The Meg


Jason Statham smells something fishy.

(2018) Adventure (Warner Brothers) Jason Statham, Li Bingbing, Rainn Wilson, Cliff Curtis, Winston Chao, Sophia Cai, Ruby Rose, Page Kennedy, Robert Taylor, Ólafur Darri Ólafsson, Jessica McNamee, Masi Oka, Raymond Vinten, Mai Hongmei, Wei Yi, Vithaya Ransringarm, Rob Kipa-Williams, Tawanda Manyimo, Mark Trotter, Jeremy Tan, Sui Fong Ivy Tsui. Directed by Jon Turtletaub

 

Sharks have been a popular movie villain ever since Steven Spielberg brought forth Jaws as quite possibly the perfect summer movie back in 1975. Given Hollywood’s propensity to the maxim “bigger is better,” it was only a matter of time before we got a gigantic prehistoric shark wreaking havoc.

Jonas Taylor (Statham) is a deep-sea rescue specialist who has an encounter with something huge during an unsuccessful rescue of a sub. Essentially laughed out of the business, he retires to Thailand to get drunk and stay drunk – two things it is quite possible to do in Thailand. However, when an experimental submersible in which his ex-wife (McNamee) is a crew member is trapped below the Marianas Trench (don’t ask), he is enticed back, headed to the sleek 2001-esque research station below the ocean bankrolled by tech gazillionaire Morris (Wilson) and headed by Chinese scientists Dr. Zhang (Chao), his comely daughter Suyin (Bingbing) and precocious granddaughter Meiying (Cai), as well as Jonas’ buddy Mac (Curtis). Needless to say the giant creature Jonas saw is real (Nyah! Nyah! Toldja so!) and turns out to be a gigantic prehistoric shark that has been extinct for 200 million years; except it wasn’t, it had just gone from being a shallow water predator to a deep sea diver because…reasons.

Warner Brothers marketed this as a fun, light summer movie which I suppose a film about people getting swallowed whole by a giant shark would have to be. It really doesn’t live up to the trailer though, although Statham really makes an effort to take the movie on his broad shoulders. Sadly, the movie suffers from hoary plot clichés and underwhelming CGI and comes off as a kind of Plan 9 from the South China Sea. It does skirt the so bad it’s good territory.

Despite all its shortcomings, there is something about the movie that is endearing, although it could have used a little more self-awareness – why, oh why didn’t someone say “We’re gonna need a bigger boat”? – and a little less cool gadgetry. For my money, the movie came within one uneaten chunky Asian kid from getting a more respectable score.

REASONS TO SEE: Statham gives it the old college try.
REASONS TO AVOID: Sketchy CGI and a predictable plot.
FAMILY VALUES: There is aquatic violence, some bloody images, peril and some profanity.
TRIVIAL PURSUIT: The movie has been in and out of development since 1996 when Disney (!) first bought the rights to the novel. It has bounced around a variety of studios (New Line, Warner Brothers) and directors (Guillermo del Toro, Jan de Bont) in that time.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Microsoft, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 1/2/20: Rotten Tomatoes: 46% positive reviews: Metacritic: 46/100
COMPARISON SHOPPING: Jaws III
FINAL RATING: 5/10
NEXT:
The Spy Who Dumped Me

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The Forbidden Kingdom


Clash of Titans.

Clash of Titans.

(2008) Martial Arts Fantasy (Lionsgate) Jackie Chan, Jet Li, Michael Angarano, Collin Chou, Liu Yifei, Li Bingbing, Morgan Benoit, Deshun Wang, Yu Yuan Zeng, Xiao Dong Mei, XiaoLi Liu, Juana Collignon, Jack Posobiec, Thomas McDonnell, Zhi Ma Gui, Shen Shou He, Bin Jiang, Michelle Du, Crystal Kung, Jia Xu Wei, Ju Shi Xiao, Meng Guo, Alexis Bridges. Directed by Rob Minkoff

It takes great courage to become more than what you are and while that is rare, it does happen. Sometimes it comes from the most unlikely of people.

Jason Tripitikas (Angarano), a resident of a tough neighborhood in South Boston, loves martial arts films. He longs to be like the ancient heroes of China, with Kung Fu skills bordering on the supernatural. The sad reality is, however, that he is afraid, not confident in himself and while very knowledgeable about the various styles and moves of his martial arts heroes, is unable to put them into practice.

