Logan Lucky


Logan Lucky gives you the most Joe Bang for your buck.

(2017) Heist Comedy (Bleecker Street) Channing Tatum, Adam Driver, Riley Keough, Katie Holmes, Daniel Craig, David Denman, Farrah Mackenzie, Seth MacFarlane, Charles Halford, Hilary Swank, Brian Gleeson, Jack Quaid, Katherine Waterston, Dwight Yoakam, Sebastian Stan, Darrell Waltrip, Jeff Gordon, LeAnn Rimes, Macon Blair, Ann Mahoney. Directed by Steven Soderbergh

 

When Steven Soderbergh announced he was retiring from directing Side Effects in 2012, a lot of film buffs – this one included – were disappointed. Soderbergh had been for more than 20 years one of the most fascinating and interesting directors ever since emerging from the indie ranks. He’d directed huge blockbusters and small intimated films but the time had come for him to hang it all up.

Thankfully, he couldn’t stay away for very long and his retirement only lasted five years. He’s back with this stupid entertaining film that can best be described as Elmore Leonard by way of The Dukes of Hazzard or the unholy lovechild of Oceans 11 and Talladega Nights.

Jimmy Logan (Tatum) is a former football star whose NFL dreams were derailed by a knee injury. Since then, he’s worked whatever jobs he could find, be them in the mines of West Virginia or a construction gig in North Carolina. Through it all he makes the time to be a dad to Sadie (Mackenzie) who lives with her mom Bobbie Jo (Holmes) and her new husband Moody (Denman).

The Logan clan has always been the poster children for the adage “If it wasn’t for bad luck they wouldn’t have any luck at all.” Jimmy’s bum knee comes to the attention of the insurance company who deem it a pre-existing condition and the construction company that Jimmy is working for in the bowels of the Charlotte Motor Speedway has to let him go. To make matters worse, it turns out that Moody is opening up a new car dealership in a distant part of West Virginia and Jimmy is likely not going to see his daughter hardly at all. Moving to be close to his little girl is something he simply can’t afford.

So he decides that he is going to have to finance his life the old-fashioned way – by stealing, and he has a whopper of a plan. He’s going to rob the Charlotte Motor Speedway during a car show when the attendance is low and security is lax. Jimmy can’t do the job by himself so he enlists his war veteran brother Clyde (Driver) who lost his arm in Iraq, and his hairdresser sister Mellie (Keough).

Even that won’t be enough however; he needs a demolition expert and there are none better at it than Joe Bang (Craig). Unfortunately, Joe has had a disagreement with the law and is currently in residence at the West Virginia state penitentiary.. Jimmy and Clyde are going to have to break out Joe so his absence isn’t noticed and sneak him back in so that it’s like he was never gone. Why not just stay out? Because he’s close to his parole date and he doesn’t want to mess it up. Jimmy’s got a plan for that too, however.

Heist movies, when done properly are maybe the most entertaining of all movie genres. Fortunately, this one is done properly. It has a large cast but not too large; it’s got some fairly impressive names in it and a director who knows how to make use of them. The writing is taut and smart and even though much of the dialogue is delivered in thick Mountaineer State accents the pacing moves at lightning speed. There is literally never a dull moment in this film.

I have to admit that early on in Tatum’s career I was not a fan. I’m happy to say that I am now however. He has worked hard and improved almost with every movie; he has learned to improve where he can and on those things he hasn’t improved upon (yet) he makes sure he chooses roles that don’t accentuate his flaws. He has enough onscreen charm to make Leona Helmsley smile through a toothache and of course just about any lady (and quite a few men) will tell you that he’s not so hard on the eyes.

Daniel Craig is a revelation here. Generally he plays tightly wound characters but here he seems to let absolutely loose and have more fun than I’ve ever seen him have with a character, well, ever. With his bottle blonde spiky hair and cornpone accent so thick that it might have been laid on with a trowel, he inhabits the character without fear or inhibition. I would be happy to see a Joe Bang spin-off movie.

