Sightseers


What girlfriend wouldn't make her boyfriend feel inferior with one of those?

What girlfriend wouldn’t make her boyfriend feel inferior with one of those?

(2012) Horror Comedy (IFC) Steve Oram, Alice Lowe, Roger Michael, Tony Way, Monica Dolan, Jonathan Aris, Eileen Davies, Aymen Hamdouchi, Tom Meetan, Kali Peacock, Kenneth Hadley, Stephanie Jacob, Christine Talbot, Richard Lumsden, Dominic Applewhite, Sara Stewart. Directed by Ben Wheatley

Florida Film Festival 2013

Everyone’s idea of a vacation is different. Some choose to travel, see different cultures and different places. Others want to go out and experience the gusto – get out there and go hang gliding, rock climbing or snorkeling. You know, the Type A personality stuff.

Tina (Lowe) and Chris (Oram) are far from the latter. Chris is an aspiring writer who is taking a trip in his caravan (RV to us yanks) to England’s Lake District to write a book on his travels there. Tina, his girlfriend, is a dog lover of epic proportions although she is mourning the accidental death of a beloved pet – a death her hypochondriac overbearing mother (Davies) blames her for and never fails to take the opportunity to remind her of it.

Mum is also trying to talk Tina out of taking the trip with Chris. Not because she’s got any real concern for her daughter, but that it might be inconvenient for her not to have Tina waiting on her hand and foot. If Leona Helmsley ever sponsored a motherhood award, Tina’s mom would win hands down.

So away they go in their RV to see the sights – a tram museum, a pencil museum, ruins of an abbey and the English equivalent of a state park. At first it’s the ideal trip. Tina feels as close to Chris as she’s felt to anyone – this might be The One. But there are some troubling qualities beginning to surface. He hates to be questioned, for one thing. He has a pretty explosive temper, for another. For a third, he’s a serial killer.

But he’s not just your average, ordinary run-of-the-mill psycho. He has rules. He only offs those who deserve it. Of course, his idea of those who deserve it might be a wee bit…stringent. For example, a lout who drops an ice cream wrapper on an antique trolley – he’s GOT to go, son. Uppity upper crust sorts who treat Tina condescendingly? So long, senor.

However far from being repulsed by this behavior, Tina attempts to join in and messes it all up. She goes after a bride who gives Chris a drunken smooch. Hasta la vista, baby.

Wheatley is an up-and-coming director who has a couple of pretty cool films already on his resume (Down Terrace and Kill List) and has been announced to be directing a couple of highly anticipated films coming down the pipeline (A Field in England and Freakshift as well as the HBO miniseries Silk Road). I agree with the praise being lumped on him – the man knows how to make a movie full of subtleties as well as being over-the-top – in the same movie.

Chris and Tina are so bloody ordinary that you can’t help wonder why they didn’t become serial killers earlier. Both of them have a different sort of ordinariness. Chris is a bit of a lummox from the surface but he’s actually quite clever and meticulous. Tina, who seems to be much more organized at first glance is rather more chaotic. One of the joys of the film is watching Tina and Chris switch places as the film progresses.

Lowe and Oram have some real chemistry and it goes a long way – right up until the final twist which is so organic, so unexpected that it’s a thing of beauty. I’d walk a hundred miles for an ending like that – they are quite infrequent in movies these days. The hardest thing for a writer to do is write a good ending.

The humor is a bit irreverent and some scenes will make you squirm while you laugh. It’s not that the gore is excessive – it isn’t but there’s enough there to be effective – but the situation might just make you go “am I really laughing at that?”

Chris and Tina do some rather unspeakable things. When you look at the acts themselves you might just recoil in horror but overall the two of them are lovable losers, enough so that you root for them in spite of yourself even though Chris has anger issues and Tina can be a shrill little harpy when she wants to be.

To top it all off there’s some beautiful cinematography of bucolic  landscapes, RV parks and quaint towns. I’m not sure I’d want to go to the pencil museum but I might just to buy the Big Pencil – a.k.a. Big Scribbler – in the picture above. But what can I say? The allure of oddball tourist attractions is like catnip to me.

This is the kind of movie that comes at you from every direction and you never know what they’re going to do next. Lowe and Oram deliver enough likability that when their characters go off the rails, you’re still invested enough in the that you don’t give up on them. Maybe you even get the vicarious thrill of giving a few sorts what you wish they’d get and might even deserve. I love hearing Chris rationalize that murdering these undesirables reduces the carbon footprint – so in fact serial killing is green. Which is what I hope this film sees plenty of.

REASONS TO GO: Offbeat and funny. A black comedy taken to extremes.

REASONS TO STAY: The foul deeds of the leads may be too much for some to generate any sympathy for.

FAMILY VALUES:  There is plenty of violence and some gore. There’s also quite a bit of sex and some nudity. There’s a fair amount of foul language.

