Why Him?


Talk about a generation gap...

Talk about a generation gap…

(2016) Comedy (20th Century Fox) Bryan Cranston, James Franco, Zoey Deutch, Megan Mullally, Cedric the Entertainer, Keegan-Michael Key, Griffin Gluck, Zack Pearlman, Jee Young Han, Tangie Ambrose, Mary Pat Gleason, Kaley Cuoco (voice), Steve Aoki, Richard Blais, Elon Musk, Adam Devine, Gene Simmons, Paul Stanley, Andrew Rannells, Casey Wilson. Directed by John Hamburg

 

The father-daughter relationship is a very special one. A man’s daughter is always his princess; the light of his heart, the twinkle in his eye, she inevitably has him twisted around her little finger. It goes without saying that no man will ever be good enough for Daddy’s Little Princess.

Ned Fleming (Cranston) is by all appearances a successful guy. He’s a pillar of his Michigan community and runs a paper company that has been one of the most successful in the Midwest for years; he has put his daughter Stephanie (Deutch) through college at Stanford where she is nearing graduation and his life is generally going just swell.

His bubble is on the verge of bursting though; his company is in serious financial trouble and there isn’t much of a future for it anyway – paper is going the way of horse and buggy given that most communication is electronic these days. His wife Barb (Mullally) and son Scottie (Gluck) are mainly unaware of this. However, the biggest blow is that Stephanie has a boyfriend that they don’t know about and what’s worse they’ve been together for more than a year. This disturbs Ned who had always assumed that his daughter told him everything. It seems she has a whole lot of secrets that he isn’t aware of. With the holidays coming, Stephanie invites her family to spend them in Northern California.

Said boyfriend is Laird Mayhew (Franco) and rather than being a doe-eyed college boy he turns out to be a 30-something tech magnate who earned his billions developing videogames. With a chest full of tattoos and absolutely no filter, he is a bit of a handful and a lot for the conservative Fleming family to take in. Most parents would be overjoyed that their daughter had caught the eye of a billionaire and seemed to be very much in love with him besides but not Ned. He’s suspicious of Laird and is positive that he’s up to something and Laird, to be honest, is a fairly manipulative guy. His high-tech Palo Alto mansion is full to the brim with all sorts of gadgets and toys, including a Japanese toilet/bidet combination that doesn’t quite work right (and hilarity ensues), a Siri-like house computer whose voice is that of Kaley Cuoco from Big Bang Theory and who tends to get cranky from time to time (more hilarity ensues) and a brand new bowling alley that Laird installed because he heard that Ned loves to bowl. Midwestern, right?

There is also a stuffed moose preserved in an aquarium full of it’s own urine which you just know is going to get all over someone sooner or later (not a spoiler: it does) and a valet named Gustav (Key) who is about every Eastern European goofball that populated sitcoms and movie comedies in the 80s and 90s and who, like Kato in the Pink Panther movies, attacks Laird with martial arts without warning (although to be fair the movie does name drop the series for additional laughs).

Laird means to marry Stephanie and wants Ned’s blessing, a blessing that isn’t forthcoming. It’s Christmas though and miracles can happen – although it might take several miracles to make this happy ending come true. Stephanie tries to make her father see that beneath the cursing (Laird drops F bombs constantly, a product of having no filter) and the sometimes bizarre behavior Laird is really a very nice guy, but that will be a tough sell to a father who already thinks that no guy is good enough for his princess.

In many ways this movie perfectly illustrates the disconnect between Hollywood and Mid-America which in turn spotlights why Donald Trump won the 2016 Presidential election. Ned and Barb as well as son Scotty are portrayed as extremely naive particularly about pop culture sexuality, not knowing what either motorboating or bukake mean – not that those are common terms but certainly the way that it is portrayed here is that they’re the only ones not in on the joke and quite frankly it’s a bit cruel. The West Coast hip tech types, standing in for the elite liberal crowd, are condescending and a little put off by the squares. It may interest the left to know that there is Internet in the Midwest and most of the people living there are a lot savvier than given credit for.

Cranston and Franco are no strangers to each other and it shows here. The chemistry between them is letter perfect and both exhibit a lot of give and take in terms of who gets the laughs and who is the straight man. Both perform beyond what you’d expect for what is essentially a holiday comedy which often tend to be just paychecks for big name actors. Cranston and Franco earn both of theirs.