Soderbergh excels at these sorts of movies. His Oceans series is proof of that but he knows how to pace a movie to leave the audience breathless. This is about as high-octane as a NASCAR race and the viewer never has to wonder for a moment what’s going to happen next because Soderbergh wastes not a moment in this film. He also infuses it with a jet-propelled soundtrack of roots rock, country and high-octane rockers that hit the audience like a dose of jet fuel.

Now those of a Southern rural background might take offense to this and I can’t say as I blame them. The movie really plays to Hollywood stereotypes as the Southern rubes that are street-clever and get one over on the city slickers It is this kind of disparagement that drove many West Virginians to vote for Trump. Maybe that’s something liberal filmmakers should take a look at objectively.

As it is this is as fun a movie as I’ve seen this summer and after a season of bloated blockbusters and over-hyped disappointments it’s a pleasure to just sit back and enjoy a movie that you don’t have to think about but just have fun with. This has the makings of a sleeper hit if it gets marketed right; sadly, that doesn’t appear to have been the case. A lot of moviegoers don’t know much about this movie whose trailer wasn’t much seen in theaters or on television. Hopefully enough will catch on that this is a fun movie that is everything that a summer movie should be. That should be enough to call an audience out of the heat and into the multiplex.

REASONS TO GO: This is the kind of material that is right in Soderbergh’s wheelhouse.  The film is blessed with clever writing and a terrific soundtrack.
REASONS TO STAY: Rural Southerners might find the stereotypes offensive.
FAMILY VALUES: There are some crude comments as well as a smattering of profanity.
TRIVIAL PURSUIT: Tatum and Keough both co-starred in Magic Mike, also directed by Soderbergh.
CRITICAL MASS: As of 8/18/17: Rotten Tomatoes: 93% positive reviews. Metacritic: 78/100.
COMPARISON SHOPPING: Baby Driver
FINAL RATING: 7.5/10
NEXT: Sidemen: Long Road to Glory

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Alien: Covenant


Speaking of illegal aliens….

(2017) Sci-Fi Horror (20th Century Fox) Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demian Bichir, Carmen Ejogo, Jussie Smollett, Callie Hernandez, Amy Seimetz, Nathaniel Dean, Alexander England, Benjamin Rigby, Uli Latukefu, Tess Haubrich, Lorelei King (voice), Goran D. Kleut, Andrew Crawford, Javier Botet, James Franco, Guy Pearce, Noomi Rapace. Directed by Ridley Scott

 

Back in 1979, movie posters and trailers proclaimed that “In space no-one can hear you scream” and a classic of science fiction was born, one that changed the entire genre. Alien still reverberates as one of the most influential sci-fi movies of all time.

In this sequel to Prometheus a colony ship called the Covenant suffers a fire that sweeps through the colonist sleep chambers killing the captain (Franco). Taking over is Orem (Crudup), a religious sort who is a bit on the indecisive side. Despite the objections of the Captain’s widow and second officer Daniels (Waterston), the new captain decides to take the crippled Covenant to a planet from which a distress signal is coming – one that incongruously takes the form of John Denver’s “Country Roads.”

Orem takes a team including their android Walter (Fassbender) who is of a similar model to David from Prometheus and Tennessee (McBride), Lope (Bichir) and Karine (Ejogo). They find a beautiful paradise with a disturbing apparent lack of animal and insect life but there are strange alien spores that once they get into a human system hatch nasty little alien neomorphs – a colony of which soon makes their presence known. The neomorphs seem to be not unlike velociraptors only angrier.

Taking refuge in an abandoned city, they discover to their surprise David, the last survivor of the Prometheus incident and David has plans – plans that aren’t going to be so good for the surviving members of the reconnaissance mission.

The big knock against the movie has been that the plot is too close to the first movie but I don’t necessarily think that’s a bad thing. If you’re going to take your plot from a movie, you could do a lot worse. There are some other things that I have issues with but more on that later.

Fassbender has the dual role of the innocent Walter and the devious David and he plays both quite well. Through the magic of CGI the two Fassbenders interact and even kiss – a homoerotic moment that nobody had ever even conceived before although it may well have been simply irresistible to an actor’s ego to seduce himself.

