The Unforgivable


Ruth Slater doesn’t like what she sees in the mirror.

(2021) Drama (Netflix) Sandra Bullock, Viola Davis, Vincent D’Onofrio, Jon Benthal, Richard Thomas, Linda Emond, Aisling Franciosi, Emma Nelson, Will Pullen, Thomas Guiry, Jessica McLeod, Rob Morgan, Andrew Francis, W. Earl Brown, Neli Kastrinos, Orlando Lucas, Jude Wilson, Paul Moniz de Sa, Craig March, Alistair Abell, Donavon Stinson, Patti Kim, Jessica Charbonneau. Directed by Nora Fingscheidt

 

For most of us, our indiscretions are generally of a minor nature, and we move on from them with a minimum of fuss. However, there are certain actions that we might take that cannot be so easily forgiven and certainly not forgotten.

Ruth Slater (Bullock) has just emerged from prison after twenty years, with time off for good behavior. Her crime? She killed a cop (Brown) who was there to evict her and her five-year-old sister Katie (Kastrinos) from their farmhouse in rural Washington state. Ruth hopes to get back to a relatively normal life, but her unsmiling parole officer (Morgan) disabuses her of that notion immediately. “You’re a cop killer wherever you go,” he informs her and soon he turns out to be right.

But that doesn’t deter Ruth from going on a quest to find her lost little sister, now grown to adulthood and going by the name Katherine Malcolm (Franciosi). She’s a talented pianist, and her well-to-do adoptive parents Michael (Thomas) and Rachel (Emond) couldn’t be prouder. They are aware that Ruth is out, but it’s unlikely that Ruth can find them, so they don’t tell Katherine about it. However, the Sheriff’s sons – Steve (Pullen) and Keith (Guiry) – are also aware of her release, and Keith is none-too-pleased about it either. He doesn’t think 20 years is nearly enough for the murder of his father and wants to take a further pound of flesh. Keith feels more of a live-and-let-live nature, but that mollifies his brother not at all.

When Ruth visits the old farmhouse, she finds it nicely renovated by the couple living there – John (D’Onofrio) and Liz (Davis) Ingram. When Ruth discovers John is a lawyer, she opens up a little to him and he is convinced to help her find her sister, pro bono. Liz does some research of her own and is appalled to discover the truth, and confronts John with it, reminding him (accurately) that if it had been one of his black sons who had murdered the cop, he would never have made it to prison – he’d likely have been shot dead on the spot, and even if he had been tried and convicted, time off for good behavior would have been unlikely at best.

In any case, things boil to a head as John finds Katherine and the adoptive parents express their reluctance and eventual refusal to reunite the sisters. “What good would it do?” muses Michael. And Keith has a change of heart and ends up going after Katherine…but messes up and kidnaps the other daughter of the Malcolms, Emily (Nelson). As events come to a climax, we discover the truth of what really happened to the sheriff and why.

I liked this movie probably a little more than it deserved. A large reason why has to do with Bullock’s performance; it’s unlike anything she’s ever done. It isn’t a movie star performance; it’s the performance of an actress at the top of her game, and it’s not all about her line reading or even her facial expressions. You can see Ruth is a damaged, wounded person by the haunted look in her eyes. It doesn’t hurt that Bullock has a plethora of great actors around her, particularly Viola Davis, an Oscar winner who always seems to turn in an outstanding job no matter how small the role. D’Onofrio, Morgan, Bernthal and Thomas are also effective.

The reason it may not necessarily deserve my love is that the movie has a lot of contrivances; some of the plot points feel like they are there mainly to move the story to the conclusion the writers want, rather than a natural, organic progression from point A to point Z. One of the most egregious examples is the abrupt character turn of Keith. Nothing against the actor playing him, but he turns 180 degrees in attitude; there should have been a hint beforehand of his inner rage. I suppose the filmmakers wanted to make that turn a shock, but they ended up making it unbelievable.

Although set in Washington state, the movie was mainly filmed in British Columbia. The landscapes are suitably bleak and washed out (except, ironically, at the farmhouse). The urban scenes have a gritty, streetwise feel to them and the tough guy demeanor that Bullock adopts for her character feels like something someone who had to survive in prison would have to do once they got out.

This isn’t always an easy movie to watch, nor is it free from flaws. Still, there is a performance here worth checking out and overall, the movie is grim but effective. Not Oscar bait so much, but the kind of movie Scorsese might approve of.

REASONS TO SEE: Bullock gives a haunting performance, with a fine supporting cast. Realistic and gritty. Looks at the repercussions of tragedy.
REASONS TO AVOID: Contrived in places.
FAMILY VALUES: There is violence and plenty of profanity.
TRIVIAL PURSUIT: Based on a 2009 British miniseries, the film was originally meant for Angelina Jolie in the lead (although she never officially signed on) and was in on-again, off-again development before being resurrected in 2019.
BEYOND THE THEATERS: Netflix
CRITICAL MASS: As of 2/2/21: Rotten Tomatoes: 40% positive reviews; Metacritic: 41/100.
COMPARISON SHOPPING: Destroyer
FINAL RATING: 8/10
NEXT:
Jockey

King Richard


Will Smith is usually the leader of the pack.

(2021) Biographical Drama (Warner Brothers) Will Smith, Aunjanue Ellis, Jon Bernthal, Saniyya Sidney, Demi Singleton, Tony Goldwyn, Mikayla Lashae Bartholomew, Daniele Lawson, Layla Crawford, Erika Ringor, Noah Bean, Craig Tate, Josiah Cross, Vaughn Hebron, Jimmy Walker Jr., Kevin Dunn, Brad Greenquist, Christopher Wallinger, Chase Del Rey, Connie Ventress. Directed by Reinaldo Marcus Green

 

Champions are not born; they’re made. All the ability in the world will not avail you a championship unless you are willing to put in the work to earn it. Often, the ones who are making sure that the work is being put in is the parents, tirelessly believing in their prodigy even after trudging through practice…in the rain.

