Stake Land


Some sizzle for this stake.

Some sizzle for this stake.

(2010) Horror (IFC) Connor Paolo, Nick Damici, Danielle Harris, Kelly McGillis, Marianne Hagan, Stuart Radin, Adam Scarimbolo, Michael Cerveris, Sean Nelson, Larry Fessenden, Chance Kelly, Jean Brassard, Phyllis Bash, Bonnie Dennison, Ellis Cahill, James Godwin, Heather Robb, Vonia Arslanian, Gregory Jones, Traci Hovel. Directed by Jim Mickle

One of the things about a good movie is that it will often take things that work in one genre and transfer it into another and create if not necessarily a hybrid, then at least a new take on an old form. Movies like that can occasional inspire entire new genres but more often than not end up as being inspired entries in an old one.

Stake Land takes elements of post-apocalyptic Westerns and zombie apocalypse films and fuses them into the vampire film, adding a big dollop of Cormac McCarthy to the mix. Here young and somewhat naive teen Martin (Paolo) whose name is a tip o’ the hat to George A. Romero’s sole vampire film to date is taken under the wing a vampire killer known only as Mister (Damici, who co-wrote the film with Mickle). You see, a plague that turns people into mindless ravening vampires who are as much zombie as vampire has ravaged the United States. There are a few safety zones but mostly those who can move around are headed for Canada for a community called New Eden which is, as rumor has it, vampire-free. Stories like that can lend hope to the hopeless as the Resident Evil films have shown.

The humans that remain aren’t always any better than the hordes of vampires. Hardcore cults that seem to be somewhat like conservative Christian metaphors seem eager to help the apocalypse along in hopes of scoring brownie points with God, dropping planeloads of the undead into towns in maybe the ultimate terrorism dick move.

 

As Mister teaches Martin how to survive in this world which is often harsh and cruel, they pick up a few strays including a pregnant teen (Harris) that Martin takes a shine to, an ex-Marine (Nelson) and a nun (McGillis). In a movie with an attitude like this one, don’t expect a happy ending although you can be sure it won’t be so bleak that you want to take the disc and smash it against the wall.

Mickle is an adept filmmaker who takes his visual cues from Terrance Malick. This is as good-looking a horror film cinematically speaking as you’re likely to ever see. Filmed in real life industrial wastelands that are essentially abandoned and empty, the look of the film is authentic, of a society that is dying slowly but inevitably and those who remain are desperate to escape, so much so that they’re willing to take rumor to heart.

The cast is largely unknown although some might remember McGillis from some pretty decent films in the 80s including Top Gun, Witness and The Accused, Nelson from Fresh and Harris from Rob Zombie’s Halloween reboots. The acting is essentially solid and the effects mainly practical. In some ways you’ll be reminded of The Walking Dead although that TV series isn’t as dark if you can believe that.

While the movie is for the most part familiar, with elements taken from things as disparate as the Mad Max movies and Near Dark to the aforementioned Walking Dead and McCarthy’s The Road, there is enough here that works to make it worth seeking out, particularly if you’re into post-apocalyptic horror. Hidden gems like this are why guys like me start blogs like this.

WHY RENT THIS: Atmospheric with an appealing post-Apocalyptic aesthetic that trades zombies for vampires.
WHY RENT SOMETHING ELSE: Nothing particularly innovative here; feels like a bunch of things were cobbled from a bunch of films albeit a bunch of good films.
FAMILY VALUES: Plenty of violent bloodsucking gore and goodness as well as a cornucopia of foul language and brief nudity.
TRIVIAL PURSUIT: While filming a fire scene on a studio set, the flames got out of control and burned not only the set down but the studio stage as well. While nobody was hurt and production resumed the next day, equipment was flown in from all over the world to replace that which was lost in the fire.
NOTABLE DVD EXTRAS: There are production video diaries which also include a Q&A from the Toronto Film Festival screening of the film, as well as a feature called Prequels in which seven actors from the film give some brief insights into their lives just before shooting on the production started.
BOX OFFICE PERFORMANCE: $33,245 on a $625,000 production budget.
SITES TO SEE: Netflix (Stream/DVD rental/Blu-Ray Rental), Amazon (rent/buy), Vudu (rent/buy),  iTunes (rent/buy), Flixster (unavailable), Target Ticket (unavailable)
COMPARISON SHOPPING: Daybreakers
FINAL RATING: 7/10
NEXT: Penguins of Madagascar

