New Releases for the Week of September 14, 2018


THE PREDATOR

(20th Century Fox) Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Sterling K. Brown, Jake Busey, Thomas Jane, Yvonne Strahovsky. Directed by Shane Black

A young boy accidentally triggers the return to earth the greatest hunters the universe has ever seen – further evidence that kids suck. A disgruntled science teacher and a jaded crew of ex-soldiers can prevent the annihilation of the human race at the hands of the predators who  just to make matters a bit worse have given  themselves an upgrade.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, D-BOX, Dolby, IMAX, RPX, XD
Genre: Science Fiction
Now Playing: Wide Release

Rating: R (for strong bloody violence, language throughout and crude sexual references)

A Boy. A Girl. A Dream.

(Goldwyn) Omari Hardwick, Meagan Good, Jay Ellis, Dijon Talton. On the night of the 2016 Presidential election when dreams were busy dying, a jaded L.A. club promoter meets a down-to-earth Midwestern girl. She helps him find the strength to chase his broken dreams, while he gives her the insight to discover her own.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Romance
Now Playing: Regal Pointe Orlando

Rating: R (for language)

A Simple Favor

(Lionsgate) Anna Kendrick, Blake Lively, Henry Golding, Rupert Friend. When her best friend suddenly and mysteriously disappears from their small town, a mommy vlogger takes it upon herself to investigate. What she finds is a web of deceit, secrets, betrayal and revenge.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for sexual content and language throughout, some graphic nude images, drug use and violence)

Unbroken: Path to Redemption

(Pure Flix) Samuel Hunt, Merritt Patterson, Gary Cole, Bob Gunton. The sequel to Unbroken, the 2014 biopic of Louis Zamperlini a former Olympic athlete turned prisoner of war in Japan during World War II, follows Zamperlini during the post-war years. He finds himself a wife but nightmares and other symptoms of PTSD plague him and threaten his marriage until Billy Graham helps him find a path to redemption.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Faith-Based Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic content and related disturbing images)

Warning Shot

(Veritas) Tammi Blanchard, Bruce Dern, David Spade, Dwight Henry. A single mother living hand to mouth inherits her grandfather’s farmhouse whose lucrative water rights are coveted by her grandfather’s business rival. With his grandson eager to prove himself ready to take over the family business, goons are hired to intimidate the young mother. Things begin to escalate out of control as the grandson fails to take into account how far a mother will go to protect her own daughter.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Picture Show Altamonte Springs

Rating: R (for violence, sexual menace and references, language and drug use)

Where Hands Touch

(Vertical) Amandla Sternberg, Abbie Cornish, Christopher Eccleston, George Mackay. The daughter of a German mother and an African father faces uncertainty during the Nazi rise to power. Finding a sympathetic friend in the Hitler Youth whose father is a high-ranking Nazi official, she is forced to find her own way as things get more and more dire and her future more and more precarious.

See the trailer here
For more on the movie this is the website
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: PG-13 (for thematic elements, violence/disturbing images, sexuality and language)

White Boy Rick

(Columbia) Matthew McConaughey, Richie Merritt, Bel Powley, Jennifer Jason Leigh. The true story of a teenage boy from Detroit who became a drug kingpin and a police informant in the 1980s.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: R (for language throughout, drug content, violence, some sexual references and brief nudity)

ALSO OPENING IN ORLANDO/DAYTONA:

Another Time
Mandy
Manmarziyaan
Moses
Sailaja Reddy Alludu
Score: A Film Music Documentary
Seema Raja
U-Turn

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Armed
Danger One
Finding Home
God is Brazilian
Kusama: Infinity
Manmarziyaan
Moses
Sailaja Reddy Alludu
Seema Raja
U-Turn
Wanda
We the Animals
The Wild Boys

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Final Score
Sailaja Reddy Alludu
Seema Raja
U-Turn

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Manmarziyaan
Moses
Sailaja Reddy Alludu
U-Turn

SCHEDULED FOR REVIEW:

A Simple Request
The Predator
White Boy Rick

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Win It All


This is what tired of winning looks like.