TRIVIAL PURSUIT: Screenwriter Tim Macy also wrote the short story that the movie is based on.

CRITICAL MASS: As of 5/10/13: Rotten Tomatoes: 82% positive reviews. Metacritic: 66/100; critics clearly didn’t like this film a whole lot.

COMPARISON SHOPPING: Natural Born Killers

FINAL RATING: 8.5/10

NEXT: The Place Beyond the Pines

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Miss Potter


Miss Potter

Norman Warne and Beatrix Potter inspect a proof of her first book.

(2006) Biographical Drama (Weinstein) Renee Zellweger, Ewan McGregor, Emily Watson, Barbara Flynn, Bill Paterson, Lloyd Owen, Anton Lesser, David Bamber. Directed by Chris Noonan

Most of us are aware of Peter Rabbit, Flopsy, Mopsy and Cottontail – they are indelible parts of our childhood. Some of us might even be aware of Beatrix Potter, the 19th century author and creator of those wonderful characters. Most of us, however, know nearly nothing of her, which considering she is the best-selling children’s author of all time – she has sold more books than both Dr. Seuss and J.K. Rowling – is a bit of a shame.

Zellweger means to change that. A fan of the famed author, the biopic of Beatrix Potter was something of a labor of love for the star. She plays Potter as an un-lovely but imaginative spinster, living in the home of her wealthy parents who despair of ever marrying her off as she rejects suitor after suitor, most of them brought before her because of their titles or bloodline. Beatrix, however, will have none of that. She’ll marry for love or not at all.

She also is a talented artist, a skill encouraged by her father (Paterson) who was something of an artist himself before his family forced him to take up a more respectable vocation – the law, which ironically he rarely practiced. She also has a talent at making up stories, one which kept her and her brother entertained as children. Now, she means to entertain other children with her tales, but she goes from publishing house to publishing house only to meet rejection and scorn. She finally finds one, Warne House, which is willing to publish her but only believes she’ll make a marginal profit. They fob her off on Norman (McGregor), youngest son of the family and thought to be something of a foul-up.

Norman, however, proves to be almost as enthusiastic about the project as Miss Potter herself, and the two engage in a marvelous simpatico that results in some of the classic children’s books of all times. Norman introduces Beatrix to his sister Millie (Watson) and the two become fast friends, a friendship that deepens as Beatrix falls in love with her editor. The two propose to marry, but Beatrix’s parents are aghast. Firstly, Norman is a tradesman – why, the very thing is beneath them. Secondly, by Victorian standards, they’ve barely met. The overbearing mother (Flynn) and the somewhat more sympathetic father finally arrange a truce with their distraught daughter – if she still feels the same way at the end of the summer, then the marriage will receive their blessing. Reluctantly, Beatrix agrees, expecting to hear wedding bells at the conclusion of her time at their house in the English Lake Country. Tragically, it is not wedding bells but a funeral dirge that she will hear as Norman sickens and dies in her absence.

Devastated, she moves to a home in her beloved Lake Country in a charming farm house (which still exists today, by the way). There, she finds solace in a new vocation – as an activist in preserving the Lake Country from over-development, and in the arms of a realtor (Owen) that she first met when he was a young man.

Fantasy segments bring the drawings of Beatrix Potter to life, and while unfortunately Zellweger’s performance is a bit bland (but to be fare, Miss Potter in reality was a bit bland), nonetheless you feel as if you’ve gotten some insight into the woman at the film’s conclusion, a very satisfactory outcome for any biopic. I enjoyed McGregor’s performance and the English supporting cast is first-rate, although not well-known.

I love the recreation of the period, which feels authentic and allows a glimpse at the daily lives of the well-to-do, not to mention the psyche of the nouveau riche of the time. And, of course, there are the wonderful tales of Beatrix Potter; watching her creations come to life in her head was revisiting beloved old friends for me. This is truly a charming movie that isn’t overwhelming, but a solid effort nonetheless.

REASONS TO RENT: Charming fantasy sequences. Solid performances by McGregor and support cast. Nice recreation of the period.

REASONS TO RENT SOMETHING ELSE: Zellweger a bit bland. Story drags a bit in the middle third.

FAMILY VALUES: There’s some mildly naughty words but really nothing your kids haven’t already heard.

TRIVIAL PURSUIT: The “Hilltop” house that Beatrix Potter retreats to in the Lake District is actually Yew Tree Farm in the town of Coniston in the Lake District, not far from where Potter actually lived.

NOTABLE DVD FEATURES: There is a feature on the real Beatrix Potter and the marketing of her books which was one of the first books to market the characters to children and made Potter one of the wealthiest authors of her time.

BOX OFFICE PERFORMANCE: $35.1M on an unreported production budget; I’d hazard a guess that the movie was slightly profitable.

FINAL RATING: 7/10

TOMORROW: Two Lovers