The Dinner


Dinner is served.

(2017) Drama (The Orchard) Richard Gere, Laura Linney, Steve Coogan, Rebecca Hall, Chloë Sevigny, Charlie Plummer, Adepero Oduye, Michael Chernus, Taylor Rae Almonte, Joel Bissonnette, Onika Day, Miles J. Harvey, George Aloi, Stephen Lang (voice), Robert McKay, Patrick Kevin Clark, Seamus Davey-Patrick, George Shepherd, Emma R. Mudd, Laura Hajek. Directed by Oren Moverman

 

There’s nothing like a lovely, relaxing dinner with friends or family, particularly in a fine dining establishment. Great food, pleasant conversation, maybe a couple of glasses of a really nice wine…all the ingredients for a truly memorable evening. What could go wrong?

Paul Lohman (Coogan) is pretty sure not only that something could go wrong but that it inevitably will. A former history teacher, he’s working on a book on the Battle of Gettysburg, a historical event that carries much resonance for him. He’s always lived in the shadow of his older brother Stan (Gere), the golden boy who became a golden man. A United States Congressman, he’s mounting a campaign for governor with some considerable success. Stan is also working the phones to get a Mental Health bill through Congress.

Paul and his wife Claire (Linney), a lung cancer survivor, is gathering with Stan and his trophy wife Katelyn (Hall), Stan’s second wife, at one of those hoity toity restaurants where food is made to look like art and an obsequious waiter (Chernus) announces what’s in the dish beforehand. The conversation is pleasant enough if not congenial; there is clearly tension between Paul and Stan. But even with the constant interruptions of Stan’s assistant Kamryn (Almonte) there is business between them.

It has to do with Paul’s son Michael (Plummer) and Stan’s son Rick (Davey-Fitzpatrick). The two are, unlike their dads, the best of friends and one recent night the two got drunk and stranded at a party. They went looking for an ATM to get cab fare and instead found a homeless woman (Day). What happened next would be shocking and horrible and could not only ruin the lives of these young boys but that of their parents as well and as the meal goes on and secrets get revealed, we discover the fragility of Paul’s mental state and Claire’s health and the truth behind Stan’s first wife Barbara (Sevigny).

The film is based on a 2009 bestseller by Dutch author Herman Koch, only transplanted from Amsterdam to an unnamed American city in the north. Koch was apparently extremely disappointed in this version of his novel (it is the third film based on it) and walked out of the premiere and declined to attend the afterparty. I can’t say as I blame him.

I have to admit that I was disappointed with this film. It had everything it needed to be an artistic success; a compelling story, a terrific cast and a respected director, among other things. Unfortunately, Moverman chose to overload the film with flashbacks which disrupt the flow of the story and frankly become irritating – as an audience member, I wanted to see more of the dinner itself. However the extremely volatile situation leads to much storming away from the table in a fit of pique. This is the most childish set of adults (with the exception of Stan) that you’re likely to meet. In fact, one of the things I disliked about the film is that none of the main characters has anything resembling redeeming qualities. They are all so unlikable that I don’t think you could get through a meal with any one of them, let alone all four.

It’s a shame because it wastes four strong performances.  Linney in particular does some stellar work as the self-delusional wife who refuses to believe, despite all evidence to the contrary, that her little angel is a sociopath. Coogan, better known for comedic roles such as The Trip makes for a fine dramatic actor here and rather than playing a mentally ill man for laughs, he makes the role less rote. There is pathos yes and an element of humor but it is a realistic portrayal of a man whose demons are slowly winning the war inside him. Gere and Hall distinguish themselves as well.

The movie feels pretentious at times. There’s an extended sequence where Paul and Stan visit the Gettysburg Battlefield. It is a good looking sequence, shot through filters and utilizing collages and Stephen Lang narration of the various stops on the driving tour but at the end it feels almost like an addendum, not really part of the movie and certainly not needing that length. I get that Paul feels that Gettysburg is an analogy for his own life but it seems to be hitting us over the head with a hammer.

This is a movie I would have loved to at least like but ended up not even able to admire. Moverman would have been better off spending more time at the dinner table than away from it; certainly some context was needed and I’m sure he wanted to stay away from making the movie feel stagey but at the end of the day it ended up shredding the movie like it had been through a cheese grater. This is a bit of a hot mess that can well take a back seat to other movies on your must-see list.

