New Releases for the Week of March 24, 2017


POWER RANGERS

(Saban/Lionsgate) Dacre Montgomery, Naomi Scott, RJ Cyler, Ludi Lin, Becky G, Elizabeth Banks, Bryan Cranston, Bill Hader (voice), David Denman. Directed by Dean Israelite

Five ordinary high school kids from a small town suddenly become humanity’s last hope. They discover a buried spacecraft and they are each given extraordinary powers. However, a threat from a different alien race threatens the Earth and the teens, with some guidance, must learn to work as a unit if they are going to save the day and become Power Rangers.

See the trailer, a clip and B-Roll video here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi violence, action and destruction, language, and for some crude humor)

American Anarchist

(Gravitas) William Powell. One of the most notorious books of the counterculture of the 60s and 70s was The Anarchist’s Cookbook which among other things gave detailed instructions on how to build homemade bombs. The book has since been used by terrorists as something of a Bible. The original author, William Powell, was also deeply affected by the book which he wrote at age 19. Now 65 years old, his perspective has changed a great deal. This film documents his journey from angry young man to where he is now.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Bokeh

(Screen Media) Maika Monroe, Matt O’Leary, Arnar Jónsson, Gunnar Helgason. A young American couple on a romantic vacation in Iceland wakes up one morning to find that every other person on Earth has disappeared. At first reveling in their freedom, the reality of their situation starts to sink in. If they get hurt or sick, there are no doctors. There are no pilots or ship captains to take them back home to America – they’re stuck in Iceland. There are no farmers to grow crops, no ranchers to raise cattle, no technicians to fix broken devices. They are truly, frighteningly, on their own.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Premiere Fashion Square Cinema

Rating: NR

CHiPS

(Warner Brothers) Dax Shepard, Michael Peña, Jessica McNamee, Adam Brody. Allegations of corruption in the California Highway Patrol have led the F.B.I. to plant a mole in the Patrol. That mole is paired up with a battered veteran of the Patrol who is just trying to get his life and marriage back on track. However, that’s easier said than done considering there’s a multimillion dollar heist whose mastermind just might be a CHiP.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content, graphic nudity, pervasive language, some violence and drug use)

Life

(Columbia) Ryan Reynolds, Jake Gyllenhaal, Rebecca Ferguson, Hiroyuki Sanada. The crew of the International Space Station retrieves a satellite launched from Mars bringing samples to Earth. Once the satellite is opened, a discovery that could change our entire concept of life and the universe is made – but it’s a discovery that could very well also be the death knell of humanity.

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: R (for language throughout, some sci-fi violence and terror)

Slamma Jamma

(RiverRain) Chris Staples, Michael Irvin, Jose Canseco, Ray Gunnarson. A former basketball star with a bright future is released from prison for a crime he didn’t commit. Determined to get back what was lost, he enters a national slam dunk competition in order to win redemption for himself and to regain the respect of his family and friends.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, AMC West Oaks, Regal The Loop, Regal Oviedo Marketplace, Regal Waterford Lakes

Rating: PG (for thematic elements, some violence and language)

Song to Song

(Broad Green) Ryan Gosling, Rooney Mara, Michael Fassbender, Natalie Portman. Two couples involved with the Austin, Texas music scene become entangled in both their musical careers as well as their personal careers. Chasing success is not always an easy thing in the cutthroat music industry.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Regal Winter Park Village

Rating: R (for some sexuality, nudity, drug use and language)

Wilson

(Fox Searchlight) Woody Harrelson, Laura Dern, Judy Greer, Cheryl Hines. A middle-aged misfit named Wilson who has absolutely no filter and is as neurotic as a cat in a house of mirrors discovers that his ex-wife put a baby up for adoption after they divorced. Overjoyed that he’s a father, he drags his estranged ex to meet their daughter and connect with them as a hopelessly warped family. This is based on the Daniel Clowes graphic novel.

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Disney Springs, Enzian Theater

Rating: R (for language throughout and some sexuality)

The Founder


Ray Kroc worshiping at the Golden Arches.