He often visits a pawn shop in Chinatown where the elderly proprietor (Chan) often stocks rare and out of print martial arts movies of the Shaw Brothers era. When Lupo (Benoit), a neighborhood bully with a hair trigger, discovers that Jason is friends with the pawn shop owner, he forces Jason to use his influence to get his gang into the store for the purpose of robbing the old man. Jason, too afraid to stand up, reluctantly gives in to his tormentor. Once in the store, however, things go horribly wrong. When the thugs are unable to find the store’s money, in a fit of pique Lupo shoots the old man. Jason, realizing that he is next in line, grabs an old staff to help him get away, but he is trapped on the roof with a gun pointed at his head. That’s when things get really crazy.

It turns out that the staff is a powerful magic weapon that once belonged to the immortal Monkey King (Li), and when the mischievous monarch insulted the powerful Jade Warlord (Chou), the Warlord challenged the Monkey King to a martial arts duel, but tricked the Monkey King into putting down his staff. The Warlord then turned the Monkey King into stone, but the Monkey King, just before the Jade Warrior had worked his magic, sent his staff out of his world and into ours. However, once the staff is returned to its rightful owner, the spell would be broken and the Monkey King would end the tyrannical reign of the Jade Warlord.

This is explained to Jason by a wandering drunken scholar (Chan again), who helps Jason escape from soldiers of the Jade Army. They are helped by a beautiful young musician (Yifei) who is on a mission of her own: vengeance against the Jade Warlord, who killed her family. However, en route to the Mountain of the Five Elements, where the Jade Warlord’s palace is, the staff is stolen by the Silent Monk (Li). After a furious fight with the drunken scholar, they at last realize that they have the same mission and agree to join forces and train young Jason in the ways of kung fu. However, they are being tracked by a wicked witch (Bingbing) who has been sent by the Jade Warlord to retrieve the staff and kill those who carry it. With an entire army and wielders of immense supernatural power arrayed against them, how can they restore the staff to the Monkey King and find Jason a way back home?

In many ways, this is Chan’s movie and he carries it strongly, easily falling into the character of the drunken master whom he has played many times in many movies earlier in his career. Li, whose character the Silent Monk is onscreen most of the time, doesn’t get a lot of dialogue and little to do but be stoic in between bouts of kicking derriere. However, when he is in his persona of the Monkey King early in the movie and then again near the very end, he is delightful, showing an impish sense of humor he rarely gets to display.

Yifei is almost supernaturally beautiful, playing the eventual love interest, and when she does get to fight, she holds her own. Bingbing and Chou are both marvelous in their villainous roles, particularly Bingbing who has a vicious kind of charisma. It is Angarano who winds up being the weak link; it isn’t that he’s bad, he’s just very bland. You get no sense of the inner fortitude he must display as the movie progresses, and his transition from timid nebbish to brave warrior just doesn’t work.

The fight sequences are staged by the great Woo-Ping Yuen, who did the same for the Matrix trilogy as well as many legendary Chinese martial arts films. Although there are several wire sequences (for which Yuen is justifiably best known), the movie isn’t dominated by them. Most of the martial arts sequences are staged on the ground. Another Asian legend, cinematographer Peter Pau, is behind the lens, and his vistas of placid Chinese villages and barren deserts are breathtaking. The sequences that take place on the Mountain of the Five Elements utilize some nicely done CGI. The American-Chinese co-production makes use of some of the best aspects of both schools, an advantage the filmmakers use to the fullest.

Chan is absolutely delightful and clearly dominates the movie. While the storyline is a bit complicated, it is told in a fashion that is not and winds up being a lot easier to follow than you might imagine. The smattering of Chinese mythology and fantasy are nicely adapted for the Western palate, although filmgoers better versed in those subjects might get a kick out of some of the in-jokes and homages the filmmakers insert from time to time. Then, of course, there’s the fight sequence between Chan and Li. Even though in many ways both men are past their primes, they deliver a fight that is absolutely breathtaking and while some might find it overly long, true aficionados won’t want the sequence to end.

