(2019) Thriller (Cinedigm) David Dastmalchian, Kevin Pollak, Curtis Edward Jackson, Esme Perez, Matthew Garry, Helen Joo Lee, Alejandro Raya, Cedric Young, Ilysa Fradin, John Hoogenakker, Karin Anglin, Sammy A. Publes, Charin Alvarez, Sam Straley, Bryce Dannenberg, Patrick Weber, Juan Lozada, Shawna Waldron, David Parkes, Sarab Kamoo. Directed by Adam Dick
Bullying has been a serious problem in American high schools for many years now. Despite efforts to curb the practice, there seems to be an ongoing issue of strong kids persecuting weaker kids – although who is truly strong and who is truly weak is not always easily evident.
James Lewis (Dastmalchian) is an English teacher trying to get across the intricacies of Shakespeare’s The Merchant of Venice to bored kids at Prairie Trail High School, in a tony suburb of Chicago. James is in the midst of a contentious divorce and is showing signs of alcoholism and rage – as the holes punched in the wall of his apartment attest. Still, he’s managing to keep it together and is on the verge of being granted tenure.
When a sociopathic rich kid named Tim Cooper (Jackson) starts bullying the nerdy Preston (Garry), a smart kid as well as the photographer for the school paper, Lewis isn’t happy about the development. Things begin to escalate though when Preston gets a girlfriend – shy, unselfconfident Daniela (Perez) – and Tim, also the star pitcher for the baseball team, gets two victims for the price of one. Mr. Lewis tries to intervene but a litigation-shy administration in the form of the school principal (Young) put the kibosh on any sort of disciplinary action. It doesn’t help that Tim’s dad (Pollak) is stupid rich and is one of those sorts who is used to getting his way by any means necessary.
\Mr. Lewis as it turns out was severely bullied when he was in school and to top it off, his father was an abusive alcoholic to make matters worse. Between the stress of everything, the flashbacks to his own tortured childhood and the disappointment that his life hasn’t gone the way he expected to lead to a reckoning that nobody could have expected – except for those who have watched a thriller or two in their time.
\Dick in his first feature-length film brings up some interesting and salient points about bullying, it’s effect on the psyche and society’s unwillingness to address it. The question is asked “when is violence justified” and the answer is obviously not an easy one nor is it treated as such here. Dick is a director who has some ideas and that’s always a good thing.
The problem here is that the story is just way too predictable. You can kind of figure out where this is all going in the first fifteen minutes. While Dick has some good ideas, he delivers them in a fairly hackneyed plot that telegraphs most of its twists. It does take a while for things to get moving at a really decent clip, so the attention-challenged might not take to this one as well.
Still, Dick gets the benefit of some really solid performances, many of them from largely unknown actors. Dastmalchian, who to date has mainly done supporting roles, shows he can handle lead roles with enough screen presence to light up China. Pollak, who started his career as a comic and impressionist, has proven himself a solid dramatic actor over the years and has never been better than he is here, both jovial and civilized as well as intimidating and brutish. The guy deserves some plum roles, casting directors.
Overall, this is a nifty film but not one that is going to rock your world particularly. I like some of the choices the filmmakers make here but other decisions seem to play it too safe. I do think that Dick has potential as a director; this isn’t a bad first film at all, but it’s not one that I believe will be an essential part of his filmography when all is said and done.
REASONS TO SEE: Dastmalchian shows some good presence and Pollak is always strong.
REASONS TO AVOID: Slow-moving and predictable.
FAMILY VALUES: There is plenty of profanity, some violence and some sexual references.
TRIVIAL PURSUIT: The film is based on a short film with the same title that Dick made two years prior to the feature.
CRITICAL MASS: As of 8/4/19: Rotten Tomatoes: 100% positive reviews: Metacritic: No score yet.
COMPARISON SHOPPING: Class of 1984
FINAL RATING: 5.5/10
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