean on each other if they are to escape from their captors.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content, brief nudity, and language throughout)

The Wall

(Roadside Attractions/Amazon) Aaron Taylor-Johnson, John Cena, Laith Nakli. Two Marines are investigating a construction crew’s ambush by a sniper. Convinced that the sniper has left the area, they prepare to be evacuated from the area when the sniper, who has patiently out-waited them, opens fire, wounding both of them and pinning one behind a crumbling wall. It becomes a game of cat and mouse as the sniper talks to them over their radios and with food and water running out and no way to communicate with their base to get help, forces the Americans into a desperate act. Doug Liman, who directed The Bourne Identity and Edge of Tomorrow, is the man behind the camera here.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: War Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for language throughout and some war violence)

Legendary (2010)


John Cena puts a sleeper hold on the movie.

John Cena puts a sleeper hold on the movie.

(2010) Sports Drama (Goldwyn/WWE) Patricia Clarkson, John Cena, Devon Graye, Danny Glover, Madeleine Martin, John Posey, Tyler Posey, Teo Olivares, Kareem Grimes, Christopher Alan Weaver, Robert Bryan, Angelena Swords, Yvonne Misiak, Lara Grace, Patrick Cox, Dennen D. Tyler, Vince Antoine, Andrew Sensenig, Ritchie Montgomery, J.D. Evermore, Courtney J. Clark. Directed by Mel Damski

Sometimes you can’t escape the shadow of your older siblings and parents. Sometimes, you don’t want to. Sometimes, you even need to embrace it.

Cal Chetley (Graye) has an imposing legacy; both his dad and his older brother Mike (Cena) were high school wrestling state champions which is a big deal in Oklahoma. However, his dad passed away ten years ago which his mom Sharon (Clarkson) partially blames on wrestling. Mike has just been released from prison, having made a series of really bad choices.

But Cal, who is somewhat scrawny and bookish, has been bullied mercilessly and thinks joining the wrestling team will give him the skills and self-confidence to deal with those who are tormenting him. His mom is horrified at the idea; even his brother, who is meeting with Cal in secret, isn’t real keen on the idea but reluctantly agrees to give him some private training.

To an extent, the idea works. Cal is able to fend off the bullies and even manages to attract a somewhat goofy girlfriend (Martin) and even impress the coach (J. Posey) to a certain extent. But when Mike’s past catches up to him, will Cal be able to win the state championship and in so doing become legendary?

This came out at a time when World Wrestling Entertainment, the pre-eminent professional wrestling brand, was attempting to market their superstars in movies, following the success of Dwayne Johnson. Cena, a square-jawed all-American sort, was thought to have the charisma and acting chops to pull it off but while he does have a certain amount of magnetism, he didn’t quite have the acting chops to make it past B-movie star status. Films like this one didn’t help his cause.

This is a movie whose heart was in the right place, but that was about all. Clarkson, a previous Oscar nominee, is one of those actresses who never seems to give a bad performance but never really gets credit for being one of the finest actresses working today, which she is. While this is ostensibly about Cal, this is Clarkson’s film; she dominates it. Cena, who was also ostensibly being pushed as a serious actor, is oddly relegated to a supporting role. Maybe the strategy was to bring him along slowly, but it feels like he’s kind of the odd man out here. Glover appears in a kind of “Old Man and the Sea” cameo whose connection to the Chetley family is explained later but feels like a part that was written in hastily at the last minute because a producer said “Hey, we can get Danny Glover; write in a part for him.”

The issue here is that the movie follows the cliches of an underdog sports drama to a “T” and really offers nothing new to the genre. While it’s supposed to be loosely based on a true story, the film feels remarkably manufactures. Other than Clarkson, there’s not a genuine emotion generated here. Even the soundtrack is an autopilot, utilizing a hard rock score during wrestling scenes, and maudlin piano and strings during the more emotional scenes. While Clarkson is an under-appreciated treasure who saves the movie from being unwatchable, this is a movie that justifiably can be said is only legendary in the bargain DVD bin.

WHY RENT THIS: Patricia Clarkson carries the film.
WHY RENT SOMETHING ELSE: Predictable and cliché plot.
FAMILY VALUES: There’s plenty of wrestling violence, brief nudity and some sexually suggestive material.
TRIVIAL PURSUIT: The film was released on home video a mere 18 days after it began its limited theatrical release run; at the time that was the shortest span between the two for any film.
NOTABLE HOME VIDEO EXTRAS: A blooper reel, a behind the scenes look at Cena recording one of the songs that appear in the film, a fashion photo gallery, a look at the wrestling training that went on for the young actors and a profile of the father and son actors John and Tyler Posey.
BOX OFFICE PERFORMANCE: $200,393 on a $5M production budget.
SITES TO SEE: Netflix , iTunes, Vudu, Google Play, M-Go
COMPARISON SHOPPING: Eddie the Eagle
FINAL RATING: 5/10
NEXT: Crouching Tiger, Hidden Dragon 2: Sword of Destiny

Sisters


Sisters partying like it's 1989.

