Pulp Fiction


Someone is going to get a cap in their ass.

Someone is going to get a cap in their ass.

(1994) B-Movie Noir (Miramax) John Travolta, Bruce Willis, Samuel L. Jackson, Uma Thurman, Ving Rhames, Tim Roth, Eric Stoltz, Amanda Plummer, Harvey Keitel, Christopher Walken, Steve Buscemi, Quentin Tarantino, Julia Sweeney, Phil LaMarr, Frank Whaley, Burr Steers, Rosanna Arquette, Bronagh Gallagher, Duane Whitaker, Peter Greene, Stephen Hibbert, Kathy Griffin, Maria de Madeiros. Directed by Quentin Tarantino

Some movies become classics because they define an entire genre; others because they define a region. Many become classics because they define the person who made it – and Pulp Fiction does. But what sets it apart from other movies is that Pulp Fiction has come to define cool.

Pulp Fiction is ranked high on a lot of people’s lists of all-time favorite or significant (or both) films, critics and film buffs alike. Tarantino had already been receiving notice for his previous films True Romance and Reservoir Dogs but to most people, this is his artistic nadir. It would provide a serious career renaissance for Travolta and a boost for Willis, while Jackson would really hit the public radar with his incendiary performance here.

Tarantino skillfully weaves three stories – one of two career killers, Vincent Vega (Travolta) and Jules Winnfield (Jackson) having a particularly bad day, a second about a prize fighter named Butch Coolidge (Willis) who fails to throw a prize fight and runs afoul of gangster Marcellus Wallace (Rhames) who also happens to be the employer of Messrs. Vega and Winnfield. Finally a third story involves Vincent’s ill-advised assignment to take out Marcellus’ wife Mia (Thurman) out for dinner and dancing. He takes her out to Jack Rabbit Slim’s, a restaurant that never existed but OMG it should have. There, waiters dressed like Hollywood stars of the 50s and 60s serve burgers, shakes and steaks to customers seated in classic cars. Slot car racers ring the room and periodic twist contests and other entertainment keep the joint hopping.

My personal favorite sequence is when Vincent and Jules head to a suburban home of mutual friend Jimmie Dimmick (Tarantino) after one of the messiest accidents you’ll ever see on film. They are forced to call The Wolf (Keitel), a fixer who specializes in clean-ups. There is a whole lot of dark humor in the scene and I always look forward to it whenever I view the movie which is pretty regularly.

Tarantino has always been a skillful writer of dialogue and he writes some of the best I’ve ever heard here. Much of it has become classic; Vincent’s laconic assertion that in France, a Quarter Pounder with cheese is called a Royale with cheese, or Jules’ Biblical oration when he’s about to shoot someone in the face and who can forget Marcellus Wallace promising that he is “going to get medieval on yo ass” to a  It is also the kind of film where bad things happen to just about everyone.

The movie combines all sorts of different genres, from black comedies to thrillers, from mob movies to fight flicks. Pulp Fiction is B-Movie noir, a tribute to the movies that weren’t so respectable but are the movies that we tend to remember even more than the high-falluting Oscar winners. These are the movies that we are raised on, the movies that make us feel just a little bit like badasses. These are the movies that appeal to the devils of our better nature, and Pulp Fiction is everything about these movies that makes them great.

WHY RENT THIS: A true classic with some of the best dialogue ever written. Terrific performances by Travolta, Jackson, Thurman and Keitel.  Awesome soundtrack.

WHY RENT SOMETHING ELSE: May be filled with a few too many pop culture references.

FAMILY VALUES:  All sorts of violence and drug use as well as a ton of foul language.

TRIVIAL PURSUIT: Travolta and Thurman copied their twist sequence at Jack Rabbit Slim’s virtually move for move from a similar dance sequence in Fellini’s 8 1/2 by Barbara Steele and Mario Pisu.

NOTABLE HOME VIDEO EXTRAS: The Collector’s Edition DVD includes a feature from Siskel & Ebert At the Movies on Tarantino and his generation of filmmakers, Tarantino’s acceptance speech when the film won the Palm d’Or at the Cannes Film Festival, an interview of Tarantino by Charlie Rose and a menu from Jack Rabbit Slim’s. The Blu-Ray has all of these other than the menu.

BOX OFFICE PERFORMANCE: $213.9M on an $8M production budget.