REASONS TO GO: The film is organized by course which is nifty. Good performances by the four leads.
REASONS TO STAY: None of the characters have much in the way of redeeming qualities. The overall tone is pretentious and elitist.
FAMILY VALUES: There is some disturbing content of violence and cruelty, adult themes and a fair amount of profanity.
TRIVIAL PURSUIT: This is the third onscreen collaboration between Gere and Linney; Primal Fear and The Mothman Prophecies are the other two.
CRITICAL MASS: As of 5/5/17: Rotten Tomatoes: 48% positive reviews. Metacritic: 59/100.
COMPARISON SHOPPING: Carnage
FINAL RATING: 5/10
NEXT: Colossal

Advertisements

New Releases for the Week of May 5, 2017


GUARDIANS OF THE GALAXY VOL. 2

(Disney/Marvel) Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel (voice), Bradley Cooper (voice), Kurt Russell, Karen Gillan, Michael Rooker. Directed by James Gunn

The summer blockbuster season is here and it kicks off with a bang as the ragtag bunch of outsiders who saved the galaxy in 2014 return to save it again and boy, does it need saving!  As the Guardians try to fathom the mystery of who Peter Quill’s father is, a new threat looms that will challenge this somewhat argumentative team and lead into next summer’s Avengers: Infinity War. Stay after the closing credits roll for no less than five post-credits scenes.

See the trailer, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action and violence, language and brief suggestive content)

Colossal

(Neon) Anne Hathaway, Jason Sudeikis, Austin Stowell, Tim Blake-Nelson. Gloria has to pick her life up and start all over again after her boyfriend, tiring of her constant partying and her alcohol issues, throws her out. She heads to her old hometown to live in the house her mom left her when she passed away. Gloria runs into an old school chum who gives her a job at his bar, but the two watch in horror as a giant monster terrorizes Seoul, South Korea. When it turns out Gloria has a strange connection with the creature, things get really weird. This Florida Film Festival favorite is the first movie to play the Enzian post-festival.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: PG-13 (for crude humor, sexual references and gestures, and for brief nudity)

The Dinner

(The Orchard) Richard Gere, Laura Linney, Steve Coogan, Rebecca Hall. Two brothers – one a popular congressman running for governor, the younger a troubled man estranged from his golden boy older brother since childhood, get together for dinner at one of the most fashionable restaurants in town. Their teenage boys, despite the hostility between their dads, are the closest of friends – and together have committed a horrible crime. While their guilt hasn’t been discovered and may never be, their parents have to face their consciences and decide how far they are willing to go to protect the ones they love.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex, Regal Oviedo Mall, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for disturbing violent content, and language throughout)

Norman

(Sony Classics) Richard Gere, Dan Stevens, Steve Buscemi, Michael Sheen. Norman, a man living on the fringes of New York City’s powerful manages to give an Israeli politician a gift of expensive shoes when the latter is visiting the Big Apple at a low point in his career. Cut to several years later when that politician is now Prime Minister and Norman uses the cache of his legitimate connection to put together a complex financial deal that threatens to blow apart and cause an international scandal. Norman, finally where he wants to be, could lose everything if he doesn’t make things right.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village

Rating: R (for some language)

Nocturnal Animals


It isn't always ghosts that haunt us.

It isn’t always ghosts that haunt us.

(2016) Thriller (Focus) Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson, Isla Fisher, Ellie Bamber, Armie Hammer, Karl Glusman, Robert Aramayo, Laura Linney, Andrea Riseborough, Michael Sheen, India Menuez, Imogen Waterhouse, Franco Vega, Zawe Ashton, Evie Pree, Beth Ditto, Graham Beckel, Neil Jackson, Jena Malone. Directed by Tom Ford

 

Regret follows us through life like the shadow of a hawk paces a wounded groundhog. The road not taken sometimes is the road we should have taken – but once we make that turn, that off-ramp is gone for good.

Susan Morrow (Adams) is the curator of an art gallery who has just opened a new installation, involving overweight, middle-aged naked women dancing suggestively in pom-pom and drum majorette outfits. It has brought out all of the shallow, self-involved, condescending L.A. art whores. In other words, it’s a great big success.