(2016) Biographical Drama (Weinstein) Michael Keaton, Nick Offerman, John Carroll Lynch, Laura Dern, Linda Cardellini, B.J. Novak, Patrick Wilson, Justin Randell Brooke, Kate Kneeland, Griff Furst, Wilbur Fitzgerald, David de Vries, Andrew Benator, Cara Mantella, Randall Taylor, Lacey King, Jeremy Madden, Rebecca Ray, Adam Rosenberg, Jacinte Blankenship. Directed by John Lee Hancock

 

Most of us are more than familiar with McDonald’s. It is Main Street, America on a global scale; on a typical day the fast food chain will feed something like 8% of the world’s population. They are convenient and in a fast-paced world where meals can be afterthoughts, a necessity. But how did they get to be that way?

Salesman Ray Kroc (Keaton) is having a spectacular lack of success selling his five spindle milkshake mixer to diners and drive-ins in the Midwest. When he gets an order for five of the machines from a burger joint in San Bernadino, California, he is gratified – gratified but amazed. The operation he visits is staggering; lines snake through the parking lot. Counter service only, he makes his order for a cheeseburger, fries and a coke and gets it delivered to the window in less than a minute. Dumbfounded, he sits down to eat his meal – and it’s actually pretty darn good. The restaurant, named McDonald’s for the McDonald brothers who own it, looks promising as visions of a franchise operation begin to dance in his head.

At first the brothers – Dick (Offerman) and Mac (Lynch) aren’t too interested. They’d tried something like it before and ended up with franchise owners adding their own flair – fried chicken, barbecue, straying from the formula of keeping the menu simple and the quality high. Kroc thought he could make that happen by being a hands-on boss. As it turned out, that didn’t quite work out the way he expected.

At home, his wife Ethel (Dern) lives a life of loneliness and boredom, living for those precious times when they go to dinner at the local club. He uses those occasions to snare investors and Ethel tries to help in her own way. Soon though Ray’s dreams are fast outstripping those of his partners as well as those of his wife. The wife (Cardellini) of a potential investor (Wilson) catches his eye. As for the McDonald brothers, they are content with having a quality restaurant and what Ray is looking to build is more than they intended to take on and their reluctance to change or to compromise quality becomes a major frustration for Ray. He becomes aware that the biggest hurdle in making McDonald’s a household name are the McDonald brothers themselves.

I’m not too sure what the executives at the McDonald’s corporation think of this movie; they are in a very real sense the descendants of Ray Kroc and they owe their position to his vision and his drive to achieve it. I think they appreciate the free advertising but Ray doesn’t come off terribly well here in many ways although he did do a lot of the less savory things that are depicted here, including taking credit for some of the aspects of the image that the McDonald brothers introduced (like the golden arches) and effectively excising the brothers from the history of the company (he labeled an Illinois franchise McDonald’s #1 when in fact it was the ninth store to open). Keaton imbues Ray with a surfeit of charm without ignoring the man’s more vicious traits; he also gives Ray enough energy and charisma that when he does some pretty bad things, one still roots for him. Maybe there’s something in that secret sauce that compels us to but I think that Keaton’s performance has a lot to do with it too.

The film only covers a short period in the history of the fast food Goliath and doesn’t really get into the globalization of the brand or examine the effect of their product on the obesity epidemic in this country which has disappointed some critics but not this one. There are plenty of things one can get into concerning the pros and cons of McDonald’s from their catchy advertisements, their shrewd marketing to children with the play areas and Ronald McDonald and their recent move to adding more nutritional selections on their menu and offering a wider variety of food in general. I think the movie accomplished what it set out to do and examine how McDonald’s went from being a small roadside burger joint in California to the global giant it is today and that’s plenty of story for one movie.

There’s plenty of dramatic conflict that goes on but this simply isn’t going to appeal to those who are easily bored. Although there might be a niche group interest for those who are interested in how corporate entrepreneurs achieved their success, I’m not sure if America (or anywhere else) is waiting for movies about Col. Sanders, Sam Walton (founder of Wal*Mart) or Bill Gates. I did find Keaton’s performance fascinating and that kept enough of my interest to give this a mild recommendation.

REASONS TO GO: Keaton delivers a solid performance.
REASONS TO STAY: Some might find this a bit boring.
FAMILY VALUES: There is a bit of profanity.
TRIVIAL PURSUIT: All of the McDonald’s restaurants depicted in the film were built from scratch in parking lots and vacant lots because producers couldn’t find suitable locations that matched the look of the film that they were aiming for.
CRITICAL MASS: As of 3/15/17: Rotten Tomatoes: 83% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: The Social Network
FINAL RATING: 6/10
NEXT: It’s Not My Fault (And I Don’t Care Anyway)

99 Homes


These days a man's home is the bank's castle.