But all the good intentions and strong performances can’t save a script that has little bite and feels more like a sitcom than a big screen comedy. There are some really funny moments (like when Laird brings in Gene Simmons and Paul Stanley from KISS for Ned and Barb who are avowed members of the KISS Army) and a few cringe-worthy moments (the aforementioned moose piss gag) but by and large there’s nothing truly offensive here. Neither is there anything truly noteworthy either.

REASONS TO GO: Cranston is on point as always and he has some terrific chemistry with Franco.
REASONS TO STAY: The plot is a little heavy-handed and riddled with clichés.
FAMILY VALUES: There is a fair amount of foul language and some sexual innuendo throughout.
TRIVIAL PURSUIT: The Ape Assassins game that made Laird Mayhew famous is available for download on the iTunes App Store.
CRITICAL MASS: As of 1/30/17: Rotten Tomatoes: 39% positive reviews. Metacritic: 39/100.
COMPARISON SHOPPING: Father of the Bride (1991)
FINAL RATING: 6/10
NEXT: 13th

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Hop


Hop

When Willy Wonka sees this, he's going to be contacting his attorneys.

(2011) Fantasy (Universal) James Marsden, Russell Brand (voice), Kaley Cuoco, Hugh Laurie (voice), Hank Azaria (voice), Gary Cole, Elizabeth Perkins, David Hasselhoff, Tiffany Espensen, Chelsea Handler, Hugh Hefner (voice), Coleton Ray. Directed by Tim Hill

While Hollywood has produced its share of Christmas movies, Easter movies have not been quite so plentiful. Perhaps because Christmas is all about birth and Easter is all about death; opposite ends of the life cycle. Indeed, Easter time seems to be a time where movies like The Ten Commandments have held sway.

However, here’s one about the Easter Bunny which fills in some of the mythology. The Easter Bunny (Laurie) is the latest of a 4,000 year line (I know, I know – the screenwriters are a little deficient on math) and is eager to pass on his Eternal Egg – a kind of scepter that I the key to the Easter Bunny’s magic – on to his son, E.B. (Brand).

The problem is, E.B. has dreams of his own – he wants to be a rock and roll star, a drummer to be exact (and we all know that nobody thumps like a rabbit). Of course Dad finds this out and gets into a row with his son, forcing E.B to travel by convenient interdimensional transportation tube from Easter Island to Hollywood.

There he runs into (literally) Fred O’Hare (Marsden), the ne’er do well 30ish son of Henry (Cole) and Bonnie (Perkins). Henry is very hard on his son, and the parent in me says with good reason as Fred is directionless, living at home and turning down job after job a “bad fits.” In the meantime his over-achieving sisters, Sam (Cuoco) – the older sister, and Alex (Espensen), the younger – have become the apple of their parent’s eyes, while their son is in danger of becoming a disappointment.

While Fred continues to find himself, E.B. manages to get himself an audition on a talent show hosted by the venerable David Hasselhoff (playing himself) and is finally on the road to fulfilling his dream. Unfortunately, Pink Ninjas – the personal guard of the Easter Bunny (why he would need one is anyone’s guess) – are after E.B. to haul him back home in time for the ceremony in which the mantle is passed from father to son and Fred continues to create a further rift in his family dynamic. In the meantime Carlos (Azaria), an oversized chick and the Easter Bunny’s #2 is plotting a coup. Fred and E.B. ultimately discover that they are good for one another and that destiny can sometimes be a good thing.

This is a mix of live action and CG animation, and of late that has been a very, very bad thing indeed (think Yogi Bear, Alvin and the Chipmunks and Garfield). For whatever reason, studios seem to think that these sorts of movies should be completely dumbed down for kids. Personally, I don’t get it – we give children these sophisticated and clever fully animated movies that both kids and their parents can enjoy but when it comes to live action it becomes an endless, tedious Nickelodeon original episode.

Marsden is horribly miscast here. Not only is he much too old for the role, you get the feeling that he’s taken Botox in order to keep the smile frozen on his face because, left to its own devices, that face would be left in a frown of disdainful disgust. From being Cyclops in the X-Men franchise to this? A very sad fate indeed.

