The Wife (2017)


An expression that says it all.

(2017) Drama (Sony ClassicsGlenn Close, Jonathan Pryce, Christian Bale, Max Irons, Harry Lloyd, Annie Starke, Elizabeth McGovern, Johan Widerberg, Karin Franz Körlof, Richard Cordery, Jan Mybrand, Anna Azcarate, Peter Forbes, Fredrik Gildea, Jane Garda, Alix Wilton Regan, Nick Fletcher, Mattias Nordkvist, Suzanne Bertish, Grainne Keenan, Isabelle von Meyenberg, Morgane Polanski. Directed by Björn Runge

 

The Wife isn’t just about the dynamics of a 40-year marriage, although that is an important component. It isn’t just about gender inequality within the traditional marriage, although that is certainly a major theme. There are a lot of layers going on here.

Joe Castleman (Pryce) has won the Nobel prize for literature and is excited at the honor. His wife Joan (Close) to whom he has been married to for 40 years seems oddly tepid about the ceremony, unwilling to take part in the activities set up for the spouses; in fact, she doesn’t even want to spend much time with Joe, who is egotistical and a serial adulterer. From outside, the marriage appears to be a warm, loving one but cracks are beginning to appear in the facade. There is a secret, you see, that the husband and wife both share, a devastating one that is about to force them both to confront it.

Glenn Close has had a long and distinguished career; to say that this might just be her best performance yet is indeed saying something. Much of Joan’s anguish is shown on the face of the veteran actress; this is one of her most expressive performances and again, that’s saying something. The last act is a triumph of understatement and inner fire which leads to a conclusion which is a bit of a let-down in many ways.

The script is extremely literate and that works to the film’s advantage – but also to its detriment as it veers over the line from time to time into pretension. Still, strong performances by Close and Pryce buoy this film and make it memorable. This is a fine movie made better by the performances of the leads. Definitely worth checking out.

REASONS TO SEE: Close gives an Oscar-worthy performance. A very literate script.
REASONS TO AVOID: Occasionally crosses the line into pretension.
FAMILY VALUES: There is profanity as well as some sexual content.
TRIVIAL PURSUIT: Starke, who plays the young Joan, is the daughter of Glenn Close who plays present-day Joan.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Redbox, Sling TV, Starz, Vudu, YouTube
CRITICAL MASS: As of 1/13/20: Rotten Tomatoes: 85% positive reviews: Metacritic: 77/100.
COMPARISON SHOPPING: Collette
FINAL RATING: 7.5/10
NEXT:
Night School

New Releases for the Week of December 13, 2019


JUMANJI: THE NEXT LEVEL

(Columbia) Dwayne Johnson, Kevin Hart, Jack Black, Karen Gillan, Awkwafina, Danny DeVito, Danny Glover, Alex Wolff, Colin Hanks. Directed by Jake Kasdan

The gang is back, sucked into the world’s most dangerous videogame like dust bunnies in a vacuum cleaner. This time they are there to rescue one of their own and will brave unexplored territory – deserts and mountains in addition to the jungle – to make it home alive.

See the trailer
For more on the movie this is the website
Genre: Fantasy/Adventure
Now Playing: Wide Release
Rating: PG-13 (for adventure action, suggestive content and some language)

Black Christmas

(Universal) Imogen Poots, Cary Elwes, Aleyse Shannon, Lily Donoghue. A black masked killer stalks sorority women at a college during Christmas break in this remake of a classic 1974 horror film.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: Wide Release
Rating: PG-13 (for violence, terror, thematic content including sexual assault, language, sexual material and drinking)

Code 8

(Vertical) Robbie Amell, Stephen Amell, Sung Kang, Greg Byrk.  *insert gravelly trailer voice here* In a world where 4% of the world’s population has super powers, those with extraordinary gifts have been discriminated against and forced to live in poverty. A young power-enabled man who is fighting to survive and is drawn into a seedy underground of crime.

