The Founder


Ray Kroc worshiping at the Golden Arches.

(2016) Biographical Drama (Weinstein) Michael Keaton, Nick Offerman, John Carroll Lynch, Laura Dern, Linda Cardellini, B.J. Novak, Patrick Wilson, Justin Randell Brooke, Kate Kneeland, Griff Furst, Wilbur Fitzgerald, David de Vries, Andrew Benator, Cara Mantella, Randall Taylor, Lacey King, Jeremy Madden, Rebecca Ray, Adam Rosenberg, Jacinte Blankenship. Directed by John Lee Hancock

 

Most of us are more than familiar with McDonald’s. It is Main Street, America on a global scale; on a typical day the fast food chain will feed something like 8% of the world’s population. They are convenient and in a fast-paced world where meals can be afterthoughts, a necessity. But how did they get to be that way?

Salesman Ray Kroc (Keaton) is having a spectacular lack of success selling his five spindle milkshake mixer to diners and drive-ins in the Midwest. When he gets an order for five of the machines from a burger joint in San Bernadino, California, he is gratified – gratified but amazed. The operation he visits is staggering; lines snake through the parking lot. Counter service only, he makes his order for a cheeseburger, fries and a coke and gets it delivered to the window in less than a minute. Dumbfounded, he sits down to eat his meal – and it’s actually pretty darn good. The restaurant, named McDonald’s for the McDonald brothers who own it, looks promising as visions of a franchise operation begin to dance in his head.

At first the brothers – Dick (Offerman) and Mac (Lynch) aren’t too interested. They’d tried something like it before and ended up with franchise owners adding their own flair – fried chicken, barbecue, straying from the formula of keeping the menu simple and the quality high. Kroc thought he could make that happen by being a hands-on boss. As it turned out, that didn’t quite work out the way he expected.

At home, his wife Ethel (Dern) lives a life of loneliness and boredom, living for those precious times when they go to dinner at the local club. He uses those occasions to snare investors and Ethel tries to help in her own way. Soon though Ray’s dreams are fast outstripping those of his partners as well as those of his wife. The wife (Cardellini) of a potential investor (Wilson) catches his eye. As for the McDonald brothers, they are content with having a quality restaurant and what Ray is looking to build is more than they intended to take on and their reluctance to change or to compromise quality becomes a major frustration for Ray. He becomes aware that the biggest hurdle in making McDonald’s a household name are the McDonald brothers themselves.

I’m not too sure what the executives at the McDonald’s corporation think of this movie; they are in a very real sense the descendants of Ray Kroc and they owe their position to his vision and his drive to achieve it. I think they appreciate the free advertising but Ray doesn’t come off terribly well here in many ways although he did do a lot of the less savory things that are depicted here, including taking credit for some of the aspects of the image that the McDonald brothers introduced (like the golden arches) and effectively excising the brothers from the history of the company (he labeled an Illinois franchise McDonald’s #1 when in fact it was the ninth store to open). Keaton imbues Ray with a surfeit of charm without ignoring the man’s more vicious traits; he also gives Ray enough energy and charisma that when he does some pretty bad things, one still roots for him. Maybe there’s something in that secret sauce that compels us to but I think that Keaton’s performance has a lot to do with it too.

The film only covers a short period in the history of the fast food Goliath and doesn’t really get into the globalization of the brand or examine the effect of their product on the obesity epidemic in this country which has disappointed some critics but not this one. There are plenty of things one can get into concerning the pros and cons of McDonald’s from their catchy advertisements, their shrewd marketing to children with the play areas and Ronald McDonald and their recent move to adding more nutritional selections on their menu and offering a wider variety of food in general. I think the movie accomplished what it set out to do and examine how McDonald’s went from being a small roadside burger joint in California to the global giant it is today and that’s plenty of story for one movie.

There’s plenty of dramatic conflict that goes on but this simply isn’t going to appeal to those who are easily bored. Although there might be a niche group interest for those who are interested in how corporate entrepreneurs achieved their success, I’m not sure if America (or anywhere else) is waiting for movies about Col. Sanders, Sam Walton (founder of Wal*Mart) or Bill Gates. I did find Keaton’s performance fascinating and that kept enough of my interest to give this a mild recommendation.