These days a man’s home is the bank’s castle.

(2015) Drama (Broad Green) Andrew Garfield, Michael Shannon, Laura Dern, Clancy Brown, Tim Guinee, Nicole Barré, Yvonne Landry, Noah Lomax, J.D. Eyermore, Cullen Moss, Jordyn McDempsey, Ann Mahoney, Judd Lormand, Deneen Tyler, Donna Duplantier, Wayne Pére, Cynthia Santiago, Juan Gaspard, Nadiyah Skyy Taylor. Directed by Ramin Bahrani

It wasn’t that long ago that the economy tanked in the sub-prime mortgage crisis. Homes were being foreclosed upon at rates unheard of since the Great Depression. Families were displaced, the rich got richer and in essence nothing has changed since then other than the banks are being more circumspect somewhat, but none of the regulations that had kept this from happening before have been reinstated.

Taking place in 2010, the events in 99 Homes are said to have actually happened although I’m unclear whether they took place in the Orlando locale the film is set in. Dennis Nash (Garfield) is a construction worker who discovers that the builders of the development he’s working for have run out of money and that the past two weeks he’s been working are going to go unpaid.

His childhood home, which he lives in with his mother (Dern) and grew up in is underwater and he’s several payments behind. The bank isn’t terribly interested in anything but foreclosure and his trip to court has left him reeling; the judge, overwhelmed with the number of foreclosure cases, simply rubberstamps the bank’s request and sends Dennis packing. Dennis is told he has 30 days to appeal.

A few days later realtor Rick Carver (Shannon) shows up at Dennis’ door and without so much as a fare-thee-well tosses him, his son Connor (Lomax) and his mom into the street along with all their stuff. He is forced to move them into a skeevy hotel which is mostly filled with other evictees, some of them who’ve been there two years or more. He needs to find work now more than ever but there simply isn’t any to be had, the construction business hit hard by the fact that banks aren’t making business loans so there is nothing being built.

When he discovers that some of his tools are missing, he goes back to Carver to demand their return. Carver, impressed with his moxie, puts him to work doing a particularly disagreeable job on a foreclosed home whose previous owners let their displeasure be known in a rather spectacular way. Carver, admiring Nash’s work ethic, hires him on to do odd construction jobs and then to snatch air conditioning units from foreclosed homes that the banks will pay Carver money to install “new” units, which of course Carver simply has Nash reinstall the old units. Shifty, no?

Eventually as Nash continues to help Carver do his dirty work, Carver puts him to work doing the work that Nash is most wary of – presiding over foreclosures. Nash is sympathetic to the victims but soon becomes good at it and continues to help Carver with his chicanery. He even helps Carver set up a deal that will make them both unimaginably rich.

The issue is that Nash has a conscience and it’s beginning to get pricked, particularly in the case of a particular homeowner (Guinee). And when it all comes to a head, will Nash choose money or conscience?

This is a movie that captures the Great American Nightmare circa 2015 (yes, it’s still the Great American Nightmare). It’s a story that’s all too tragically common and will hit an emotional resonance that will touch even those who haven’t had money problems in their lives.

Garfield takes a role that he’s really more suited to than the teenage costumed superhero that he has been playing most recently. He’s still not the commanding screen presence that he might be but he’s a talented actor in his own right. What shines here though is Shannon as the slimy real estate agent whose greed and cynicism are palpable. He has a speech in which he talks about America bailing out winners that sounds like something Trump would say. I daresay that the orange-haired Republican Presidential candidate would probably like this movie for all the wrong reasons.

Dern, who has become one of the best actresses that is always getting notice but never getting noticed if you catch my drift, is once again magnificent here. She is the movie’s conscience and there are few actresses who can pull it off without being maudlin but Dern accomplishes it. She probably won’t be more than an afterthought for a Best Supporting Actress nomination here but that’s more because the script goes off the rails at the end.