Richard Williams (Smith) had an improbable goal for his daughters Venus (Sidney) and Serena (Singleton) – to mold them into champion tennis players. Now, understand that in Compton, that was not the means to sports stardom that is generally chosen. There were no tennis clubs, no manicured courts. Just the indifferently maintained courts in the public park, where gang bangers often hung out.

Richard had written out a 78-page plan detailing how he was going to help his daughters turn into Grand Slam winners. Not everyone believed in the plan; a concerned neighbor (Ringor) questions whether it is healthy to force the girls to practice in the rain.

But they persevere and eventually Richard gets Venus hooked up with renowned tennis coach Paul Cohen (Goldwyn), the man who taught John McEnroe (Wallinger) and Pete Sampras (Del Rey). Paul gets Venus onto the junior tournament circuit, where her extraordinary success gets her national notice, but Richard isn’t satisfied. For one thing, Cohen wants Venus to utilize a closed stance, which is contrary to what Richard has taught her. He is constantly yelling at her to keep her stance open. “That’s where her power comes from,” he explains.

In the meantime, Richard’s wife Oracene (Ellis) is teaching the disappointed Serena, using videotapes of Venus’ lessons to augment practice (Cohen was unwilling to coach both girls for free, but he was willing to take one, so the older of the two, Venus, was selected). The disagreements on how to prepare Venus for turning pro lead Richard to switch to a different coach, Rick Macci (Bernthal) which necessitates the family moving to Florida so that both girls can benefit from being a part of Macci’s academy. Richard still exerts a great deal of control over the direction of his daughter’s career trajectory, but has become something of a huckster, promoting his daughters shamelessly. However, it begins to become an issue that his girls are getting no say in how their career is to progress, and as Oracene points out to her husband during a heated argument, that’s the way to push his daughters away forever.

These sorts of sports movies tend to be a bit of an anti-climax because we know how they’re going to end.We know that Richard’s plans come to fruition and that Venus and Serena become legends of the court, each achieving incredible success (with the younger Serena eclipsing her older sister in terms of accomplishment). It’s fascinating to watch it all happen, however.

Part of what makes it that way is an extraordinary performance by Smith, who has made a career out of playing affable, charming guys. While Richard has plenty of charm, “affable” isn’t a word I’d use to describe him; he’s temperamental, something of a blowhard, and dictatorial. But there’s something about the man that is wounded; you see it in his body language when he drives the VW minibus, he carts his girls to and from practice in; all hunched over, eyes darting from one way to the next, certain that something is coming to knock him down again and trying to prepare for the blow that is inevitably coming, and come they do, sometimes literally. While we end up liking Richard largely because it’s Will Smith playing him. If someone with more of an edge played him, like Mahershala Ali, we might be less disposed to forgive Richard his eccentricities and flaws.

Ellis has a tall task in standing up to a performance like that, but she actually holds her own, particularly in the second half of the movie when it’s clear that Oracene is not 100% behind her husband’s plan and method. The argument I mentioned above is a highlight of the movie and Ellis’ finest hour.

The tennis scenes…well, I’m not enough of an expert in the sport to determine how realistic the sports action is. To my eye it seemed decent enough, although I’m not enough of a follower to ascertain whether Sidney and Singleton are getting the Williams sisters’ mannerisms down right. To my untrained eye, they look pretty believable to me.

With the Williams sisters acting as executive producers, it’s a foregone conclusion that there aren’t going to be any dark corners explored in the film, particularly Richard’s serial infidelity, his treatment of his kids from his first marriage (they don’t appear onscreen in the film), and his penchant for self-promotion, which is only obliquely addressed. It’s not really a “warts and all” depiction of the family patriarch; more like a glossy photoshopped version, but it’s fascinating nevertheless and worth seeing just to see Will Smith at his very best.

REASONS TO SEE: Will Smith could be in awards conversation for his work here. Humanizes a pair of tennis legends.
REASONS TO AVOID: May be a bit hagiographic.
FAMILY VALUES: There are some brief drug references, a bit of profanity, a sexual reference and some violence.
TRIVIAL PURSUIT: Richard and Oracene divorced in 2002. He remarried eight years later, but the couple has since also divorced.
BEYOND THE THEATERS: HBO Max (until December 18)
CRITICAL MASS: As of 11/24/21: Rotten Tomatoes: 91% positive reviews; Metacritic: 76/100.
COMPARISON SHOPPING: Borg vs. McEnroe
FINAL RATING: 7/10
NEXT:
The Beta Test

New Releases for the Week of November 26, 2021


ENCANTO

(Disney/Pixar) Starring the voices of Stephanie Beatriz, Maria Cecilia Botero, Diane Guerrero, Angie Cepeda, John Leguizamo, Wilmer Valderrama. Directed by Jared Bush and Byron Howard

The Madrigal family have been blessed to live in an enchanted house called Encanto in the mountains of Columbia. The house bestows upon each of them a special power – all except Mirabel. But the magic of Encanto is in danger and the only one who can save it might just be Mirabel.

See the trailer here
For more on the movie this is the website

Genre: Animated Feature
Now Playing: Wide
Rating: PG (for thematic elements and mild peril)

A Holiday Chance

(Faith Media) Nafessa Williams, Sharon Leal, Vanessa Bell Calloway, Tobias Truvillion. Two estranged rival sisters must come together to help save the family business when their father suffers some tragic events during the holidays.

See the trailer here
For more on the movie this is the website

Genre: Holiday
Now Playing: Regal Pointe Orlando
Rating: PG-13 (for some strong language and a suggestive reference)

Antim: The Final Truth

(Zee) Salman Khan, Aayush Sharma, Mahima Makwana, Mahesh Manjrekar. A penniless village boy sacrifices family and nearly everything else to rise to the top of organized crime, pursued closely by a relentless police officer.

