Deadpool 2


Deadpool: Superhero in training.

(2018) Superhero (20th Century Fox/Marvel) Ryan Reynolds, Josh Brolin, Zazie Beetz, Morena Baccarin, Julian Dennison, T.J. Miller, Leslie Uggams, Karan Soni, Brianna Hildebrand, Jack Kesy, Eddie Marsan, Terry Crews, Bill Skarsgård, Brad Pitt, Lewis Tan, Rob Delany, Nikolai Witschl, Randal Reeder, Shioli Kutsuna, Stefan Kapicic, Matt Damon, Alan Tudyk. Directed by David Leitch

 

The Merc with a Mouth returns for a second go-round (third if you count the abortion that was X-Men Origins: Wolverine) in a movie that takes nothing seriously, least of all itself.

In this blockbuster sequel, a despondent Wade Wilson attempts to kill himself which turns out to be impossible. He finds a reason to live when he befriends a 14-year-old sexual abuse victim who calls himself Firefist (Dennison). The kid seeks revenge against the headmaster (Marsan) of an orphanage who has tortured and abused him. When you can shoot fireballs from your hands, revenge isn’t all that hard to come by.

Standing in the way is Cable (Brolin), a time-travelling cyborg who has come back in time to kill the boy. Apparently in the future, a grown up Firefist kills his family and scorches a whole lot of the Earth. To fight the nearly indestructible Cable, Deadpool recruits a superteam of his own although they turn out to be short-lived. Extremely although Domino (Beetz) whose superpower is crazy good luck survives – which is a good thing because she’s one of the best things about the movie.

Nonetheless, Deadpool hopes to reason with Firefist and get him not to turn to the dark side while Thanos…I mean Cable…thinks that the greater good will be served by ghosting a 14-year-old boy. I gotta admit, I was rooting for him to kill the boy at times.

Like the first film there are plenty of occasionally gruesome action sequences. Also like the first film there is an explosion of meta-based humor, poking fun of everything from comic book movies (duh) to Barbra Streisand (Brolin’s stepmother) to every action cliché ever to Les Miserables. There are plenty of brief cameos, some of them virtually unrecognizable.

In short, it’s a hoot and a half. The humor is hit and miss at times but hit more often than not. The movie feels a lot more cluttered than the first but it also has much more scope than the first. The action is an improvement and there’s even a little bit of pathos to mix things up a little bit. I don’t think those who loved the first one will feel any less love for the sequel and I’m pretty sure that most of us will be eager for the threequel. Maybe they can convince Hugh Jackman to show up for the third. That would give Reynolds a whole new opportunity to riff.

REASONS TO GO: Reynolds continues to make Wade/Deadpool a compelling character. There are lots of fun celebrity cameos and Easter eggs throughout.
REASONS TO STAY: The movie is a little bit more cluttered than the first.
FAMILY VALUES: There is plenty of violence – some of it extreme, gore, profanity and a brief scene of drug use.
TRIVIAL PURSUIT: Dennison, who was 15 when the movie was released, was legally unable to see it in his native New Zealand.
BEYOND THE THEATERS: Amazon, Fandango Now, Fios/Verizon, Google Play, iTunes, Microsoft, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 8/22/18: Rotten Tomatoes: 83% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: Super
FINAL RATING: 7.5/10
NEXT:
Blue Iguana

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Office Christmas Party


Party on!

Party on!

(2016) Holiday Comedy (Paramount) Jason Bateman, Olivia Munn, T.J. Miller, Jennifer Aniston, Kate MacKinnon, Courtney B. Vance, Jillian Bell, Rob Corddry, Vanessa Bayer, Randall Park, Sam Richardson, Karan Soni, Jamie Chung, Abbey Lee, Da’Vine Joy Randolph, Andrew Leeds, Oliver Cooper, Chloe Wepper, Matt Walsh, Ben Falcone, Adrian Martinez, Lynne Ashe. Directed by Josh Gordon and Will Speck

 

Holiday parties are a tradition for workers around the country. Some parties are staid and somewhat dull, others are raucous – generally in proportion to how much alcohol is consumed. Careers can be wiped out – or once in a great while – made by someone’s performance at an office Christmas party.