See the trailer here
For more on the movie this is the website  
Genre: Superhero
Now Playing: Touchstar Southchase
Rating: NR

Hell on the Border

(Lionsgate) David Gyasi, Frank Grillo, Zahn McClarnon, Ron Perlman. This is the true story of Bass Reeves, who went from being an escaped slave during the Civil War to becoming the first African-American marshal in the American West.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Western
Now Playing: Premiere Fashion Square
Rating: R (for violence and language)

Mickey and the Bear

(Utopia) Camila Morrone, James Badge Dale, Calvin Demba, Ben Rosenfield. Mickey Peck works a job in a taxidermy shop in Anaconda, Montana. She must cope with her father, a veteran with severe PTSD who isn’t getting better, an oversexed boyfriend and her upcoming high school graduation – all without her late mother. This amazing first film from Annabelle Attanasio was recently reviewed by C365 – check the link in the section “Scheduled for Review” below.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for substance abuse, language throughout and some sexual material)

Richard Jewell

(Warner Brothers) Paul Walter Hauser, Sam Rockwell, Olivia Wilde, Jon Hamm. Clint Eastwood’s latest directorial effort is the story of the security guard at the 1996 Olympic Games in Atlanta who thwarted a bomb planted in Centennial Park and then wrongly came under suspicion for planting it there. The film has been controversial due to the Atlanta Journal-Constitution taking exception to the portrayal of its coverage and one of its reporters.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Wide Release
Rating: R (for language including some sexual references, and brief bloody images)

The Two Popes

(Netflix) Jonathan Pryce, Anthony Hopkins, Juan Minujin, Sidney Cole. Pope Benedict, a staunch conservative, is the leader of a Catholic church in crisis. He soon develops a relationship with the cardinal who would one day become Pope Francis, one who has sought to reform the Church.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Enzian Theater
Rating: PG-13 (for thematic content and some disturbing violent images)

ALSO OPENING IN ORLANDO/DAYTONA:

The Body
Ernesto’s Manifesto
The Great War
Kettyolanu Ente Malakha
Line of Descent
Mamangam
The Mandela Effect
Mob Town
Venky Mama

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

6 Underground
The Body
Kettyolanu Ente Malakha
Line of Descent
Mamangam
Mardaani 2
One Cut of the Dead
Venky Mama

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

The Body
Fantastic Fungi
Mamangam
Mardaani 2
Rabid
Synonyms
Venky Mama

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

The Aeronauts
Fantastic Fungi
Mamangam
Satantango

SCHEDULED FOR REVIEW:

Black Christmas
Fantastic Fungi
Jumanji: The Next Level
Mickey and the Bear
Rabid
Richard Jewell
Synonyms
The Two Popes

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Vero Beach Wine + Film Festival at Sea, Port Everglades, FL

The Man Who Killed Don Quixote


An iconic figure, his faithful manservant and Terry Gilliam’s 25-year-odyssey.

(2018) Adventure (Screen Media) Adam Driver, Jonathan Pryce, Joana Ribeiro, Stellan Skarsgård, Olga Kurylenko, Jordi Mollá, Óscar Jaenada, Jason Watkins, Paloma Bloyd, Hovik Keuchkerian, Matilde Fluixa, Joe Manjón, Antonio Gil, Rodrigo Poison, Sergi López, Rossy de Palma, Bruno Schiappa, Hipolito Boro, Jorge Calvo, Will Keen, Viveka Rytzner. Directed by Terry Gilliam

 

Few films have as checkered a past as The Man Who Killed Don Quixote. Visionary director and ex-Monty Python animator Terry Gilliam has been trying to get this film made since 1989. Unable to secure financing until 1998, he began filming only to have the production shut down after only a week following health problems for star Jean Rochefort’s health issues, a devastating flood which swept away nearly all the production’s equipment and assorted financial issues. Since then Gilliam has been continuing to get production restarted, adding some fairly big name actors to the cast but ultimately was unable to secure financing until 2017 when cameras finally rolled once again. Incredibly, production was eventually completed.

Now we see the finished product and was it worth 25 years of Gilliam’s life? Well, I suppose you’d have to ask him that. The story involved a jaded Hollywood commercial director named Toby (Driver) who as a student filmmaker commandeered a Spanish village and made a black and white film called The Man Who Killed Don Quixote, transforming Javier (Pryce), an ordinary cobbler into believing he was actually Don Quixote, and Angelica (Ribeiro), a 15-year-old waitress into thinking she could be a star. The villagers, needless to say, don’t remember Toby fondly.