(2017) Comedy (Netflix) Jake Johnson, Keegan-Michael Key, Joe Lo Truglio, Aislinn Derbez, Rony Shemon, Arthur Agee, Steve Berg, Cliff Chamberlain, Jose A. Garcia, Tiffany Yvonne Cox, Edward Kaihatsu, Nicky Excitement, Morgan Ng, Kris Swanberg, Kristin Davis, Rashawn Scott, Howard Sudberry, Salome St. Clair, Freddy Gonzalez, Ali Bathwell. Directed by Joe Swanberg

 

The gambling addiction is one that is particularly hard to shake and particularly difficult for others to understand. It’s the adrenaline rush that the gambler is really addicted to, not even the winning so much. The action becomes the be-all and end-all for the addict as it saps all of their self-control. In some ways it’s like any other addiction but most people treat it differently. “Why don’t you just stop gambling?” they wonder, not realizing it’s a physiological addiction just like alcoholism and sex addiction.

Eddie (Johnson) knows it only too well. He is in the throes of a serious gambling addiction. Unable to hold down any job or maintain a relationship, he does a series of cash under the table blue collar odd jobs. When he gets paid, he finds himself a poker game or underground sleazy casino and spends – make that loses – his hard earned dollars there. Constantly asking for loans, not so much to pay bills but to pay down his gambling debts, his brother Ron (Lo Truglio) has essentially given up on him although he is one of the few people left who actually talks to Eddie although he’s done loaning him money.

Then loan shark Michael (Garcia) approaches Eddie with an intriguing offer; Michael is about to do a short stint in jail, six to nine months, and he wants to leave a black bag with Eddie to watch over. Keep the bag safe, Michael tells him, and don’t look inside. Do that and when Michael gets out, Eddie will get paid ten grand. Easy money, right?

Not for a guy like Eddie. It is not a spoiler at all to tell you that curiosity is going to get the better of him and what he’s going to find in the bag is a lot more than $10,000. And it is not a spoiler to tell you that Eddie won’t be able to resist temptation. And yet it seems at first that this unearned money begins him on the road to redemption; he actually wins some money, enough to pay off some of his debts. He meets a girl (Derbez) whom he falls for and who inspires him to reform. He joins his brother’s landscaping company and discovers he actually likes the work.

However you know that this isn’t going to last and of course it doesn’t. Eddie falls deeper and deeper in the hole as he tries to win back the money he keeps taking from the bag. Then comes the news that is the stuff of his nightmares; Michael is getting out early and will be collecting his property in days, not weeks. With his options starkly limited, Eddie is going to have to take the biggest gamble of his life.

Swanberg is one of the most prolific and talented directors working today. Like most prolific directors, sometimes he loses something in the zeal to get a new project completed and here I think the tone in many ways doesn’t work the way I think he envisioned. Re-reading the synopsis above, I was struck that this sounds very much like a drama; it’s not. This is a comedy and given the seriousness of the subject matter the disconnect is a bit jarring.

Swanberg is known for being a keen writer of dialogue as well as insightful into the foibles of the human condition and both of these elements are in full flower here. Eddie isn’t the first movie character to suffer from gambling addiction and he won’t be the last but he may very well be the most realistic. He’s not a bad man; he’s not a good man; he simply can’t control his gambling impulses. Most of us have some sort of thing that we simply can’t resist; some are into videogames, others into sex, others into alcohol, others into beauty products, still others into sports. Whatever it is that floats our boat we have a hard time resisting the siren call. You may chalk it up to a simple lack of self-control or even a waste of time, but often people with these sorts of addictions can no more control their impulses than they can control the color of their eyes. Even 12-step programs, which are often helpful in handling addiction, don’t always work.

Swanberg has kept the cast to be mostly lesser known with the exception of Key who plays Eddie’s not-entirely-helpful Gamblers Anonymous sponsor and Key is one of the best things in the movie. Derbez, an up-and-coming Latina actress, also shows some promise. Johnson has the lion’s share of the screen time and he carries it pretty well; he has a decent future ahead of him if he can continue to write roles like this for himself.

With a soulful soundtrack that is at times overbearing but for the most part dovetails perfectly with the theme and mood of the film, this is a reasonably cool although I suppose it might have been cooler. This is not one of those Steven Soderbergh films that just oozes cool. This is more a poor man’s cool, an ordinary cool. It’s the kind of cool we can actually aspire to. There is something comforting about that alone.