COMPARISON SHOPPING: Reservoir Dogs

FINAL RATING: 10/10

NEXT: The World is Not Enough

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Monsters University


Mike Wazowski gets an eyeful.

Mike Wazowski gets an eyeful.

(2012) Animated Feature (Disney*Pixar) Starring the voices of Billy Crystal, John Goodman, Nathan Fillion, Helen Mirren, Steve Buscemi, Peter Sohn, Joel Murray, Sean Hayes, Dave Foley, Charlie Day, Alfred Molina, Tyler Labine, Aubrey Plaza, Bobby Moynihan, Julia Sweeney, Bonnie Hunt, John Krasinski, Bill Hader, John Ratzenberger, Frank Oz, Lori Alan. Directed by Dan Scanlon

College is a nifty place. While we’re there, we’re kind of in a neither-nor phase of life – our responsibilities are few but we get to hang out, goof off and drink beer at fairly unreasonable rates. Of course, we’re supposedly learning things as well but college often teaches us more about life than about the vocation we’re about to embark on.

Mike Wazowski (Crystal) has dreamed of being a scarer ever since he was a little eyeball. Now he’s a teenage eyeball with one eye on his future and one eye on his dreams which can be complicated when you only have one eye. Oh, in case you didn’t see Monsters Inc. which is the movie this is a prequel to, scarers are monsters who enter dimensional doorways into the rooms of children in the human world. Said monsters scare the little vermin into screaming and those screams are used to power the monster world. I say little vermin for a reason; to monsters, human children are toxic and to be avoided at all costs.

His roommate is James P. Sullivan (Goodman), an eight-feet tall furry blue Bigfoot who comes from a long line of scarers and as a legacy at Monsters University expects to sail through – he shows up at class without book, pen or paper. He is immediately snatched by the high and mighty ROR fraternity whose preppy devil of a leader, Johnny Worthington (Fillion) sees a kindred spirit in Sully.

Overseeing all of this is Dean Hardscrabble (Mirren), a kind of cross between a dragon, a centipede, a scorpion and the demon of Bald Mountain with a patrician British accent. She herself is an ex-record breaking scarer and started a Greek games kind of competition to discover the best scarer on campus.

Mike and Sully take to each other like Mariah Carey and Nikki Minaj, only more civilized. A rivalry forms between Mike, who is brilliant and hardworking but has no natural scariness, and Sully who has all the tools he needs but none of the drive or the work ethic. When their shenanigans get them expelled from the Scarer Program at MU, they realize that the only way back into the program is to win the Scare Games and in order to do that, they’ll have to join a frat. The only one that will have them are the misfits of Oozma Kappa, led by Squishy (Sohn) mainly because the frat house is his mom’s house; new student Don (Murray), an old school car salesman who after being laid off returns to college to get a better education and better life prospects, Art (Day) who looks a little bit like an I-Beam with legs and finally Terry (Foley) and Terri (Hayes), a two headed monster one of whom is a dance major and the other one isn’t. Leading these misfits to the title is going to involve making a team out of them but how can they when both Mike and Sully are way too involved in their own selves to create a team out of individuals?

First, this isn’t as good as Monsters Inc. although it really doesn’t need to be – in my opinion that is one of the best movies to come out of Pixar ever and it really never got the respect it deserves. This isn’t on that level but the good news is that it doesn’t need to be. This is a solidly entertaining effort with plenty of great visual gags and as is usually the case with Pixar movies, enough detail that the movie can be watched a whole lot of times without getting tired – while discovering something new each time you watch it.

Part of the secret to the first film’s success (and this one’s as well) is the chemistry between Crystal and Goodman. They make an excellent yin and yang and banter like they’ve been doing it forever which they kind of have. Both are naturally funny guys with Crystal the manic Borscht belt guy and Goodman the easygoing jock who throws off an occasional killer one-liner when you least expect it.

I have to say I’m not sure it was a good idea to do a prequel; I think that seeing the monster world after the events of Monsters Inc. would have made a far more interesting movie than this one was; the hoary old cliché of best friends starting off as worst enemies (and vice versa in the case of Randall Boggs, the chameleon-like creature voiced by Buscemi) – is there anyone in your life that you started out hating but then wound up as best buddies? Do you know anybody who has a friendship like that?

