Green Book


Driving Mister Daisy.

(2018) Drama (DreamWorksViggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco, Dimeter D. Marinov, Mike Hatton, P.J. Byrne, Joe Cortese, Maggie Nixon, Von Lewis, Don Stark, Brian Stepanek, Geraldine Singer, Iqbal Theba, David Kallaway, Tom Virtue, Paul Sloan, Quinn Duffy, Seth Hurwitz, Anthony Mangano, Don DiPetta, Jenna Laurenzo, Suehyla El-Attar. Directed by Peter Farrelly

 

Few Oscar Best Picture winners have gotten the backlash this film has. Directed by Peter Farrelly, stepping away from the comedies he’s known for (co-directed with his brother Bobby), this is an account of a business and personal relationship between concert pianist Dr. Don Shirley (Ali) and his Italian-American driver Tony “Lip” Vallelonga (Mortensen), so named because of his penchant for chatter.

Set in 1962, the street-wise bouncer Tony applies for a job driving the fastidious Shirley through a Southern concert tour in the winter of 1962. At first possessed of the casual racism common in the era (he throws out a glass that black workers drank out of in his home), Tony soon sees for himself firsthand the ugly realities of racism. He also grows to admire the cultured kindness of Shirley who helps him with his diction and with writing letters home to his wife Dolores (Cardellini).

For Don’s part, he is brought out of his self-imposed shell to appreciate the uncouth but honest life lived by Tony. It’s all so very Driving Miss Daisy but the relationship between Don and Tony, as interpreted by two of the better actors working in this part of the 21st century, makes the movie magic required to elevate this above the sometimes generic parable on racial relations that the movie can sink into from time to time.

There are a few cringe-inducing scenes (including one where Tony introduces Don to the joys of fried chicken, and another where Tony exclaims “I’m blacker than you are!” when Don confesses he’s not familiar with the music of Aretha Franklin, Little Richard, Chubby Checker and Otis Redding) but there are also plenty of scenes with genuine warmth.

The film focuses mostly on Tony which is unsurprising since it was co-written by Tony’s son Nick; the Shirley family has also complained that the relationship between the two was purely employer-employee, a claim that was proven false when an audio interview with Shirley surfaced in which he specifically said it was not.

One of my favorite scenes is where Shirley faces a crisis of the soul. A gay man when that fact alone would be enough to end his career, uncomfortable with his fellow African-Americans and unaccepted by the white society that acknowledges his talent as a pianist, he cries out “I’m not black! I’m not white! I’m not a man; what am I?” If you want to see Ali at his best, that’s the scene to watch.

I realize that woke readers for whom this movie doesn’t pass the purity test will likely take exception with this review; certainly, those folks are entitled to their opinion. I do agree that there are some tone-deaf moments that don’t reflect well on the film overall, and quite frankly I tend to agree with those who thought that the film was a little too flawed to be named Best Picture. Still, there’s enough here to make for worthwhile viewing and that should be acknowledged as well.

REASONS TO SEE: Great chemistry between Mortensen and Ali.
REASONS TO AVOID: Less than fully factual.
FAMILY VALUES: There is a fair amount of profanity including racial slurs, adult thematic content, some violence and sexual references.
TRIVIAL PURSUIT: Mortensen gained weight for the picture mainly on a diet of Italian food – pizzas, pastas and the like. He did so much on-screen eating that he never utilized the on-set catering.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Fubo, Google Play, Microsoft, Redbox, Showtime, Vudu, YouTube
CRITICAL MASS: As of 5/23/20: Rotten Tomatoes: 78% positive reviews, Metacritic: 69/100
COMPARISON SHOPPING: Driving Miss Daisy
FINAL RATING: 8/10
NEXT:
Diana Kennedy: Nothing Fancy

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Hunter Killer


Looks like Gerard Butler just read the script.

