(2008) Found Footage Horror (Screen Gems) Jennifer Carpenter, Jay Hernandez, Columbus Short, Greg Germann, Steve Harris, Dania Ramirez, Rade Sherbedgia, Jonathon Schaech. Directed by John Erick Dowdle
There is a certain horror of being trapped in an enclosed, locked space with flesh-eating lunatics. However, the possibility of becoming one yourself only heightens the terror.
Cub television reporter Angela Vidal (Carpenter) has a relatively soft assignment; to spend a shift with the night crew of a Los Angeles fire station. She flirts with the handsome paramedics Jake (Hernandez) and George (Schaech) and banters with her cameraman Scott (Harris). She goes with them on what appears to be a routine call; an elderly resident of an apartment complex has been injured and is acting erratically.
They go on the call only to find something extraordinary. The elderly resident is far from a helpless old lady; she attacks them with nails and teeth, seriously injuring one of the firefighters and killing a police officer. When they call for help, things get even weirder – the house is locked down by the CDC and anyone who tries to leave is shot, as in dead.
It turns out that there are more infected than just the old lady and soon the residents, including the landlord (Sherbedgia), a vet (White) and a badass (Short), are fighting for their lives and trying to find a way out – if there is one.
This is the remake of a Spanish film called [REC] and is similar to films like The Blair Witch Project and Cloverfield in that it is filmed with a single hand-held camera and purports to be “found footage,” raw footage of an actual event. The appeal of these to audiences is that they create a certain buzz and people are fascinated with the concept of footage of events that have been kept secret from them; the appeal to studios is that they’re incredibly cheap to produce and can be extremely profitable.
Dowdle, who did a similarly-themed film in The Poughkeepsie Journal, does a great job in making the tension high throughout the film, basically from the time they arrive at the apartment complex. The issue is that if you watch [REC] as I did you will see that the movie is virtually a shot by shot remake in most of the important aspects. Many of the best parts of Quarantine were lifted whole cloth from [REC]. I would have liked to have seen a little more creativity on that score.
Of course, it can be argued that this just shows the good taste of the filmmaker and I can’t argue that. I will also grant you that the changes that Dowdle did make were all improvements, without exception. The main problem with the film is that other than Schaech and Hernandez, the cast is pretty bland. Carpenter, who was excellent as the sister in “Dexter,” is miscast as the reporter. She doesn’t have the vanity or the look of a local television reporter; she is more tomboyish. The role requires her to become terrified to the point of panic and she’s never really convincing in that light. That may be a little bit of “Dexter” holdover; I will willingly cop to that.
Still, this is a nice example of a found footage horror film. It’s a little more slickly made than [REC] but to be honest, I liked the Spanish film better (the cast was far more convincing although the explanation in that film for the events bordered on the ridiculous) and would recommend that above this one; however it’s a given that it’s much more difficult to find so if all you can locate is this one, you won’t be disappointed.
WHY RENT THIS: Tension is nicely executed here. Horrific images are over-the-top and well done.
WHY RENT SOMETHING ELSE: A nearly shot-for-shot remake of [REC]. Although Schaech and Hernandez make fine firefighters, the rest of the cast is mostly forgettable.
FAMILY VALUES: Extreme violence and gore, along with a good deal of profanity. There’s also an extremely tense and terrifying atmosphere that may be too intense for the impressionable.
TRIVIAL PURSUIT: There is no musical score in the movie, highly unusual for a Hollywood film.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $41.3M on a $12M production budget; the movie was a hit.
FINAL RATING: 5/10
TOMORROW: Treeless Mountain