Director Minkoff, best known for family movies like The Lion King, The Haunted Mansion and Stuart Little, delivers a movie that while fairly violent, is nonetheless suitable for all but the most sensitive. While there are some pretty impressive throw-downs, the violence is almost of a cartoonish nature and there is little blood and almost nobody dies, at least as far as can be seen.

Even Da Queen liked this one, and she’s not a big martial arts fan. The tone is lighthearted enough to keep things from getting too self-important, while not so lighthearted as to become farce. Duly noted are the Wizard of Oz similarities – the hero falling from the sky, meeting a trio of characters and following the road to the Emerald – or Jade, in this case – City. Sure, there are some people who just will not EVER desire to see any sort of martial arts movie, which of course is a matter of taste, although there’s just a hint of film snobbery in that decision. Those that are willing to brave the waters will find some wonderful entertainment here and while not visually in the league of Hero or Curse of the Golden Flower nor as well-made as Crouching Tiger, Hidden Dragon, nonetheless this is worthy of your entertainment dollar. Spend it wisely, grasshopper.

WHY RENT THIS: Chan is absolutely delightful. Lighthearted tone but not farcical. Nifty CGI.
WHY RENT SOMETHING ELSE: Angarano doesn’t cut it here. A little bit on the derivative side.
FAMILY MATTERS: Plenty of martial arts action and violence.
TRIVIAL PURSUITS: This marks the first time that Asian martial arts legends Jackie Chan and Jet Li have appeared together in the same movie.
NOTABLE HOME VIDEO FEATURES: A ton of extras including a blooper real, a retrospective on the careers of Li and Chan and how they almost worked together on several occasions, a look at the Chinese mythology that inspired the story, and a featurette on scouting the gorgeous locations within China. All of these are available both on the DVD and Blu-Ray editions of the film.
SITES TO SEE: Netflix, iTunes, Amazon, Vudu, Google Play, M-Go
BOX OFFICE PERFORMANCE: $127.9M on a $55M production budget.
COMPARISON SHOPPING: Journey to the West
FINAL RATING: 7/10
NEXT: Pee-Wee’s Big Holiday

New Releases for the Week of June 27, 2014


Transformers: Age of ExtinctionTRANSFORMERS: AGE OF EXTINCTION

(Paramount) Mark Wahlberg, Nicola Peltz, Stanley Tucci, Jack Reynor, Kelsey Grammer, Sophia Myles, Li Bingbing, Robert Foxworth, John Goodman, Ken Watanabe. Directed by Michael Bay

With Chicago laid waste but humanity safe for now, the Transformers have become persona non grata as the picking up of pieces commences. However, a new and ancient threat has the Earth set right in its crosshairs and Optimus Prime must turn to a new set of humans if this threat is to be defeated – if it can be defeated at all.

See the trailer, clips, interviews, promos and B-roll video here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D (opens Thursday)

Genre: Science Fiction

Rating: PG-13 (for intense sequences of sci-fi violence and action, language and brief innuendo)

Ek Villain

(Balaji) Sidharth Malhotra, Ritesh Deshmukh, Shraddha Kapoor, Aamna Sharif. After his lover is brutally murdered by a serial killer, a man decides to take the law into his own hands and bring the murderer to justice. As he chases down his nemesis, the lines between good and evil begin to blur and melt into one another until it is impossible to tell light from darkness.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood/Action

Rating: NR

Obvious Child

(A24) Jenny Slate, David Cross, Gaby Hoffman, Richard Kind. A young woman struggles to make it as a stand-up comic, working a day job to make ends meet. Things however go horribly wrong as she loses her day job, gets dumped by her boyfriend and discovers she is pregnant. Happy Valentine’s Day indeed. She will use her ability to find humor in any situation as the courage that she uses to get up on stage will now be necessary to help her make it in real life. This played the most recent Florida Film Festival and was one that I’m looking forward to seeing.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language and sexual content)

Resident Evil: Retribution


Go ask Alice.

Go ask Alice.

(2012) Horror Action (Screen Gems) Milla Jovovich, Michelle Rodriguez, Sienna Guillory, Kevin Durand, Shawn Roberts, Colin Salmon, Johann Urb, Boris Kodjoe, Li Bingbing, Aryana Engineer, Robin Kasyanov, Ofilio Portillo, Oded Fehr, Megan Charpentier, Mika Nakashima, Ray Olubowale, Toshio Oki, Takato Yamashito, Ali Larter. Directed by Paul W.S. Anderson

6 Days of Darkness 2013

Some fights you can’t run away from. Sooner or later you have to take the fight to your enemy because otherwise you’ll be running until you’re caught and/or killed. Sometimes those fights will cost you more than you know.

