Mike and Dave Need Wedding Dates

Huddle up.

(2016) Comedy (20^th Century Fox) Zac Efron, Anna Kendrick, Aubrey Plaza, Adam Devine, Stephen Root, Stephanie Faracy, Sugar Lyn Beard, Sam Richardson, Alice Wetterlund, Lavell Crawford, Mary Holland, Kumail Nanjiani, Jake Johnson, Marc Maron, Erik Griffin, Jake Szymanski, Eugene Cordero, Wendy Williams, Kyle Smigielski, Andrea Micelli, Nancy Micelli, Christina Souza, Olga Kalashnikova. Directed by Jake Szymanski

 

In this modern age, relationships can be a bitch to establish. We’re more likely to meet someone on the Internet than in real life. In many ways, it’s much harder to find someone now than it was just ten years ago.

Mike (Devine) and Dave (Efron) Stangle are two brothers who like to have a good time. However, sometimes their desire to be the life of the party overwhelms what little common sense the brothers possess. There have been so many occasions at family gatherings that their plans have caused havoc and chaos to the point where their Dad (Root) doesn’t want them near any family events.

But he really can’t keep them away from their little sister Jeanie’s (Beard) Hawaiian wedding, so he gives them an ultimatum; they are to bring nice girls to the wedding as dates, or they can’t go at all. The problem is that the boys don’t really know any nice girls.

So Mike, the liquor salesman who employs his younger brother, gets the bright idea of putting an ad on Craigslist. The responses are many and varied and it lands them on the Wendy Williams show. This brings them to the attention of Tatiana (Plaza) and Alice (Kendrick), a couple of party chicks who may be even wilder than the Stangle brothers, but they don’t know that. The two girls want a Hawaiian vacation and Tatiana knows instinctively this is the best way to get one. So she schemes her way into meeting the boys and voila! Instant wedding dates.

Of course, while the girls masquerade as a hedge fund manager (Alice) and a teacher (Tatiana), they have as little common sense as their dates. This leads to an ATV accident, an X-rated massage for the bride and to the boys getting into a huge fight. The problem is that Alice and Dave might have genuine feelings for each other, but when Alice tries to calm Jeanie down with a little ecstasy, it leads to something that may bring the entire marriage to a screeching halt even before it’s begun.

Fans of the comedy that Judd Apatow and those inspired by him have been promulgating for the last decade or so will probably eat this up. It is vulgar, outrageous and occasionally downright mean. That pretty much seems to be the state of comedy 2016 when it comes to the multiplex and there’s something to be said for that kind of humor, but to be frank I’m getting kind of tired of it. I’d like to see some variation in the types of comedies we’ve been seeing; everything seems to be so over-the-top, from the spoofs to the romantic comedies that we’ve lost the art of subtlety when it comes to comedy.

That’s not to say that there aren’t some really funny moments; the sensual massage that Jeanie gets from a very limber masseuse (Nanjiani) is hysterical and some of the more slapstick bits are also bound to get more than a polite chuckle. Kendrick and Plaza are two of the most versatile actresses in Hollywood and they both have some truly memorable comic performances in their pockets, but while they do their best here, it’s not enough.

Efron, who isn’t one of my favorite actors, actually comes off extremely likable here and shows that when he relaxes a bit he has all the screen presence he needs to be a star. However Devine simply tries too hard to be funny and ends up looking the buffoon. He’s a bull in a china shop and while that can be useful from time to time, it just ends up being distracting here.

I guess my biggest problem with Mike and Dave is that it all seems recycled to me. As I watch it doesn’t feel original or exciting; in fact, it made me feel tired, like I’ve seen this movie before. And I have, in several other movies. It’s disappointing; I like the cast a lot, particularly the lady leads but there wasn’t enough creativity in the writing to make this worth recommending.

REASONS TO GO: Some genuinely funny bits from a talented cast.
REASONS TO STAY: Definitely a kind of “you’ve seen it all” vibe here. It may have been dumbed down a little too much.
FAMILY VALUES: There’s quite a bit of crude sexual content as well as some graphic nudity, a whole lot of language and some drug humor.
TRIVIAL PURSUIT: The movie is based on an actual Craigslist ad placed by two real-life brothers named Mike and Dave Stangle. In reality, the ad received more than six thousand responses and netted the boys not only a movie deal but also an appearance on the Today show. The real life Stangle boys cameo here as a pair of guests at the wedding whom cousin Terry offers to be the center of a sandwich for.
CRITICAL MASS: As of 8/3/16: Rotten Tomatoes: 39% positive reviews. Metacritic: 51/100.
COMPARISON SHOPPING: The Hangover
FINAL RATING: 4/10
NEXT: Front Cover