As their impressive weekend box office figures showed, a lot of families were just waiting on this film to come out and it’s likely to have a pretty strong two week run before Despicable Me opens up over the Independence Day holiday weekend. There has been a dearth of family films this year and it’s about time there was something moms and dads could go see with their kids to get out of the summer heat. Do be aware however that some of the littler kids in the screening at Downtown Disney that we attended had some problems with a couple of the scarier aspects of the monsters (Sully’s roar for example) and while most of the monsters are of the cute ‘n’ cuddly variety, if your child is extremely sensitive you might want to take that into account before going. After all, you can always get the Blu-Ray and let your progeny see the movie after they’re a little older. In any case, I think this is pretty much ideal summertime family entertainment so get your little rug rats dressed up and load up the station wag…err, minivan…and head out to the multiplex if you haven’t already. And maybe again if you already have.

REASONS TO GO: It’s Pixar – even their worst films are better than most animated features.

REASONS TO STAY: May disappoint those looking for something as good as Monsters Inc.

FAMILY VALUES:  Suitable for all audiences.

TRIVIAL PURSUIT: The Pizza Planet truck can be found parked outside the ROR frat house during the party (it has appeared in every Pixar film since Toy Story). Also, the Professor Knights’ scarer 101 course takes place in room A113, a reference to the room at CalArts where animation is taught and another item that appears in every Pixar film

CRITICAL MASS: As of 6/27/13: Rotten Tomatoes: 77% positive reviews. Metacritic: 64/100; solid reviews, the critics definitely liked it.

COMPARISON SHOPPING: Accepted

FINAL RATING: 6.5/10

NEXT: The Sixth Sense

New Releases for the Week of June 21, 2013


Monsters University

MONSTERS UNIVERSITY

(Disney/Pixar) Starring the voices of Billy Crystal, John Goodman, Steve Buscemi, Helen Mirren, Alfred Molina, Nathan Fillion, Julia Sweeney, Aubrey Plaza, John Krasinski. Directed by Dan Scanlon

A prequel to the “monster” (har de har har har) Pixar hit from 2001. Mike Wazowski and James P. Sullivan are wide-eyed, fuzzy-cheeked young men attending college at Monsters U. for their freshman year. Both have dreams of becoming scarers, but whereas Sully is a natural born scarer, Mike seems to be his own worst enemy. When their escalating rivalry gets them both kicked out of the program, they realize they’ll have to join forces in order to make things right.

See the trailer, promos, a interview and a clip here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Animated Feature

Rating: G

The Bling Ring

(A24) Emma Watson, Leslie Mann, Tarissa Farmiga, Claire Julien. Based on actual events, a group of fame-obsessed Los Angeles teens start cyber-stalking various celebrities and eventually, break into their homes and steal their stuff. At first something of a lark, it grows into something larger and darker. Oscar-nominated director Sophia Coppola is in the big chair.

See the trailer, a featurette and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Crime

Rating: R (for teen drug and alcohol use, and for language including some brief sexual references) 

The Kings of Summer

(CBS) Nick Offerman, Alison Brie, Mary Lynn Rajskub, Megan Mullally. A trio of disenchanted teens, tired of living with the parents, decide to declare their independence, building their own domicile in the nearby woods and swearing to live off the land. Of course, we all know how well that’s going to work – they’re teenage boys after all.

See the trailer and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language and some drinking)

Much Ado About Nothing

(Roadside Attractions) Amy Acker, Alexis Denisof, Nathan Fillion, Clark Gregg. Shakespeare’s classic romance about the two unlikeliest of lovers who are thrust into the bowels of romance due to the machinations of their friends. Adapted and directed by Joss Wheden, last scene directing Earth’s Mightiest Heroes which is sure to bring out an audience of jaded hipsters. You’ve been warned.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: PG-13 (for some sexuality and brief drug use) 

Raanjhanna

(Eros) Dhanush, Sonam Kapoor, Abhay Deol, Swara Bhaskar. A young man grows from childhood to adulthood in love with a young woman who is a complete mystery to him. As he grows into adulthood, his life will be complicated by her in ways he couldn’t predict.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

World War Z

(Paramount) Brad Pitt, Mireille Enos, Matthew Fox, David Morse. As a pandemic turns the world’s population into zombies, a United Nations employee goes around the world in a race against time to find out the source of the plague before the zombie apocalypse goes from popular bar conversation to disturbing reality.

See the trailer, a clip and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror Action

Rating: PG-13 (for intense frightening zombie sequences, violence and disturbing images)