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"Break out up the middle on three. Ready? Break!"

“Break out up the middle on three. Ready? Break!”

(2015) Drama (Cohen) Gűnes Sensoy, Doga Zeynep Doguslu, Elit Iscan, Tugba Sunguroglu, Ilayda Akdogan, Nihal G. Koldas, Ayberk Pekcan, Bahar Kerimoglu, Burak Yigit, Erol Afsin, Suzanne Marrot, Serife Kara, Aynur Komecoglu, Serpil Reis, Rukiye Sariahmet, Kadir Celebi, Muzeyyen Celebi. Directed by Deniz Gamze Ergűven

In a patriarchal society, women are often seen as little more than brood mares and chattel, auctioned off to the highest bidder and made as marriageable as possible in order to take them off the hands of their poor parents who must pay for their care and feeding, the sooner the better. While the world is evolving in general from such beliefs, in more rural areas of certain parts of the world, these attitudes persist.

Lale (Sensoy) is the youngest of five orphaned sisters living with their grandmother (Koldas) in a compound-like home in a small seaside town in Northern Turkey. Walking home from school, they encounter some boys who are friends (not boyfriends) by the beach and decide to go swimming, still in their school clothes. Their innocent childish games catch the attention of an elderly woman who reports their behavior as obscene and libidinous to their grandmother, who proceeds to initiate beatings for all five sisters.

Their brute of an Uncle Erol (Pekcan) proceeds to put the house on lockdown, turning a beautiful home into a virtual prison – a wife-making factory in fact in which the five sisters are removed from school, taught classes in sewing, tea-making and essentially home economics. Uncle Erol and grandmother move quickly to arrange marriages for the eldest, then the others in turn.

In the meantime the high-spirited girls have trouble adjusting to their newfound confinement, growing bold and concerned about the future they have in store that is being made for them without any input from the girls themselves. In heartbreaking fashion, they slowly break as their world shrinks to the confines of their barred and gated home and their purpose in life to please husbands they haven’t even met. Only Lale, the youngest and the most outspoken of the bunch, seems to have any spirit left.

This is an impressive film that was France’s official submission for the Foreign Language Film category, making the Oscar shortlist (as of this writing the Awards haven’t been presented yet) and being nominated for the same award in the Golden Globes as well. The nomination is well-deserved. Ergűven weaves a spell-binding tale that not only exposes the archaic attitudes towards women that exists in certain Muslim-dominated countries but also our own, lest we forget the attitudes of the Christian right having to do with abortion and female sexuality.

Ergűven cast the film wisely, particularly with Sensoy whose jaw-jutting petulance mark her Lale as an utter handful. She’s demanding and opinionated, something not tolerated well in traditional Muslim households when regarding women. In fact, that’s where the film title comes from; Lale is untamed and unbroken, although the same doesn’t remain true for all of her sisters as the marriage train comes to pluck them one-by-one, Ten Little Indians-fashion.

The five actresses with their long flowing brunette locks look like sisters and act like them too. Few films I’ve seen really capture the dynamic of sisters as well, from the bawdy teasing to the occasional rivalry and bitter fights. All five of the sisters are beautiful and not just physically; they have an inner beauty that radiates from them like an angelic glow.

Frequent Nick Cave collaborator Warren Ellis contributes the synth-heavy score, and it is very effective, never intruding on the viewer but always beautiful and haunting. Cinematographers David Chizallet and Ersin Gok take advantage of the bucolic Turkish village, making it seem almost idyllic until we see the ugliness beneath.

If I have one criticism of the movie, it’s that the editing is a bit choppy, going from scene to scene in abrupt cuts that wrench the viewer from one scene to the next. It makes the film a little bit like an old car with a bad engine and a flat tire, lurching from scene to scene. A little defter hand on the editing  bay might have made for a smoother viewing experience but at the same time, that does feel a little bit like the kind of vehicle you’d find in a town like this; well past its prime, beaten up but getting you where you need to go despite the problems.

I won’t say this is a beautiful movie, even though it looks beautiful; some of the scenes are very ugly indeed, with young girls being examined for their virginity, an indignity that American girls don’t have to tolerate. However, this is an incredibly moving and thought-provoking movie that will stay with you long after the movie is over. All five of the sisters – yes, albeit that not all of them are as well-drawn as Lale – are still with me even though I saw the movie days ago. And I’m not in a terrible hurry to ask them to leave, either.