See the trailer here
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Genre: Crime
Now Playing: AMC Altamonte Springs, Regal Pavilion Port Orange
Rating: NR

Anubhavinchu Raja

(Annapurna) Ajay, Raj Tarun, Krishna Murali Posani, Sudharshan. A young man who inherits wealth at an early age becomes the village laughingstock when his lavish lifestyle catches up to him. Determined to prove himself worthy, his quest to gain respect goes awry.

See the trailer here
For more on the movie this is the website

Genre: Comedy
Now Playing: Cinemark Orlando
Rating: NR

For the Love of Money

(Freestyle) Keri Hilson, Rotimi, Jason Mitchell, Keith Sweat. When shadowy figures threaten a woman’s daughter, she is pulled into the life she had escaped and had hoped never to return to.

See the trailer here
For more on the movie this is the website

Genre: Drama
Now Playing: AMC Disney Springs, Regal Oviedo Marketplace, Regal Pointe Orlando
Rating: R (for language, some sexual content/nudity and violence)

House of Gucci

(United Artists) Lady Gaga, Adam Driver, Jared Leto, Jeremy Irons. Oscar-winning director Ridley Scott may have another awards contender on his hands as the family behind an Italian fashion empire is unraveled by the naked ambition of an outsider who married into the family.

See the trailer here
For more on the movie this is the website

Genre: True Crime Drama
Now Playing: Wide
Rating: R (for language, some sexual content, and brief nudity and violence)

Julia

(Sony Classics) Julia Child, Ina Garten, Jacques Pepin, Marcus Samuelsson. This is the story of the woman who essentially created the modern cooking show, transformed the way Americans see food and cooking, and even made a difference in the role of women in society.

See the trailer here
For more on the movie this is the website

Genre: Documentary
Now Playing: Cinematique Daytona, Enzian
Rating: PG-13 (for brief strong language/sexual references, and some thematic elements)

Maanaadu

(V House) S.J. Suryah, T.R. Silambarasan, Kalyani Priyadarshan, Bharathiraja. The bodyguard of the chief minister of the state and a police officer are caught in a time loop on the day of an important conference.

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Genre: Adventure
Now Playing: Cinemark Orlando, Regal Pointe Orlando
Rating: NR

Resident Evil: Welcome to Raccoon City

(Screen Gems) Kaya Scodelario, Hannah John-Kamen, Robbie Amell, Donal Logue. The exodus of pharmaceutical giant Umbrella has turned a boom town into a ghost town, but the problems for Raccoon City are far worse below the surface, where the evil of the Umbrella Corporation is being born.

See the trailer here
For more on the movie this is the website

Genre: Horror
Now Playing: Wide
Rating: R (for strong violence and gore, and language throughout)

The Unforgivable

(Netflix) Sandra Bullock, Jon Bernthal, Vincent D’Onofrio, Viola Davis. A woman convicted for a violent crime serves out her sentence after which she returns home, where she is decidedly not welcome. Her only hope for redemption is in finding her estranged younger sister, whom she was forced to leave behind.

See the trailer here
For more on the movie this is the website

Genre: Drama
Now Playing: Cinemark Universal Citywalk
Rating: R (for language and violence)

COMING TO VIRTUAL CINEMA/VOD:

14 Peaks: Nothing is Impossible (Monday)
Adrienne
(Wednesday)
Angéle
Badland Doves
(Wednesday)
Burning
(Monday)
Dig Deeper: The Disappearance of Birgit Meier
DMX: Don’t Try to Understand Me
(Thursday)
Dog Years
Good Thief
(Tuesday)
Green Snake
Lady Buds
More the Merrier
(Monday)
Nash Bridges
(Saturday)
The Power of the Dog
(Wednesday)
South Park: Post-COVID
(Thursday)
Spoiled Brats
The Summit of the Gods
(Tuesday)

SCHEDULED FOR REVIEW:

Encanto
House of Gucci
Lady Buds
The Power of the Dog
Resident Evil: Welcome to Raccoon City
The Unforgivable

New Releases for the Week of November 19, 2021


GHOSTBUSTERS: AFTERLIFE

(Columbia) Finn Wolfhard, Carrie Coon, McKenna Grace, Paul Rudd, Bill Murray, Dan Aykroyd, Ernie Hudson, Sigourney Weaver. Directed by Jason Reitman

A single mother is forced to move her kids to a small town in the middle of nowhere, unaware that they have a connection to the original Ghostbusters and that their legacy may be all that stands between us and Armageddon.

See the trailer here
For more on the movie this is the website

Genre: Horror Comedy
Now Playing: Wide
Rating: PG-13 (for supernatural action and some suggestive references)

Brian Wilson: Long Promised Road

(Screen Media) Brian Wilson, Bruce Springsteen, Elton John, Jason Fine. The legendary Beach Boys mastermind takes a journey through his own past with his close friend Jason Fine to discover the road from a quiet neighborhood in Hawthorne, California to his position as one of the all-time greatest musical minds today.

See the trailer here
For more on the movie this is the website

Genre: Music Documentary
Now Playing: Enzian (Monday only)
Rating: NR

Bruised

(Netflix) Halle Berry, Stephen Henderson, Adam Canto, Shamier Anderson. A former MMA fighter who left the sport in disgrace, makes a comeback through the sketchy underground fight circuit. When the son she gave up for adoption shows up on her doorstep, she is given a more compelling reason to fight.

See the trailer here
For more on the movie this is the website

Genre: Sports Drama
Now Playing: Cinemark Orlando, CMX Daytona Beach
Rating: R (for pervasive language, some sexual content/nudity and violence)

India Sweets and Spices

(Bleecker Street) Sophia Ali, Manisha Koirala, Adil Hussain, Rish Shah. A young Indian-American woman home from college invites the son of a poor grocer to their upper class home for dinner, setting the stage for the revelation of long-buried family secrets and how the tendrils of traditional prejudices continue to entangle their lives.