REASONS TO GO: Keaton delivers a solid performance.
REASONS TO STAY: Some might find this a bit boring.
FAMILY VALUES: There is a bit of profanity.
TRIVIAL PURSUIT: All of the McDonald’s restaurants depicted in the film were built from scratch in parking lots and vacant lots because producers couldn’t find suitable locations that matched the look of the film that they were aiming for.
CRITICAL MASS: As of 3/15/17: Rotten Tomatoes: 83% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: The Social Network
FINAL RATING: 6/10
NEXT: It’s Not My Fault (And I Don’t Care Anyway)

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New Releases for the Week of January 20, 2017


xXx: The Return of Xander CageXXX: THE RETURN OF XANDER CAGE

(Paramount) Vin Diesel, Samuel L. Jackson, Donnie Yen, Toni Collette, Tony Jaa, Nina Dobrev, Deepika Padukone, Ruby Rose, Kris Wu, Ice Cube. Directed by D.J. Caruso

An elite team led by the enigmatic Xiang is pursuing a powerful weapon named Pandora’s Box. This team is so deadly as to be nearly unstoppable, prompting the government to try and persuade Xander Cage, the legendary “Triple X,” to come out of “retirement.” He assembles an elite team of his own to take on Xiang but discovers that not everything that is happening is the way it seems.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX 3D

Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for extended sequences of gunplay and violent action, and for sexual material and language)

20th Century Women

(A24) Annette Bening, Elle Fanning, Greta Gerwig, Billy Crudup. As the 70s come to an end, a 50ish single mom in Santa Barbara finds raising her son a challenge and enlists the help of two younger women to help raise him to be the man she hopes he can become. Bening got a Golden Globe nomination for her performance and has a good shot to see some Oscar love as well.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Disney Springs, Enzian Theater, Regal Oviedo Marketplace, Regal Waterford Lakes

Rating: R (for sexual material, language, nudity and some drug use)

The Founder

(Weinstein) Michael Keaton, Nick Offerman, John Carroll Lynch, Linda Cardellini. The story of Ray Kroc, a milkshake machine salesman who one day stopped off at a popular burger joint in San Bernardino and discovered their method of producing burgers could revolutionize the way America eats. He determined to hitch his wagon to that restaurant and in doing so made it one of the biggest businesses in history. Today there’s a McDonald’s on every corner – and you have Ray Kroc to thank for it.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for brief strong language)

Paterson

(Bleecker Street/Amazon) Adam Driver, Golshifteh Farahani, Nellie, Barry Shabaka Henley. Paterson, a bus driver in Paterson, New Jersey (yes, they have the same name) spends his days watching the world go by his windshield. Snippets of conversations and his own observations make it into a book of poetry he has written but allows nobody to read. He likes his life and is content to let it remain as is. His wife, an artist, however is changing as new dreams inspire new creations. They love each other very much but are they drifting apart? This is the latest from director Jim Jarmusch.

See the trailer, interviews and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village

Rating: R (for some language)

The Resurrection of Gavin Stone

(BH Tilt/High Top) Brett Dalton, Anjelah Johnson-Reyes, Shawn Michaels, D.B. Sweeney. A former child star, fallen on hard times gets arrested and sentenced to community service at a local megachurch. In order to land the role of Jesus in the annual Passion Play, he pretends to be a devout Christian. Soon enough he discovers that the role requires more than just lip service.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Faith
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, AMC West Oaks, Cinemark Artegon Marketplace, Regal Oviedo Mall, Regal Waterford Lakes

Rating: PG (for thematic elements including a crucifixion image)

Split

(Universal/Blumhouse) James McAvoy, Anya Taylor-Joy, Haley Lu Richardson, Betty Buckley. A gifted young man with 23 distinct personalities fighting for dominance within him kidnaps three young women. His psychiatrist realizes that a 24th is set to emerge, one that is vicious, evil and set to dominate the others. Can the three kidnap victims find a way to escape their captor before the world is introduced to The Beast? This is the newest film from M. Night Shyamalan.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for disturbing thematic content and behavior, violence and some language)

New Releases for the Week of December 25, 2015


ConcussionCONCUSSION

(Columbia) Will Smith, Alec Baldwin, Albert Brooks, Gugu Mbatha-Raw, David Morse, Arliss Howard, Mike O’Malley, Eddie Marsan, Luke Wilson. Directed by Peter Landesman

Dr. Bennett Omalu, a forensic Neuropathologist working in Pittsburgh, is presented with a strange situation; a favored son of the city, a former football star, dies suddenly penniless, his very personality rumored to have changed completely. As he investigates he discovers something shocking; repeated head traumas, such as those routinely suffered by football players, leads to some terrifying consequences. However in bringing his findings to the public, he finds himself in a fight with a corporation that owns a day of the week – the National Football League. However, Dr. Omalu refuses to back down and becomes maybe the greatest advocate that pro athletes have ever had.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material including some disturbing images, and language)