Not so successful is her current marriage to Hutton Morrow (Hammer), a venture capitalist whose venture has overwhelmed his capital. The failing business has put an intense strain on the marriage, for which hubby compensates for by fooling around. Men!

Out of the blue, Susan gets a manuscript from her first husband Edward Sheffield (Gyllenhaal) whom she had surmised was teaching college and had given up on the writing career that had attracted her to him in the first place. Their break-up was about as brutal as the end of a relationship can get. Now he has written a novel and dedicated to her, claiming in a note that she inspired him to write this – even though their marriage ended nearly twenty years earlier and they hadn’t spoken since.

As she reads the manuscript, she is oddly affected by it. It is a brutal story of a somewhat mousy man named Tony Hastings (Gyllenhaal) driving down a dark deserted Texas road with his wife Laura (Fisher) and daughter India (Bamber) when a quartet of Texas rednecks run them off the road. They finagle the wife and daughter into his car after repairing the flat tire on it and drive off with her; Lou (Glusman) drives Tony off into the desert and leaves him there. Later on Lou returns with the gang’s leader Ray Marcus (Taylor-Johnson) who try to entice Tony back but he hides in terror. They drive away.

Tony makes it back to civilization and calls the cops. The laconic Texas Ranger-type detective Bobby Andes (Shannon) takes over the case. Eventually they find the nude corpses of his wife and daughter, dumped near where they had dropped off Tony. Andes promises that they will get the guys who did this.

As the years go on, the dogged Andes eventually figures out who done it but Andes has a bit of a time sensitivity going on – he is dying of cancer. It is unlikely that based on the fairly flimsy evidence that they have that Ray Marcus and his gang will ever be brought to justice. That leaves revenge, but does the weak Tony have the stomach for it?

There are three distinct stories here – the novel, which takes up most of the movie and is a kind of Texas noir; Susan’s current story in which her life is filled with disappointment, regret and sadness, and the back story of Edward and Susan – how they met and how they broke up. All three tales are put together into a cohesive whole and show that Ford, who is better known as a fashion icon, is also a marvelous storyteller.

This is not an easy role for Amy Adams, who is so lacquered up with make-up that she almost looks like art herself. It isn’t one of the most emotionally forthcoming performances of her career, which makes it all the more impressive; she does an awful lot with an awful little here. Gyllenhaal continues to make a case for himself as being one of the most distinguished actors of our time. There is a great deal of nuance in his performance; his character is perceived as weak but he isn’t in the traditional sense. There is a strength that comes through particularly later in the film.

There are also some stellar supporting performances. Shannon as the crusty detective is all tumbleweeds and BBQ brisket as the Southwestern law man, while Laura Linney is virtually unrecognizable as Susan’s patrician snob of a mom. Both of them dominate the screen when they are on, Linney unfortunately for merely a single scene.

The ending is deliberately vague and will leave you with a WTF expression on your face. My wife and I had decidedly different reactions; she loved it and thought it perfectly suited the movie. I felt that it was inconsistent with how the character behaved and felt petty and vindictive. I also had problems with the opening credits that played lovingly on the nude women; it felt exploitative to me.

Ford, who made his Oscar-winning debut with A Single Man may need to dust off his tux again come February but this is less of a slam dunk than his first film. I think that there is a possibility that there will be some Oscar consideration here, but there is some heavy competition coming its way despite this having been a fairly down year for Oscar-quality films. How the Academy reacts remains to be seen, but this is definitely a must-see for those who want to make sure they get an opportunity to see every film that is likely to get a nomination.

REASONS TO GO: Ford deftly weaves three different stories together. The film boasts fine performances from top to bottom.
REASONS TO STAY: The opening scene and ending are absolute deal-killers.
FAMILY VALUES: There is violence, graphic nudity, a pair of offscreen rape-murders, menace and salty language.
TRIVIAL PURSUIT: Focus paid $20 million for the distribution rights for the film at Cannes, the highest ever paid for any film at any festival to date.
CRITICAL MASS: As of 11/29/16: Rotten Tomatoes: 82% positive reviews. Metacritic: 67/100.
COMPARISON SHOPPING: The Words
FINAL RATING: 7.5/10
NEXT: Stagecoach: The Story of Texas Jack

Sully


Take me to the river.