When Toby returns to the village of Los Suenos (“The Dreams”) years later while filming an insurance company commercial involving the Man of La Mancha, he is brought face to face with the results of his student film. The now-mad Javier mistakes Toby for Sancho Panza and off they go into the Spanish countryside where Toby nearly burns the village down, is arrested by the local constabulary, watches Don Quixote tilt at windmills and ends up at a lavish party thrown by a Russian Oligarch (Mollá) who now “owns” Angelica and assisted by Toby’s boss (Skarsgård) and his oversexed wife Jacqui (Kurylenko). Can Toby find a way back to reality through the cobbler’s madness or will he eventually get sucked in, Javier’s vision preferable to the real world?

This is not an easy movie to analyze; there are a ton of things going on and many layers to unravel. Toby could be considered a young Terry Gilliam, a bright and inventive creative mind worn down by dealing with the machine of commercial filmmaking. Quixote is the ideal he is striving to achieve. Or he can be construed as purity while Toby is the corrupted but not irretrievable. Quixote longs to re-create the Age of Chivalry; a return to an idealized past maybe? While Toby is the strictures of the present. I could go on and on…and already have.

There is a lot to think about here which is never a bad thing in a movie. My beef with The Man Who Killed Don Quixote is that it needed more Terry Gilliam; this feels stripped down and less imaginative than his other efforts. I think this would have benefited from a much larger budget to give Gilliam’s imagination full flower and perhaps that is why it has taken so long to make this; unless it’s a superhero film or a science fiction epic, Hollywood is loathe to give those mega-budgets out to just anyone, particularly to people like Gilliam whose movies don’t always make money.

Pryce is delightful as Quixote; his madness is at least sweet and essentially harmless unless he perceives you to be non-chivalrous. In that case things could get testy. Driver is a versatile actor who can do just about any kind of character; Toby is essentially a self-absorbed twerp who at any given moment thinks he’s the smartest person in the room. Beyond the student film, we don’t get a whole lot of background on Toby and the movie might have benefited from connecting the dots between student filmmaker to jaded commercial filmmaker. The mostly European cast does solid work throughout the film. There aren’t a lot of dazzling special effects shots here and the film could have used them.

Maybe I expected more from the film since it took so long to make it to the screen, and because Gilliam is such a visually arresting filmmaker. I get the sense that this isn’t the film he wanted to make but it was the film he could afford to make. Perhaps that’s true of most filmmakers.

REASONS TO SEE: Like any Terry Gilliam movie, this is chock full of imagination. Skewers the film industry with a rapier wit.
REASONS TO AVOID: The movie could have used a little more whimsy.
FAMILY VALUES: There are some profanity, sexuality, violence and disturbing images.
TRIVIAL PURSUIT: Since 1989, Gilliam has made numerous attempts to get this film off the ground, most notably in 2000 when it became “the most cursed film in history” as documented by Lost in La Mancha. Over the years Gilliam has cast a number of actors as Quixote besides Pryce; Michael Palin, John Hurt, Jean Rochefort and Robert Duvall, two of whom have since passed away.
CRITICAL MASS: As of 4/10/19: Rotten Tomatoes: 63% positive reviews: Metacritic: 56/100.
COMPARISON SHOPPING: The Adventures of Baron Munchausen
FINAL RATING: 7.5/10
NEXT:
Master Z: The Ip Man Legacy

New Releases for the Week of September 7, 2018


THE NUN

(New Line) Demián Bichir, Taissa Farmiga, Jonas Bloquet, Bonnie Aarons, Ingrid Bisu, Charlotte Hope, Sandra Teles, August Maturo, Jack Falk, Lynnette Gaza. Directed by Corin Hardy