The Big Short

(Paramount) Ryan Gosling, Christian Bale, Steve Carell, Marisa Tomei. As the economy came to the verge of collapse in 2008, a group of financial outsiders, seeing what the big banks had done to the economy knew that they would likely not get much more than a slap on the wrist. They decided on a bold scheme to get their share, taking on some of the biggest crooks in the history of mankind – and winning.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Dramedy
Now Playing: Wide Release

Rating: R (for pervasive language and some sexuality/nudity)

Daddy’s Home

(Paramount) Will Ferrell, Mark Wahlberg, Linda Cardellini, Thomas Haden Church. A white bread radio executive has married a divorced woman with two kids, and is trying to be the best dad possible to them, although frankly they don’t want anything to do with him. Still, he tries and hopes for the best – until their biological father shows up, forcing him to compete with the guy for the attention of the kids. The ante gets upped again and again until the stakes become ridiculous.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for thematic elements, crude and suggestive content, and for language)

The Danish Girl

(Focus) Eddie Redmayne, Alicia Vikander, Amber Heard, Ben Whishaw. Danish painter Einar Wegener was married to a fellow painter and seemingly happy with his life. However, a request from his wife, seemingly simple and innocuous, leads him to a profound change and the realization that he is a woman trapped in a man’s body. Desperate to find a solution, he takes a risk that at the time was unthinkable – but may be his only hope for happiness and peace.

See the trailer, clips, featurettes and Q&A sessions here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Springs, Regal Winter Park Village

Rating: R (for some sexuality and full nudity)

The Hateful Eight

(Weinstein) Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Bruce Dern. A bounty hunter, taking his quarry back to Red Rock, Wyoming to hang shortly after the end of the Civil War, finds himself snowed in with six other strangers in a Rocky Mountain stagecoach stop. Soon it becomes clear that not all of the men are being completely candid about who they are – and that not everyone holed up to wait out the storm is going to make it out alive. The movie will be playing in digital 70mm print approximation (few theaters across the country will have the real thing), and will be opening in wide release on January 8th in standard 35mm digital.

See the trailer, clips, interviews, a promo, a featurette, B-roll video and a Q&A session here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Western
Now Playing: AMC Disney Springs, Regal Waterford Lakes

Rating: R (for strong bloody violence, a scene of violent sexual content, language and some graphic nudity)

Joy

(20th Century Fox) Jennifer Lawrence, Bradley Cooper, Robert De Niro, Elizabeth Rohm. Coming from a working class background, nobody ever figured Joy would ever amount to much but nobody counted on her unshakable will. She goes on to found a business empire, navigating the cutthroat waters of modern business to become one of the most successful female entrepreneurs in the United States. This is the latest offering from director David O. Russell, who has become the nearest thing to a sure Oscar nominee as there’s been in the last few years.

See the trailer, clips, interviews and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for brief strong language)

Point Break

(Warner Brothers) Edgar Ramirez, Luke Bracey, Ray Winstone, Teresa Palmer. A young maverick FBI Agent infiltrates a group of extreme athletes who are suspected of pulling off daring robberies utilizing skills involving some of the most dangerous activities known to humans. The deeper the agent gets, the more he gets swept into their world. Eager to prove their innocence he begins to lose sight of his job and the protection of innocent lives. Can he bring these guys to justice before people die for their thrill-seeking ways – or will he ultimately prove their innocence?

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Action
Now Playing: Wide Release

Rating: R (for violence, thematic material involving perilous activity, some sexuality, language and drug material)

Youth

(Fox Searchlight) Michael Caine, Harvey Keitel, Jane Fonda, Rachel Weisz. Two lifelong friends vacation at a resort in the Swiss Alps as they contemplate oncoming retirement. Befriended by a young actor struggling to make sense of his latest role, one – a musician – is urged by his daughter not to retire just yet while the other – a screenwriter – labors to finish what may well be his last screenplay aided by his muse, who may or may not be true inspiration.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater
Rating: R (for graphic nudity, some sexuality, and language)

Avengers: Age of Ultron


Hawkeye takes the heat.

Hawkeye takes the heat.