Yeah, the ending. Let’s talk about it. What bugs me about Hollywood endings is that you establish a character, establish their credibility and then as the movie ends suddenly they change and act a completely different way than they’ve acted throughout the film. That’s not the way real people act and audiences know that. If you’re going to be charitable through the first 85% of the movie, the audience is going to expect you to be charitable the last 15% too. You have to follow your own internal logic. This movie doesn’t do that.

Still, it’s a fine movie that for the most part covers an issue that faces all American homeowners even those who think they’re well off. Other than that 1% we’ve heard so much about, most Americans are only a single paycheck away from financial issues and once you’ve got those it can be excruciatingly difficult to climb out from under them. The game is rigged that way and nobody wants to talk about it. Thank goodness for filmmakers like Bahrani who do.

REASONS TO GO: Real life horror. Terrific performances by Shannon and Dern.
REASONS TO STAY: Inexplicably bad ending.
FAMILY VALUES: Plenty of foul language including some sexual references and a brief scene of violence.
TRIVIAL PURSUIT: This is the first time Garfield has worn facial hair in a film.
CRITICAL MASS: As of 10/15/15: Rotten Tomatoes: 90% positive reviews. Metacritic: 76/100.
COMPARISON SHOPPING: Margin Call
FINAL RATINGS: 7/10
NEXT: All This Must Pass: The Rise and Fall of Tower Records

New Releases for the Week of October 9, 2015


Pan

PAN

(Warner Brothers) Hugh Jackman, Levi Miller, Garrett Hedlund, Rooney Mara, Nonso Anozie, Adeel Akhtar, Amanda Seyfried, Cara Delevingne. Directed by Joe Wright

J.M. Barrie’s Peter Pan is one of the most beloved characters in the history of children’s literature but there isn’t much that is known about his early years. Director Joe Wright aims to remedy that situation, showing us the tale of a young orphan spirited away from the orphanage in London to a magical island ruled by the wicked pirate Blackbeard. To survive he will need to united the tribes of Neverland, led by the impetuous Princess Tiger Lily, but he won’t be able to win at all without the help of a ne’er-do-well explorer who happens to be a fellow by the name of Jim Hook.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Fantasy
Now Playing: Wide Release
Rating: PG (for fantasy action violence, language and some thematic material)

99 Homes

(Broad Green) Michael Shannon, Andrew Garfield, Laura Dern, Clancy Brown. After being evicted from his home, a single father has only one chance of getting it back – by going to work for the despicable and ruthless businessman who evicted him in the first place. At first, he does it for his mother and children but as he gets further ensnared in the businessman’s web, he discovers that in selling his soul he’s been sentencing himself to a kind of purgatory on Earth, and extricating himself from that might even be more impossible still.

See the trailer, interviews and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village
Rating: R  (for language including some sexual references, and a brief violent image)

Big Stone Gap

(Picturehouse) Ashley Judd, Patrick Wilson, Jenna Elfman, Jane Krakowski. The pharmacist in a small coal mining town in rural Virginia has resigned herself to being alone for the rest of her life. She is in fact content with that fate, living a fulfilling life of use and purpose. However, she discovers a family secret that shatters her illusions and changes the course of her life forever.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Regal Oviedo Marketplace, Regal Pointe Orlando, Regal The Loop, Regal Winter Park Village
Rating: PG-13 (for brief suggestive material)

Coming Home

(Sony Classics) Gong Li, Daoming Chen, Huiwen Zhang, Tao Guo. In the midst of China’s Cultural Revolution, a dissident is sent to a labor camp. When he returns home, he finds that his beloved wife no longer recognizes who he is. Masquerading as a friend of her husband’s who was in the same camp, he tries to find a way to convince her that he is her husband. This comes from Zhang Yimou, one of the most honored directors in China.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Romance
Now Playing: Regal Winter Park Village
Rating: PG-13 (for some thematic material)

He Named Me Malala

(Fox Searchlight) Malala Yousefzai, Ziauddin Yousefzai, Toor Pekai Yousefzai, Khushal Yousefzai. Most of us have heard the name of the Nobel Peace Prize laureate who courageously stood up for the education of girls in Pakistan and was targeted by the Taliban for elimination. Shot while returning home on her school bus, she survived her injuries despite overwhelming odds to become a symbol for the rights of women to make something better of themselves. This documentary not only tells her story but shows Malala at home as the ordinary teenage girl that she is, although truth be told she is something far more than ordinary.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Waterford Lakes, Regal Winter Park Village
Rating: PG-13 (for thematic elements involving disturbing images and threats)

