A Star is Born (2018)


A song is born.

(2018) Musical (Warner BrothersBradley Cooper, Lady Gaga, Sam Elliott, Andrew Dice Clay, Rafi Gavron, Anthony Ramos, Dave Chappelle, Alec Baldwin, Marlon Williams, Brandi Carlile, Ron Rifkin, Barry Shabaka Henley, Michael D. Roberts, Michael J. Harney, Rebecca Field, Derek Kevin Jones, William Belli, Dennis Tong, Joshua Wells, Greg Grunberg, Drena De Niro. Directed by Bradley Cooper

 

Talk about a tale as old as time: big rock star Jackson Maine (Cooper) wanders into a bar to get a drink (that it is a drag queen bar is a concession to these woke times) and hears a lovely ingenue named Ally (Gaga) belt out a jaw-dropping version of the Edith Piaf classic “La Vie en Rose.” Turns out that Ally also writes songs. Turns out the songs are really good.

Jackson likes one so much that he decides to perform one at his next concert. Just as icing on the cake, he drags a petrified Ally onstage to duet with him. And guess what? The song goes viral. Suddenly the songwriter-performer, who had just about given up on any shot at a career in the music business, has a career in the music business.

But what goes up must come down. As Ally’s star rises, alcoholism brings Jackson’s career to a standstill. A new manager turns Ally from a rock-oriented singer-songwriter into a pop diva complete with orange hair and a dance troupe. It is no accident – and in many ways, an acid comment on the state of music today – that as Ally grows more successful her music becomes less memorable, and in fact, becomes downright shitty.

This is the fourth version of this tale; it is also Cooper’s first foray into directing. He also co-wrote the screenplay and is one of a gaggle of producers. Word has it he also mopped the floors of the sound stages after shooting was done for the day.

The music here is pretty good, other than the robotic pop that Ally performs in the second half of the film. Cooper and Elliott (as Jackson’s manager and big brother) give outstanding performances, but it is Lady Gaga who will always be remembered for this movie. Already a huge pop diva, she shows that she is capable of being a movie star if she wants to be.

The movie runs a bit too long as we watch Jackson’s decline and Ally’s ascent; those scenes should have been a bit more streamlined. To be honest, I don’t think any version of the film is ever going to hold a candle to the Judy Garland-James Mason version back in 1954 – that’s a true classic. Still, there is a lot to be said for this movie, which was a major Oscar contender at last year’s Oscars (it did win one for Best Music Score). It remains a popular film – most people who saw it liked it or even loved it. I didn’t love it but I certainly did like it.

REASONS TO SEE: Lady Gaga is a true cinematic presence.
REASONS TO AVOID: Way too long, drags in the middle.
FAMILY VALUES: There is plenty of profanity, some sexuality and brief nudity, and some harrowing alcoholism depictions.
TRIVIAL PURSUIT: Cooper studied Elliott’s voice to come up with Jackson Maine’s voice – before Elliott had been cast.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, HBO Go, Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 1/18/20: Rotten Tomatoes: 90% positive reviews, Metacritic: 88/100.
COMPARISON SHOPPING: Every other A Star is Born
FINAL RATING: 6.5/10
NEXT:
Venom

New Releases for the Week of October 5, 2018


VENOM

(Columbia/Marvel) Tom Hardy, Michelle Williams, Woody Harrelson, Jenny Slate, Riz Ahmed, Michelle Lee, Sope Aluko, Reid Scott, Mac Brandt, Melora Walters. Directed by Ruben Fleischer

Investigative reporter Eddie Brock tries to redeem himself following a scandal following a government experiment involving an alien symbiotic lifeform but accidentally becomes infected by the symbiote. He becomes Venom, a violent and often malevolent entity who has his own agenda but with a shadowy organization with nefarious ambitions of the own trying to develop their own version, the alien and the reporter realize their interests intersect.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, DBOX, DBOX 3D, IMAX, IMAX 3D, RPX, RPX 3D, XD, XD 3D
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of sci-fi violence and action, and for language)

A Star is Born

(Warner Brothers) Bradley Cooper, Lady Gaga, Sam Elliott, Dave Chappelle. The latest version of a timeless classic finds a grizzled musician with a rosier past than future falling for a young woman who has given up on her dream of stardom. He coaxes her into the spotlight and her career immediately takes off but the higher she soars, the more strain on their relationship is placed particularly since he has a substance abuse problem that is putting everything in jeopardy. Cooper also makes his directorial debut.