(2015) Superhero (Disney/Marvel) Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, James Spader, Elizabeth Olsen, Aaron Taylor-Johnson, Samuel L. Jackson, Don Cheadle, Anthony Mackie, Andy Serkis, Paul Bettany, Cobie Smulders, Hayley Atwell, Idris Elba, Linda Cardellini, Stellan Skarsgard, Claudia Kim, Thomas Kretschmann, Julie Delpy. Directed by Joss Whedon

As Uncle Ben from the Spider-Man series was wont to say, with great power comes great responsibility. It also makes sense that with great power comes great ego. When you have god-like powers (or are an actual god), the tendency would be to think that your powers make you right. When you get a roomful of such beings who may disagree on certain things, how possible is it for them to work together?

Avengers: Age of Ultron picks up from the pieces of HYDRA’s infiltration of SHIELD as shown in Captain America: The Winter Soldier and continued in the television show Marvel’s Agents of SHIELD as the Avengers are mopping up certain HYDRA bases trying to find Loki’s scepter which Thor (Hemsworth) is eager to restore back to its place in Asgard.

Despite heavy resistance from HYDRA and their leader Baron von Strucker (Kretschmann), Captain America/Steve Rogers (Evans) leads the Avengers to their goal and retrieves the scepter as well as capturing von Strucker. Von Strucker has been using the scepter to experiment on humans, bestowing on twins Quicksilver/Pietro Maximoff (Taylor-Johnson) and the Scarlet Witch/Wanda Maximoff (Olsen) superpowers; in Quicksilver’s case super speed, in the Witch’s case the ability to enter minds and to shoot red hex blasts from her hands. She implants a suggestion in Iron Man/Tony Stark (Downey) to sow discord among the Avengers, somewhat successfully. After all, the conflict was essentially already there.

Stark uses the scepter to kick start an artificial intelligence he calls Ultron which is meant to be a program that protects the planet from alien invaders, an event from Marvel’s The Avengers that so traumatized Stark that it has literally become his greatest fear that the next time invaders come he won’t be able to stop them. However, Ultron (Spader) decides to make himself a body and after quick consideration comes to the conclusion that the best way to protect planet Earth is to remove the human beings from it and to start anew, preferably with metal constructs as the dominant species. That Stark doesn’t tell his fellow Avengers what he’s up to (although The Hulk/Bruce Banner (Ruffalo) assists him reluctantly) further stirs the pot.

As you might guess, this doesn’t sit too well with the Avengers who go out to stop Ultron, who has recruited the twins to his side. They get wind that Ultron is visiting Ulysses Klaw (Serkis), an arms dealer in the African nation of Wakanda to retrieve as much vibranium as he can get his metal hands on and each are given a kind of dream courtesy of the Scarlet Witch that stops them in their tracks and further makes the team wonder if they can function properly. Afterwards, with their gaudy New York headquarters compromised, they retreat to a farm owned by Hawkeye/Clint Barton (Renner) and his wife (Cardellini) to lick their wounds. Thor heads off to find out the meaning of his dream, enlisting old friend Erik Selvig (Skarsgard) to help him.

In the meantime romance begins to blossom between Banner and the Black Widow/Natasha Romanoff (Johansson), and Nick Fury (Jackson) arrives to give the team a pep talk. Thus they head out to stop Ultron, even though it might cost them their lives. And Ultron plans an extinction level event to take out the entire planet. Can the Avengers stop a being that may be smarter and stronger than they are collectively?

Believe it or not, that’s just the bare bones outline of what’s going on in this movie; there are tons of subplots going on as well. Along the way we get more insight into the characters of Hawkeye and the Black Widow (which are welcome) and extended battle sequences which after awhile, truthfully, begins to feel repetitive.

Whedon was able to weave all the different characters together in the first Avengers movie in a way that brought disparate elements into a congenial whole. He is less successful at it this time, which I think has more to do with an attempt to tell a story with so many moving parts, meant to not only influence events in Phase II of the Marvel Cinematic Universe but also lead directly into the next Phase. In many ways, this is the worst review I’ve ever written; there’s so much Marvel-centric jargon here that it’s nearly impossible to really sum up the movie without going into detailed background, so much so that to really do it justice the review would end up being novel-length. Therein lies the rub for the movie; whereas Marvel’s The Avengers didn’t require a lot of explanation, this one does.

Still, the battle sequences are plenty amazing and while there are so much of them that after awhile there may be some overload particularly among audiences who aren’t young and male, they are all impressive enough to make for wonderful summer entertainment. I’m also liking Whedon’s attempts to illustrate the team’s dysfunction, their self-doubts and the realization that even if they succeed the collateral damage may be unfathomable. Whedon goes well out of his way to depict these warriors as human beings chock full of frailty; it doesn’t always work but at least it makes the movie more interesting than just a mere smashfest.