REASONS TO GO: As usual for a Joe Swanberg film, the writing and particularly the dialogue is extremely strong. Johnson shows some promise as a lead.
REASONS TO STAY: The outcome is a bit predictable. The subject matter deserves a more serious tone.
FAMILY VALUES: The movie contains profanity and sexuality.
TRIVIAL PURSUIT: This is the third collaboration between Swanberg and star and co-writer Johnson.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 9/4/17: Rotten Tomatoes: 93% positive reviews. Metacritic: 78/100.
COMPARISON SHOPPING: The Gambler
FINAL RATING: 6.5/10
NEXT: Wonder Woman

Why Him?


Talk about a generation gap...

Talk about a generation gap…

(2016) Comedy (20th Century Fox) Bryan Cranston, James Franco, Zoey Deutch, Megan Mullally, Cedric the Entertainer, Keegan-Michael Key, Griffin Gluck, Zack Pearlman, Jee Young Han, Tangie Ambrose, Mary Pat Gleason, Kaley Cuoco (voice), Steve Aoki, Richard Blais, Elon Musk, Adam Devine, Gene Simmons, Paul Stanley, Andrew Rannells, Casey Wilson. Directed by John Hamburg

 

The father-daughter relationship is a very special one. A man’s daughter is always his princess; the light of his heart, the twinkle in his eye, she inevitably has him twisted around her little finger. It goes without saying that no man will ever be good enough for Daddy’s Little Princess.

Ned Fleming (Cranston) is by all appearances a successful guy. He’s a pillar of his Michigan community and runs a paper company that has been one of the most successful in the Midwest for years; he has put his daughter Stephanie (Deutch) through college at Stanford where she is nearing graduation and his life is generally going just swell.

His bubble is on the verge of bursting though; his company is in serious financial trouble and there isn’t much of a future for it anyway – paper is going the way of horse and buggy given that most communication is electronic these days. His wife Barb (Mullally) and son Scottie (Gluck) are mainly unaware of this. However, the biggest blow is that Stephanie has a boyfriend that they don’t know about and what’s worse they’ve been together for more than a year. This disturbs Ned who had always assumed that his daughter told him everything. It seems she has a whole lot of secrets that he isn’t aware of. With the holidays coming, Stephanie invites her family to spend them in Northern California.

Said boyfriend is Laird Mayhew (Franco) and rather than being a doe-eyed college boy he turns out to be a 30-something tech magnate who earned his billions developing videogames. With a chest full of tattoos and absolutely no filter, he is a bit of a handful and a lot for the conservative Fleming family to take in. Most parents would be overjoyed that their daughter had caught the eye of a billionaire and seemed to be very much in love with him besides but not Ned. He’s suspicious of Laird and is positive that he’s up to something and Laird, to be honest, is a fairly manipulative guy. His high-tech Palo Alto mansion is full to the brim with all sorts of gadgets and toys, including a Japanese toilet/bidet combination that doesn’t quite work right (and hilarity ensues), a Siri-like house computer whose voice is that of Kaley Cuoco from Big Bang Theory and who tends to get cranky from time to time (more hilarity ensues) and a brand new bowling alley that Laird installed because he heard that Ned loves to bowl. Midwestern, right?

There is also a stuffed moose preserved in an aquarium full of it’s own urine which you just know is going to get all over someone sooner or later (not a spoiler: it does) and a valet named Gustav (Key) who is about every Eastern European goofball that populated sitcoms and movie comedies in the 80s and 90s and who, like Kato in the Pink Panther movies, attacks Laird with martial arts without warning (although to be fair the movie does name drop the series for additional laughs).

Laird means to marry Stephanie and wants Ned’s blessing, a blessing that isn’t forthcoming. It’s Christmas though and miracles can happen – although it might take several miracles to make this happy ending come true. Stephanie tries to make her father see that beneath the cursing (Laird drops F bombs constantly, a product of having no filter) and the sometimes bizarre behavior Laird is really a very nice guy, but that will be a tough sell to a father who already thinks that no guy is good enough for his princess.

In many ways this movie perfectly illustrates the disconnect between Hollywood and Mid-America which in turn spotlights why Donald Trump won the 2016 Presidential election. Ned and Barb as well as son Scotty are portrayed as extremely naive particularly about pop culture sexuality, not knowing what either motorboating or bukake mean – not that those are common terms but certainly the way that it is portrayed here is that they’re the only ones not in on the joke and quite frankly it’s a bit cruel. The West Coast hip tech types, standing in for the elite liberal crowd, are condescending and a little put off by the squares. It may interest the left to know that there is Internet in the Midwest and most of the people living there are a lot savvier than given credit for.