Ladrones

(Pantelion) Fernando Colunga, Eduardo Yanez, Miguel Varoni, Jessica Lindsey. The sequel to Ladron que roba a ladron follows the continued exploits of a pair of thieves turned crusaders for social justice. Now retired from the game, they come together for one last heist – this one against a ruthless family of land owners who are trying to wipe away an entire town in order to build condos. Putting together a new team of misfits, they’ll have to have cojones the size of watermelons to pull this one off.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Caper Comedy
Now Playing: AMC Disney Springs, Regal The Loop
Rating: PG-13 (for brief strong language, some sexual content and historical smoking)

Meet the Patels

(Alchemy) Ravi Patel, Geeta Patel, Champa V. Patel, Vasant K. Patel. Ravi Patel is an actor/filmmaker who was born in America to parents who emigrated from India. He is rapidly approaching 30 and is single, having broken up with his white girlfriend of two years that he couldn’t bring himself to tell his parents about. They are anxious to have grandchildren and see their son married. Therefore they go old school; the parental matchmaking process. Captured on film by his documentary filmmaker sister, the film shows insights into the Indian culture and the heart of a loving family that is common to all cultures. This played at the South Asian Film Festival last weekend at the Enzian and is beginning a regular run; you can read my review of the film here.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Touchstar Southchase
Rating: PG (for thematic elements, brief suggestive images and incidental smoking)

Sleeping With Other People

(IFC) Jason Sudeikis, Alison Brie, Adam Scott, Katherine Waterston. Two college friends, who have gone on to lives of serial infidelity, reconnect and become friends again. Vowing to remain friends because they are terrible with relationships, they find themselves falling for each other against all odds. Look for my review on this tomorrow.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Sex Comedy
Now Playing: Enzian Theater
Rating: R (for strong sexual content, language including sexual references, and some drug use)

Wild


Reese Witherspoon thinks she's found a place without paparazzi but she's keeping an eye out anyway.

Reese Witherspoon thinks she’s found a place without paparazzi but she’s keeping an eye out anyway.

(2014) Biographical Drama (Fox Searchlight) Reese Witherspoon, Laura Dern, Thomas Sadoski, W. Earl Brown, Kevin Rankin, Michiel Huisman, Gaby Hoffman, Keene McRae, Brian van Holt, Cliff De Young, Mo McRae, Will Cuddy, Leigh Parker, Nick Eversman, Ray Mist, Randy Schulman, Cathryn de Prume, Kurt Conroyd, Ted De Chatelet, Jeffee Newman, Art Alexakis, Beth Hall. Directed by Jean-Marc Vallee

Sometimes life throws things at us that we just can’t bear. We make bad choices because of it, go down paths we were never meant to explore and find ourselves lost. Few people can find their way back from these deviations from course.

Cheryl Strayed (Witherspoon) is a young 26-year-old woman starting an 1,100-mile hike on the rugged but beautiful Pacific Crest Trail which starts at the Mexican border and ends at the Canadian. She only plans on going from the southern terminus into Ashland, Oregon but it’s still a daunting prospect, considering she has virtually no experience whatsoever with long distance hiking.

Cheryl has had some tough times of late. Her mom (Dern) passed away suddenly of cancer. She descended into heroin addiction and unprotected sex with multiple partners. Her marriage to Paul (Sadoski) has ended in divorce. Her life was a mess and she knew it. She felt that she needed to clear all the toxins out of her system by “walking it out” as her mother would have put it. So she decided that, having seen a book on the trail in her local bookstore in Minnesota that this would be her best way to get herself out of the world for a little while, get herself right and move on with her life.

The way isn’t without challenges. Her first day only nets her five miles in a harsh desert climate – at that rate it would take her 220 days to finish her hike – or about 130 more than she thought. She has difficulty setting up her tent – it takes her hours. Then she figures out that she has purchased the wrong fuel for her cookstove, meaning that she’ll have to eat her dehydrated meals as a cold mush. Not particularly appealing. She’s also managed to get boots that are too tight and are causing some major issues.

There are other pitfalls as well, many of them human – men who want to get into her pants, by flattery or by force. She feels incredibly lonely and there is little to do but think about what got her there in the first place. With a bulldog-like persistence and a toughness that would surprise anyone who thought this petite blonde had any in her, she adapts and overcomes, winning over admirers on the trail – but the question is will this be enough to change her life?