This sounds very much like a negative review and maybe it is; after all, Marvel has been setting the bar high with their cinematic universe and the last two films in the series have been absolutely outstanding, year-end top 10-worthy features. This doesn’t quite reach that bar but maybe it doesn’t have to. For those looking for ideal summer blockbuster entertainment, this more than fits the bill. It’s the kind of movie made for hot days, cool theaters and freshly popped popcorn. It’s the kind of movie that you’ll want to see with friends and go out for pizza afterwards. And yeah, it may not be the best Marvel film ever but it isn’t the worst either and it more than gets the job done.

REASONS TO GO: Plenty of superhero goodness. Looks at the inherent dysfunction of a team of powerful beings.
REASONS TO STAY: Feels less focused than the previous Avengers.
FAMILY VALUES: All sorts of comic book violence and mayhem, and a couple of suggestive comments.
TRIVIAL PURSUIT: Juggling all the characters in this film was so grueling and exhausting that Whedon elected not to direct the next Avengers movie, scheduled for 2018. Instead, Captain America: The Winter Soldier‘s The Russo Brothers will take on the next two-part Avengers: Infinity Wars.
CRITICAL MASS: As of 5/16/15: Rotten Tomatoes: 74% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: Spider-Man 3
FINAL RATING: 7/10
NEXT: My Life in China

Welcome to Me


Not every ugly duckling gets to be a swan.

Not every ugly duckling gets to be a swan.

(2014) Comedy (Alchemy) Kristen Wiig, Wes Bentley, Linda Cardellini, Joan Cusack, Loretta Devine, Jennifer Jason Leigh, James Marsden, Thomas Mann, Tim Robbins, Alan Tudyk, Kulap Vilaysack, Mitch Silpa, Anelia Dyoulgerova, Joe Roland, Joyce Hiller Piven, Jack Wallace, Rose Abdoo, Hannah Chodos, Sabra Williams, Charlotte Rabbe, Shanna Strong. Directed by Shira Piven

Florida Film Festival 2015

We all like to fantasize about what we’d do if we won the lottery. Buy a new house, a new car, a new boat; pay off all our debts, take a fabulous vacation, maybe give some back to the community or to charity. I’m fairly sure most of us would not have buying ourselves our own talk show on the radar.

Alice Klieg (Wiig) ha s just won the California lottery. Up until now she’s led a kind of a drab existence although that’s largely drug-induced. Not the fun kind even – the prescription kind. She has a borderline personality disorder and needs meds to stabilize her moods which have a tendency to get savage without warning. She mostly keeps to herself and watches VHS videotapes of Oprah shows, which she has largely memorized.

So she says goodbye to her pills, much to the objections of her therapist (Robbins), puts herself on a diet low on glucose, high on protein and low on carbohydrates which she pronounces “carbohydrants.” With not a lot to do in Palm Desert (her home), she moves into a hotel room at the local Native American casino and finds herself fascinated by a product that she sees on a local shopping network that seems to fit into her dietary needs. She and her best friend Gina (Cardellini) get tickets to a studio audience for an infomercial huckstering the product and feeling empowered by her recent success, manages to get some camera face time. Flush with the success of that, she informs the station owner Rich (Marsden) that she has an idea for a talk show that she’s willing to pay for, starring herself with the subject of…herself.

While the acerbic director Dawn (Cusack) thinks that this is a monumentally bad idea, Rich is desperate for money to save the station, much to his brother Gabe’s (Bentley) chagrin. He was the face of the product that attracted Alice’s attention and now is attracting Alice’s attention for a whole other reason.

Alice, who has never had any sort of filter and blurts out whatever comes into her head (and reads prepared statements when she wants to get something across) has begun sleeping around with whoever catches her fancy. On the show she makes her grand entrance in a swan boat-like vehicle (she has a thing for swans, which decorate her house) and mostly talks about her diet, and re-enacts incidents from her life that bother her to this day, like someone stealing from her make-up bag on a ski trip, or a former friend who told others in high school that Alice had some mental issues. When provoked, Alice throws things or goes into screaming rages.

As the show continues to run and gets a kind of viral success, Alice begins to spin out of control. She is able to afford to buy what she wants which continues to feed into her disease. Her self-absorption becomes almost maniacal and even the loyal Gina is horrified and can’t cope with the new Alice. She is re-inventing herself, but is it into a person she truly wants to be?