The animated portion, provided by the same people who did Despicable Me is the movie’s highlight. Their Easter Island settings are magical in the same way Willie Wonka and the Chocolate Factory was decades ago. I could have spent a good long time exploring the candy factory of the Easter Bunny and do some taste testing of my own.

Unfortunately, that’s about it as far as reasons to see this go. The script is most decidedly unfunny, falling flat in nearly every attempt at humor and the story lacks tension. It just seems to meander a bit until coming to a painfully obvious conclusion.

There should be magic in a holiday movie and there just isn’t enough of it here. I think of something along the lines of The Polar Express when it comes to digitally enhanced holiday movies and Hop just doesn’t compare. You may wind up being dragged to a matinee for this movie this weekend. For once it will be the parents kicking and screaming when they are taken someplace they definitely don’t want to be.

REASONS TO GO: Some of the Easter Island backdrops are very nice.

REASONS TO STAY: Desperately unfunny, panders to the lowest common denominator, treats audiences like idiots – need I go on?

FAMILY VALUES: A bit of poo-poo humor here but nothing to get concerned over.

TRIVIAL PURSUIT: Emily Browning doesn’t have a line of dialogue (despite being the lead character) until nearly twenty minutes into the film.

HOME OR THEATER: Some of the digital imagery should be seen on a big screen and if you have little ones, you’re going to be dragged into the theater to see this anyway so might as well enjoy it.

FINAL RATING: 3/10

TOMORROW: Fanny, Annie and Danny

New Releases for the Week of April 1, 2011


 

 

April 1, 2011

Yes, this rabbit plays drums. No, it isn't Thumper!

HOP

(Universal) James Marsden, Russell Brand (voice), Kaley Cuoco, Hank Azaria, Gary Cole, Elizabeth Perkins, David Hasselhoff, Chelsea Handler, Hugh Laurie. Directed by Tim Hill

The teenage son of the Easter Bunny decides to take a powder for Hollywood rather than inherit the family business, as it were. While he wants nothing more than to be a drummer in a rock and roll band (which is proof of idiocy – who in their right minds wants to be the drummer?!?), he hooks up with a fellow slacker who accidentally hit him with his car. While his dad is out to retrieve his son and save Easter, teenager E.B. is “impressing” his new housemate by pooping jelly beans. You heard me right. The future of our species is now officially doomed.

See the trailer, interviews, featurettes, clips and promos here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Genre: Animated/Live Action Family Film

Rating: PG (for some mild rude humor)

Insidious

(FilmDistrict) Patrick Wilson, Rose Byrne, Lin Shaye, Barbara Hershey. When a family moves into a new home, their young son falls into a coma shortly thereafter and the house is found to be possessed by evil spirits. After they do some digging, they come to the horrific realization that it wasn’t their house that is haunted. From the filmmakers responsible for the Saw series as well as Paranormal Activity, this is the first release for this new distribution company.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: PG-13 (for thematic material, violence, terror and frightening images, and brief strong language)

Jane Eyre

(Focus) Mia Wasikowska, Michael Fassbender, Jamie Bell, Judi Dench. Once more Charlotte Bronte’s plucky heroine takes to the screen in search of the mysteries of Rochester, her employer and would-be love until the secrets of her past – and his present – collide in the kind of tragedy that makes bosoms swell and hearts weep.

See the trailer, clips, interviews and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Drama

Rating: R (for some thematic elements including a nude image and brief violent content)

The Last Lions

(National Geographic) Jeremy Irons. A lioness and her two cubs struggle to survive in Botswana’s Okavango Delta, one of the last remaining homes of lions in the wild. The struggle of these individual lions is used as a metaphor for the struggle of all lions who are in danger of disappearing completely from the wild, causing a massive ecological catastrophe that we may never be able to recover from.

See the trailer, clips and interviews here.

For more on the movie this is the website.

Release formats: Standard

Genre: Nature Documentary

Rating: PG (for some violent images involving animal life)

The Source Code

(Summit) Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright. A decorated soldier is transported into the body of a man during the last eight minutes of his life in order to discover who was responsible for planting the bomb that killed him and many others in order to stop him from planting the next one. However, nobody counted on the soldier falling in love with a woman who died in the explosion.

See the trailer, interviews, featurettes, promos and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Science Fiction

Rating: PG-13 (for some violence including disturbing images and for language)