Cranston and Franco are no strangers to each other and it shows here. The chemistry between them is letter perfect and both exhibit a lot of give and take in terms of who gets the laughs and who is the straight man. Both perform beyond what you’d expect for what is essentially a holiday comedy which often tend to be just paychecks for big name actors. Cranston and Franco earn both of theirs.

But all the good intentions and strong performances can’t save a script that has little bite and feels more like a sitcom than a big screen comedy. There are some really funny moments (like when Laird brings in Gene Simmons and Paul Stanley from KISS for Ned and Barb who are avowed members of the KISS Army) and a few cringe-worthy moments (the aforementioned moose piss gag) but by and large there’s nothing truly offensive here. Neither is there anything truly noteworthy either.

REASONS TO GO: Cranston is on point as always and he has some terrific chemistry with Franco.
REASONS TO STAY: The plot is a little heavy-handed and riddled with clichés.
FAMILY VALUES: There is a fair amount of foul language and some sexual innuendo throughout.
TRIVIAL PURSUIT: The Ape Assassins game that made Laird Mayhew famous is available for download on the iTunes App Store.
CRITICAL MASS: As of 1/30/17: Rotten Tomatoes: 39% positive reviews. Metacritic: 39/100.
COMPARISON SHOPPING: Father of the Bride (1991)
FINAL RATING: 6/10
NEXT: 13th

Storks


For those who wonder how babies are made, here's your answer.

For those who wonder how babies are made, here’s your answer.

(2016) Animated Feature (Warner Brothers) Starring the voices of Andy Samberg, Katie Crown, Kelsey Grammer, Jennifer Aniston, Ty Burrell, Anton Starkman, Keegan-Michael Key, Jordan Peele, Danny Trejo, Stephen Kramer Glickman, Chris Smith, Awkwafina, Ike Barinholtz, Jorma Taccone, Amanda Lund. Directed by Doug Sweetland and Nicholas Stoller

 

In a cutthroat commercial world, one must adapt to survive. Nobody knows that better than the storks, who at one time delivered babies exclusively. However, as satisfying as that job was, it wasn’t very lucrative. Now they toil for Cornerstore, a dot com shopping site that bears a sneaky resemblance to Amazon. Less baby poop to clean up, too.

Junior (Samberg) is the best courier in all of stork-dom. He has earned the attention of Hunter (Grammer), the boss stork who is looking for someone to succeed him. Junior seems the most likely candidate. All in all, Junior’s life is going exactly the way he wants.

Not so for Nate Gardner (Starkman), a little boy who is bored and lonely. His Mom (Aniston) and Dad (Burrell) are both completely involved in their real estate business with little time for their son. He desperately wants a sibling to fill his time, preferably one with ninja skills. As a result, he sends a letter to the Storks hoping to get a new baby brother.

Junior gets his first assignment as Hunter’s protégé; he is to fire Tulip (Crown), a human girl (the only human on Stork Mountain) whose delivery to her parents was messed up by the psychotic stork Jasper (Trejo) so she has been trying to earn her keep for the storks, except that she’s something of a klutz. Hunter has had enough of her, but the tender-hearted Junior exiles her to the “mail room” where letters requesting babies are essentially warehoused, as the storks don’t answer those any longer. Of course, Tulip being Tulip, she accidentally activates the baby-making machine with a single letter – the one Nate Gardner sent.

Now there’s a baby to be delivered and Junior realizes that it must be done quietly or his career is history. So he and Tulip set off to get the rugrat delivered, while Nate prepares his house for the new arrival and the deliverers are chased by a pack of very limber wolves (don’t ask) and when Hunter finds out from Pigeon Toady (Glickman), a real stool pigeon, things are going to get even more complicated.

The tone here skews towards the whimsical, with occasional moments that recall the Looney Tunes which are part of the Warner Animation Group’s DNA. The Rube Goldberg-esque baby making machine is fun to watch in action and the Wolves who turn themselves into submarines and motorcycles (among other things) are also pretty clever.

That said the movie also goes for the Disney points by getting the family bonding thing going between Nate and his parents and setting Tulip up to find her “birth” parents. Kids today are also a lot more sophisticated; while they may not necessarily know how babies are born, they certainly know that storks don’t bring ‘em. In that sense, the story is a bit antiquated.