McBride, not one of my favorite actors to date, delivers his best performance ever and shows some real screen charisma that I hadn’t seen in him before but now that I think about it, I think he always had but just hadn’t found the right cinematic vehicle for it. I hope this leads to some new sorts of roles for McBride in the near future.

Scott, now pushing 80, still can direct an action sequence like few others in cinematic history. There’s a battle between Daniels and a xenomorph on a loader ship that really ranks up there among the best in the franchise history and certainly one of the best this year. Waterston is not really known as an action actress but she definitely channels Sigourney Weaver in that sequence and others throughout the film.

Some of the CGI looked unfinished as if the effects houses ran out of time before the deadline and the producers just plugged in what they had. That was a little distressing particularly since Scott has shown comfort with CGI going back to Gladiator and used it well in Prometheus and The Martian as well.

My main issue here is the script. It’s a bit convoluted and at times long-winded. There are also way too many characters here, most of which exist to get picked off by the alien. That gives the movie a bit of a slasher mentality despite the trappings of a fairly intellectual science fiction epic. They may as well have named all of the characters save Fassbender and Waterston “Lieutenant Deadmeat” although I will say not all of them meet a grisly end at the hand of the creature.

Scott has hinted that there will be another prequel (and possibly two) that will tie directly to the first film. At one time that would be exciting news but frankly the franchise feels a little tired here. It could be that the director has wisely figured out that the xenomorph has essentially run its course (his original idea was to steer the series off in a different direction but the studio wouldn’t allow it) but it also could be that Scott needs to pass the torch to someone who could revitalize the series much like James Cameron did with Aliens. I certainly wouldn’t object.

REASONS TO GO: The loader fight sequence is spectacular and the action sequences are well-done overall. Fassbender delivers a fine dual performance and McBride is impressive.
REASONS TO STAY: The story is convoluted and overpopulated with unnecessary characters. Some of the CGI wasn’t up to the standards of the other films.
FAMILY VALUES: There is a good deal of violence and gore, profanity and some sexuality and nudity.
TRIVIAL PURSUIT: This is the first Alien film to be released after the death of H.R. Giger who designed the original alien xenomorph.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 8/16/17: Rotten Tomatoes: 71% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: Alien3
FINAL RATING: 6/10
NEXT: Logan Lucky

New Releases for the Week of May 19, 2017


ALIEN COVENANT

(20th Century Fox) Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demian Bichir, Carmen Ejogo, Callie Hernandez. Directed by Ridley Scott

Ridley Scott returns to the Alien franchise with an all-new prequel to the original. A colony ship, the Covenant, is on its way to a planet across the galaxy and thought to be paradise. However when they arrive they find the planet strangely devoid of animal life and a previously unknown spaceship crash landed on the surface. As you can imagine, it doesn’t take long for them to realize that there is a life form on the planet, something entirely malevolent and that they will be in for the fight of their lives to escape.

See the trailer, clips, interviews, a promo, a prequel video and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: R (for sci-fi violence, bloody images, language and some sexuality/nudity)

Buster’s Mal Heart

(Well Go USA) Rami Malek, DJ Qualls, Lin Shaye, Kate Lyn Shell. A troubled man hides from the authorities in summer homes to avoid the cruel winters of Montana. Estranged from his family, his encounter with a conspiracy-obsessed drifter left him in a state of paranoia, preparing for an event known only as “The Inversion.” How much of his paranoia is real and how much is a product of his imagination is anyone’s guess. This played last month’s Florida Film Festival to much acclaim.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater

Rating: NR

Diary of a Wimpy Kid: The Long Haul

(20th Century Fox) Alicia Silverstone, Tom Everett Scott, Charlie Wright, Jason Drucker. The Hefley family takes a road trip. The world is disinterested.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family Comedy
Now Playing: Wide Release

Rating: PG (for some rude humor)