Vallee, whose last film (Dallas Buyers Club) won Oscars for Matthew McConaughey and Jared Leto, might just repeat that feat here. Witherspoon with already one statuette to her credit for Walk the Line is absolutely wonderful here, eschewing Hollywood glamour for the realism of trail life and the tawdry existence that preceded it. She is in nearly every scene, often alone, This is her film to carry and carry it she does, imbuing Cheryl with vulnerability which eventually becomes an inner toughness.

Dern also turns in an award-worthy performance as the optimistic mom who has enough inner strength to raise two children alone after leaving an abusive alcoholic husband. She is reinventing herself when her life takes a tragic turn but for the most part she remains a breath of fresh air throughout, trying to soldier on despite having almost no money. She is representative of a million single moms out there, although I would have to say that I don’t think many would have the sort of life philosophy that Bobbi (Cheryl’s mom) had.

Vallee tells the story mainly through a sequence of flashbacks which take many different forms. Some are mere flashes, only lasting a second or two while others are fully formed scenes that play in Cheryl’s mind. Others are things her mind is on concurrent to the events of her hike, happening silently. Cheryl narrates from her journal and leaves messages at way stations, quoting diverse authors and poets. She becomes something of a celebrity on the trail, being one of the few women hiking alone and certainly the only one hiking alone on as much of it as she is.

The cinematography by Yves Belanger is breathtaking, but then again he has quite the canvas to work with. The music is simple and non-treacly, often using popular songs by artists like Paul Simon and the Hollies to pull the story along. Nick Hornsby’s script is smart and well-reasoned for the most part but one of the main objections I have to the movie is the lack of connection from A to B to C. We know that Cheryl sinks into a morass of alcohol, heroin and unprotected sex after her mom passes away but we don’t see how that happens; one moment she’s caring for her mom, the next she’s finding out she passed away, the next she’s sitting in a bar trolling for men and the next she’s shooting up. We see the descent in bits and pieces, like a book with pages missing. The ascent is much more drawn out.

While this isn’t the best film to come out in 2014, it has some of the best performances in it. Witherspoon alone is reason enough to catch this movie in theaters while it’s still out there – the scenery is also best seen on a big screen. Definitely one that should be on your must-see list this season.

REASONS TO GO: A searing performance by Witherspoon, nearly certain to get an Oscar nomination if not the win and Dern may well join her. Gorgeous cinematography. Incredible story.
REASONS TO STAY: Never really get a sense of why Cheryl moves from one mindset to another.
FAMILY VALUES: There’s a good deal of sexual content, a fair amount of nudity, some drug use and a good deal of foul language.
TRIVIAL PURSUIT: The real Cheryl Strayed appears in the film as the woman driving the truck who drops off Reese Witherspoon at the beginning of the film. Also, the daughter of Cheryl Strayed plays Cheryl as a little girl in the film.
CRITICAL MASS: As of 1/3/15: Rotten Tomatoes: 91% positive reviews. Metacritic: 76/100.
COMPARISON SHOPPING: Tracks
FINAL RATING: 8.5/10
NEXT: The Hobbit: The Battle of the Five Armies

New Releases for the Week of December 19, 2014


The Hobbit The Battle of the Five ArmiesTHE HOBBIT: THE BATTLE OF THE FIVE ARMIES

(New Line/MGM) Martin Freeman, Ian McKellen, Cate Blanchett, Richard Armitage, Luke Evans, Evangeline Lilly, Orlando Bloom, Jed Brophy, Stephen Fry, Ian Holm. Directed by Peter Jackson

The journey of Bilbo Baggins comes to an end as the greed of Thorin Oakenshield puts the fragile peace of Middle Earth at risk whilst in Mordor a shadow stirs, awaiting the presence of the One Ring. In the meantime, with Smaug wreaking havoc on Middle Earth, armies of orcs, elves and humans converge upon the Lonely Mountain. Can the three races unite to defeat the forces of darkness,?

