(2021) Action (Netflix) Mary Elizabeth Winstead, Woody Harrelson, Miku Martineau, Tadanobu Asano, Jun Kunimura, Michel Huisman, Miyavi, Mari Yamamoto, Hirotaka Renge, Kazuya Tanabe, Cindy Sirinya Bishop, Amelia Crouch, Ava Caryofyllis, Gemma Brooke Allen, Hiroyuki Kobayashi, Koji Nishiyama, Kazuhiro Muroyama, Shinji Uchiyama, Miku Kobato. Directed by Cedric Nicolas-Troyan
Stop me if you’ve heard this one before; a badass super-competent assassin yearns to leave the business of turning people into worm food behind them, only to find out that their employers are unwilling to let them retire. Said badass super-competent assassin goes ballistic in an attempt to take revenge on those who have done them wrong. I noticed you haven’t stopped me.
Kate (Winstead) is a badass super-competent assassin, and has been raised to be such by her handler Varrick (Harrelson) since she was an orphaned child. But she wants out and a chance to live a relatively normal life and maybe even start a family. When her last assignment doesn’t work out as planned, she discovers that she’s been poisoned and has 24 agonizing hours to live.
As you might imagine, Kate doesn’t intend to go gently into that good night. Instead, she intends to rage, rage against the dying of the light and, more specifically, against those who poisoned her. Her investigation – which is done with guns and blades to cut down on time – leads her to a Yakuza clan chief named Kijima (Kunimura), but he is too well-guarded to go after directly. The way in is through his teenage niece Ani (Martineau) who at first is a kidnap victim but eventually begins to realize that she and Kate have a lot in common, and begins to access her own inner badass super-competent assassin.
This Japan-set Netflix extravaganza benefits from having the good folks at 87North, the production team responsible for the John Wick series, working with them and that particular franchise heavily influences the proceedings here. One of the things that is positive here is that the badass super-competent assassin here is female and that she develops a protégé relationship with a young woman, which is a nice gender-switch for this type of movie.
Winstead has done some decent action heroine work in the past, but she’s never been better than she is here. While the character of Kate doesn’t have a whole lot of emotional baggage – she’s been trained since childhood that way – Winstead still manages to imbue the character with humanity. Even as Kate’s body begins to betray her and the poison begins to reduce her reactions and bodily functionality into obstacles for her to overcome, Kate still carries herself with a lethal presence that is all Winstead. It’s a compelling action lead portrayal.
Martineau makes Ani much less annoying than the character might have been in less capable hands. A lot of time the teen protégé role tends to be a means for a younger audience to relate to the film and often most writers portray them as quipping, arrogant jerks who end up knowing more than the lead and saving the day. That kind of thing tends to make me want to gag.
Not that teens can’t be heroic; there are a whole lot of them out there who are, but there are plenty who are not. That’s true of all age groups, by the way. But I digress.
The Japanese-setting is neon-drenched, stylistically reminding of films like John Wick and Black Rain. I do think though that the movie missed an opportunity by making Japanese culture somewhat stereotypical; I would have preferred a deeper dive into the richness of it, a well waiting to be tapped, but alas, the filmmakers preferred to go the safer, easier route. Kate seems to be a modern samurai, or more accurately in this instance a ronin, but they don’t really explore that aspect at all, really. They should have.
Still, the movie is an entertaining if somewhat overly-familiar action movie that is executed reasonably well. With a little more care and love, this could have been something truly special rather than the decent diversion that it is.
REASONS TO SEE: Some really terrific action sequences, and Winstead makes a solid action heroine.
REASONS TO AVOID: The plot is going to feel a little bit familiar (a lot familiar, actually).
FAMILY VALUES: There is a whole lot of violence and gore, plenty of profanity, and some sexual situations.
TRIVIAL PURSUIT: This marks the fourth occasion (and counting) that Winstead has portrayed a character named Kate.
BEYOND THE THEATERS: Netflix
CRITICAL MASS: As of 01/28/22: Rotten Tomatoes: 45% positive reviews; Metacritic: 47/100.=
COMPARISON SHOPPING: D.O.A.
FINAL RATING: 6/10
NEXT: La Soga: Salvation