See the trailer here
For more on the movie this is the website

Genre: Comedy
Now Playing: AMC West Oaks, Amstar Lake Mary, Cinemark Orlando, Regal Oviedo Marketplace, Regal Waterford Lakes
Rating: PG-13 (for some strong language, sexual material and brief drug references)

King Richard

(Warner Brothers) Will Smith, Aunjanue Ellis, Jon Bernthal, Tony Goldwyn. Richard Williams, an African-American man, sets high standards for his children and sets his daughters Venus and Serena along a path to tennis superstardom, breaking down barriers along the way.

See the trailer here
For more on the movie this is the website

Genre: Sports Biography
Now Playing: Wide (also on HBO Max)
Rating: PG-13 (for some violence, strong language, a sexual reference and brief drug references)

Kurt Vonnegut: Unstuck in Time

(IFC) Kurt Vonnegut, Robert B. Weide, Sam Waterston, Edie Vonnegut. Vonnegut was one of the most influential writers of the 20th century. This is the story of his life as seen through the eyes of his long-time friend Weide, completing the documentary he began forty years earlier.

See the trailer here
For more on the movie this is the website

Genre: Biographical Documentary
Now Playing: Cinematique Daytona Beach
Rating: NR

Kurup

(Phars) Dulquer Salmaan, Indrajith Sukumaran, Sobhita Dhulipala, Shine Tom Chacko. This is the story of Sukumara Kurup, one of the most notorious criminals of the Indian state of Kerala.

See the trailer here
For more on the movie this is the website

Genre: Crime
Now Playing: Cinemark Orlando
Rating: NR

The Youngest Evangelist

(Atlas) Princeton Bryan, Crystal Clark, Duranice Pace. The true story of John King, a ten-year-old African-American child who, after witnessing his mother’s joy of salvation following years of domestic abuse, and determines to experience it himself, putting himself on a path of evangelism that captivated the world of faith in this country back in the Eighties.

See the trailer here
For more on the movie this is the website

Genre: Faith Biography
Now Playing: AMC West Oaks, Amstar Lake Mary, Cinemark Orlando, Cinemark Universal Citywalk, Regal Oviedo Marketplace
Rating: NR

Zeros and Ones

(Lionsgate) Ethan Hawke, Cristina Chiriac, Valerio Mastandrea, Phil Neilson. A soldier races against time in the dark streets of Rome to find his imprisoned twin brother, who has information that could foil a terrorist attack on the Vatican.

See the trailer here
For more on the movie this is the website

Genre: Thriller
Now Playing: Picture Show at Altamonte Springs, Studio Movie Grille Sunset Walk
Rating: R (for language, some violence, bloody images, sexual material and drug content)

COMING TO VIRTUAL CINEMA/VOD:

A House on the Bayou
Black Friday
(Tuesday)
Boiling Point
(Tuesday)
Clerk
(Tuesday)
Dean Martin: King of Cool
El Hombre Bufalo
The Feast
Jagged
(Thursday)
Keep Sweet
(Wednesday)
Outlaws
(Monday)
The Princess Switch 3: Romancing the Star
(Thursday)
Procession
Psych 3: This is Gus
(Thursday)
She Paradise
Tick…Tick…BOOM!

SCHEDULED FOR REVIEW:

Black Friday
Brian Wilson: Long Promised Road
Dean Martin: King of Cool
The Feast
Ghostbusters: Afterlife
India Sweets and Spices
Jagged
Keep Sweet
King Richard
Kurt Vonnegut: Unstuck in Time

The Many Saints of Newark


Dinner with the Family.

(2021) Crime Drama (New Line) Alessandro Nivola, Leslie Odom Jr., Vera Farmiga, Ray Liotta, Michael Gandolfini, Jon Bernthal, Corey Stoll, Michela De Rossi, Billy Magnussen, John Magaro, Michael Imperioli (voice), Samson Moeakiola, Joey Coco Diaz, Germar Terrell Gardner, Alexandra Intrator, Gabriella Piazza, Mason Bleu, Aaron Joshua, Lesli Margherita. Directed by Alan Taylor

 

There is absolutely no doubt that The Sopranos remains one of the most influential and important television series of all time. It helped establish HBO as a legitimate provider of quality original entertainment and ushered in a new golden age of television which moved away from broadcast and to alternate sources of content providers, from cable and now to streaming. For many of our favorite television shows of the past decade, we can thank show creator David Chase, who co-wrote and produced this prequel to his show, whose storytelling prowess paved the way for shows like Breaking Bad, Game of Thrones and Sons of Anarchy.

The movie opens with a startling and effective crane shot that turns into a dolly shot of a graveyard. We hear various voices of the dead until one takes focus; that of Christopher Moltisanti (Imperioli, the sole member of the series cast who appears here), who acts as a kind of narrator as well as Banquo’s ghost. He laments over his own untimely death (one of the most shocking moments in a series replete with them) and focuses in on his father, Dickie Moltisanti (Nivola).

Dickie is welcoming his father, “Hollywood Dick” Moltisanti, back from Italy. He brings with him a brand-new bride, Giussepina (De Rossi) from Italy. She speaks little English and is about a third his age. Dickie has been running the numbers operation for the DiMeo crime family, using enforcer Harold McBrayer (Odom) to collect in the predominantly African-American neighborhoods of central Newark. It is 1967, and after the violent arrest of an innocent black taxi driver, riots erupt.

In the meantime, Johnny Soprano (Bernthal) has been arrested for assault with a deadly weapon and sent to prison, leaving his son Tony (Ludwig) in the less-than-tender care of Livia (Farmiga), who is already showing signs of being the unstable, manipulative harridan that Nancy Marchand was acclaimed for in the series. Tony admires his uncle Dickie and begins to see him as a mentor and father figure. As Tony grows into his teenage years (Gandolfini, the son of the late James Gandolfini who played Tony in the series), he begins to show a willingness to gravitate towards the criminal life that his Uncle – and father – are part of. In the meantime, McBrayer – seeing the Black power movement and feeling the contempt in which he is held by the Italians – begins to build an empire of his own. Things are going to get mighty ugly in Newark.