After the events of Resident Evil: Afterlife Alice (Jovovich) has been taken prisoner by the evil Umbrella Corporation and is being interrogated by former ally turned enemy (thanks to a parasite buried in her chest) Jill Valentine (Guillory). She escapes with the help of Ada Wong (Bingbing) who is one of the chief operatives of Albert Wesker (Roberts), the evil head of the Umbrella Corporation. However, he is no longer in charge; the computer program Red Queen, activated after the fall of The Hive has taken over and is at war with humanity – and she is winning.

Alice and Ada are in an Umbrella cloning facility where several environments were created to work out different scenarios to T-Virus infection protocols. Wesker sends in a strike team to retrieve Alice and Ada and also Becky (Engineer), a cloned little girl who operated as a daughter to a cloned Alice in a Raccoon City scenario. Make sense? Don’t sweat it.

Anyway the strike team along with Alice and Ada are up against hordes of mutants, Jill Valentine as well as clones of Rain Ocampo (Rodriguez) and Carlos Olivera (Fehr). They will have to fight their way through simulations of Moscow, Tokyo and Raccoon City. The now-fully human Alice will have to rely on her wits and her indomitable will to survive in order to get out of the base alive and once they do, a final battle on the surface awaits in which friend becomes foe, foe becomes friend and the world prepares for a last stand in the most unlikely of places.

The thing that has made this series so spectacular is not just the videogame franchise it’s based on but on Milla Jovovich’s interpretation of Alice. Jovovich, because of her appearances in a lot of sci-fi, horror and action movies, is sometimes underrated as an actress (much like Kate Beckinsale is) but she really has a great deal of screen presence and the focus is entirely on her, which gives the filmmakers smart points. Then again, Anderson is married to her so he probably knows her abilities better than any other.

The movie is like a non-stop chase scene, beginning with the spectacular opening sequence in which Alice’s capture is done in reverse sequence going back to the final moments of Afterlife. It’s imaginative, far more so than one would have expected from a franchise that’s supposed to play to a less-discerning crowd. While the sequence following that opening which consists of cloned Alice, cloned Carlos and Becky playing house is a bit confusing, the rest of the movie takes off at warp speed. Non-stop battles between humans with a seemingly inexhaustible supply of ammo and increasingly grotesque mutants will more than satisfy the entertainment quotient.

The Resident Evil film series has been the only successful franchise (or standalone film for that matter) to capture the nature of the videogame that inspired it. While it doesn’t compare to playing the game and having that interactive element that is missing in a film, it is as close as film is going to come to that element simply because of the frenetic pacing and touches that less attentive directors might miss. One gets a sense that Anderson plays a lot of videogames.

I’m not sure how much farther they can take this franchise. There are after all only so many ways you can go here until it starts to get repetitive and it is absolute death for a franchise such as this to repeat itself – even the Friday the 13th franchise fell into that trap. They do seem to be leading to a climactic battle and the next movie, scheduled for release on September 12, 2014 may be the climax of the series. If so, they’ll have a fairly high bar set for them in order to make the series go out with a bang, which I sure hope it does rather than the fizzle that it could easily go out with.

WHY RENT THIS: Mindless fun. Jovovich has made the role of Alice iconic in horror films.

WHY RENT SOMETHING ELSE: Kind of been there, done that.

FAMILY VALUES:  Lots and lots and lots of violence. And I mean lots.

TRIVIAL PURSUIT: Jovovich is the only actor to appear in every Resident Evil film to date.

NOTABLE HOME VIDEO EXTRAS: Along with outtakes, there’s a nifty interactive database that allows viewers to explore the world of the franchise through bios, video clips and more. There’s also a look at Nakashima, the lead Japanese zombie and a reunion of cast members from previous installments in the series.

BOX OFFICE PERFORMANCE: $240.2M on a $65M production budget.

COMPARISON SHOPPING: Silent Hill

FINAL RATING: 6.5/10

NEXT: Six Days of Darkness 2013 concludes!