(2018) Action (SummitGerard Butler, Gary Oldman, Common, Michael Nyqvist, Linda Cardellini, Corey Johnson, Toby Stephens, Ryan McPartlin, Ethan Baird, Jacob Scipio, Dempsey Bovell, Henry Goodman, Adam James, Colin Stinton, Carter McIntyre, Shane Taylor, Kola Bokinni, Mikey Collins, David Gyasi, Will Attenborough, Kieron Bimpson, Sarah Middleton. Directed by Donovan Marsh

 

Sebastian the Crab famously sung “Under the sea/Darling, it’s better/Down where it’s wetter/Take it from me” in The Little Mermaid but clearly he hadn’t seen this submarine thriller. Gerard Butler has carved out a niche protecting Presidents for Lionsgate/Summit films (here it happens to be the Russian President) but in this case he’s doing so on board a submarine.

When a rogue Russian general takes the Russian prez hostage and prepares to initiate World War III (which hawkish Chairman of the Joint Chiefs (Oldman) just might oblige him. It is up to Captain Joe Glass (Butler) and the crew of the USS Arkansas, along with an elite rescue team headed by one Bill Beaman (Stephens) and an NSA operative (Cardellini) to mount a rescue operation before all hell breaks loose.

Sub movies can be deliciously tension-filled and full of geopolitical fun but this one is more of a standard action film. Try not to think about the preposterous plot points or the phoned-in acting performances – this is most definitely a paycheck movie, as evidenced by the nearly two years it sat on the shelf (in the interim Nyqvist, who played a Russian sub commander, passed away).

Perhaps the most grievous failure of the film is in its CGI which is utterly unconvincing. I get that not everyone can have a massive budget for their film but if you’re going to show submarines playing cat and mouse with each other, it should look at least vaguely realistic. The movie isn’t completely without merit, as there are moments where you’re likely to find yourself sucked in to the show, but for the most part you’ll be better served renting any of a couple of dozen sub movies that are much better.

REASONS TO SEE: Reasonably entertaining.
REASONS TO AVOID: The CGI is weak.
FAMILY VALUES: There is some violence as well as profanity.
TRIVIAL PURSUIT: Director Donovan Marsh and Butler sailed for four days aboard the USS Houston in order to familiarize themselves with submarine life.
BEYOND THE THEATERS: Amazon, AMC On-Demand, AppleTV, Fandango Now, Google Play, HBO Now, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 4/2/20: Rotten Tomatoes: 36% positive reviews: Metacritic: 43/100
COMPARISON SHOPPING: The Hunt for Red October
FINAL RATING: 5/10
NEXT:
Celebration

A Simple Favor


Cocktails and besties, the perfect combination.

(2018) Suspense (Lionsgate) Anna Kendrick, Blake Lively, Henry Golding, Eric Johnson, Jean Smart, Sarah Baker, Gia Sandhu, Kelly McCormack, Glenda Braganza, Linda Cardellini, Andrew Rannells, Rupert Friend, Joshua Satine, Ian Ho, Glenda Braganza, Danielle Bourgon, Andrew Moodie, Bashir Salahuddin, Aparna Nancheria, Gia Sandhu, Katherine Cullen. Directed by Paul Feig

Da Queen will tell you that I love a good whodunit. Da Queen will also tell you I despise a lazy one. A Simple Favor falls somewhere in between; I don’t love it but I don’t hate it either.

Stephanie (Kendrick) is a suburban supermom who has a mommy vlog full of life hacks for moms and so on. Her son (Satine) is a school chum of the son (Ho) of Emily (Lively), a high-powered public relations VP for a high-powered New York fashion firm led by the aptly named Dennis Nylon (Friend) who never met a wardrobe he couldn’t insult, especially if it didn’t involve his own clothing line.

Stephanie and Emily bond over martinis and quickly become besties, sharing their deep dirty secrets – Emily’s marriage to struggling writer Sean (Golding) is crumbling. Emily’s job is demanding more and more of her time and Stephanie is only too happy to pick up both boys from school, but then one night, Emily doesn’t come to pick up her boy – nor does she show up the next day. Stephanie fears the worst.

But Stephanie is a bit of an amateur sleuth and when the police don’t seem to have any leads on the whereabouts of Emily, Stephanie takes over looking for the lost item as any proper mom would. And what she finds…isn’t what she expects.