I have to admit, I blew a little hot and cold about this one. Da Queen, who is not really a Sopranos fan and has seen little of the show, liked this movie a lot. On the other hand, I’ve watched the show and know how good it could be – and to be frank, the movie doesn’t really measure up in some ways to the original. Few things, to be fair, ever do.

Part of the problem is that the characters who were so indelible – not only Livia, but Paulie Walnuts (Magnusson), Uncle Junior (Stoll), Big Pussy (Moeakola) and Silvio Dante (Magaro) – all faithfully reproduce the look and mannerisms of those who played the characters on the show. It is a bit distracting in a way – it’s like watching a remake of a favorited movie with celebrity impersonators – but one has to give credit where credit is due. All of the things that made us love (or hate) those characters are present here. Farmiga, in particular, and Stoll, both get high marks for inhabiting the parts that Marchand and Dominic Chianese created. However, there isn’t a lot of additional insight to the characters that can’t be gleaned by watching the show – any of them. As a result, the emphasis is mainly on the “new” characters of Dickie, his father and McBrayer.

It should also be mentioned that Gandolfini acquits himself very nicely in the role that made his father famous. The movie really isn’t about Tony; he’s a bit player in his own prequel. For some, that is going to be annoying. I think, though, that it’s a smart move; Tony Soprano is a character that was perhaps one of the most well-developed in television history. While other characters in the show that are portrayed here don’t really get to add much insight to their characters, I don’t think there’s really a lot that can be added to Tony that we don’t already know

So there are a couple of questions to be answered here. First of all, if you’re not familiar with the show, you can still see The Many Saints of Newark without feeling lost. Familiarity with the show adds a certain amount of flavor, but for many of the characters who met untimely ends, we’re fully aware of their (sometimes) grisly demises that occurred in the series and that does color our perceptions somewhat. Does it add anything for fans of the show? Not really a lot. You get a little more background into the relationship between Tony and his mentor, but it doesn’t really make for any startling revelations. While there are plenty of Easter Eggs for super fans to glom onto, for the most part this doesn’t really sit atop the pantheon of mobster movies as much as the show does. If you’re anything like me, however, you will be inspired to re-watch the show once again and that really isn’t a bad thing at all.

REASONS TO SEE: Strong performances throughout. Plenty of Easter Eggs for fans of the show.
REASONS TO AVOID: Doesn’t really add a lot of additional insight into the show and characters.
FAMILY VALUES: There is violence (some of it gruesome), profanity and some nudity.
TRIVIAL PURSUIT: The amusement park scenes were filmed at Rye Playland in Westchester, NY. The amusement park scenes for Big were also filmed there.
BEYOND THE THEATERS: HBO Max (through November 1)
CRITICAL MASS: As of 10/10/21: Rotten Tomatoes: 73% positive reviews; Metacritic: 60/100.
COMPARISON SHOPPING: Goodfellas
FINAL RATING: 7/10
NEXT:
Pharma Bro

New Releases for the Week of September 10, 2021


MALIGNANT

(New Line) Annabelle Wallis, Madison Hasson, George Young, Michole Briana White, Jean Louisa Kelly, Susanna Thompson, Jake Abel. Directed by James Wan

A woman is having terrifying visions of grisly murders, but her fear is turbocharged when she discovers that her visions are actually happening.

See the trailer here
For more on the movie this is the website

Genre: Horror
Now Playing: Wide
Rating: R (for strong horror violence and gruesome images, and for language)

The Card Counter

(Focus) Oscar Isaac, Tiffany Haddish, Tye Sheridan, Willem Dafoe. The latest from legendary director Paul Schrader concerns a former military interrogator turned compulsive gambler who is haunted by the decisions of his past.

See the trailer here
For more on the movie this is the website

Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Winter Park Village
Rating: R (for some disturbing violence, graphic nudity, language and brief sexuality)

Catch the Bullet

(Lionsgate) Peter Facinelli, Tom Skerritt, Jay Pickett, Gattin Griffith. A U.S. Marshall returns home to discover his father sick and his son kidnapped by an outlaw. Forming a posse with a trigger-happy deputy and a stoic tracker, they head out into Indian territory where the danger will increase exponentially.

See the trailer here
For more on the movie this is the website

Genre: Western
Now Playing: Studio Movie Grille Sunset Walk
Rating: R (for some violence)

Dogs

(Dekanalog) Dragos Bucur, Gheorghe Visu, Vlad Ivanov, Costel Cascavl. In this Romanian thriller, a man inherits land from his Uncle and decides to sell it off. This doesn’t sit well with the criminals who are squatting on that land, and the man must decide whether to cut and run, or stay and fight.

See the trailer here
For more on the movie this is the website

Genre: Drama
Now Playing: Enzian On-Demand
Rating: NR

Queenpins

(STX) Kristin Bell, Kirby Howell-Baptiste, Vince Vaughn, Paul Walter Hauser. Based on actual events, a pair of coupon-clipping moms get involved in a scam of counterfeit coupons that are costing mega-corporations millions. Chased by a U.S. Postal Inspector and a hapless grocery store chain loss prevention officer, they make millions while helping fellow shoppers save on their grocery bills, blurring the line between who the real criminals are.

See the trailer here
For more on the movie this is the website

Genre: Comedy
Now Playing: Cinemark Lakeland Square, Cinemark Orlando, Cinemark Universal Citywalk
Rating: R (for language throughout)

Show Me the Father

(Affirm) Eddie George, Tony Evans, Stephen Kendrick, Sherman Smith. A faith-based documentary on the role of fathers in our American society, and how their role reflects our relationship with God.

See the trailer here
For more on the movie this is the website

Genre: Documentary
Now Playing: Wide
Rating: PG (for thematic material)

Small Engine Repair

(Vertical) Jon Bernthal, Shea Whigham, Ciara Bravo, John Pollano. Three lifelong friends gather for a night of drinking and bonding, unaware that one of them will ask the others to do a favor for his brash young daughter whom they all adore, a favor that will send their lives spinning out of control.