Take me to the river.

(2016) Biographical Drama (Warner Brothers) Tom Hanks, Aaron Eckhart, Laura Linney, Jamey Sheridan, Anna Gunn, Valerie Mahaffey, Holt McCallany, Delphi Harrington, Mike O’Malley, Kate Couric, Jeff Kober, Molly Bernard, Chris Bauer, Blake Jones, Jane Gabbert, Molly Hagan, Sam Huntington, Michael Rappaport, Jerry Ferrara, Ann Cusack. Directed by Clint Eastwood

 

January 15, 2009 was a watershed moment for New York City and all of the United States. On that day, US Airways Flight 1549 took off from LaGuardia Airport in New York City bound for Charlotte, North Carolina. It was in the air for just about three minutes when a flock of Canadian geese flew across their path. Several birds were sucked inside each of the two engines and the aircraft lost thrust from both engines. Without power, they had to glide onto a runway but the pilot didn’t think they would make any nearby airport. He determined their best chance for survival was to to make a controlled water landing on the Hudson River. He did so – without a single loss of life. That incident became known as the Miracle on the Hudson.

The pilot, Captain Chesley “Sully” Sullenberger (Hanks) was hailed as a hero by the popular media and the press. He and his co-pilot Jeff Skiles (Eckhart) had done the remarkable and saved a plane full of passengers and crew (155 souls in all) from almost certain death. But there were questions, questions the National Transportation Safety Board had about Sully’s decision making. Flight data showed that one of the engines was still turning, indicating that there was sufficient power in the engine to make it back to LaGuardia. Also, computer simulations showed that the plane could have made it back to the airport.

However, Sully knew through 40 plus years of flying that it wasn’t so. Doubting himself, his career and reputation at stake, he knows he will have to confront his accusers with the only things he has to defend himself with – his experience and the truth.

It would seem that the story of Sully Sullenberger would be the perfect fit for Clint Eastwood; after all, he’s one of the finest directors working and the Sullenberger story has that same resonance that Chris Kyle of American Sniper did. However, whereas that film was a character study disguised as an action film, this is more of a disaster film disguised as a character study.

Hanks doesn’t really resemble Sullenberger facially but he’s a good choice for the role. This is in many ways very similar to his Jim Lovell role in Apollo 13 although there are some differences we’ll get into in a bit. Still, it’s a portrait of a calm professional doing what he does best in a moment of crisis, just like the Ron Howard film. Hanks has that quality of calm and cool that he has projected throughout his career and while he is not as well-known for those types of roles, he still excels at them, quietly.

What I was a little bit disappointed about is that we don’t really get that much insight into Sullenberger himself. Much of the movie revolves around the investigation of the crash, and while we get scenes juxtaposing the hero-worship going on in the media and the public (which Sullenberger seems definitely uncomfortable with) and the questioning of his competence at the NTSB hearings, we don’t get a sense of what Sullenberger was thinking very often. He’s a notoriously private man in real life and so he may not have shared a lot of that (I haven’t read the autobiography this is based on, I must confess) for writer Todd Komanicki to work with.

The scenes of the crash which are mostly told in flashback (as well as nightmares that Sully has of the plane crashing into buildings) are for the most part pretty well-told, although to be honest special effects are not Eastwood’s forte. Still, the scenes are serviceable and give the viewer the “you are there” feel that is needed.

Of course, there were more folks in the cast than Hanks. Eckhart is rock solid as the co-pilot. Jamey Sheridan also shines as the head of the NTSB investigation. Laura Linney plays Sullenberger’s wife and sadly, she is depicted mostly on the phone with Sully which really puts some strain on the dynamic between them – you never get a sense of the relationship between them. I think the movie could have used some time with the two face-to-face onscreen.

Eastwood is much too savvy a director to churn out a movie without at least some merit (although Jersey Boys might well be the exception to that rule) but this one is a bit too clinical to be among his best. Don’t get me wrong – it’s a great story and the depiction of those 208 seconds from the time the birds were encountered to the controlled water landing are harrowing and amazing. Any Eastwood movie – even Jersey Boys ­– is worthwhile viewing. I like Sully well enough but I left it feeling that there could have been more – and should have been.