A young novitiate and a priest with a disturbing past are sent to investigate the mysterious death of a nun in a remote abbey in Romania. There they discover a malevolent force that threatens not only their lives but their souls. Realizing that there is more at stake than just themselves, they rely on their crumbling faith to do battle with the damned in this latest installment in the Conjuring series.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard, DBOX, Dolby, IMAX, RPX, XD
Genre: Horror
Now Playing: Wide Release

Rating: R (for terror, violence and disturbing/bloody images)

God Bless the Broken Road

(Freestyle) Lindsay Pulsipher, Jordin Sparks, LaDamian Tomlinson, Robin Givens. While grieving for her husband who was lost in Afghanistan, a young mother meets a race car driver who restores both her hope and her faith. This is loosely based on the Nitty Gritty Dirt Band song of the same name.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Faith-Based Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Lake Square, Barnstorm Theater,  Cinemark Artegon Marketplace, Regal Oviedo Mall, Regal Pavilion Port Orange, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG (for thematic elements and some combat action)

Madeline’s Madeline

(Oscilloscope) Helena Howard, Miranda July, Molly Parker, Sunita Mani. A theater director gets a whole lot more than they bargained for when the lead actress in their latest project takes her role a bit too seriously. Reality and fantasy begin to blur as a fierce tug of war takes place between the director, her young star and the actress’ mother.

See the trailer and a video featurette here
For more on the movie this is the website
Release Formats: Standard
Genre: Mystery
Now Playing: Regal Winter Park Village

Rating: NR

Peppermint

(STX) Jennifer Garner, John Gallagher Jr., John Ortiz, Method Man. When a woman’s family is killed by members of a drug cartel, she finds no justice in a corrupt system in which judges, cops and politicians are all bought and paid for by the cartel. Realizing that she’s a target, she goes underground for five years. When she returns she goes on a revenge spree that would make Stallone proud.

See the trailer, interviews, clips and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for strong violence and language throughout)

The Wife

(Sony Classics) Glenn Close, Jonathan Pryce, Christian Slater, Elizabeth McGovern. The wife of an acclaimed author accompanies him to Stockholm to receive the Nobel Prize for Literature. There, her years of being taken for granted, her own writing skills appropriated and her life a shadow of what she imagined it to be come to the surface.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for language and some sexual content)

ALSO OPENING IN ORLANDO/DAYTONA:

Alright Now
C/O Kancharapalem
The Hows of Us
Manu
Nancy
Slipaway

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Age of Summer
C/O Kancharapalem
Destination Wedding
Get My Gun
The Hows of Us
Manu
No Date, No Signature
Silly Fellows
Support the Girls

ALSO OPENING IN TAMPA/ST. PETERSBURG:

The Favorite
The Hows of Us
Manu
Stilly Fellows

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

C/O Kancharapalem
The Hows of Us
Manu
Summer of ‘84

SCHEDULED FOR REVIEW:

The Nun
Peppermint
Support the Girls
Summer of ‘84

The Man Who Invented Christmas


God bless us every one? Bah, humbug!

(2017) Biographical Drama (Bleecker Street) Dan Stevens, Christopher Plummer, Jonathan Pryce, Simon Callow, Anna Murphy, Justin Edwards, Miriam Margolyes, Morfydd Clark, Ger Ryan, Ian McNeice, Bill Patterson, Donald Sumpter, Miles Jupp, Cosimo Fusco, Annette Badland, Eddie Jackson, Sean Duggan, Degnan Geraghty, David McSavage, Valeria Bandino. Directed by Bharat Nalluri

 

One of the most beloved and most adapted stories of all time is Charles Dickens’ A Christmas Carol. What some folks might not know is that Dickens wrote, had illustrated and self-published the work in an amazing (for the era) six weeks. It was a massive hit on the heels of three straight flops which had begun to lead the publishing world to question whether he was the real thing or a flash in the pan. He was on the verge of financial ruin when Scrooge, Marley, Tiny Tim and company rescued him.

As we meet Dickens (Stevens) the financial pressures have become overwhelming. He and his wife Kate (Clark) are undergoing an expensive renovation of their home complete with plenty of Italian marble; the last three books after the unquestioned success of Oliver Twist have under-performed and his friend/manager John Forster (Edwards) tells him that his publishers are clamoring for a success and an advance is out of the question.