See the trailer here
For more on the movie this is the website

Genre: Dramedy
Now Playing: AMC Altamonte Mall, AMC Avenue 16 Melbourne, AMC Disney Springs, CMX Plaza Café Orlando
Rating: R (for pervasive language, crude sexual content, strong violence, a sexual assault, and drug use)

Thalaivi

(Zee) Kangana Ranaut, Arvind Swamy, Bhagyashree, Madhoo. The story of East Indian actress turned politician J. Jayalalithaa who served six terms as Prime Minister of Tamil Nadu.

See the trailer here
For more on the movie this is the website

Genre: Biographical Drama
Now Playing: AMC West Oaks
Rating: NR

We Need to Do Something

(IFC Midnight) Sierra McCormick, Vinessa Shaw, Pat Healy, Lisette Alexis. When taking shelter from a strange and violent storm, a family becomes threatened by horrors they may have brought in with them.

See the trailer here
For more on the movie this is the website

Genre: Horror
Now Playing: Enzian
Rating: NR

Wildland

(Film Movement) Sandra Guldberg Kampp, Sidse Babett Knudsen, Joachim Fjelstrup, Elliott Crosset Hove. After her mom is killed in a car accident, a teenage girl moves in with her aunt and two sons. They seem a loving family, but they lead a criminal life. When an unforeseen murder puts the family under scrutiny, they are forced to decide how far they’ll go to protect one another.

See the trailer here
For more on the movie this is the website

Genre: Crime
Now Playing: Enzian On-Demand
Rating: NR

COMING TO VIRTUAL CINEMA/VOD:

Blood Brothers: Muhammad Ali and Malcolm X (Thursday)
Chompy and the Girls
(Tuesday)
Dating & New York
Detainee 001
Hood River
The Influencer
(Tuesday)
Nightbooks
(Wednesday)
Skinwalker: The Howl of the Rougarou
(Tuesday)
Straight Outta Nowhere
(Tuesday)
The Voyeurs

SCHEDULED FOR REVIEW:

The Card Counter
Dating & New York
Hood River
The Influencer
Malignant

Those Who Wish Me Dead


Angelina Jolie is hotter than ever.

(2021) Action (New Line) Angelina Jolie, Finn Little, Jon Bernthal, Aidan Gillen, Nicholas Hoult, Jake Weber, Medina Senghore, Tyler Perry, Boots Southerland, Tory Kittles, James Jordan, Lora Martinez-Cunningham, Howard Ferguson Jr., Ryan Jason Cook, Laura Niemi, Dylan Kenin, Faith Lynch, Alexander Wagerman, Mason Howell, Calvin Olson, Sofia Embid. Directed by Taylor Sheridan

 
I have to admit that I’m not a big fan of kids in peril movies. Too often Hollywood films that put children in the path of evil adults portray the kids unrealistically, either as much smarter than the adults that are after them, much braver than the adults around them, or much cooler than anyone in a similar situation would be. While kids do come in all shapes and sizes – and personality types, including heroic – Hollywood tends to idealize them in one way or another which can make an entire film ring false.

Forensic investigator Owen (Weber) discovers that the district attorney he works for has been killed in a freak gas explosion. He doesn’t believe it for a moment – after all, Owen discovered some disturbing information about some very powerful people. Realizing that the death was no accident, he gathers up his son Connor (Little) and makes a run for Montana, where his brother-in-law, Deputy Sheriff Ethan (Bernthal) might be able to help.

But there are a pair of vicious hired hitmen on their trail, Jack (Gillen) and Patrick (Hoult) and when they ambush and kill Owen, Connor gets away into the Montana woods. There he meets up with Hannah (Jolie), a smokejumper who is currently working in a fire tower after a mistake on her part led to the deaths of her crew, including several children they were in the process of rescuing. She has been covering up her pain with a surfeit of drinking and one-of-the-boys behaviors that have led to her being sent somewhere where she can get her head together. A fire tower is certainly a place where there isn’t much to distract you.

Unless it’s the sudden appearance of a young, terrified boy on the run from ruthless assassins who have set a raging out-of-control forest fire to literally smoke the boy out and keep the local law enforcement busy while they complete their nefarious task. Can Hannah’s survival skills help her protect Connor from the men who wish him dead?

In all honesty, I have to admit that while these types of pictures tend to not thrill me much, Little actually does a pretty fair job of playing the kid realistically; numb and terrified. However, he is overshadowed by the main stars – Jolie, in a return to the front of the camera (she has spent the last few years concentrating on her directorial efforts) reminds us that her star quality has never left. She continues to be absolute money in the bank when it comes to these sorts of physically demanding action roles. Few other actresses handle physically demanding roles as ably as she does.

And lest we forget Bernthal, the one-time Walking Dead baddie who has been on the cusp of being a big star for awhile. This role won’t push him over the edge in either direction, but he continues to be impressive. I’m hopeful that Marvel makes a new Punisher movie at some point with this guy; he deserves the kind of career push that kind of movie would give him.

The action sequences here tend to be pretty big and well-choreographed. That’s not the problem. The problem here is that the plot is just oh-so-predictable and while the characters are given some backstory, they feel kind of shoehorned into cookie cutter cliches of psychologically wounded leads 101. The roles never really feel authentic and the story never takes an unexpected turn. I’m not saying that moviemakers have to reinvent the wheel with every film – that’s simply not a realistic expectation – but this one is a bit too by-the-numbers for me to give it anything but a mild thumbs up.

The movie was one of those released simultaneously in theaters and on HBO Max; it is still out in some theaters but is no longer available on the streaming service at the present. It will be made available on most VOD services starting July 2nd and will be on HBO (and by extension, HBO Max) sometime later this year.