The voice casting is top of the line, and one must give the producers kudos for including both Key and Peele in the cast; they work as well together here as they do on their hit Comedy Central show, albeit with less scintillating material. In fact, things pretty much go the non-subversive route, although the anti-corporate tinge here might infuriate your average Trump supporter.

In any case, this is pretty lightweight material that will keep your kids occupied and likely not rile you up too much unless, of course, you tend towards the heavy capitalist philosophy of life. Chances are you’ll be drifting off with far better movies on your mind while you watch this bit of fluff with your kids.

REASONS TO GO: Plenty of whimsy displayed throughout the movie.
REASONS TO STAY: Plenty of cliches displayed throughout the movie.
FAMILY VALUES:  There are some thematic elements and some kid-friendly action sequences.
TRIVIAL PURSUIT:  The Ty Burrell character is a real estate agent; Burrell also plays a real estate agent in his TV series Modern Family.
CRITICAL MASS: As of 10/23/16: Rotten Tomatoes: 64% positive reviews. Metacritic: 56/100.
COMPARISON SHOPPING: Arthur Christmas
FINAL RATING: 5/10
NEXT: Stray

New Releases for the Week of September 2, 2016


MorganMORGAN

(20th Century Fox) Kate Mara, Anya Taylor-Joy, Toby Jones, Paul Giamatti, Boyd Holbrook, Jennifer Jason Leigh, Michelle Yeoh, Brian Cox. Directed by Luke Scott

A corporate troubleshooter is sent to a remote lab to investigate a recent accident and to evaluate whether the program being conducted there should be continued. When she arrives, it soon seems that the culprit behind the chaos is a seemingly innocent whose facade hides enormous potential – and incredible danger.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for brutal violence and some language)

Don’t Think Twice

(The Film Arcade) Mike Birbiglia, Gillian Jacobs, Kate Micucci, Keegan-Michael Key. When the member of a popular New York City improv troupe gets a big break on an SNL-like late night sketch show, the others in the group – all friends – begin to realize that the odds are that not all of them are going to make it after all. And maybe, none of them will.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: R (for language and some drug use)

Kickboxer: Vengeance

(RLJ) Alain Moussi, Georges St-Pierre, Dave Bautista, Jean-Claude van Damme. After his brother is killed in the ring by a brutal fighter, a young man swears vengeance upon the man that killed him but in order to beat him, he’ll have to get training from the best of the best – a kickboxer by the name of Durand.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Martial Arts
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex

Rating: NR

The Light Between Oceans

(DreamWorks) Michael Fassbender, Alicia Vikander, Rachel Weisz, Jack Thompson. Just after the First World War, an army vet takes a job as a lighthouse keeper on the rugged, isolated Australian coast, two days ride from anywhere and only seeing a supply boat once a season. Here he brings his strong-willed wife and here they try to bring a baby into the world, but meet with miscarriages and a stillbirth. One day she hears a baby’s cries on the wind and finds a baby in a lifeboat with a dead man. Believing this to be a sign from God she keeps the baby for her own against her husband’s better judgment. However, when they return to the mainland, they discover that their choice may have been devastating for someone else – a woman who may well be the true mother of the child.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material and some sexual content)

The Ninth Life of Louis Drax

(Miramax/Summit) Jamie Dornan, Sarah Gadon, Aaron Paul, Oliver Platt. After surviving eight near-death experiences, a little boy plunges off a cliff – and miraculously survives, but is left in a coma. In order to find out what really happened, an acclaimed neurologist tries an experimental procedure to get inside the boy’s mind – and finds something sinister lurking there.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Supernatural Thriller
Now Playing: Wide Release

Rating: R (for some disturbing images and brief strong language)

No manches Frida

(Pantelion) Omar Chaparro, Martha Higareda, Monica Dionne, Rocio Garcia. After a bank robber is released from prison, he goes to recover his stolen money which he’d buried in a schoolyard. Unfortunately, while he was inside the school built a gymnasium on top of where he buried the loot. In order to get into the gym and dig for his cash, he must masquerade as a substitute teacher at the school – which quickly escalates into chaos.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Disney Springs, AMC The Loop, Epic Theaters at Lee Vista

Rating: PG-13 (for crude sexual content, drug material, teen smoking and drinking, brief strong language and gestures and thematic elements)