Wiig’s post-SNL career has been largely of characters like this, although Alice is a bit of an extreme. She excels at characters who are just a bit off-beat, who march to their own drummer and who aren’t just ordinary folks. She has also been choosing of late indie films that allow her to really display her best work, roles that are really in her wheelhouse. In many ways, this is her best performance on the big screen, even more so than her work in the blockbuster hit Bridesmaids which essentially set her up as a star leading actress. Even as Alice becomes more unlikable, she remains sympathetic for the most part as we know she doesn’t really control her own actions.

This is one of two films I’ve seen at this year’s Florida Film Festival that has at their center a person with emotional/mental issues that make the conscious decision to stop taking their medication. It is played to much more comedic effect here and less to the chilling effect it is in Gabriel which might make those who are advocates for those who have issues to take pause; however, it should be said I didn’t get a sense that either Wiig or the filmmakers were making fun of Alice but showing the side of her that might provoke an audience to laugh. Certainly I went in thinking that I was going to be cringing more than laughing and ended up doing more of the latter than the former.

The movie starts out strong and kinda peters out near the end. A strong supporting cast, particularly Cusack who has become for my money one of the strongest character actresses working today, helps keep the movie interesting throughout, although some of the characters are a bit cliche. At times it feels like the writers had stretched out the movie to make it feature length.

Still in all, this is solidly entertaining. There’s some subtle – okay, not so subtle – commentary on our obsession with fame and of our consumerist, self-involved society which is quite welcome but for the most part shooting fish in a barrel. What it isn’t is an issue movie on mental health. Wiig remains an acquired taste for some, mainly because the roles she tends to go for are pretty quirky (and none more than this one) but when she’s on as she is here, she’s as good as any comic actress out there. For those who want to avoid the crowds at the big summer movies, this makes for a nice alternative.

REASONS TO GO: Wiig gives a stellar performance. Much funnier than I expected. Great supporting performances, particularly from Cusack.
REASONS TO STAY: Falls apart near the end. A couple of cliche characters in the mix. Some of the material feels a bit forced.
FAMILY VALUES: Plenty of sexuality, some graphic nudity, a fair amount of foul language and a brief scene of drug use.
TRIVIAL PURSUIT: Shira Piven is actor Jeremy Piven’s older sister; the actress who plays Alice’s mother in the film is actually Shira and Jeremy Piven’s mom.
CRITICAL MASS: As of 5/13/15: Rotten Tomatoes: 71% positive reviews. Metacritic: 67/100.
COMPARISON SHOPPING: Gabriel
FINAL RATING: 6.5/10
NEXT: Kill Me Three Times

Kill the Irishman


 

Kill the Irishman

Don’t get Ray Stevenson angry – he can fart flames!

(2008) Biodrama (Anchor Bay) Ray Stevenson, Christopher Walken, Vincent D’Onofrio, Val Kilmer, Vinnie Jones, Paul Sorvino, Fionnula Flanagan, Laura Ramsey, Steve Schirripa, Linda Cardellini, Bob Gunton, Jason Butler Harner, Robert Davi. Directed by Jonathan Hensleigh

 

Here, at last, is a movie for which the Irish lament “Danny Boy” is quite literally appropriate for – and the filmmakers showing restraint unheard-of in Hollywood actually don’t use it. That’s at least worth some respect.

Danny Greene (Stevenson) was an enforcer for the Cleveland Irish mob. In his heyday in the 70s, he and his partner John Nardi (D’Onofrio) fought a war against the Italian mob that was epic in its viciousness. In 1976 alone, 36 bombs exploded in the city as a direct result of the mob war.

He started off as a longshoreman rising up in the union. He eventually took over the leadership of the union (Merke) and would later be convicted of skimming funds from the membership. Once out of jail, he turned to crime as a full-time operation, working with Shondor Birns (Walken) but things go south. Greene requests a $75,000 loan to build a semi-legal drinking establishment; Birns entrusts the money to a runner who then proceeds to buy drugs with it, and is promptly caught by the police. Because Greene never received the cash, he refused to pay back the loan which had been paid for by the Gambino family, putting immense pressure on Birns.

Greene breaks away from the Italian mafia forming his own group mainly comprised of young guys of Irish descent, with Nardi as (kind of) their legitimizer. Greene is bombarded with several attempts on his life, including one where his home was hit by a bomb while he and his girlfriend were asleep. The house collapsed but Greene and his girlfriend survived, shielded by rubble.

Greene would attain legendary status in Cleveland. He often took care of those in need of cash in Cleveland’s Irish community and came out of every assassination attempt more or less unscathed. He became a darling in the Cleveland media and the bane of the Cleveland mafia’s existence. He also became an informant to the FBI.