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New Releases for the Week of April 1, 2016

MEET THE BLACKS

(Freestyle Releasing) Mike Epps, Bresha Webb, George Lopez, Mike Tyson, Zulay Henao, Lavell Crawford, Perez Hilton, DeRay Davis. Directed by Deon Taylor

The Black family has moved into Beverly Hills. Considering that the Black family is actually a black family, that doesn’t go over well with the locals. And when the Purge comes (yes, this is a spoof of the Purge), you know who everyone in the neighborhood is gunning for.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Horror Spoof
Now Playing: Wide Release
Rating: R (for pervasive language, some sexual material, violence and drug use)

Embrace of the Serpent

(Oscilloscope Laboratories) Nilbio Torres, Jan Bijvoet, Antonio Bolivar, Brionne Davis. A shaman, the last of his tribe in the Amazonian rain forest, forges a relationship with two scientists who are trying to find a plant said to have miraculous healing powers in the jungle. Filmed in black and white, this stark and moving film was the Brazilian entry for Best Foreign Language Film at the most recent Oscars, making the final five.

See the trailer, clips, interviews, a featurette and B-roll video here.
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Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater
Rating: NR

Eye in the Sky

(Bleecker Street) Helen Mirren, Aaron Paul, Alan Rickman, Phoebe Fox. It started out as a surveillance mission, locating and observing members of a terrorist cell in Kenya. However, it is discovered that a massive suicide bombing is about to take place and the mission turns from an observation mission to a kill mission. Then even that is complicated by the appearance of a 9-year-old girl playing in the yard. The moral implications become a metaphor for the nature of war in our time.

See the trailer and clips here.
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Release Formats: Standard
Genre: Drama
Now Playing: Most larger multiplexes throughout Central Florida
Rating: R (for violent images and language)

God is Dead 2

(Pure Flix) Melissa Joan Hart, Jesse Metcalfe, Ernie Hudson, Ray Wise. When a Christian teacher honestly answers a question about Jesus in the classroom, it causes a storm of controversy that threatens her job and may forever banish Christianity from public classrooms…oh, who am I kidding? This drivel is for viewers of Fox News only.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Christian Paranoid Fantasy
Now Playing: Wide Release
Rating: PG (for some thematic elements)

I Saw the Light

(Sony Classics)  Tom Hiddleston, Elizabeth Olsen, Cherry Jones, Bradley Whitford. This is the story of Hank Williams, one of the greatest and most influential figures in the history of country and western music. His meteoric rise to fame was only matched by the catastrophic effects of that fame on his health and personal life.

See the trailer, clips and premiere footage here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village
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Marguerite

(Cohen Media Group) Catherine Frot, André Marcon, Michel Fau, Christa Théret. Loosely based on the life of American Florence Foster Jenkins, this is the story of Marguerite Dumont, a wealthy matron living in the Paris of the 1920s. Fancying herself a singer, she is blissfully ignorant that she can’t sing a note. Nonetheless determined to put on a charity recital, she enlists the help of a reluctant maestro to train her for the event, not realizing that none of her friends and family have the heart to tell her the truth.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village
Rating: R (for brief graphic nudity and sexual content, and a scene of drug use)

The Ridiculous 6

The Old West was never this wild.

(2015) Western Comedy (Netflix) Adam Sandler, Luke Wilson, Rob Schneider, Nick Nolte, Jorge Garcia, Terry Crews, Will Forte, Steve Zahn, Harvey Keitel, Jon Lovitz, Whitney Cummings, David Spade, Danny Trejo, Nick Swardson, Blake Shelton, Vanilla Ice, Julia Jones, Saginaw Grant, Lavell Crawford, Steve Buscemi, John Turturro, Chris Kattan, Norm McDonald, Jackie Sandler. Directed by Frank Coraci

With Westerns making a bit of a comeback lately, it’s inevitable that there would be movies that poke fun at the genre. With Adam Sandler involved, that means there are a segment of people who will tune in no matter what. Others will stay away in droves.

White Knife (Sandler) is an orphan, taken in by the Apache when his mother was murdered. The Apache chief Screaming Eagle (Grant) teaches the young white boy how to fight, and the ways of the Apache warrior, which turn out to be somewhat more Zen than Caucasian culture gave them credit for. He is engaged to Smoking Fox (Jones), the most beautiful woman in the tribe. When a would-be outlaw (Zahn) tries to make trouble with her, White Knife makes short work of him.