The Sea of Trees

(A24) Matthew McConaughey, Naomi Watts, Ken Watanabe, Katie Aselton. A suicidal American enters a Japanese forest at the base of Mt. Fuji to finish himself off. While there he finds a Japanese man lost in the impenetrable woods and the two become friends. Finding the way out of the forest however turns out to be a lot more difficult than finding their way in. This is the latest from director Gus Van Sant.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: PG-13 (for mature thematic material, some disturbing images and brief strong language)

Yoga Hosers

(Invincible) Johnny Depp, Lily-Rose Depp, Harley Quinn Smith, Adam Brody. A pair of comely convenience store clerks in Winnipeg, Manitoba is chagrined to discover they’ll have to be working when they could be at the party of the year. To make matters worse, their store is ground zero for an interdimensional invasion of…Nazi sausages. I couldn’t make this stuff up if I tried. Thankfully, director Kevin Smith can.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard (playing Friday night at midnight only)
Genre: Action
Now Playing: Enzian Theater

Rating: PG-13 (for crude humor, sexual references, some violence and brief drug material)

The Angry Birds Movie


Flipping the bird.

Flipping the bird.

(2016) Animated Feature (Columbia) Starring the voices of Jason Sudeikis, Josh Gad, Danny McBride, Bill Hader, Maya Rudolph, Peter Dinklage, Sean Penn, Keegan-Michael Key, Kate McKinnon, Tony Hale, Hannibal Buress, Ike Barinholtz, Tituss Burgess, Ian Hecox, Anthony Padilla, Billy Eichner, Danielle Brooks, Blake Shelton, Jillian Bell, Charli XCX. Directed by Fergal Reilly and Clay Kaytis

 

When does a movie become a marketing tool? In the case of The Angry Birds Movie, right now. It’s based on the stupid popular Rovio Games smartphone app Angry Birds which has spawned a crapload of sequel games, a cartoon series and enough merchandise to fill in the Grand Canyon.

Bird Island is a kind of idyllic place where hugs are for sale (but the first one is always free). The birds here all have special abilities but for Red (Sudeikis) that ability seems to be losing his temper. Orphaned before he hatched, he simply grew up with a chip on his shoulder…err, wing. Working as a clown for kid’s parties was probably the wrong career choice for him. After encountering a client who irritated him, he gets into trouble with the law.

Once he gets into court, the Judge (Key) sentences him to anger management classes. The classes are conducted by Matilda (Rudolph) who has her hands full with Red’s classmates. Chuck (Gad) is a mile-a-minute talker who is the Angry Bird counterpart to Speedy Gonzalez. He doesn’t do well with authority figures and has a bit of an attitude problem. Bomb (McBride) is a bit nicer but he has a habit of exploding (literally) whenever he gets angry. Finally there’s Terence (Penn) who’s huge and intimidating (and looks like he could be Red’s father) but only communicates in a series of grunts and snorts.

Into this idyllic paradise comes a huge ship that crashes right into Red’s house (typical). It is manned by a bunch of green pigs, led by King Leonard (Hader) who sounds like a Southern football coach but is all ham. He is bringing all sorts of entertainment and fun for the island, in return his people get to enjoy the benefits of visiting as tourists. The leadership of Bird Island is all for it but Red is much more suspicious. He can’t believe that these guys can’t be up to no good. And he’s right.

They’re after the eggs of the Birds – the unborn children. And when they take the eggs back to their own island with the intention of eating them, it means war. But who will lead the birds in their hour of need? Need you even ask?

The animation is a little more sophisticated than what you get in the game, but lovers of the game will appreciate that lots of the game play elements can be found in the movie, some of which are disguised in sneaky ways. Even casual players will get a kick out of it and I’ll admit that these little insides work well overall in the movie.

Now full disclosure – I saw this movie in France and in French and so I can’t comment on the voice performances of the American version. I can say that the movie was a lot funnier than I expected – quite frankly my expectations were pretty low, but there are some sequences that are pretty Loony Tune-ish to the max. There is no higher compliment can I think of for an animated feature than that, by the way.

On the flip side, the plot is essentially an explanation as to why the birds are so angry and quite frankly, it’s a bit weak. Parents may also want to consider that this is a movie that promotes violence as a solution which may not necessarily be a lesson they want to pass on to their kids. Then again, the old Looney Tunes did the same thing and it didn’t do my generation any harm…what, almost 15 years of unceasing war? Never mind.