Josh Parker (Bateman) is the recently divorced head of I.T. at the Chicago branch office of Zenotek, a firm that manufactures data storage devices. The branch manager is Clay Vanstone (Miller), son of the founder. However Clay’s big sister Carol (Aniston) is the acting CEO who is engaging in cost-cutting measures to keep the bottom line looking sharp so the temporary position becomes permanent.

One way of cutting costs would be to close down the Chicago office which hasn’t been performing up to standards, which Carol has conveniently raised. Carol and Clay have had a sibling rivalry that goes back to childhood and Carol is taking absolute delight in shutting down Chicago, despite the fact that it was the office that their father ran. However, there is one glimmer of hope; there’s a multi-million dollar account that Clay and his IT team have been pursuing. If they can get Walter Davis (Vance), a representative of that company, to sign on the dotted line the Chicago office and all the jobs there will be saved.

Unfortunately, Walter is looking at other options and in a last-ditch effort he is invited by Clay to the office Christmas party that night, one which Carol has already canceled. However the thought is if they can show Walter a good time, he might be impressed enough with the corporate culture of Zenotek to go with them instead.

Therefore, Clay prepares for the party of the century with an ungodly amount of alcohol, a living nativity scene, an ice luge, a DJ straight out of 1997 and enough oversexed techies to fill up a bad porn film. Paranoid tech whiz Tracey (Munn) may have a program that might bring the company to the next level – assuming she gets the self-confidence to finish it – hooks up with Josh, while Nate (Soni) hires a prostitute (Lee) to pose as a supermodel girlfriend he’s been bragging about. Mary (MacKinnon) is the uptight H.R. rep who may be the party pooper – or the life of the party. And it looks like they have a real shot at getting Walter Davis to get on the right page. Still, it will take a Christmas miracle to keep the doors open in the Chicago branch.

This is essentially a raunchy ensemble sex comedy revolving around a party as the crux of the film and let’s face it; this is neither a new idea nor an uncommon one. Generally there are a couple of movies with this basic plot released every year – this one having a holiday theme to differentiate it (most of these sorts of films are set at high school graduation parties). This has a better-than-average cast which helps elevate the film above the B-movie these types of films tend to be.

Most of these types of movies can’t boast the likes of Bateman, one of the most likable actors in Hollywood. Nor can they boast the likes of Aniston, who is as versatile an actress as there is working today. With a cast that includes Miller, MacKinnon, Bell, Corddry and Park – some of the funniest comic actors in America – there is plenty of potential here and certainly from time to time the movie lives up to it.

But then again, the movie has a very pedestrian, predictable plot that leaves you feeling like somebody took a rough outline of elements cribbed from other movies and then stuck the actors in to ad-lib their own lines. That can work under the right circumstances but not here, sadly. It feels a bit tired overall, like something one has experienced time and time again without much variation. The jokes are fairly predictable and like a lot of comedies these days, thinks the farther that the raunchiness is pushed the funnier the film. I’m no prude but I need a little bit more than crude visual jokes to hit my guffaw button.

This isn’t a bad movie by any stretch, but it isn’t a particularly good movie. It’s just kinda there, and if that’s all you need, this will fit the bill. If you’re looking for something a little more daring, a little more outrageous, keep looking.

REASONS TO GO: There’s nothing particularly off-putting here.
REASONS TO STAY: There’s nothing particularly noteworthy here.
FAMILY VALUES:  Lots of sexual humor, nudity, profanity, drug use and adult themes.
TRIVIAL PURSUIT:  This is the fifth film to star both Jason Bateman and Jennifer Aniston.
CRITICAL MASS: As of 12/26/16: Rotten Tomatoes: 43% positive reviews. Metacritic: 42/100.
COMPARISON SHOPPING: Project X
FINAL RATING: 5/10
NEXT: Into the Inferno