Everything, Everything

(Warner Brothers/MGM) Amandla Stenberg, Nick Robinson, Anika Noni Rose, Ana de la Reguera. A beautiful young girl with an auto-immune disorder has spent her entire life in a hermetically sealed home. The slightest contact with the outside world could prove fatal. Dreaming of one day seeing the ocean with her own eyes, she falls in love with the new boy next door. Together, the two scheme to risk everything for that one perfect day – that could cost them both everything.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Young Adult Romance
Now Playing: Wide Release

Rating: PG-13 (for thematic elements and brief sensuality)

Jeremiah Tower: The Last Magnificent

(The Orchard) Jeremiah Tower, Anthony Bourdain, Mario Batali, Martha Stewart. Tower is one of the most influential chefs of his time. Bourdain, a friend and admirer of Tower, produced this documentary which not only explores the life of the chef but also of the forces that shaped his culinary journey and not only  changed his life but also the way all of us see dining in general.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village

Rating: R (for language)

Fantastic Beasts and Where to Find Them


Newt Scamander is about to make the 20s roar.

Newt Scamander is about to make the 20s roar.

(2016) Fantasy (Warner Brothers) Eddie Redmayne, Katherine Waterston, Dan Fogler, Colin Farrell, Samantha Morton, Alison Sudol, Ezra Miller, Carmen Ejogo, Dan Hedaya, Jon Voight, Gemma Chan, Ron Perlman, Zoë Kravitz, Faith Wood-Blagrove, Jenn Murray, Peter Bretmeier, Kevin Guthrie, Ronan Raftery, Josh Cowdery, Ellie Haddington, Johnny Depp, Anne Wittman. Directed by David Yates

 

J.K. Rowling is a household name and for all the right reasons. A single mum living on the dole at one time, she wrote a fabulous book about a boy wizard named Harry Potter that while ostensibly for children was also well-written enough that adults got into it too. Seven books later, she was a billionaire and the wealthiest woman in Britain save for the Queen herself. Admirably, she gave much of her wealth away, returning it to the government whose assistance allowed her to survive while she wrote her books. Their investment in her paid off.

One of the textbooks that Harry Potter studied at Hogwart’s was Newt Scamander’s bestselling textbook Fantastic Beasts and Where to Find Them. He even had his own Chocolate Frog wizard card. So how did he get to be so famous?

Rowling – who wrote the script as the first of five movies – set this some seventy years before the Potter films and across an ocean. Scamander (Redmayne) arrives at Ellis Island in New York City in 1926 en route to Arizona. Newt is a magizoologist – an expert in magical creatures. He is carrying a ratty old suitcase with him, one with a latch that just won’t stay closed. Inside his TARDIS-like case is a whole ecology where specimens of the various creatures he has collected are residing. Some are being relocated to places where they have a better chance of surviving. None of them are allowed in the United States.

Rather than having a Ministry of Magic, the wizards in the New World are governed by the Magical Congress of the United States of America – MACUSA for short. They have recently emerged from a battle with the evil wizard Gellert Grindelwald (Depp) and they are a bit by-the-book these days. When Newt’s case is accidentally switched with the case of Jacob Kowalski (Fogler), an aspiring baker and No-Maj (the American equivalent of a muggle, or person without magical skills), chaos ensues as several creatures escape.

Demoted MACUSA agent Tina Goldstein (Waterston) arrests Newt for being an unregistered wizard but when the case he is carrying is revealed to have baked goods in it, he is released. Tina and Newt end up joining forces to re-capture the beasts with the assistance of Tina’s sister Queenie (Sudol) who has precognitive powers, and Jacob. However, with Chief Auror (magical investigator) Percival Graves (Farrell) hot on their trail, they need to find the creatures quickly.

But that’s not all that’s going on. A malevolent magical force has been wreaking havoc on the city and there is a society of No-Maj activists led by Mary Lou Barebone (Morton) and her abused son Credence (Miller) and daughters Chastity (Murray) and Modesty (Wood-Blagrove) are helping to create an atmosphere in which the magical community is feeling threatened. Keeping the existence of wizards and witches may no longer be possible when Newt’s beasts begin to make their presence felt.