REASONS TO GO: The performances are terrific particularly among the leads. An inside look at an American hero – and why being a hero isn’t necessarily good news for the hero.
REASONS TO STAY: There’s little insight into Sullenberger himself.
FAMILY VALUES:  A little bit of rough language and scenes of plane crash peril.
TRIVIAL PURSUIT:  Ferry captain Vincent Lombardi, who was the first on the scene to pick up survivors, plays himself in the movie.
CRITICAL MASS: As of 10/11/16: Rotten Tomatoes: 82% positive reviews. Metacritic: 74/100.
COMPARISON SHOPPING: Flight
FINAL RATING: 7/10
NEXT: ARQ

New Releases for the Week of September 9, 2016


SullySULLY

(Warner Brothers) Tom Hanks, Aaron Eckhart, Laura Linney, Anna Gunn, Jamey Sheridan, Holt McCallany, Valerie Mahaffey, Ann Cusack, Sam Huntington. Directed by Clint Eastwood

Chesley Sullenberger was a commercial airline pilot but on a routine flight in January, 2009, he became a national hero when his engines were crippled when a flock of geese passed through his flight path. He brought the plane down safely without a single loss of life, but the end of the passengers’ ordeal was only the beginning of his own.

See the trailer, interviews, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for some peril and brief strong language)

The Beatles: Eight Days a Week – The Touring Years

(Abramorama) Paul McCartney, John Lennon, George Harrison, Ringo Starr. This documentary directed by Oscar winner Ron Howard chronicles the live shows and tours of the Fab Four starting from their days in Liverpool at the legendary Cavern Club to their final show at Candlestick Park in San Francisco in 1966. While this documentary is scheduled to be released on Hulu the same day, the theatrical version will include their legendary 1965 Shea Stadium concert in New York City in its entirety.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard (Two nights only; Thursday (sold out) and Friday September 16)
Genre: Music Documentary
Now Playing: Enzian Theater

Rating: NR

The Disappointments Room

(Relativity) Kate Beckinsale, Lucas Till, Michaela Conlin, Gerald McRaney. A young family moves into a fixer-upper in a quaint Eastern seaboard town. While renovating the home, they come upon a small door in the attic that is locked and for which no key appears to work. The room behind the door doesn’t appear on the home’s blueprints and so their curiosity is piqued. Some doors, however, are better left locked.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for violent content, bloody images, some sexuality and language)

When the Bough Breaks

(Screen Gems) Morris Chestnut, Regina Hall, Romany Malco, Jaz Sinclair. A young professional couple, desperate to have a baby, finally goes the surrogate route when every other option fails. At first, the woman they choose as their surrogate seems to be a dream come true and after a harrowing event, they invite her to come live in their home with them. However, she becomes obsessed with the husband and proves to be far more dangerous than they thought possible.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for violence, sexuality/partial nudity, thematic elements, some disturbing images and language)

The Wild Life

(Summit) Starring the voices of Yuri Lowenthal, Jay Jones, Lindsay Torrance, Dennis O’Connor. The tale of Robinson Crusoe is retold (not so faithfully to the original I would imagine) in this animated adventure but in quite the twist, not from the point of view of Crusoe but through the eyes of the animals who inhabit the tropical island which isn’t so deserted after all.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild action/peril and some rude humor)

New Releases for the Week of June 17, 2016


Finding DoryFINDING DORY

(Disney*Pixar) Starring the voices of Ellen DeGeneres, Diane Keaton, Albert Brooks, Ed O’Neill, Eugene Levy, Ty Burrell, Idris Elba, Bill Hader. Directed by Andrew Stanton and Angus MacLane

The sequel to Finding Nemo focuses on the fish with the memory issues, Dory. When she suddenly is able to remember that she has a family, she knows she must go on a quest to find them and her friends all volunteer to help her get there. But who are they? Where could they be in a vast ocean? And where did she learn to speak whale? Every kid you know is going to see this in the next few weeks.

See the trailer, interviews, a promo and a Mother’s Day video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild thematic elements)

Central Intelligence

(New Line) Dwayne Johnson, Kevin Hart, Amy Ryan, Aaron Paul. Back for a high school reunion, a former big man on campus looks back on his glory days with some wistfulness. He’s an accountant now and lives a boring, quiet life. But into his world comes the former bullied fat kid, now a ripped deadly CIA assassin, who claims to be on a major case. But is he telling the truth or is he just psychotic? Either way, the ex-BMOC wants nothing to do with him – but he finds himself sucked into a world of intrigue and action he only could have dreamed about in his youth.