Paul Feig, director of Bridesmaids, isn’t afraid to inject some humor – okay, a lot of humor – into the neo-noir thriller. Sometimes, the movie seems almost schizophrenic at times. The tone varies from light to dark and sometimes in between. The chemistry between Lively and Kendrick absolutely works; they both look like polar opposites but it isn’t hard to see what draws the two characters together. The humor works well, but surprisingly it’s the thriller portion that’s less successful; the denouement isn’t hard to figure out in advance and the movie definitely loses narrative steam during the last third. Still, the things that work in A Simple Favor work very well; the things that don’t can be overlooked.

REASONS TO SEE: Kendrick and Lively have excellent chemistry.
REASONS TO AVOID: More or less mindless entertainment, appearances to the contrary.
FAMILY VALUES: There is sexual content and some graphic nudity, drug use, violence and profanity.
TRIVIAL PURSUIT: While the character of Emily is a heavy drinker, Blake Lively (who plays her) has been a teetotaler all her life.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Hulu, Microsoft, Vudu. YouTube
CRITICAL MASS: As of 1/10/20: Rotten Tomatoes: 85% positive reviews: Metacritic: 67/100.
COMPARISON SHOPPING: Gone Girl
FINAL RATING: 6.5/10
NEXT:
Searching

The Curse of La Llorona


Can I get an amen?!

(2019) Horror (New LineLinda Cardellini, Roman Christou, Jaynee-Lynne Kinchen, Raymond Cruz, Marisol Ramirez, Patricia Velasquez, Sean Patrick Thomas, Tony Amendola, Irene Keng, Oliver Alexander, Aiden Lewandowski, Paul Rodriguez, John Marshall Jones, Ricardo Mamood-Vega, Jayden Valdivia, Andrew Tinpo Lee, Madeleine McGraw, Sophia Santi. Directed by Michael Chaves

Hollywood has yet to mine the extremely fertile soil of Mexican, Central and South American folklore. Some mythic stories go back thousands of years to the Mayans, the Aztecs and other native cultures. Given how repetitive most Hollywood horror movies are, it would seem a slam dunk to try other sources for scares.

Anna (Cardellini) is a widow whose husband, an LAPD cop, died in the line of duty. She’s a social worker who often works with the cops, particularly close friend Detective Cooper (Thomas) who often supplies her with child endangerment cases. One such involves an apparently insane Hispanic mom (Velasquez) whose children have burn marks on their arms and are discovered locked in a closet surrounded by religious icons. This being a horror movie, it’s not the frantic mom who is responsible; it’s La Llorona, a.k.a. The Crying Woman, a 17th century beauty who in a fit of jealous rage drowned her two children when she discovered her husband had been unfaithful.

Now she’s after new children to replace her own little ones and she’s got her eye on Anna’s two kids (Christou and Kinchen). A kindly priest (Amendola), gun-shy after a recent brush with the supernatural, steers her to an ex-priest turned curandero (Cruz) who means to help Anna out by any means he can. However, La Llorona doesn’t take no for an answer easily.

The film is loosely tied to the Conjuring universe by the priest, who appeared in another spin-off that also didn’t involve the Warrens. This is the only movie to date in the Conjuring universe whose big bad didn’t appear in a previous movie which doesn’t hurt the movie as Chaves does a good job of setting the film up in the opening sequences of the film.

The actual La Llorona apparition is pretty cool, appearing often in billowing curtains or emerging from water. There are plenty of attempts to create a spooky atmosphere but too many jump scares ruin the broth. Cardellini is generally a proficient actress but she’s given little to work with here; her That ultimately comes off as colorless. Cruz fares a little bit better, offering a little comic relief.

The movie feels a little bit too much like a paint-by-numbers horror film trying to check all the boxes off on the scorecard. That’s a shame because there was certainly potential for a really whiz-bang horror film here. They got the technical end right; now if only they had the courage of their own convictions and allowed the main character to scare the bejeezus out of us.