This has been justifiably one of the most hyped movies of the year and certainly one of the most eagerly anticipated. Does it measure up with the Potter franchise? Well, yes and no. From a sheer spectacle standpoint, the beasts themselves are entirely magnificent. Yates has also created a very living and breathing jazz age New York City and in many ways that’s being overlooked by those praising (and a few damning) the film. The environments both magical and real are visually compelling and inviting.

Part of the issue is that while millions are familiar with Hogwart’s and the world of Harry Potter, in essence Rowling is starting from scratch. The Wizarding World is distinct and different from the world being built in the Fantastic Beasts series. Sure, they name-check Albus Dumbledore (and he is due to appear in the second film of the series) and of course Scamander himself is name-checked in the very first Potter film but there is little overlap. Therefore there is a ton of exposition so the movie feels turgid at times.

Fogler as Jacob felt far more sympathetic and heroic to me than Redmayne did. Of course, Scamander is somewhat socially awkward and tends to isolate himself from people and wizards, being more comfortable around animals. Still, Redmayne is rather bland in his portrayal of the wizard and my attention is less on him than on Jacob who has no magical skills but has a ton of heart. His romance with Queenie is sweet and touching and the most emotional moment in the film belongs to Fogler and for my money, that is the moment that will stay with me from this particular movie.

While I’ve been perhaps a little overly critical of the movie, don’t think for a moment that this isn’t sheer entertainment. Yates is a veteran at creating magical spectacles and the movie retains the feel of the later-stage Potter films that Yates directed. Hopefully the succeeding movies won’t need to set up as much backstory and be able to just tell the story at hand.

REASONS TO GO: The fantastic beasts are enchanting as are the special effects. Fogler steals the show. The place and period is nicely captured.
REASONS TO STAY: Redmayne is actually rather vanilla here and doesn’t seem capable of bearing the weight of the franchise on his shoulders as Radcliffe did. There is a ton of exposition here which slows down the pacing.
FAMILY VALUES:  There is some violence of a fantasy nature.
TRIVIAL PURSUIT:  The grey and yellow scarf that Newt wears is a nod to his origins as a member of Hufflepuff house at Hogwart’s.
CRITICAL MASS: As of 12/20/16: Rotten Tomatoes: 74% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: The Spiderwick Chronicles
FINAL RATING: 7.5/10
NEXT: Loving

New Releases for the Week of November 18, 2016


Fantastic Beasts and Where to Find ThemFANTASTIC BEASTS AND WHERE TO FIND THEM

(Warner Brothers) Eddie Redmayne, Katherine Waterston, Colin Farrell, Ezra Miller, Ron Perlman, Jon Voight, Dan Fogler, Johnny Depp, Zoë Kravitz.  Directed by David Yates

Young magizoologist Newt Scamander is returning home to Hogwart’s after a global tour collecting and cataloging all manner of magical creatures but is stopping in New York City briefly before the final leg home. However, things go dreadfully wrong when a No-Maj (that’s the American term for Muggle) starts a chain reaction of events that leads to the escape of some of the creatures locked in Newt’s magic case which could lead to dire consequences for both the Wizarding and No-Maj worlds. This prequel to the Harry Potter series, penned by J.K. Rowling herself, is set in 1926.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Fantasy
Now Playing: Wide Release

Rating: PG-13 (for some fantasy action violence)

Billy Lynn’s Long Halftime Walk

(TriStar) Joe Alwyn, Kristen Stewart, Vin Diesel, Garrett Hedlund. A 19-year-old soldier becomes a hero after a harrowing battle in Iraq. Returned home for a victory tour, his story is told in flashbacks culminating in a spectacular halftime show at a Thanksgiving Day football game in which he and his fellow soldiers of the Bravo Company are meant to be an integral part. The movie has received some acclaim for the innovative filming techniques used by Oscar-winning director Ang Lee in immersing the viewer in the battle sequences like no other film before it.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: War Drama
Now Playing: Wide Release

Rating: R (for language throughout, some war violence, sexual content and brief drug use)

