Senior Moment


Life begins at 80

(2021) Comedy (Screen Media) William Shatner, Jean Smart, Christopher Lloyd, Katrina Bowden, Esai Morales, Ruta Lee, Valerie Pettiford, Carlos Miranda, Beth Littleford, Don McManus, Maya Stojan, Joe Estevez, Ron Gilbert, Denise DuBarry, Kaye Ballard, Wesley Eure, Jack Wallace, David Shatraw, Jilon VanOver, Luke Massy, Melissa Greenspan. Directed by Giorgio Serafini

 

One of the main indignities of growing old is the loss of abilities; while we have been self-sufficient all our lives, suddenly we need help doing even the basics as various aches and pains and infirmities brought on by living an increasing number of years taxes are bodies well past our wear date. For many, the loss of the ability to drive is the loss of independence and brings us back to the dependency of our childhood. It’s humbling, to say the least.

Victor Martin (Shatner) is a former NASA test pilot (undoubtedly a nudge nudge wink wink at Shatner’s bests-known role) living out his retirement in balmy Palm Springs. A confirmed bachelor, he spends most of his days hanging out with his best buddy Sal (Lloyd) and driving his pride and joy, a vintage Porsche convertible. A man who has the need for speed, he’s not afraid to test his mettle against would-be drag races, but his enthusiasm often gets him making poor choices. After one too many drag races with a friendly rival (Miranda), his license is suspended and his Porsche impounded.

Relegated to public transportation, surly Uber drivers, expensive taxis and his own two feet, Victor is forced to slow things down and in doing so, runs into Caroline (Smart), a café owner who makes a mean strudel as well as an activist concerned with saving the desert tortoise. She and Victor couldn’t be less alike. Therefore, the two fall in love. Victor at last realizes that there is something more to life than fast cars and hot young girls, but does he have the ability, at this point in his life, to be a good romantic partner?

It should be said that Shatner was 86 when this was filmed and turned 90 just a few days before this film was released this past Friday (as this is written) and he doesn’t seem to have slowed down all that much. While nobody is hoping that his shirt rips any longer, he still has the screen presence that made him not only a star but a cultural icon. He has an easy chemistry with Designing Women’s Smart as well as Taxi’s Lloyd. He keeps things pretty much low-key and that serves him well here.

The problem with the movie isn’t so much the actors, who are for the most part accomplished pros who do their best with what they’re given, but in the writing. The movie follows established rom-com tropes and ends up being more predictable than it needed to be. I also thought the hoary old trope of the dirty-minded senior was insulting. Certainly seniors are sexual; that’s been explored in plenty of films and television shows. It just seems condescending to make a joke out of it.

But the worst thing is that most of the humor falls pretty flat. The movie feels like the director really wanted to make a drama and the writer really wanted to write a comedy; at times, the film seems at war with itself as to what it wants to be. I can only imagine that actors were wondering the same thing.

At worst, this is a predictable time-waster that will be viewed once, and then forgotten by the viewer who might have been attracted to see it due to the presence of the leads. At best, though, the charm and sweetness of the cast will be just enough to make it worth your while.

REASONS TO SEE: Generally sweet-natured entertainment.
REASONS TO AVOID: The humor often falls flat.
FAMILY VALUES: There is profanity including sexual innuendo, sexual content and drug use.
TRIVIAL PURSUIT: Shatner and Lloyd appeared together in Star Trek III: The Search for Spock and then again in Just in Time For Christmas.
BEYOND THE THEATERS: Amazon, AppleTV, DirecTV, Fandango Now, Microsoft, Redbox, Vudu
CRITICAL MASS: Rotten Tomatoes: 17% positive reviews; Metacritic: 37/100.
COMPARISON SHOPPING: Boynton Beach Club
FINAL RATING: 5/10
NEXT:
Miracle Fishing: Kidnapped Abroad

Finding Your Feet


Dancing never gets old.