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New Releases for the Week of October 25, 2013


The Counselor

THE COUNSELOR

(20th Century Fox) Michael Fassbender, Penelope Cruz, Brad Pitt, Javier Bardem, Cameron Diaz, Rosie Perez, Toby Kebbell, Ruben Blades, Goran Visnjic. Directed by Ridley Scott

A respected lawyer gets involved with a crooked business deal and discovers that it’s not just his life and career that’s at risk but everything – and everyone – he holds dear. Oscar-winning director Scott is working off a script by Pulitzer Prize-winning author Cormac McCarthy. That’s the kind of one-two punch I can get into.

See the trailer, a clip and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday night)

Genre: Thriller

Rating: R (for graphic violence, some grisly images, strong sexual content and language)

Bhai

(Reliance) Akkineni Nagarjuna, Prasanna, Richa Gangopadhyay, Kamna Jethmalani. Telugu superstar Nagarjuna hopes to restore his fading box office appeal with this action-drama-comedy with musical overtones.

See the trailer, promos and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Jackass Presents Bad Grandpa

(Paramount) Johnny Knoxville, Bam Magera, Steve-O, Jason “Wee Man” Acuna. Irving Zisman, an irascible 86-year-old man, heads off on a trip to discover America accompanied by his 8-year-old grandson and a bunch of hidden cameras. Along the way he will meet male strippers, toddler beauty pageant contestants,  mourners at a funeral and an assortment of ordinary and unsuspecting Americans.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday night)

Genre: Comedy

Rating: R (for strong crude and sexual content throughout, language, some graphic nudity and brief drug use)

Short Term 12

(Cinedigm) Brie Larson, John Gallagher Jr., Rami Malek, Kaitlyn Dever. A young supervisor at an at-risk teenager facility finds her own past brought bursting through her carefully erected defenses when a troubled young teen joins the facility. Unexpectedly, she finds a bond developing between them that may help her overcome her demons yet.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for language and brief sexuality)

A True Story

(Freestyle) Cameron Fife, Tyler McGee, Jon Gries, Katrina Bowden. Two friends who have nothing other than their belief that the screenplay they’ve written will someday make an amazing movie navigate the waters of Hollywood. Swimming those waters are apathetic studio cronies, predatory agents, slutty ex-girlfriends and a motley collection of back-stabbers and bootlickers. In short, a true story.

See the trailer, a featurette and a link to stream the full movie here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R (for language and some violence) 

We Are What We Are

(eOne) Julia Garner, Ambyr Childers, Bill Sage, Kelly McGillis. A seemingly normal family in a small seaside town is ruled by a patriarch who sticks to custom and tradition with the rigidity of the self-righteous. He is grooming his daughters to take over for him one day but that day comes much too soon when a terrible storm strikes the area. As local authorities begin to realize the full extent of the horror that the family has kept secret for years, the storm grows in intensity threatening the entire town.