REASONS TO SEE: Jolie retains her star power and Bernthal continues to get better with every role.
REASONS TO AVOID: An utterly pedestrian plot.
FAMILY VALUES: There is plenty of sometimes brutal violence and profanity throughout.
TRIVIAL PURSUIT: Nicolas Cage was at one time considered for a role as one of the hitmen.
BEYOND THE THEATERS: Fandango Now (effective July 2)
CRITICAL MASS: As of 6/18/21: Rotten Tomatoes: 63% positive reviews; Metacritic: 59/100.
COMPARISON SHOPPING: The Professional
FINAL RATING: 6/10
NEXT:
Walking While Black: L.O.V.E. is the Answer

Widows (2018)


Dangerous deeds discussed in dark places.

(2018) Crime (20th Century) Viola Davis, Michelle Rodriguez, Liam Neeson, Jon Bernthal, Elizabeth Debicki, Robert Duvall, Colin Farrell, Cynthia Erivo, Brian Tyree Henry, Jacki Weaver, Daniel Kaluuya, Garret Dillahunt, Carrie Coon, Manuel Garcia-Ruffo, Lukas Haas, Coburn Goss, Alejandro Verdin, Molly Kunz, James Vincent Meredith, Patrese McClain. Directed by Steve McQueen

Viola Davis is one of America’s most underrated actresses and that considering that she has been nominated for an Oscar three times and won once (for Fences). So when I tell you that this might be the best performance of her career, and it wasn’t even one of the three nominated films on her resume, that might speak volumes about how the system

She plays Veronica, the widow of Harry (Neeson) who was butchered along with his crew after a job. As it turns out though, he stole two million bucks from a ruthless gangster (Henry) who happens to be running for Chicago alderman as the opponent of Jack Mulligan (Farrell), the son of a politician who together have been essentially running the Ward for decades. Now, with the gangster’s psychopathic brother (Kaluuya) hot on her trail, she knows she must resort tto literally using her husband’s playbook to pull off a much larger heist that will pay his debts in full and set her up for life, but she’ll need help. She figures the widows of Harry’s crew have both the motivation and the skills.

Oscar-winning director McQueen has assembled a cast that is without parallel. In fact, he might have done his job too well; the film is crammed full of interesting characters who all need more screen time than they got, so we end up with scenes that run too long and characters that overstay their record. A little less focus on the other characters would have made this a better film.

McQueen uses the city of Chicago perfect effect, whether in the mansion of Jack’s dad (Duvall) or in Veronica’s beautiful apartment overlooking Lake Michigan, or in the poorest corners of the largely African-American Ward, the movie is always interesting in a visual sense. The movie doesn’t have the humor that is usually found in heist films nor does it have that clever “we outsmarted you” gotcha that most heist films possess. This is far more brutal and direct. It works as a heist film, but it works even better as  a commentary on how wide the gulf between haves and have-nots has become.

REASONS TO SEE: A tremendous cast with Davis standing out particularly. McQueen has a great visual sense.
REASONS TO AVOID: A little bit long and a few too many characters.
FAMILY VALUES: There is profanity throughout, a fair amount of violence and some sexuality.
TRIVIAL PURSUIT:  Olivia the dog, who is heavily featured in the film, also appeared in Game Night.
BEYOND THE THEATER: Amazon, AppleTV, Fandango Now, Google Play, Max Go, Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 4/22/20: Rotten Tomatoes: 91% positive reviews, Metacritic: 84/100
COMPARISON SHOPPING: The Kitchen
FINAL RATING: 7.5/10
NEXT:
Himalayan Ice

New Releases for the Week of November 15, 2019


FORD V. FERRARI

(20th Century Fox) Matt Damon, Christian Bale, Jon Bernthal, Caitriona Balfe, Tracy Letts, Josh Lucas, Wallace Langham, Noah Jupe. Directed by James Mangold

In 1966, the auto racing world was dominated by Ferrari. Ford was considered a quaint American manufacturer of sedans. When they enlisted designer Carroll Shelby and driver Ken Miles to create a car that could beat Ferrari at the 24 Hours at Le Mans, the two would help create an American legend.

See the trailer here
For more on the movie this is the website
Genre: True Life Sports
Now Playing: Wide Release
Rating: PG-13 (for some language and peril)

Better Days

(Well Go USA) Dongyu Zhou, Jackson Yee, Fang Yin, Jue Huang. A young woman, relentlessly bullied as she prepares to take the college entrance exam, hooks up with a small-time criminal. The two are caught up in the midst of a murder investigation that threatens their fragile budding relationship.

See the trailer here
For more on the movie this is the website  
Genre: Romance
Now Playing: Regal Waterford Lakes
Rating: NR

Charlie’s Angels

(Columbia) Kristen Stewart, Naomi Scott, Elizabeth Banks, Djimon Hounsou. Three beautiful and incredibly capable private detectives are called on a case to protect a young system engineer who is blowing the whistle on potentially dangerous technology that threatens all our lives.

See the trailer here
For more on the movie this is the website  
Genre: Action
Now Playing: Wide Release
Rating: PG-13 (for action/violence, language and some suggestive material)

The Good Liar

(Warner Brothers) Helen Mirren, Ian McKellen, Russell Tovey, Jim Carter. A con man sets his sights on a recent widow who is worth millions – millions he means to take for himself. However, the stakes soon become far higher.

See the trailer here
For more on the movie this is the website  
Genre: Suspense
Now Playing: Wide Release
Rating: R (for some strong violence, and for language and brief nudity)

Jay and Silent Bob Reboot

(Saban) Kevin Smith, Jay Mewes, Chris Hemsworth, Melissa Benoist. When iconic stoner duo Jay and Silent Bob discover that Hollywood has decided to reboot the movie based on them that they once tried to stop, they decide that second time is the charm and head west to do battle with the powers that be in Tinseltown.