This is based on a non-fiction book – loosely based I might add – that was written by a Cleveland police officer familiar with the case and with Greene (the fictionalized character based on the author is played by Val Kilmer in the film). That book was also turned into a documentary I haven’t seen yet, but the filmmakers here do a pretty credible job with it.

The cast is pretty spectacular for an indie, including Walken – curiously restrained as the racketeer who first came into conflict with Greene, and veterans Schirripa and Sorvino who have made careers out of playing Mafiosi doing stand-up jobs.

Stevenson, best known for his work on the HBO series “Rome” and for playing The Punisher in Punisher: War Zone (and doing both well) proves once again he is much more than an impressive physique. He catches both the larger than life aspect of Greene as well as his clever and sinister side. Greene was a complicated man as you can probably tell from the synopsis; he was equal parts folk hero, bullshit artist, criminal and killer. The movie tends to gloss over the killer part to focus on his folk hero standing; he is portrayed as a basically decent guy who just happened to kill people for a living.

This is an excellent cast top to bottom. Cardellini plays Greene’s wife and the mother of his kids in a role that could easily have been thankless but is given some sparkle by her performance, while Flanagan plays an old Irish woman who reminds Greene of his roots and isn’t afraid to stand up to the tough guy, to his amusement.

This takes a larger than life character and tries to compress him down into a two hour time frame which has its pros and cons. One of the cons is definitely that we really don’t see why Greene, who was so obviously bright and charismatic, went down the road of organized crime. It just kind of happens in the film and without any explanation. One scene depicting how he fell into it – or a montage if necessary – could have made for a bit more continuity.

Still, this is well worth watching. America has a fascination with criminals, from Jesse James to John Dillinger and Danny Greene could well end up having the same kind of cultural impact over time. He had a lot of blarney and a dark side as well, a combination that’s like catnip to our violence-obsessed culture. Although Greene considered himself as Irish first and foremost, he may well have been the perfect American anti-hero – living life on his own terms and by his own rules and the devil take the cost.

WHY RENT THIS: Surprisingly stellar cast.

WHY RENT SOMETHING ELSE: Glosses over some of the motivations as to why Greene got into crime.

FAMILY VALUES: Lots of violence, quite a bit of bad language and a helping heaping of nudity and sex.

TRIVIAL PURSUIT: The production shot at Tiger Stadium (Navin Field) in Detroit shortly before it was demolished.

NOTABLE DVD EXTRAS: There is an hour-long documentary on the real Danny Greene.

BOX OFFICE PERFORMANCE: $1.2M on an unreported production budget. The movie probably finished just a bit below breaking even.

COMPARISON SHOPPING: Wiseguys

FINAL RATING: 7/10

NEXT: Savages

Super


Super

Rainn Wilson is getting tired of all the Dwight Schrute cracks.

(2010) Comedy (IFC) Rainn Wilson, Ellen Page, Kevin Bacon, Liv Tyler, Michael Rooker, Andre Royo, Sean Gunn, Stephan Blackehart, Don Mac, Linda Cardellini, Nathan Fillion, Gregg Henry, Rob Zombie (voice), Zach Gilford, Mikaela Hoover. Directed by James Gunn

Sometimes we all feel powerless against the forces conspiring to make our lives miserable. All of us wish at one time or another, for the power to right wrongs, to punish the wicked and maybe even protect the weak. It is what inspires comic books and daydreams.

Frank D’Arbo (Wilson) has more reason than most to feel downtrodden. The product of a strict (some would say abusive) religious upbringing, he works as a line cook in a big metropolitan area. His sad sack looks and somewhat dorky demeanor have made him the target for ridicule.

He does have a wife, Sarah (Tyler) that he damn near worships. She’s a recovering drug addict and his marriage to her is one of the two happiest moments of his life (the other is the day he pointed a cop in the direction a purse snatcher ran).

However there is rain on his horizon. His wife has fallen off the wagon and is on heroin, thanks to the drug dealer Jacques (Bacon) that she is now living with. Frank is disconsolate. He can’t sleep, he is moody and irritable and when he discovers what Jacques is he gets beaten up for his troubles.

Apparently Frank has had visions all his life and he has one now; one in which his skull is peeled off and his brain is touched by the finger of God (voiced by Rob Zombie – perhaps the coolest thing in the movie you don’t know you’re experiencing). In that vision, a cable access low-rate Christian superhero named the Holy Avenger (Fillion) tells Frank he has a destiny. Frank believes that destiny is to be a superhero.