A story told to his children by Irish maid Brigid (Murphy) gives Dickens the idea of a Christmas-set ghost story but he is in the throes of an anxiety-fueled writer’s block that is threatening his entire career. A chance meeting with a grumpy old man gives him the idea of a miser at the center of the story and once he comes up with the name for the character – Ebeneezer Scrooge (Plummer) – he materializes and starts to argue with Dickens on the direction of the book. People who surround Dickens start to become various characters in the novella; a lawyer becomes Marley (Sumpter), a nephew becomes Tiny Tim, a couple dancing in the festive streets of London become the Fezziwigs and so on.

To make matters worse, Dickens’ spendthrift father John (Pryce) and mother (Ryan) drop by for an extended stay. Dickens and his father have a strained relationship at best and the constant interruptions begin to fray the author’s nerves. Worse still, the novella is needed in time for Christmas which gives him a scant six weeks to write and arrange for illustration of the book with one of England’s premier artists (Callow). Kate is beginning to be concerned that all the pressure is getting to her husband who is at turns irritable and angry, then kind and compassionate. She senses that he is going to break if something isn’t done and time is running out.

I have to admit I didn’t have very high expectations for this film. I had a feeling it was going to be something of a Hallmark movie and for the first thirty minutes of the film I was right on target. However a funny thing happened on the way to the end of the movie: it got better. A lot better, as a matter of fact. The movie turns out to be extremely entertaining and heartwarming in a non-treacly way.

Stevens, one of the stars that emerged from Downton Abbey, does a credible job with Dickens although at times he seems unsure of what direction to take him. Plummer could do Scrooge in his sleep if need be but gives the character the requisite grumpiness and a delightful venal side that makes one  think that Plummer would be magnificent in a straight presentation of the story.

This is based on a non-fiction book of the same title that I have a feeling is more close to what actually occurred than this is, but one of the things that captured my attention was the dynamic between father and son. Certainly Dickens was scarred by his father’s imprisonment in a debtor’s prison when he was 12, forcing him to work in a horrific shoe black factory and from which much of his passion for social justice was born.

The entourage of characters from the story that follow Dickens around is delightful. Of course, the movie shows Dickens getting an attitude adjustment and growing closer to his family thanks to his writing of the novella and who knows how accurate that truly is but one likes to believe that someone who helped make Christmas what it is today got the kind of faith in family and humanity that he inspired in others.

This has the feeling of a future holiday perennial. The kids will love the whimsical characters that not only inform the characters in the story but fire up Dickens’ imagination; the adults will appreciate the family dynamics and all will love the ending which is just about perfect. This is the kind of Christmas movie that reminds us that we are all “fellow passengers on the way to the grave” as Dickens puts it and the kind of Christmas movie that Hollywood shies away from lately. I truly wish they would get back to making movies like this one.

REASONS TO GO: A thoroughly entertaining and truly heartwarming film.  The portrayal of the relationship between Dickens and his father is intriguing.
REASONS TO STAY: Starts off slowly but after the first thirty minutes or so improves greatly.
FAMILY VALUES: There is some mild profanity as well as adult themes in the film.
TRIVIAL PURSUIT: The majority of the cast are trained Shakespearean actors, many of whom have appeared in a variety of adaptations of Dickens’ work through the years.
CRITICAL MASS: As of 11/23/17: Rotten Tomatoes: 80% positive reviews. Metacritic: 58/100.
COMPARISON SHOPPING: Finding Neverland
FINAL RATING: 7.5/10
NEXT:
The Big Sick

New Releases for the Week of November 24, 2017


COCO

(Disney*Pixar) Starring the voices of Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt, Alanna Ubach, Gabriel Iglesias, Edward James Olmos. Directed by Adrian Molina and Lee Unkrich

A young Mexican boy is obsessed with music but had the bad luck to be born into a family that didn’t care much for song and frivolity. A devotee of a recently deceased troubadour, he is accidentally sent to the Land of the Dead and must work out the mystery of why his family hates music so much before he can return to the Land of the Living.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, 4DX
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for thematic elements)

Last Flag Flying

(Amazon/Lionsgate) Bryan Cranston, Laurence Fishburne, Steve Carell, J. Quinton Johnson. Three ex-Marines who served together in Vietnam come together for one last mission; to bury the son of one of them who was killed in Iraq. This is the latest from director Richard Linklater.