See the trailer, a clip and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: R (for disturbing violence, bloody images, some sexuality, nudity and language)

New Releases for the Week of September 6, 2013


Riddick

RIDDICK

(Universal) Vin Diesel, Karl Urban, Jordi Molla, Katee Sackhoff, Bokeem Woodbine, Dave Bautista, Conrad Pla, Matt Nable, Keri Hilson. Directed by David Twohy

Riddick, one of the most dangerous men in the Universe, has been abandoned and left for dead on a hellish rock. Bounty hunters are on their way to collect him and they’re not too picky what shape he’s in when they turn him in. However, Riddick isn’t the only dangerous thing on this planet and the bounty hunters soon realize that their only chance for survival may be the very man they’ve come to take – only he may be harder to contain than the murderous creatures that live there.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard, IMAX (opens Thursday)

Genre: Science Fiction

Rating: PG-13 (for strong violence, language and some sexual content/nudity)

Bounty Killer

(ARC Entertainment) Matthew Marsden, Kristanna Loken, Gary Busey, Beverly D’Angelo. Twenty years after corporate greed brought the planet to its knees, the CEOs and executives are being hunted down by a new generation of heroes; bounty killers. Often going up against private armies, these guys go after the powerful to give them what they have coming. Definitely a lefty fantasy.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sci-Fi Action

Rating: R (for strong bloody violence, language and some sexuality/nudity) 

Laughing to the Bank

(L2Bank) Brian Hooks, Tabitha Brown, Laila Odom, Curtis Pickett. A struggling actor determines to get the funding to write, direct, star in and distribute his own film project. When the money vanishes, it’s just the start of a whole other thing to get the cash back.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Urban Comedy

Rating: NR

Renoir

(Goldwyn) Michel Bouquet, Christa Theret, Vincent Rottiers, Thomas Doret. The beloved painter near the end of his life takes on a new model who brings new energy and passion out in the old man. However his son Jean, recuperating from war wounds, falls in love with her creating tension between father and son. This was one of my favorites at this year’s Florida Film Festival; you can read my review here.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Biographical Drama

Rating: R (for sequences of art-related nudity and brief language)

Still Mine

(Goldwyn) James Cromwell, Genevieve Bujold, Rick Roberts, Julie Stewart. A man attempts to build a more suitable home for his ailing wife. Confronted by bureaucratic red tape and stop work orders, he defies the system in a race against time to complete the project before his wife’s illness gets more serious.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG-13 (for thematic elements and brief sensuality/partial nudity)

Tio Papi

(Active Fox) Joey Dedio, Kelly McGillis, Frankie Faison, Elizabeth Rodriguez . A Miami bachelor is quite happy with his life of hedonism and non-stop partying. All that comes to a crashing halt however when he becomes the legal guardian of his sister’s six rambunctious kids.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Family

Rating: PG (for thematic elements, mild rude humor and brief language)

The Ultimate Life

(High Top) Peter Fonda, Logan Bartholomew, Bill Cobbs, Lee Meriwether. A man, reeling from lawsuits from his greedy extended family, missing his girlfriend away on a mission to Haiti and trying to run the foundation started by his late grandfather, finds some of old granddad’s journals. As he reads them, he becomes fascinated by the old man’s rise from rags to riches. But can he find the strength and the faith to withstand all the challenges being lobbed his way?

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG (for a brief battle scene and mild thematic elements)

The Innkeepers


The Innkeepers

Too much Visene can be a bad thing.

(2011) Supernatural Horror (Magnet) Sara Paxton, Pat Healy, Kelly McGillis, Alison Bartlett, Jake Ryan, George Riddle, Lena Dunham, Brenda Cooney, John Speredakos, Sean Reid, Kurt Venghaus, Thomas Maloney, Michael Martin, Michael P. Castelli. Directed by Ti West

 

All good things come to an end and so it was with the Yankee Pedlar Hotel. A more than 100-year-ld inn in bucolic New England,  it is down to once last weekend. Two staff members are left to oversee the grand dame who has  a reputation of being haunted. Claire (Paxton) and Luke (Healy) are there to take care of the few guests that are left.

The third floor has already been stripped, closed to guests as the work to gut the hotel to make room for a parking lot is preparing to get under way. Luke mostly watches Internet porn, when he isn’t working on a ghost website, regaling the impressionable Claire with stories about the hotel’s checkered past and his own supernatural encounters and ignoring the guests’ demands for towels.