See the trailer, clips, interviews, footage from the world premiere and B-roll video here.
For more on the movie this is the website.
Release formats: Standard, 3D, IMAX 3D (opened Wednesday)
Genre: Fantasy
Now Playing: Wide Release

Rating: PG-13 (for extended sequences of intense fantasy action violence and frightening images)

Annie

(Columbia) Quvenzhane Wallis, Jamie Foxx, Cameron Diaz, Rose Byrne. A painfully cheerful and terminally optimistic orphan literally runs into a cynical New York City billionaire who is also running for mayor in a hotly contested race. Realizing that his association with the plucky little girl is helping his cause, he decides to spend more time with her. But gradually she wears him down and pulls from inside him the best part of who he can be. Based on the 1982 movie which in itself was based on the hit Broadway musical.

See the trailer, clips and a music video here.
For more on the movie this is the website.
Release formats: Standard (opens Thursday)
Genre: Musical
Now Playing: Wide Release
Rating: PG (for some mild language and rude humor)

Night at the Museum: Curse of the Tomb

(20th Century Fox) Ben Stiller, Robin Williams, Ben Kingsley, Rebel Wilson. The wax figures that come to life after the New York Museum of Natural History closes are in big trouble; the magic that animates them is beginning to fade. Desperate to save his friends, Larry the security guard races around the globe to find out what’s happening and reverse it before the magic is gone forever.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.
Release formats: Standard (opens Thursday)
Genre: Comedy Fantasy
Now Playing: Wide Release
Rating: PG (for mild action, some rude humor and brief language)

PK

(UTV) Aamir Khan, Sanjay Dutt, Anushka Sharma, Boman Irani. A mysterious stranger comes into the city, asking questions nobody usually bothers to act. He has a strange, child-like quality that is endearing to some and troubling to others. His journey will take him into a world of love, laughter and letting go.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Dramedy
Now Playing: Touchstar Southchase

Rating: NR

Point and Shoot

(The Orchard) Matthew Vandyke. An American who suffers from Obsessive Compulsive Disorder, eager to find what adventure is left in the world gets on his motorcycle and takes off to North Africa. His road trip takes him to places and situations he could never have prepared himself for, including fighting in the Libyan Revolution – and being captured and held prisoner for six months.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Documentary
Now Playing: AMC Loew’s Universal Cineplex, AMC West Oaks

Rating: NR

Wild

(Fox Searchlight) Reese Witherspoon, Laura Dern, Thomas Sadoski, Michiel Huisman. Based on the true story of Cheryl Strayed, a woman whose heroin addiction, reckless behavior and sexual promiscuity led to the destruction of her marriage. Having hit rock bottom in every sense of the word, she impulsively decides to hike the thousand mile Pacific Crest Trail despite having no experience in it and being woefully unprepared. Channeling the memory of her mother, she sets out with only the force of her will to see her through. Witherspoon is considered a lock to garner a Best Actress nomination for her performance here.

See the trailer, interviews and clips here.
For more on the movie this is the website.
Release formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Cinemark Artegon Marketplace, Regal Winter Park Village, Regal Oviedo Mall and other local theaters
Rating: R (for sexual content, nudity, drug use and language)

When the Game Stands Tall


Success breeds cool sunglasses.

Success breeds cool sunglasses.

(2014) True Sports Drama (Tri-Star) Jim Caviezel, Michael Chiklis, Laura Dern, Alexander Ludwig, Clancy Brown, Ser’Darius Blain, Stephan James, Matthew Daddario, Joe Massingill, Jessie Usher, Matthew Frias, LaJessie Smith, Richard Kohnke, Chase Boltin, Gavin Cassalegno, Adella Gautier, Terence Rosemore, Deneen Tyler, Anna Margaret.. Directed by Thomas Carter

Football is truly a metaphor for America, or at least America’s ideal image of itself. Individual achievement is admired and encouraged, but it is teamwork that eventually wins games.

De La Salle High School in Concord, California, is the most dominant high school football program in the nation in 2003. They have won 151 straight games – a decade without a loss – the longest streak in any sport at any level in history.  Coach Bob Ladouceur (Caviezel) has just won yet another state title. Offers to coach for NCAA Division 1 college teams are coming in by the bucket load but he has no interest in moving up to the next level. He tells his wife Bev (Dern) that he can do more good for the young men at this age than he can for college-age kids.