See the trailer, clips and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for strong language throughout including some sexual references)

The Man Who Invented Christmas

(Bleecker Street) Dan Stevens, Christopher Plummer, Jonathan Pryce, Simon Callow. One of the great traditions of Christmas is the beloved novel A Christmas Carol by Charles Dickens. He wrote it at a time in his life where he was surrounded by tribulations but where did these ideas – a Christmas ghost story, after all – come from? Look for the review for this tomorrow.

See the trailer, a clip and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG (for thematic elements and some mild language)

Novitiate

(Sony Classics) Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron. A young woman in the early 1960s gets swept up by the idea of becoming a nun and so enters a convent just at a time when sweeping changes were overtaking the Catholic Church. You can check out my review for the film here.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Universal Cineplex, Regal Winter Park Village, Rialto Spanish Springs

Rating: R (for language, some sexuality and nudity)

Roman J. Israel, Esq.

(Columbia) Denzel Washington, Colin Farrell, Carmen Ejogo, Tony Plana. A former activist turned lawyer finds himself confronted with a crisis of conscience. Passed by and struggling to survive, a series of events leads him to consider extreme action.

See the trailer, clips and an interview here.
For more on the movie this is the website

Release Formats: Standard
Genre: Legal Drama
Now Playing: Wide Release

Rating: PG-13 (for language and some violence)

Three Billboards Outside Ebbing, Missouri

(Fox Searchlight) Frances McDormand, Woody Harrelson, Sam Rockwell, Caleb Landry Jones. When the police fail to discover the identity of the killer of a young woman, the victim’s mother frustrated by the lack of progress puts up three billboards near her home castigating the authorities for their inability to solve the crime. Her actions sharply divide the community in this latest darkly comic drama from Irish director Martin McDonagh.

See the trailer, clips, interviews and a video feature here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for violence, language throughout, and some sexual references)

ALSO OPENING IN ORLANDO/DAYTONA:

Balakrishnudu
Mental Madhilo

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Abracadabra
The King’s Choice
Mental Madhilo

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Mental Madhilo

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Balakrishnudu
Faces Places
Hey, Pillagada
Mental Madhilo

SCHEDULED FOR REVIEW:

Coco
The Man Who Invented Christmas
Novitiate
Roman Israel, Esq.
Three Billboards Outside Ebbing, Missouri

Leatherheads


Even in 1925, "hi, mom" was a thing.

Even in 1925, “hi, mom” was a thing.

(2008) Comedy (Universal) George Clooney, Renee Zellweger, John Krasinski, Jonathan Pryce, Stephen Root, Jack Thompson, Max Casella, Wayne Duvall, Keith Loneker, Malcolm Goodwin, Matt Bushell, Tommy Hinkley, Tim Griffin, Robert Baker, Nick Paonessa, Randy Newman, Grant Heslov, Mike O’Malley, Heather Goldenhersh. Directed by George Clooney

The NFL is the most powerful sports league in the United States. The championship game, the Super Bowl, is one of the most-watched sporting events on planet Earth. The league makes billions in advertising and sponsorship revenue, broadcasting rights fees, game attendance and merchandising. Millions follow their teams week after week during the fall. But it wasn’t always that way.

Carter Rutherford (Krasinski) is on the top of the world. The star football player for the Princeton Tigers football team, he is matinee idol handsome, a war hero, admired by millions and blessed with a bright future ahead of him. Pro football? C’mon, it’s 1925! Pro football is for miners, farmers and lumberjacks, the pay is ridiculously low, there are no rules to speak of and the crowds are ghastly.

Dodge Connelly (Clooney) is at rock bottom. The star player for the Duluth Bulldogs pro football team is trying to hold together his club by the skin of his teeth. They have to forfeit a football game because the game ball – the only one the team has – is stolen. As much as he loves the game, Connelly knows the future is bleak. He’s no longer a young man, he has almost no skills to speak of and football is all he knows. To make matters worse, the Bulldogs main sponsor is pulling out, and the team is about to fold.