Bleed for This

(Open Road) Miles Teller, Aaron Eckhart, Katey Sagal, Ciarán Hinds. The pride of Providence, RI, boxer Vinnie “The Pazmanian Devil” Pazienza is on top of the world. He has just won the world championship and everything is going according to plan. Then, he is involved in a near-fatal car accident and ends up with a broken neck. Surgery that will guarantee that he’ll be able to walk again will end his boxing career so Vinnie elects to go without the surgery, although he could end up in a wheelchair. Told by everyone around him that he can’t do it, Pazienza is determined to go back into the ring – less than a year after the accident took him out of it. This is based on the inspiring true story of a boxer who didn’t have any quit in him.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Sports Drama
Now Playing: Wide Release

Rating: R (for language, sexuality/nudity and some accident images)

The Edge of Seventeen

(STX) Hailee Steinfeld, Woody Harrelson, Kyra Sedgwick, Blake Jenner. There’s nothing more awkward than high school, particularly when you aren’t one of the chosen few. However, when you’re golden boy older brother starts dating your best friend, awkward doesn’t even begin to describe it.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Wide Release

Rating: R (for sexual content, language and some drinking – all involving teens)

Gimme Danger

(Magnolia/Amazon) Iggy Pop, Ron Asheton, James Williamson, Scott Asheton. The story of Iggy Pop and the Stooges who came out of Ann Arbor, Michigan in the 1960s and essentially created punk rock a decade before its time, and kicked a hole in rock music during an era when anything and everything went from a musical standpoint. Acclaimed filmmaker Jim Jarmusch takes us through the career of the Stooges and their front man, Iggy Pop, who continues to make relevant music today.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater (Friday, Saturday and Sunday only)

Rating: R (for drug content and language)

Loving

(Focus) Joel Edgerton, Ruth Negga, Michael Shannon, Marton Csokas. The important story of Richard and Mildred Loving, an interracial couple in Virginia at a time when living as man and wife was restricted to one’s own race. The two spent nine years fighting the draconian laws that would keep them separated and took their fight all the way to the Supreme Court. The landmark decision made interracial marriage the law of the land.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for thematic elements)

The Take

(High Top/Focus) Idris Elba, Richard Madden, Charlotte Le Bon, Kelly Reilly. A pickpocket inadvertently foils the plans of a powerful but corrupt group in the French government to steal millions from French banks. He is set up to look like a terrorist and finds himself on the run. A rogue CIA agent realizes what’s happening and the two must join forces in order to take down the conspirators before they’re taken down themselves.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: AMC Loew’s Universal Cineplex, AMC Disney Springs

Rating: R (for violence, language and some nudity)

New Releases for the Week of October 23, 2015


Steve JobsSTEVE JOBS

(Universal) Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels, Michael Stuhlbarg, Katherine Waterston, Sarah Snook, Adam Shapiro. Directed by Danny Boyle

One of the brilliant visionaries of our time, Steve Jobs became the guru of technology although he was never an engineer so much as a marketing genius. Under his leadership, Apple became a juggernaut of a company, spearheading the personal computer revolution as well as creating markets for the iPhone, iPad and iPod. His personal life was more tumultuous as he was as a boss a demanding taskmaster and sundered personal relationships in his quest to change the world and gain market share. This driven man has already gotten a biopic and now a second, more prestigious one is coming along that has already garnered rave reviews and Oscar buzz for Fassbender in the title role.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release
Rating: R (for language)

A Brilliant Young Mind

(Goldwyn) Asa Butterfield, Rafe Spall, Sally Hawkins, Eddie Marsan. A brilliant British math prodigy who is unable to navigate social behavior due to his autism finds comfort in numbers. Taken under the wing by an unconventional math teacher, he earns a spot on the British Math Team. There, while training in Taipei with the Chinese team, he meets a young Chinese girl and begins to develop unexpected feelings for her. The director based this fictional film on his own documentary about the training of the British math team.