See the trailer, clips and a video feature here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action Comedy
Now Playing: Wide Release

Rating: PG-13 (for crude and suggestive humor, some nudity, action violence and brief strong language)

The Dark Horse

(Broad Green) Cliff Curtis, James Rolleston, Kirk Torrance, Miriama McDowell. Genesis Potini came out of the slums of New Zealand to become a chess champion. Overcoming the odds and a certifiable genius at the game, he grew up to be an inspiration to his neighborhood and the children of his community, despite having to contend with his own demons.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: R (for language throughout, and some violence)

Genius

(Roadside Attractions) Colin Firth, Jude Law, Nicole Kidman, Laura Linney. It has been said (mostly by writers) that behind every successful writer is a great editor and Max Perkins was the greatest of the great. Discoverer of F. Scott Fitzgerald and Ernest Hemingway, he had a long-time friendship and professional relationship with the enigmatic Thomas Wolfe. This is the story of that often-tumultuous relationship.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for some thematic elements and suggestive content)

High-Rise

(Magnet) Tom Hiddleston, Sienna Miller, Jeremy Irons, Luke Evans. A high rise apartment building becomes the setting for a class war as the upper class tenants of the luxury apartments on the higher floors are set against the middle class tenants on the lower floors. Increasingly frequent power outages and disturbing flaws in the design of the building begin to show up, particularly on the lower floors. Based on a novel by J.G. Ballard, this film played at the Florida Film Festival this past April.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Thriller
Now Playing: Enzian Theater

Rating: R (for violence, disturbing images, strong sexual content/graphic nudity, language, and some drug use)

New Releases for the Week of June 3, 2016


Teenage Mutant Ninja Turtles Out of the ShadowsTEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS

(Paramount) Megan Fox, Stephen Amell, Alan Ritchson, Laura Linney, Will Arnett, Noel Fisher, Stephen Farrelly, Brad Garrett (voice), Tyler Perry. Directed by Dave Green

The heroes on the half shell are faced with the appearance of one of their greatest villains from the comic book series and will be challenged greater than they have ever been before (at least on the silver screen). Will they come out ahead? Will Paramount make enough to justify a third film?

See the trailer, clips, promos and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sci-fi action violence)

Housefull 3

(Eros International) Nargis Fakhri, Akshay Kumar, Jacqueline Fernandez, Abhishek Bachchan. The father of three beautiful daughters is not eager to see them get married. Three wily men are out to change his mind and prove to the stubborn dad that they are the perfect match for his little princesses.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC West Oaks

Rating: NR

The Lobster

(A24) Colin Farrell, Rachel Weisz, John C. Reilly, Lea Seydoux. In this odd but oddly endearing romantic comedy, a man just dumped by his wife lives in a society in which he is given 45 days to fall in love again, or he is doomed to be changed into an animal of his choice. He is brought to a hotel where he is put into the most competitive dating pool ever. A commentary on modern romance and the opening night film at this year’s Florida Film Festival.

See the trailer, clips and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for sexual content including dialogue, and some violence)

Me Before You

(New Line) Sam Claflin, Emilia Clarke, Charles Dance, Vanessa Kirby. A quirky, happy-go-lucky 26-year-old English girl takes a job as a caretaker for a handsome, wealthy banker who has essentially given up on life. The two find that they are the one thing the other needs – the woman showing the man a life worth living, the man showing the woman the joys of stability. Before long, the two are finding their lives – and their hearts – are altering in unexpected ways.

See the trailer and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Wide Release

Rating: PG-13 (for thematic elements and some suggestive material)

Popstar: Never Stop, Never Stopping

(Universal) Andy Samberg, Sarah Silverman, Imogen Poots, Bill Hader. After reaching the apex of pop stardom with his first album, rapper Conner4Real sees his second album tank both critically and commercially, leaving his parasitic entourage wondering what comes next. From the Internet comedy team known as The Lonely Island.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for some graphic nudity, language throughout, sexual content and drug use)