REASONS TO GO: Incorporates elements of the game in clever ways. A lot funnier than I thought it was going to be.
REASONS TO STAY: Kind of a weak plot. Mean-spirited.
FAMILY VALUES: Some rude humor and a little animated action.
TRIVIAL PURSUIT: Terrence doesn’t say a single line of dialogue during the movie, other than an occasional grunt (voiced by Penn). However, he does sing (not Penn).
CRITICAL MASS: As of 6/14/16: Rotten Tomatoes: 42% positive reviews. Metacritic: 43/100.
COMPARISON SHOPPING: A Bug’s Life
FINAL RATING: 6.5/10
NEXT: Alice Through the Looking Glass

Hotel Transylvania 2


Drac is back.

Drac is back.

(2012) Animated Feature (Columbia) Starring the voices of Adam Sandler, Selena Gomez, Andy Samberg, Kevin James, Steve Buscemi, David Spade, Keegan-Michael Key, Mel Brooks, Asher Blinkoff, Fran Drescher, Molly Shannon, Megan Mullally, Nick Offerman, Dana Carvey, Rob Riggle, Jonny Solomon, Chris Kattan, Jon Lovitz, Nick Swardson, Rose Abdoo. Directed by Genndy Tartakovsky

People and monsters may look different, but inside they really aren’t. The things that don’t conform are usually the things we fear; if we can’t keep everything in its proper compartment, the world becomes a much scarier place.

Dracula (Sandler) is in a happy place. His daughter Mavis (Gomez) is happily married to human Johnny (Samberg) and the two have had a baby named Dennis (Blinkoff). Proud grandpa is sure that the baby is going to be a monster but Mavis isn’t so sure that Dennis won’t turn out to be human and therefore be raised among humans. This terrifies Drac who doesn’t want Mavis to leave for the human world of Santa Cruz (where Johnny’s parents live) and lose both his daughter and grandson, so he concocts a plan to force Johnny to “get his fangs” which must happen before his fifth birthday.

So as Mavis is checking out California, Drac and his friends are trying to find ways to force little Dennis to find his inner monster before the dreaded fifth birthday. Drac is desperate as Mavis seems to lean more to going human – so desperate he’s even willing to enlist the help of his own father Vlad (Brooks) who doesn’t approve of human-monster intermarriages. And when all these monsters and humans get together, all hell is going to break loose.

Director Tartakovsky is proving himself to be one of the ablest directors of animation in the business currently. I can only imagine what he would do with the resources of a Pixar, but nonetheless he generates some of the best stuff out there. This really isn’t up to par with the best of his work but it’s still better than most of the animated features out there.

Sandler’s live action output in the last few years has been mostly lackluster but he seems more at home here. Many of his pals from his live action films are here, including James, Spade, Riggle and Samberg are here mainly reprising roles from the first film. Having Smigel in as a writer helps a lot; the plot is actually a little bit more sophisticated than the first film

The animation is pretty solid, although there is a bit of a cartoon-y feel to it which is just fine. The level of sophistication skews younger here but again, that’s five. There’s nothing here ostensibly offensive and parents won’t be bored watching this with their kiddies. Certainly the writing is better than most, as the movie explores themes of tolerance and acceptance and will give the kids something to think about – maybe their parents too.

Still, this isn’t anything that’s going to make the animated fan sit up and take notice. It’s pleasant and charming and of course anything with Mel Brooks in it is worth investigation, even if the comedy legend is barely in the movie at all. It’s a diversion for the older crowd and a video babysitter for the younger. I won’t recommend it highly but it’s still a recommendation.

WHY RENT THIS: Kids will undoubtedly love this.
WHY RENT SOMETHING ELSE: Not terribly memorable.
FAMILY VALUES: Some mildly scary images and rude humor.
TRIVIAL PURSUIT: Jonathan’s parents are played by real-life married couple Offerman and Mullally.
NOTABLE HOME VIDEO EXTRAS: Lots here as with most kid movies. There’s a music video from 5th Harmony as well as a look at the development of the drawings from sketch to finished product. The Blu-Ray edition also includes a karaoke track, instructions on how to throw a Hotel Transylvania-themed party, a how-to guide on drawing the various characters and a feature on how the sound effects were made.
BOX OFFICE PERFORMANCE: $468.2M on a $80M production budget.
SITES TO SEE: Netflix (DVD/Blu-Ray Rental only), Amazon, iTunes, Vudu, Google Play, M-Go
COMPARISON SHOPPING: Mad Monster Party
FINAL RATING: 6/10
NEXT: Jane Got a Gun