Claire befriends one of the guests, a former television actress turned psychic healer Leanne Rease-Jones (McGillis) who at first seems somewhat, for lack of a better term, bitchy. However as she begins to find the supremely naive but extremely likable Claire to be harmless, Leanne decides to delve into the Yankee Pedlar, only to find something very sinister that has Claire firmly in its sights – involving a bride who committed suicide years before and a cover-up by the innkeepers of the day that would only serve to make the bride’s ghost very, very angry – and you sure don’t want to be in the sights of an angry bride now do you?

West has developed a good reputation in the independent horror community with films like House of the Devil and The Roost to his credit. He has a reputation of movies that develop slowly, chock full of quirky but realistic (read: non-cookie cutter) characters who are brought out of their comfort zone and face to face with something terrible.

He follows much the same formula here too. There is the first half of the movie which belongs mostly to Paxton and Healy, who work very well together. Although theirs is a non-romantic relationship (no sex in this movie guys – move along if that’s what you’re looking for) there is chemistry nonetheless between them. They banter like co-workers who have a bit of a forced friendship due to the circumstances i.e. pending unemployment. There is a certain gallows camaraderie between them.

McGillis also figures into the first half significantly. The star of such films as The Witness and The Accused has been long absent from multiplex screens and it is a welcome return indeed. Even though she gets what I affectionately call “the Zelda Rubinstein part” (so-named for the diminutive actress who played the psychic in Poltergeist) she carries it off with grace and professionalism.

West is good at delivering the goods in the scare department and he does so here. The last fifteen minutes of the movie are a real wild ride, with some legitimate spooky scares. It’s just the getting there that may put some people off. Those who love a shock-o-rama from start to finish are going to get antsy sitting through the first portion of this movie.

I had a different reaction. I liked the first part of the movie, a lot. Horror movies that take the time to develop characters who are not clichés are increasingly rare these days as mostly the actors exist to be launched into a meat grinder. Taking the time to develop characters we can actually care about is almost unheard of, so many kudos to West for that.

The writers also take the time to develop a nice mythology which is crucial in any kind of supernatural horror. The background of the tale is at least as important as the scares and the writers pay close attention to that.

The trouble here is that the first part and the last part of the movie are so night and day. Some may find it jolting to go from a kind of almost sitcom-y feel into a balls-to-the-wall frightfest.  I actually thought the two parts reconciled well but admit it was a little bumpy in places. There really isn’t much of a transition.

This is a strong independent horror movie, something that I’m happy to say we’re starting to see more of and that’s a trend I strongly hope is going to continue. There is some inventiveness to it but not a lot and that’s okay – it just takes a little. In other words, this isn’t a game changer for the genre but it is a strong example of how good a well done ghost story can be.

REASONS TO GO: Paxton and Healy work well together. Well-written with a nice mythology behind it.

REASONS TO STAY: Real scares come late and when the horror aspect gets going is almost schizophrenic, at odds with the lighter tone earlier in the film.  

FAMILY VALUES: There are some terrifying images and a few bad words.

TRIVIAL PURSUIT: Paxton is distantly related to actor Bill Paxton; she mulled over a career in music (she has sung on several soundtracks to her movies) although that appears to be on hold at the moment.

CRITICAL MASS: As of 2/6/12: Rotten Tomatoes: 76% positive reviews. Metacritic: 64/100. The reviews are pretty good.

COMPARISON SHOPPING: Ghostbusters

NEW ENGLAND INN LOVERS: The filmmakers shot this primarily at the actual Yankee Pedlar Inn in Torrington, CT. which is supposedly haunted. The lobby is gorgeous filled with antique furniture. I wouldn’t mind staying a night or two here – if Madeline permits.

FINAL RATING: 7.5/10

TOMORROW: Holy Rollers