However, there is trouble on the horizon. White Knife’s biological father, whom he never knew, shows up at the camp. His name is Frank Stockburn (Nolte) and he wants to make get to know the son he never knew. Just then, his old outlaw gang led by the notorious Cicero (Trejo) shows up and Stockburn hides his stash with the tribe, knowing Cicero will take it. Instead, Cicero takes Frank who tries to lead the gang away from the peaceful Native Americans by saying the stash is buried by an old windmill. White Knife knows that unless Cicero gets the $50,000 that Frank had taken, the old man would be killed.

Having just met his dad, White Knife isn’t willing to let him die. He heads out after them, vowing to obtain the money one way or another to rescue dear old dad. However, it turns out Dear Old Dad was very busy. White Knife discovers he has five half-brothers of other mothers – Ramon (Schneider) the Mexican bandito with the amazing diarrhea donkey, Lil’ Pete (Lautner) who’s the village idiot for more than one village but has a curiously strong neck, Chico (Crews) a saloon pianist who doesn’t use his fingers to tickle the ivories but something a little more genitalia-like, Herm (Garcia) the nearly unintelligible moonshiner and Danny (Wilson) who was Abe Lincoln’s bodyguard at Ford’s Theater who inadvertently showed John Wilkes Booth (Kattan) the road to infamy.

All six of these men have peculiar talents. All six are eager to rescue their father. And all six are incredibly, incredibly ridiculous. The Old West will never be the same once they’ve hit town.

Sandler as I alluded to earlier seems to affect people in extreme ways; either they are utterly devoted to him, or they hate him with a passion. He seems to inspire no middle ground. I try to be as objective as I can about him but I find that when he tends to be a little more serious I actually appreciate him more; his humor tends to be a little more scatological and quite frankly, a bit more juvenile-appealing than is my own personal taste.

He has assembled an impressive cast, several of whom (Crews, Schneider, MacDonald) are all veterans of SNL or of Sandler films, as well as folks like Nolte – who does a fine job here unsurprisingly – and Lautner, who does a really good job here, surprisingly. The latter hasn’t really exhibited much in the way of comedy chops previously, having done mostly action roles in movies that weren’t all that good. However, he proves to have some timing and comic presence, neither of which are easy tasks. I found myself liking him here, which isn’t my usual reaction to his performances.

Part of the problem here is that a lot of jokes fell flat for me, and it appears to a lot of other critics as well (see scores below). The whole thing about the amazing crapping donkey is humor at the level of five-year-olds and I know Sandler is better than that. Still, one can’t argue with success and most of the movies of his that reap box office gold have been the ones that have been, to me, the most childish. I think that says a lot more about the movie-going public than it does about Sandler.

Westerns tend to lend themselves to wonderful vistas and extraordinary cinematography and this movie was no different as veteran Dean Semler gives us some pretty pictures to look at. This is one of Sandler’s most cinematic films which makes it a bit ironic that it was released directly to Netflix as part of his four-picture deal with the streaming giant. However, it wasn’t for lack of trying; the film was in development at three different theatrical studios until Netflix finally came in and got it made.

There has been some controversy about the portrayal of Native American culture and I don’t intend to ignore it. While some outlets got nearly hysterical about it to the point of knee-jerkiness, the fact is that that several Native American extras had some concerns about the jokes made at the expense of their culture and eventually walked off the set when those concerns weren’t addressed. The initial reports made it sound like there was an uprising the size of Little Big Horn; in actuality the affair involved four extras, far less than the 150 Native American extras who were employed by the film. Watching the movie, I didn’t see anything that was more than culturally insensitive but the movie seemed to be that way to nearly everyone, in particular the white culture itself. Perhaps if the movie had been better written the insults would have seemed less egregious.

REASONS TO GO: A really good cast with Nolte and Lautner actually doing some good work. Lovely cinematography.
REASONS TO STAY: Unnecessarily dumb gags and situations. Attempts at parody miss the mark.
FAMILY VALUES: Some rude humor, mild profanity and sexual innuendo.
TRIVIAL PURSUIT: A group of Native American extras walked off the set due to what they perceived as negative and inaccurate portrayals of their culture; while initially the number of extras involved was reported to be about a dozen, sources close to the film put the number at four actors.
BEYOND THE THEATER:  Netflix
CRITICAL MASS: As of 12/18/15: Rotten Tomatoes: 0% positive reviews. Metacritic: 18/100.
COMPARISON SHOPPING: A Million Ways to Die in the West
FINAL RATING: 5/10
NEXT: Angels Crest