(2002) Crime Thriller (Tartan) Jin-hee Ji, Jung-ah Yum, Ji-ru Sung, Seung-woo Cho, Woong-ki Min, Yong-soo Park, Hyuk Poong Kwon, Eol Lee, In-kwon Kim, Kil-soo Park, Sun-kyung Kim, Bu-seon Kim, Roe-ha Kim, Seon-mi Yeon. Directed by Jong-Hyuk Lee
We assume we have control over the things we do. The truth is that our actions are programmed just as surely as any computer – programmed by our environment, by our upbringing, by our own nature. Changing the programming can be an arduous task – or a terribly simple thing.
When a serial killer named Shin Hyun (Cho) turned himself in after brutalizing and murdering six women, all of South Korea breathes a sigh of relief, particularly after the monster is put behind bars where he belongs. But ten months later, when copycat killings begin to appear in Seoul, Police detective Kang (Ji) is assigned the case with his partner Kim (Yum).
Working from clues left at the scenes of the first two crimes, the two detectives determine a suspect and stake out his home. Unfortunately, the killer realizes he’s being watched and attempts to flee into a nearby nightclub. After killing a third woman – exactly the way Shin Hyun had murdered his third victim – Kang shoots the killer and puts him into a coma.
That doesn’t stop the copycat killings. Two more murders are committed and this time they are captured but claim to have no memory of the crimes. Detective Kang determines that they had availed themselves of the services of Dr. Chu (S.K. Kim), a hypnotherapist. An interview with her will send Kang on the road to a confrontation that has been building his entire life and turn this case on its ear.
Director Lee – who also helmed the Bizarro Western The Good The Bad The Weird was clearly influenced by David Fincher’s Se7en. This is part police procedural, part thriller and part slasher flick. Some of the killings are fairly disturbing and while there isn’t a ton of gore, there are some nightmare-inducing images the squeamish may want to turn away from.
Ji makes for a classic anti-hero, a rumpled detective burdened by the sins of others having seen humanity’s worst side, and the weight of his past heavy on his soul. He is a tough customer but his eyes reflect a weary vulnerability. It’s a terrific performance that transcends language.
Lee keeps the tension at a comfortably high level, allowing brief breaks but never for long. While the movie’s ending was a bit of a cop-out, while getting there you’re never quite sure who can be trusted and what the motivations of anybody are. While the movie’s main conceit is not necessarily uncommon, it’s not been utilized in quite this fashion.
This is yet further proof that some of the best filmmaking in the whole world is going on right now in South Korea. Although this film is over a decade old, it carries with it many of the traits that make Korean cinema great – a willingness to tackle subjects that we would consider taboo, an unflinching eye on violence and suffering and acting performances that are generally more modulated than those in other Asian nations. For those looking for a terrific edge-of-your-seat thriller that you haven’t seen before, this is one that should go on your short list.
WHY RENT THIS: Tense and intense. Reminds me of the movie Se7en.
WHY RENT SOMETHING ELSE: Reminds me too much of the movie Se7en. Twist ending a bit of a no-brainer.
FAMILY VALUES: There’s some fairly severe violence and adult themes.
TRIVIAL PURSUIT: The film was remade in 2009 as the Indian film Amaravathi.
NOTABLE HOME VIDEO EXTRAS: None listed.
BOX OFFICE PERFORMANCE: Not available.
COMPARISON SHOPPING: I Saw the Devil
FINAL RATING: 7.5/10
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