See the trailer and a clip here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater
Rating: NR

Drunk Stoned Brilliant Dead: The Story of the National Lampoon

(Magnolia) Henry Beard, Matty Simmons, Bruce McCall, P.J. O’Rourke. If you look at modern American comedy both on television and in the movies, the roots go back to National Lampoon magazine. Founded by a couple of Harvard grads who had worked at the venerable Harvard Lampoon, the magazine became a breeding ground for some of the most brilliant comedians and writers of our time. A favorite from this year’s Florida Film Festival, the film has since received distribution through major indie Magnolia and makes it to the Enzian for a brief run; read my Festival review of the film here.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater
Rating: NR

Jem and the Holograms

(Universal) Juliette Lewis, Molly Ringwald, Aubrey Peeples, Stefanie Scott. A young woman becomes an internet sensation when her sisters leak a video of her playing an original song onto a website. She soon becomes a global superstar and is made to jettison her band, which is made up of her other three sisters. Needing to make things right, she and her sisters soon go off on an adventure that she never expected to find. Based on the 80s Saturday morning cartoon.

See the trailer, interviews, clips, a featurette, a music video and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Musical
Now Playing: Wide Release
Rating: PG (for thematic material including reckless behavior, brief suggestive content and some language)

The Last Witch Hunter

(Summit) Vin Diesel, Elijah Wood, Rose Leslie, Michael Caine. For centuries, the evil creatures of the night – source of our most horrific legends – were battled by valiant witch hunters. When the Witch Queen is slain by Kaulder, the best of the witch hunters, she curses him with immortality, separating him from his beloved wife and daughter in the Afterlife. Now, hundreds of years later, he continues battling what few rogue witches are left, the last of his kind. When the Witch Queen is resurrected, an epic battle will ensue on which rests the future of the human race.

See the trailer, clips, interviews, a music video and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Horror Fantasy Action
Now Playing: Wide Release
Rating: PG (for scary and intense creature action and images, and for some rude humor)

Paranormal Activity: The Ghost Dimension

(Paramount) Chris J. Murray, Brit Shaw, Ivy George, Dan Gill. The most successful found footage franchise in history comes to an end as a pair of brothers find a box of videocassettes in their new house, as well as a camera that allows them to see the spirit world. When a daughter of one of the brothers opens a portal to the ghost dimension, all hell will literally break loose as all the loose threads from the previous films in the series will be tied up at last.

See the trailer, clips, featurettes and a promo here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Horror
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cityplex, AMC West Oaks
Rating: R (for language and horror violence)

Rock the Kasbah

(Open Road) Bill Murray, Bruce Willis, Kate Hudson, Zooey Deschanel. A washed up manager of rock performers is abandoned in Afghanistan by his last remaining client, then in a cave outside Kabul discovers the most amazing voice ever. Determined to help the beautiful woman who possesses that voice reach her dreams of winning Afghan Star (the local version of American Idol), he enlists a motley crew of allies to help him overcome cultural prejudices and take his new client all the way to the top. Incredibly, this is based on actual events and is directed by Oscar winner Barry Levinson.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: Wide Release
Rating: R (for language including sexual references, some drug use and brief violence)

Victoria

(Adopt) Laia Costa, Frederick Lau, Franz Rogowski, Burak Ligit. The winner of the prestigious Silver Bear award at the Berlin Film Festival, this ambitious film was shot in a single night all in one take. It concerns a party girl who meets three guys and a night of wild fun turns into a bank robbery. Sebastian Schipper directs.

See the trailer, interviews and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Crime Thriller
Now Playing: Regal Winter Park Village
Rating: NR

Sleeping With Other People


Getting laid in the Big Apple is easy for these two.

Getting laid in the Big Apple is easy for these two.