Of course, it’s tough to be a superhero without a power but that never stopped Batman or the Green Arrow, so Frank settles on a pipe wrench. He pieces together a costume for himself and voila the Crimson Bolt is born. He hangs out in alleys, waiting for crime to happen (which apparently is a long wait), but when crime happens, he swings into action with his wrench. At first, he goes after obvious criminals but soon his image of absolute justice begins to blur a bit as he attacks line jumpers and car keyers.

He also reluctantly takes on a sidekick – the nerdy geeky clerk at a comic book store, Libby (Page). She’s enthusiastic and a little socially awkward but she quickly figures out what’s going on, especially after Frank gets shot after an abortive attempt on rescuing Sarah. Libby takes on the guise of Boltie and it becomes real evident real fast that she’s very attracted to Frank, particularly in his Crimson Bolt persona – but he still believes he’s very married, although Libby is far too horny to pay attention to such niceties.

Deciding to arm themselves better, Frank gets another vision that brings him to believe that ready or not, they must rescue Sarah now, which turns out to be true since Jacques’ deal with Mr. Range (Mac) apparently includes the sexual favors of the drugged Sarah. Storming the fortress-like ranch of Jacques with well-armed and trained thugs, can the Crimson Bolt and Boltie hope to prevail?

This looks like a superhero spoof on the surface, but it’s far darker than the average spoof. Gunn has created a very realistic look at what superheroes would look like in the real world; there is plenty of blood and viscera here. That might put off the squeamish or the easily offended.

There is something here to offend everybody in that sense, whether it’s the excessive and realistic-looking gore of the wrench assaults, to the somewhat squishy rape of Frank to a vision in vomit. The movie is unrated and probably would have gotten an NC-17 had it been submitted for one although I might have given it an R myself.

Frank is a character not unlike the one Wilson plays on “The Office.” Like Dwight Schrute, Frank isn’t the brightest bulb in the chandelier, and he doesn’t quite get that he is the joke. He’s uptight and a little bit on the humorless side, but Frank is a little nicer than Dwight deep down I think.

Page is awesome as the ADHD Libby who turns out to be even more psychotic than Frank. She looks awfully good in her Boltie duds, and she captures the character’s frenetic energy and also her deep-seated need to be somebody, squealing “I always knew I’d be on television” when a police sketch of her and Frank appear on the local news. She can laugh maniacally when she kills a bad guy, but she also seems to have insecurities that Frank feeds into but also bolsters her from in a weird way. It’s a far more complicated role than it looks.

Bacon is great fun as the oily but ultimately evil Jacques. He is smarmy to the point of being a used car salesman, but at the same time he takes delicious fun at testing his new product on his girlfriend. He’s in the great tradition of comic book baddies – he knows he’s bad but he just doesn’t care.

Part of the joke of the movie is that EVERYBODY in it is psychotic or neurotic to one degree or another – except for Sarah, the junkie and even she is an addict. The line between good and bad is blurred to the point that it’s extinct and if we can’t see it, how can a schlub like the Crimson Bolt even hope to figure out where it is?

The reaction I’ve seen to the movie has been polarizing. Some get the joke and laugh loudly while others are simply offended by it. I tended towards the former. Once the Crimson Bolt and Boltie go off to rescue Sarah, the movie goes completely dark and the humor which had been peppering it for most of the film takes a back seat, despite the homage to the comic books a la the old “Batman” TV show with cartoonish BAMs and POWs accenting the violence.

There are religious overtones that some may find offensive, there are fight sequences that some might find offensive, there’s sex and rape that some might find offensive. Those with thick skins however might actually find this cooler than Jesus – literally, since Jesus makes a cameo sitting on a wall during one of Frank’s visions. The point is, if you approach this seriously (as many critics did), then you’re missing the point. Super may lampoon some of the baser elements of superhero conceits, but this isn’t a spoof. No, indeed like Frank himself, this is far more than what it appears to be on the surface.

REASONS TO GO: Darkly funny with lots of laugh out loud moments. Unrepentantly gross.

REASONS TO STAY: May be too ultraviolent for some. Could have used a few more laughs in the final reel.

FAMILY VALUES: Some extreme violence, lots of foul language, some fairly graphic sexuality and nudity and a goodly amount of drug use, among other things, make this so very not for the kids.

TRIVIAL PURSUIT: Gunn was formerly married to Jenna Fischer, Wilson’s co-star from “The Office” who recommended him for the role.

HOME OR THEATER: Would fit right in on an old battered television set.

FINAL RATING: 7/10

TOMORROW: Charlotte’s Web (2006)