See the trailer, a video featurette and a music video here
For more on the movie this is the website

Release Formats: Standard, Dolby
Genre: Musical
Now Playing: Wide Release

Rating: R (for language throughout, some sexuality/nudity and substance abuse)

The Church

(Hard Floor) Clint Howard, Bill Moseley, Ashley C. Williams, Meghan Strange. The minister of a once vibrant and iconic Baptist church in a decaying Philadelphia neighborhood resists gentrification despite pleas from his status-seeking wife and bribes from unscrupulous developers. He is determined to preserve the legacy of his family’s ministry in the neighborhood even if he has to break a few commandments to do it!

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: AMC Disney Springs

Rating: PG-13 (for some violent content and thematic materials)

Mandy

(RLJE) Nicolas Cage, Andrea Riseborough, Linus Roache, Bill Duke. A peaceful couple living in the wilderness of the Pacific Northwest has their lives shattered by a twisted cult leader who develops an obsession with Mandy, the distaff half of the couple. Red, the male half, is forced to go on a journey of vengeance, blood, fire and rage.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: NR

Monsters and Men

(Neon) Anthony Ramos, John David Washington, Nicole Beharie, Cara Buono. A young man with a promising athletic future witnesses a police shooting, recording it on his cellphone. He has the valuable proof that will validate the assertion that it was unjustified but releasing the footage could jeopardize his future.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, Regal Winter Park Village

Rating: R (for language)

Pick of the Litter

(Sundance Selects) Dana Nachman, Don Hardy Jr. This documentary follows a litter of puppies from the moment of their birth through the two years of training to be service dogs for the blind. The bar is set high and not every dog makes the cut. Both heartwarming and heartbreaking, the film provides insight as to how dogs go from unruly pups to disciplined service animals.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: NR

Shine

(GVN) Jorge Burgos, Gilbert Saldivar, Jadi Collado, Alysia Reiner. Two salsa dancing Puerto Rican brothers in Spanish Harlem are estranged by a family tragedy. Years later they have chosen different paths; one looking for success as a real estate developer, the other devoted to preserving their old neighborhood at all costs. What’s a dancer to do…except dance?

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Urban Dance
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC West Oaks, Cobb Plaza Café Cinema, Old Mill Playhouse, Regal Pointe Orlando, Regal The Loop, Regal Waterford Lakes

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Andhadhun
Bayou Caviar
Exes Baggage
Nota
Ride

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

96
A Crooked Somebody
Exes Baggage
Fats Buddies
The Hate U Give
Hello, Mrs. Money
Nota
Prathamika Shale, Kasargud, Koduge Ramanna Rai
The Sisters Brothers

ALSO OPENING IN TAMPA/ST. PETERSBURG:

96
A Crooked Somebody
Loveyatri
Loving Pablo
Nota
Pariyerum Perumal
Raatchasan
Ride
Tea With the Dames
Varathan
Viking Destiny

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

96
Andhadhun
Exes Baggage
Nota

SCHEDULED FOR REVIEW:

A Star is Born
The Church
Mandy
Pick of the Litter
Tea With the Dames
Venom

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Tampa International Gay and Lesbian Film Festival (Tampa, FL)

Gnomeo and Juliet


Gnomeo & Juliet

Featherstone engages in a little light bondage with Gnomeo and Juliet.

(2011) Animated Feature (Touchstone) Starring the voices of James McAvoy, Emily Blunt, Michael Caine, Maggie Smith, Jason Statham, Patrick Stewart, Ashley Jensen, Matt Lucas, Jim Cummings, Ozzy Osbourne, Hulk Hogan, Julie Walters, Dolly Parton, Stephen Merchant, Richard Wilson. Directed by Kelly Asbury

If the play’s the thing, then Romeo and Juliet may just be THE thing. Perhaps the most famous play ever written, it has been told and re-told in all sorts of cinematic methods, from musicals (West Side Story) to epics (Zeffirelli’s 1968 version) to mistakes (Baz Luhrmann’s 1996 MTV-hip version). However, I can’t think of any version that is quite as bizarro as this one.

Mr. Montague (Wilson) and Miss Capulet (Waters) live at 2B and Not 2B Verona Avenue. They have had a petty rivalry going on over the years stemming from their gardens. This resentment has carried over to their garden furniture, particularly the garden gnomes that populate their yards. On the Montague side, Lord Redbrick (Caine) rules the red gnomes; on the Capulet, Lady Bluebury (Smith) is the boss.