Lexie Littleton (Zellweger) is on the ladder to success. A brassy dame hustling, scratching and clawing to make her way as a reporter in a man’s world, she’s given a plum assignment by her editor (Thompson); a lieutenant (Casella) in Rutherford’s unit has stepped forward, claiming that his war record is false. Littleton is to get the confidence of Rutherford, build him up with a series of puff pieces and then when she gets the dirt, print the exclusive. If she does it, there’s an editorial position for her.

Connelly hits upon the bright idea of enticing Rutherford into pro football. In order to do it, he’s going to have to fast talk Rutherford’s agent/publicist CC Frazier (Pryce) into even considering pro football. When Dodge brashly guarantees ten grand per game, Frazier and Rutherford (mostly Rutherford who loves the game and wants to play past his college years) agree to join the Bulldogs. Littleton, smelling a fish story, decides to tag along.

At first, it looks like the most brilliant idea ever. Huge crowds show up to see the college star – even at Bulldog practices. The players begin to work harder to get into shape and Rutherford suggests some “effective” plays he used at Princeton. Of course, being a natural athlete better than most of the people playing the game doesn’t hurt and the Bulldogs begin to win. Connelly does his part by playing up the new guy and making sure he’s the one to score the touchdowns and that Rutherford gets all the glory. Dodge is far more interested in getting the girl, but when she discovers the truth, everything is at risk.

A nice period piece that captures the very early days of professional football nicely although I’m sure the NFL would take issue with some of the more, ahem, sordid aspects of the Duluth Bulldogs. Krasinski does some fine work as the ultra-preppy Carter “The Bullet” Rutherford. He was still best known for his work in The Office at the time (which was still on the air) and launches his film career with a completely different character than his Office work and does a great job in the process.

Clooney does his usual solid job; he seems to have an affinity for period pieces (O Brother Where Art Thou, Goodnight and Good Luck) and he plays a wise-cracking, hard-nosed Leatherhead well. Zellweger seems born to play the brassy, sassy dame with more than a little moxie. She looks right for the flapper era, and gets the cadences right.

Clooney captures the period nicely, with speakeasies and swell hotels. While the football sequences are mostly played for laughs rather than for any kind of authenticity, they are at least staged in an entertaining manner. Randy Newman’s score is reminiscent of his work in Ragtime and Parenthood; look for his cameo in one of the bar scenes.

I’m not sure whether Clooney intended an homage to screwball comedies or to actually make one; either way, it’s a bit light on jokes to match up to the better examples of the genre. The chemistry between Zellweger and Clooney isn’t as convincing as it could be.

Leatherheads is flawed, but generally entertaining. They try for the kind of screwball comedy that made things like His Girl Friday, Sullivan’s Travels and Adam’s Rib, but don’t quite get there. With a better script and better chemistry between the leads, this could have been a memorable movie, but it’s still worthwhile on several fronts – just not really anything you’d want to sing the praises of too loudly. Definitely worth the rental at least if you don’t have anything particularly pressing that you’d like to see. It’s not a complete waste of your time and money at least.

WHY RENT THIS: Nice era re-creation. Clooney and Krasinski do fine jobs.
WHY RENT SOMETHING ELSE: Fails at being a true screwball comedy. Chemistry between Clooney and Zellweger not quite there.
FAMILY MATTERS: There is a smattering of foul language.
TRIVIAL PURSUITS: Due to a dispute with the Writer’s Guild of America over credit on the script, George Clooney removed himself as a voting member of the Guild.
NOTABLE HOME VIDEO FEATURES: Infamous prankster Clooney is shown playing some memorable pranks on his unsuspecting cast and crew.
BOX OFFICE PERFORMANCE: $41.3M on a $58M production budget.
SITES TO SEE: Netflix, Amazon, iTunes, Flixster, Vudu
COMPARISON SHOPPING: Eight Men Out
FINAL RATING: 5/10
NEXT: Minions