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: AMC Disney Springs, Barnstorm Theater
Rating: R (for pervasive crude sexual content, language throughout, drug use and some nudity)

The Warrior Queen of Jhansi

(Roadside Attractions) Devika Bhise, Rupert Everett, Nathaniel Parker, Ben Lamb. The 24-year-old Queen of Jhansi became a national hero of India in 1857 for standing up to British colonialism. This is her epic tale.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC West Oaks, Cinemark Universal Citywalk, Regal Winter Park Village
Rating: R (for some violence)

ALSO OPENING IN ORLANDO/DAYTONA:

Autonomy
Feast of the Seven Fishes
No Safe Spaces
Radioflash
The Report
The Shed
Turkey Bowl

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

American Dharma
The Irishman
The Report

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Everybody’s Everything
Feast of the Seven Fishes
Luce
Mariaavaan

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Bala
Becoming Nobody
Thiparaa Meesam

SCHEDULED FOR REVIEW:

Feast of the Seven Fishes
Ford v. Ferrari
The Good Liar
The Irishman
Radioflash
The Report
Warrior Queen of Jhansi

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Fort Lauderdale International Film Festival, Fort Lauderdale FL
Jacksonville Film Festival, Jacksonville FL
Jewish Film Festival of SW Florida, Fort Myers, FL

The Peanut Butter Falcon


Getting away from it all.

(2019) Dramedy (Roadside AttractionsShia LaBeouf, Dakota Johnson, Zach Gottsagen, Bruce Dern, Thomas Haden Church, John Hawkes, Jon Bernthal, Yelawolf, Jake Roberts, Mick Foley, Raquel Aurora, Michael Berthold, Deja Dee, Lee Spencer, Rob Thomas, Mark Helms, Dylan Odom, Nick Morbitt, Noah Hein, Annie Jamison, Susan McPhail, Karen B. Greer. Directed by Tyler Nilson and Michael Schwartz

 

Some movies have their hearts in the right place. You can tell that there’s a sincere desire to shine a light on the marginalized, or tell a story close to the heart of those telling it. But lofty as those ambitions might be, they are not always realized on celluloid.

Zak (Gottsagen) is a young man with Down’s Syndrome who has been warehoused in a nursing home simply because the state has nowhere else to put him. Abandoned by his parents, he is left to rot amongst old folks waiting to die. Zak makes it from day to day because of a dream – to attend the wrestling school of his hero, the Salt Water Redneck (Church) and become a professional wrestler himself.

Although treated kindly by nurse’s aide Eleanor (Johnson), Zak knows that he has to get out of there or risk watching life pass him by with his dreams unfulfilled. With the help of his roommate, crusty old Carl (Dern, who has made a career of portraying cranky old men) and some strategically applied soap, Carl wriggles out of the barred window wearing only his tighty whities and escapes to find his dream.

Tyler (LaBeouf) wants little more than to be left alone and be able to support himself by crabbing on the boat left to him by his older brother (Bernthal) who passed away recently. However, Tyler is one of those guys who is his own worst enemies – drinking too much, drowning in anger issues and playing by his own rules when it suits him, even if his rules supersede the rules of society and decency. On the run with some angry Outer Banks crabbers out for his blood, he and Zak meet and despite Tyler’s initial reluctance, decide to travel together at least as far as Aden, NC (site of the wrestling school) while Tyler high-tails it to Jupiter, Florida afterwards. With Eleanor desperately chasing after Zak, Tyler and Zak find themselves sailing on a raft through the by-waters and estuaries of the Outer Banks in a desperate bid for the freedom that has eluded the both of them all their lives.

This is sort of like Huckleberry Finn by way of the Discovery Channel. The connection between Zak and Tyler is central to the film and to their credit, the two actors manage to carry it off most of the time. The movie never condescends towards Zak’s condition; it is treated matter-of-factly, as the color of his eyes and hairs would be. In a sense, the movie portrays people with Down’s syndrome about as realistically as any movie has ever portrayed them. Again, heart in the right place.

But this is the hard part. I feel like a complete heel for saying this because I think Gottsagen is doing his best, but he doesn’t deliver a compelling performance here. Sad to say, quite the opposite; whenever Zak speaks the film comes to a grinding halt. Lines are bellowed without conviction and you never get a sense of the depth of his obsession with becoming a wrestler. It comes across as an idea that wandered across his radar one day and is just sitting a spell before moving on when supplanted by another. I know it makes it sound like I’m saying that hanging out with people with Down’s Syndrome is annoying and that’s not at all what I’m meaning to convey, but hanging out with this guy with Down’s Syndrome is annoying. I do give the filmmakers kudos for casting someone with Down’s Syndrome to play someone with Down’s and I applaud the effort to bring a marginalized group to the screen in a sympathetic non-comic relief role, but Gottsagen didn’t quite deliver as I might have hoped.

That’s a shame because the cast is marvelous and they all do great work, even Johnson who is often maligned for her work in the 50 Shades of Grey films. Hey, a paycheck is a paycheck and Johnson delivers on the sweet here, although her romance with Tyler comes off as unlikely at best. Still, the movie seems to have a theme of unlikely plot developments.

The cinematography by veteran Nigel Bluck makes nice use of the Georgia wetlands which substitute here for the Outer Banks – apparently the tax incentives are better in Georgia than they are in North Carolina. In any event, the film does its level best to be charming and often succeeds – but often shoots itself in the foot, seemingly taking on a philosophy of The Ends Justify the Means which is a bit disquieting. For those looking for a diversion from the summer blockbusters but can’t wait for the Fall’s Oscar contenders to arrive, this will do in a pinch.

REASONS TO SEE: Never too sweet, never too edgy. LaBeouf reminds us why he was considered one of Hollywood’s up-and-comers not too long ago.
REASONS TO AVOID: Whenever Gottsagen opens his mouth, the movie comes to a grinding halt. Seems to promote an “ends justifies the means” philosophy.
FAMILY VALUES: There is plenty of profanity and some violence.
TRIVIAL PURSUIT: In the scene where Zak, Tyler and Eleanor jump off the oil rig by swinging on a rope, the actors did the swinging; no stunt doubles were used.
CRITICAL MASS: As of 8/27/19: Rotten Tomatoes: 95% positive reviews: Metacritic: 69/100.
COMPARISON SHOPPING: Mud
FINAL RATING: 6/10
NEXT:
Brian Banks