REASONS TO GO: A look at a rarely-glimpsed culture. Forces you to examine attitudes towards women in general. Breaks your heart as the movie goes on.
REASONS TO STAY: The editing is a little choppy.
FAMILY VALUES: The themes are quite adult; there’s also some mild sexuality and a rude gesture.
TRIVIAL PURSUIT: This is the feature film debut of director Deniz Gamze Ergűven.
CRITICAL MASS: As of 1/15/16: Rotten Tomatoes: 98% positive reviews. Metacritic: 82/100.
COMPARISON SHOPPING: Fiddler on the Roof
FINAL RATING: 8.5/10
NEXT: The Forest

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New Releases for the Week of September 11, 2015


The VisitTHE VISIT

(Universal) Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Kathryn Hahn, Celia Keenan-Bolger, Patch Darragh. Directed by M. Night Shyamalan

A brother and sister go to rural Pennsylvania to visit their grandparents. At first things are pretty much as you might expect; and older couple happy to see their grandkids but the longer they stay, the stranger the behavior of the elderly people begins to seem. Soon they realize that something sinister is going on and their chances of getting home alive are worsening but they can’t get their mom to believe them.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard  (Opens Thursday)
Genre: Horror
Now Playing: Wide Release
Rating: PG-13 (for disturbing thematic material including terror, violence and some nudity and for brief language)

90 Minutes in Heaven

(Goldwyn) Kate Bosworth, Hayden Christensen, Dwight Yoakam, Rhoda Griffis. A man in a car accident is declared dead and left under a tarp before being transported to a hospital. He experiences heaven until a pastor’s prayers bring him back to the living. Now in excruciating pain, he fights to regain some kind of normalcy while pining for what waited for him in heaven. Eventually he wrote a book on his experiences which became a New York Times bestseller.

See the trailer, clips, interviews and a promo here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Faith-Based Drama
Now Playing: Amstar Lake Mary, AMC Altamonte Mall, AMC Downtown Disney, AMC West Oaks, Cinemark Artegon Marketplace, Epic Theaters of Clermont, Regal Oviedo Marketplace, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village
Rating: PG-13  (for brief violence)

The Challenger

(Fox Searchlight) Michael Clarke Duncan, S. Epatha Merkerson, Kent Moran, Justin Hartley. An ex-boxer trying to make it as an auto mechanic is simply not making ends meet. When he and his adopted mother are evicted, he is forced back into the one thing that he’s been struggling against – boxing. With the help of a legendary trainer, he will do whatever it takes to keep he and his adopted mom off of the streets. This is the late Michael Clarke Duncan’s last film.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Sports Drama
Now Playing: Regal Waterford Lakes
Rating: PG-13 (for some sports violence)

Cop Car

(Focus World) Kevin Bacon, Camryn Manheim, Shea Whigham, Kyra Sedgwick. Two young boys discover what seems to be an abandoned police vehicle in a secluded glade and decide to take it for a joy ride. This incurs the wrath of a brutal county sheriff and leads to disastrous consequences.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Thriller
Now Playing: Enzian Theater
Rating: R (for language, violence and brief drug use)

Learning to Drive

(Broad Green) Ben Kingsley, Patricia Clarkson, Grace Gummer, Jake Weber. A high-powered and self-obsessed New York book editor undergoing a divorce decides to become more self-sufficient. She signs up to take driving lessons so that she can visit her daughter in college in Vermont. Her instructor is Darwan, an extremely conscientious teacher and his patience inspires her to open up with him about her deeper problems. In turn, her volatile feelings about her disintegrating marriage bring out some feelings in him about his own impending nuptials.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for language and sexual content)

Meru

(Music Box)  Conrad Anker, Jimmy Chin, Renan Ozturk, Jon Krakauer. Among mountain climbers, Conrad Anker is a legend. It is also considered that the Himalayan peak Meru is virtually unclimbable, towering 21,000 feet into the sky with the final portion being a unique shark’s fin formation that is nearly vertical and requires a different set of climbing skills than the first portion of the mountain, requiring an entirely different set of gear, all of which has to be lugged up the mountain. Anker and his team undergo the harshest conditions that mother nature has to offer, heartbreaking defeats and terrible tragedies just to make yet another assault on Meru. But can anyone climb the unclimbable mountain?

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater
Rating: R (for language)

The Perfect Guy

(Screen Gems) Michael Ealy, Sanaa Lathan, Morris Chestnut, Charles S. Dutton. After a painful breakup with her boyfriend, a beautiful young professional woman meets a handsome and charming stranger. At first he seems like a gift from heaven, but when her ex-boyfriend re-enters the picture and tries to win her back, the perfect guy suddenly changes into someone she doesn’t know – and someone completely terrifying.

See the trailer, clips, interviews, featurettes, a promo and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Thriller
Now Playing: Wide Release
Rating: PG-13 (for violence, menace, sexuality and brief strong language)