(2015) Sex Comedy (IFC) Alison Brie, Jason Sudeikis, Adam Scott, Adam Brody, Natasha Lyonne, Amanda Peet, Jason Mantzoukas, Katherine Waterston, Marc Blucas, Skylar Gaertner, Andrea Savage, Anna Margaret Hollyman, Margarita Levieva, Billy Eichner, Jordan Carlos, Margaret Odette, Sawyer Shipman, Brian Berrebbi, Michael Delaney, Remy Nozik, Victoria Frings. Directed by Leslye Headland

There is that age old question of whether or not men and women can be friends with each other without being sexually attracted. According to When Harry Met Sally the answer is no, and since it’s been 26 years since that classic hit the theaters, writer-director Leslye Headland thought it was high time that question was re-explored.

Jake (Sudeikis) is a serial womanizer who just can’t keep it in his pants. It seems to be a by-product of his commitment phobia for when any woman he’s spending time with wants to get close, he does something spectacular to push her away (generally sleeping with her best friend or sister); one recently made an ex-girlfriend reacts by shoving him in front of a taxi.

&At a self-help meeting for sex addicts, he runs into Lainey (Brie), the girl who was his first back in college (he was her first as well). She’s still hung up on the gynecologist, Matthew (Scott) that she was in college, much to Jake’s amusement. Matthew has all the personality of a wet sock and he can’t for the life of him figure out what she sees in him. In any case, they decide to hang out and develop a deep friendship.

Not wanting to mess things up with sex, the two decide to remain platonic and even institute a “safe word” when they start to feel sexual attraction for each other. Needless to say, everyone around them, particularly Jake’s friends Xander (Mantzoukas) and Naomi (Savage) who are married to each other see full well what the two don’t – that they are perfect for each other. And of course they both know it too, but are too scared to take action on it. So they both take refuge in old behaviors, just like many of us do when confronted by the scary.

Headland has written a smart, modern romantic comedy that is incredibly sexy. In fact, the onscreen sex is much more graphic than most mainstream films usually show in terms of body movement and facial expressions; however, there are no genitalia on display which is a bit odd considering that at various points in the movie there are some rather graphic conversations, including one where Jake demonstrates the finer points of female masturbation to Lainey so that she can curb her urges.

Sudeikis has been knocking on the door of stardom ever since graduating from Saturday Night Live and here he does the best work of his cinematic career. This is the movie that defines his strengths in a nutshell; it doesn’t hurt that he is given some wonderful dialogue that’s both snappy and smart. At one point, he dismisses Matthew as “the Pontiac Aztek of people” which is a hoot especially if you’ve ever driven one.

Brie has also been someone who has been knocking on that door, but her career is a lot less established than that of Sudeikis. She shows here that she has the chops to be as good a comic actress as any out there, including such names as Kristen Wiig and Tina Fey. She certainly in many ways is as good as Greta Gerwig who gets more indie love. Perhaps after this movie, which was a big hit at Sundance and Tribeca, that will change.

The only issue here is that there are some situations that reek of New York indie cuteness which is a disservice to the film. I don’t expect every movie to innovate, but I would at least hope that one that is as smart as this one at least avoids some of the same cliches that other films have fallen victim to, but at least it doesn’t hurt the movie too much.

It helps that there is some fine talent in supporting roles, many of whom are literally there to be conquered sexually by either Jake or Lainey. Many critics are comparing this to When Harry Met Sally and while this is much more graphic than that film, the basic man-woman friendship vs. sexual attraction thing is still at the forefront, and like that movie, there is intelligence and depth. Does it come to the same conclusions as that iconic rom-com? I will leave it to you to find out for yourself because this movie is certainly worth the look. As for me, I’ll have what they’re having – and fortunately for me, I already am.

REASONS TO GO: Excellent dialogue. Sudeikis at his very best. Intelligently written.
REASONS TO STAY: Too many cute indie cliches. Might be too sexy for those sensitive to such things.
FAMILY VALUES: Lots of graphic sex (but no graphic nudity), sexual dialogue and some drug use.
TRIVIAL PURSUIT: Scott and Mantzoukas both appeared together in Parks and Recreation.
CRITICAL MASS: As of 10/9/15: Rotten Tomatoes: 59% positive reviews. Metacritic: 64/100.
COMPARISON SHOPPING: When Harry Met Sally
FINAL RATING: 7.5/10
NEXT: Reversion