Sisters partying like it’s 1989.

(2015) Comedy (Universal) Tina Fey, Amy Poehler, Maya Rudolph, Ike Bairnholz, James Brolin, Dianne Wiest, John Cena, John Leguizamo, Bobby Moynihan, Greta Lee, Madison Davenport, Rachel Dratch, Santino Fontana, Britt Lower, Samantha Bee, Matt Oberg, Kate McKinnon, Jon Glaser, Chris Parnell, Paula Pell, Emily Tarver. Directed by Jason Moore

I’m a big fan of Tina Fey and Amy Poehler. For one thing, they’re really, really funny and when paired up, even funnier. As a matter of fact, they might just be the best all-female comedy team of all time. Think about it; how many all-female comedy teams are you aware of? There definitely should be more of them.

So this is their second movie together after the successful Baby Mama and it has kind of a John Hughes-like scenario. Two sisters – Kate Ellis (Fey), a 40ish foul-up who is brash and sexy, and Maura (Poehler), a divorced nurse with a charitable compulsion that sometimes leads to awkwardness – are summoned home to Orlando (although only one scene was filmed here) to their ancestral family home which their parents (Brolin, Wiest) are putting on the market so that they can move into a retirement community and divest themselves of most of their possessions. The girls are meant to clean out their rooms so that the sale can be finalized the following Monday.

Much nostalgia ensues as the girls decide to throw one last blow-out party like the ones they threw in high school…when Maura would be the responsible one and Kate would party hard. With the realization that Maura never got laid in her own bedroom and the window of opportunity closing, Kate decides to snare James (Bairnholz), a hunky neighbor, to seal the deal.

Kate offers to be the designated party Mom and stay sober, which is a new role for her. She does have a teenage daughter (Davenport) but their relationship is rocky. In fact, the daughter has left the nest, exasperated by her mom’s irresponsibility and party party party attitude and she refuses to tell Kate where she is. Determined to prove herself responsible, Kate throws herself full tilt into her new role.

And that’s really it for plot. If you’ve seen one high school blowout party movie, you’ve seen them all and this is essentially a middle aged riff on that. It has that 80s John Hughes movie kind of vibe which isn’t a bad thing at all, but lacks the really laugh-out-loud consistency that Hughes was able to create for his movies. There’s more of a Farrelly Brothers consistency in which everything is thrown at the comedy wall and whatever sticks does, the more outrageous the better. There are more bra jokes in this movie than I think have been in any movie in cinematic history, and some drug humor (although nothing like a Seth Rogen film) for people who don’t do drugs. There is most definitely a been-there done-that feel to things, and while that can make for cinematic comfort food, it really isn’t what you want out of talents the likes of Poehler and Fey.

The good thing is that Fey and Poehler are one of the greatest comic teams in history – not just female, but any. Their chemistry is undeniable and the two play off of each other better than anyone working in the movies today. It’s at the center of the movie (as well it should be) and makes their roles as sisters thoroughly believable. Da Queen, who has a sister, agreed that it was a realistic portrayal of the dynamic between sisters.

There is a cornucopia of supporting roles, from SNL veterans (Fey, Poehler, Dratch, Moynihan, Rudolph) to WWE wrestlers (Cena) to Daily Show stars (Bee) and sitcom regulars (Bairnholz, Brolin). Most of the roles are essentially one-dimensional who are there to add a specific element (angry rival, studly drug dealer, drugged-out class clown, Asian pedicurist) to the proceedings, but like the leads are given very little to do that is really genuinely funny. Bairnholz shows some promise as a comic leading man though, and Rudolph manages to express every annoyed expression that it is possible for a human face to make.

Don’t get me wrong; this is entertaining enough that I can recommend it, largely due to Fey and Poehler, but this isn’t as good as it could and should have been. A pedestrian plot and lack of actual laughs turn this from what should have been a showcase for two of the most talented comedians working today into a just average comedy with too many characters and not enough character.

REASONS TO GO: The chemistry between Fey and Poehler continues. Some fine supporting performances.
REASONS TO STAY: Not enough laugh-out-loud jokes. The plot is too been-there done-that.
FAMILY VALUES: Plenty of crude sexual content, a fair amount of profanity and drug use.
TRIVIAL PURSUIT: Brolin and Wiest also play parents in last year’s indie film Life in Pieces.
CRITICAL MASS: As of 1/5/16: Rotten Tomatoes: 59% positive reviews. Metacritic: 58/100.
COMPARISON SHOPPING: Step Brothers
FINAL RATING: 6/10
NEXT: Won’t Back Down