Gnomeo (McAvoy) is son of Lady Bluebury; Juliet (Blunt) daughter of Lord Redbrick. The endless rivalry that goes on, largely in the form of lawnmower races between Gnomeo and Tybalt (Statham) which Tybalt cheats in order to win, has been escalating. Juliet, tired of being cooped up on a pedestal watched over by Nanette (Jensen), a frog fountain at the behest of Juliet’s overprotective dad, wants to contribute and be productive; she spies a rare orchid in the hothouse of a neighboring yard whose house has fallen into disrepair. She means to nab it for the Reds in order to put the red yard ahead of the blue.

In the meantime, Gnomeo means to exact revenge for Tybalt’s destruction of the Blue lawnmower. He and his cousin Benny (Lucas) go on a stealth mission to the Red yard, meaning to lay down some graffiti but Benny gets a bit carried away and the two are discovered. They flee and Gnomeo is forced to take shelter in the abandoned yard.

It is of course at that moment that Juliet, dressed as a ninja (okay, wearing one of Mr. Montague’s old socks) enters the abandoned yard to nab the orchid. Gnomeo sees her go after it and in the way of guys everywhere, once he sees somebody wants something he wants it too. The two of them compete for the flower in a series of martial arts-like moves until they get a gander at each other’s faces. That’s it – instant love. However, they fall into a convenient pond, washing off Gnomeo’s camouflage and washing away Juliet’s sock and they realize that they are from opposing sides.

That doesn’t mean much to true love however and they arrange a meeting in the neutral yard the next day. There they meet Featherstone (Cummings), a plastic pink flamingo who has languished in the storage shed since the owners of the house divorced and went their separate ways years ago. He is pleased to see them, particularly when they discover his missing leg. He is all about love, particularly since his own love was taken away from him in the divorce.

The two are definitely in love and life could certainly be idyllic, particularly if they follow through with their plans to run away and start a new garden in the dilapidated old yard. However, Tybalt is getting out of control and the war between red and blue is escalating and frankly, red is winning. However, the blue side looks to even things out with something called the Terrafirminator. The more out of control things get, the more likely that a tragic ending is  inevitable.

This is one of those nice occasions where my expectations were exceeded. I didn’t think much of the trailer; the animation isn’t really ground-breaking and while the whole concept is different to say the least, it is sufficiently out there that sight unseen it left me with a kind of wait-and-see attitude. Quite frankly, Da Queen was far more jazzed to see this than I was. I’m very glad that she insisted we go see it.

This is more than pretty good. There are many sly Shakespearean references (“Out! Damn spot!” refers not to a bloodstain but to a wayward hound) as well as some amazing stunt casting, like metal god Ozzie Osbourne as a sweet porcelain deer, and Patrick Stewart as a grumpy William Shakespeare. Hulk Hogan narrates an online ad for the Terrafirminator and Dolly Parton adds a turn as the starter at the lawnmower race (with an appropriately blonde and large-breasted gnome as her onscreen alter ego).  

Director Kelly Asbury previously worked on such disparate projects as Shrek 2 and Spirit: Stallion of the Cimmaron.  He shows a deft hand here and despite an army of writers, lends a Monty Python-esque air to the proceedings.

Elton John was the executive producer of the project and most of the incidental music is themes from his hit songs done with an orchestra. That does make for a nice trip down memory lane, not to mention he contributes two new original songs (one a duet with Lady Gaga) but I would have preferred a little more original music – maybe another song or two – to balance the retreads.  

There aren’t nearly the pop culture references so prevalent in most animated features in the post-Shrek era which is kind of refreshing. It has a decidedly English feel, like the Aardman films (like Chicken Run and Flushed Away). In short, this is something completely different from the animated ranks, so much so that Disney chose to release it through their Touchstone imprint rather than the parent company where they usually place their animated features. That may backfire on them – I suspect that the film might have benefitted from the Disney marketing and brand name, but still in all don’t let its lack stop you – this is a fine animated feature that will delight children and adults alike.

REASONS TO GO: Wonderful Shakespeare in-jokes replace pop culture references. Nicely cast (and drawn) cameos.

REASONS TO STAY: Music recycles Elton John themes ad infinitum – some more original music and songs would have been welcome.

FAMILY VALUES: Suitable for all audiences.

TRIVIAL PURSUIT: James McAvoy and Patrick Stewart have both played Professor Charles Xavier in the X-Men movies; Stewart in the first three (and the Wolverine spin-off) and McAvoy in the upcoming X-Men: First Class.

HOME OR THEATER: Certainly the 3D aspect may work better in the theater, but this one looks just as good at home methinks.

FINAL RATING: 7/10

TOMORROW: The Other End of the Line