The stress though is getting to Ladouceur although only his wife and his best friend and assistant coach Terry Eidson (Chiklis) seem to notice. Pretty soon though Coach Ladouceur notices big time – a major heart attack lands him in the hospital where his no-nonsense cardiologist tells him in no uncertain terms that he has to take it easy for awhile – no spring football.

The senior class is already looking ahead, with star running back Terrance “T.K.” Kelly (James) urging his best friend Cam Colvin (Blain) to come up with him to the University of Oregon like they always had planned, although Colvin is devastated by his mom’s illness and death. The junior class is getting ready to take the reins of the next De La Salle team, with tailback Chris Ryan (Ludwig) gunning for a state scoring record and the coach’s son Danny (Daddario) finally getting a chance to shine as a starter at wide receiver, although the talented and arrogant Tayshon Lanear (Usher) derides him as getting an opportunity only because of who his father is.

A body blow is dealt to the team when Kelly is senseless murdered the day before he is to drive up to Oregon to start summer practice. Ladouceur, speaking at the young man’s funeral, admits to being lost.

He’s not the only one. The team isn’t practicing with the same purpose that they did, and that had been going on even before Kelly’s murder. The program is being accused of cherry-picking players (an accusation that has dogged De La Salle even before the film takes place) and some schools refuse to play De La Salle, so for their first game of the 2004 season they travel to Bellevue, Washington to take on Bellevue High School, the Washington State champions the previous seasons. The team loses and the streak, a big part of De La Salle’s identity, is over.

The devastation of their coach’s illness, the death of a teammate and the loss of the streak threatens to overwhelm the team. Ryan, who is playing well, is driven by his overbearing dad (Brown) to achieve the scoring record no matter how it affects the team. There is bickering and doubt. Suddenly, Ladouceur understands that this isn’t about a game anymore.

One of the most cliche-ridden genres in the movies, perhaps second only to romantic comedies, is the true sports drama. When the Game Stands Tall is not immune to those cliches and that hurts the movie overall. Certainly it has led to critics to savage the movie (see the Rotten Tomatoes rating below) and the criticism hasn’t been entirely undeserved.

Caviezel is a soft-spoken actor who rarely seems to raise his voice in any film or TV show he’s ever done. He plays Ladouceur as an even-keel sort who rather than chew out his players a la Herb Brooks in Miracle and Tony D’Amato in Any Given Sunday instead gives them disappointed looks which seem to affect them more deeply than physical blows. Chiklis is delightful as Eidson, more of a rah-rah sort and a great yang to Caviezel’s yin.

One of the things I object to most in this movie is the addition of the Chris Ryan character who is a complete fabrication. He is there essentially to add a subplot with a sideline dad who is borderline abusive, pushing his son to break a state record not for his son’s benefit but so he can play out his own vicarious fantasies through his son. The real Ladouceur would have never tolerated that sort of behavior and the characters are overbearing cliches that add a jarring note to the film, which could have done better without them, even though Brown and Ludwig do fine jobs in their respective roles.

The football sequences are pretty nicely done, although there are a couple of individual moves that look patently phony. There is also a really good sequence set at the Veterans Hospital where the athletes are introduced to wounded warriors back from the Middle East who are trying to overcome lost limbs and other devastating injuries. That sequence is maybe the most inspiring in the film.

I do applaud the filmmakers for taking a decidedly not underdog team and making them sympathetic. It’s hard to feel a lot of sympathy for a team that had known that much success, but sometimes it’s how adversity is dealt with rather than success that is the true measure of a person – or a team. I liked the concept, but perhaps I’ve just seen too many true sports stories in the last several years. In any case, it’s a likable enough film but certainly one that doesn’t need to be on the top of your must-see list.

REASONS TO GO: Restrained work from Caviezel and Chiklis.
REASONS TO STAY: Ryan invented from whole cloth and exists only to add false dramatic tension. A few too many sports film cliches.
FAMILY VALUES:  There is a scene of violence plus the violence that is inherent in football, a little bit of mild swearing and – horrors! – smoking.
TRIVIAL PURSUIT: De La Salle is a private high school and costs as of this year $16,000 per year to attend although it was considerably less when this film took place.
CRITICAL MASS: As of 9/12/14: Rotten Tomatoes: 17% positive reviews. Metacritic: 41/100.
COMPARISON SHOPPING: We Are Marshall
FINAL RATING: 6/10
NEXT: As Above, So Below