(2017) Dramedy (Roadside Attractions) Imelda Staunton, Timothy Spall, Celia Imrie, Joanna Lumley, David Hayman, Phoebe Nicholls, Josie Lawrence, John Sessions, Indra Ové, Richard Hope, Sian Thomas, Victoria Wicks, Marianne Oldham Jacqueline Ramnarine, Fran Targ, Paul Chan, Alex Blake, Frankie Oatway, Peter Challis, Patricia Winker, Karol Steele. Directed by Richard Loncraine

 

For some reason, the British seem to be very adept at putting out movies about people approaching their golden years with a certain joie de vivre. From Waking Ned Devine through The Best Exotic Marigold Hotel through this Richard Loncraine-directed entry, they have taken a fairly formulaic plot and elevated it somewhat through the casting of some of the best actors of their generation and created a style of movies that is squarely aimed at the AARP set here but should have plenty of appeal to those with older parents or grandparents.

Lady Sandra Abbott (Staunton) is executing the party celebrating the knighting of her retiring husband (Sessions) with all the discipline of a five-star general. Things are going swimmingly until she discovers hubby canoodling in the cloak room with her best friend Pamela (Lawrence). Furious and humiliated, she moves out into the home of the only person who’ll have her; her big sister Bif (Imrie) who is about as opposite of the snooty, class-conscious Sandra as it’s possible to be. Bif is a free-spirited Bohemian who hasn’t strayed far from her hippie roots.

At first the two are eternally at odds and despite the good-hearted attempts of Bif to cheer her sister up, Sandra is a lot more wounded than she’s willing to admit. Finally Bif manages to convince her to attend the dance class she attends at the local community center. There she meets Jackie (Lumley), the lone patrician in the group; working class Ted (Hayman) and more to the point, Charlie (Spall) who is a good friend and confidante of Bif and who is a bit of a handyman for her. Naturally, Sandra despises him.

Of course you can guess where the film is going to go from there and – spoiler alert – it does just that. All the elements are there; mortality, Alzheimer’s, late life romance and a big competition in which the elderly will be taking on much younger groups. At times the movie seems to make a joke out of Bif’s sexual activity – as if sex started with the young – but to Loncraine’s credit he seems to prefer giving the seniors a sense of normalcy which is of course reality – the elderly do have sex from time to time, they talk about it in bawdy terms from time to time, they do physical activities and they are generally aware of current trends. It feels like moviegoers have a tendency to prefer our retirees to be un-hip and sedentary. That’s also quite far from reality; there are lots of those who are 20 years my senior who are in far better shape than I am and who know more about rap and modern pop culture than I do.

This is a movie that makes a lot of hay from the charm of the leads. Spall often plays venal roles but given a genuinely nice guy part to play he fills the screen with a brilliant smile and authentic warmth. You end up rooting for Charlie and late in the movie when he makes a critical relationship error, you can’t help but feel for the guy. There’s a scene that takes place shortly after a visit to a loved one in a nursing home in which he sits in his car and slowly his demeanor is stripped away and his sorrow and grief come to the fore. It’s the kind of scene in other hands would feel maudlin and manipulative but instead you find yourself misty-eyed as well.

I have to admit that every time I see Staunton onscreen I think “Dolores Umbridge” and that’s a tribute to her very underrated performance in that role which many know her best at, but I suspect many Americans would be astonished to discover that she has a long and honored career in musical theater. When she gets to dance she shows the kind of grace and style that comes from being a musical theater star and if the movie makes a tactical mistake it’s that they didn’t give her more opportunities to dance. Imrie similarly is pixie-ish and eye-twinkling and is a joy in this role. Is it any wonder that they were all snatched up by the Harry Potter franchise?

Da Queen is an absolute sucker for this kind of movie and it hit all her feels in spades. She loves a good cry during the course of a movie and even more she loves to feel good leaving the theater and she got both of those check marked by this film. I’ll be really honest with you; I didn’t have very high expectations for this movie and I was pleasantly surprised. Yes, this is for sure aimed at an older crowd but don’t let that stop you from seeing a movie that will make you feel good after seeing it. Goodness knows that we could all use all the good feelings we can get.

REASONS TO GO: Spall, Staunton and Imrie all turn on the charm. The film is genuinely heartwarming without being too manipulative.
REASONS TO STAY: The story is somewhat predictable.
FAMILY VALUES: There is brief drug use, sexually suggestive material and occasional profanity.
TRIVIAL PURSUIT: Spall and Imrie played husband and wife in The Love Punch.
CRITICAL MASS: As of 3/31/17: Rotten Tomatoes: 77% positive reviews. Metacritic: 54/100.
COMPARISON SHOPPING: Unfinished Song
FINAL RATING: 7.5/10
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Caught