REASONS TO SEE: The creature effects are pretty nifty.
REASONS TO AVOID: An overabundance of jump scares as well as an overabundance of child actor overacting..b
FAMILY VALUES: There’s a fair amount of violence and plenty of scenes of terror.
TRIVIAL PURSUIT: Amendola reprises the role he played in Annabelle.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 10/31/19: Rotten Tomatoes: 29% positive reviews: Metacritic: 41/100.
COMPARISON SHOPPING: The Legend of La Llorona
FINAL RATING: 6/10
NEXT:
Six Days of Darkness 2019 concludes!

New Releases for the Week of April 19, 2019


THE CURSE OF LA LLORONA

(New Line) Linda Cardellini, Raymond Cruz, Patricia Velasquez, Tony Amendola, Marisol Ramirez, Sean Patrick Thomas, Jaynee-Lynne Kinchen. Directed by Michael Chaves

A young social worker and her kids find themselves being stalked by the legendary La Llorona, the Weeping Woman. In order to save her family, the social worker must put their lives in the hands of a disillusioned priest who is practicing a strange sort of mysticism taking them to a realm where faith and fear collide.

See the trailer, a clip and a video featurette here
For more on the movie this is the website
Genre: Horror
Now Playing: Wide Release
Rating: R (for violence and terror)

Breakthrough

(20th Century Fox) Chrissy Metz, Josh Lucas, Topher Grace, Mike Colter. Based on a true story, this film dramatizes the story of the Smith family whose son falls through the ice into a lake. Miraculously he survives but in a coma. His mother marshals her family, friends and neighbors to begin a national prayer campaign to save her son.

See the trailer, clips and video featurettes here
For more on the movie this is the website  
Genre: Christian Family Drama
Now Playing: Wide Release
Rating: PG (for thematic content including peril)

Finding Julia

(XL141) Andrew McCarthy, Ha Phuong, Kieu Chinh, Richard Chamberlain. A Eurasian acting student is having trouble fitting in, caught between East and West. Recurrent nightmares about the accident that took her mother’s life begin to make her question her own sanity.

No trailer currently available
For more on the movie this is the website  
Genre: Mystery
Now Playing: Regal Oviedo Marketplace
Rating: PG-13 (for thematic material, sexuality, violent/bloody images, and language)

High Life

(A24) Stephen Eric McIntyre, Timothy Olyphant, Joe Anderson, Rossif Sutherland. A quartet of drug-addicted petty criminals get set to pull out what they think is a foolproof heist robbing bank ATMs by posing as repairmen but things don’t go quite as planned as is usually the case for that sort.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: Regal Winter Park Village
Rating: R (for drug use, pervasive language and some violence)

Kalank

(FiP) Varun Dhawan, Alia Bhatt, Madhuri Dixit, Sanjay Dutt. A small village on the Northern Indian frontier goes through severe changes as the partitioning of the country is about to get underway. A forbidden romance unearths secrets long buried and rivalries long simmering as violence threatens to overwhelm love.

See the trailer and clips here
For more on the movie this is the website  
Genre: Romance
Now Playing: Cinemark Universal Citywalk, Touchstar Southchase
Rating: NR

Penguins

(DisneyNature) Ed Helms (narrator). Steve, an Adėlie penguin in the Antarctic, hopes to start a family in the frozen wasteland of the South Pole, but nothing ever comes easy in the most inhospitable place on earth.

See the trailer, interviews, video featurettes and B-roll video here
For more on the movie this is the website  
Genre: Nature Documentary
Now Playing: Wide Release
Rating: G

Peterloo

(Amazon) Rory Kinnear, Maxine Peake, Tim McInnerny, David Bamber. In 1813 a cavalry charge into a peaceful crowd demonstrating for democratic reform in a field near Manchester became known as the Peterloo Massacre. Oscar-winning director Mike Leigh brings this mostly forgotten historical event back to life.

See the trailer and video featurettes here
For more on the movie this is the website  
Genre: Historical Drama
Now Playing: Regal Winter Park Village, Rialto Spanish Springs Square
Rating: PG-13 (for a scene of violence and chaos)

Teen Spirit

(Bleecker Street) Elle Fanning, Rebecca Hall, Zlatko Buric, Agnieszka Grochowska. A shy teen on the Isle of Wight impulsively enters a national singing contest and to everyone’s surprise makes it all the way to the finals. Her manager, a former opera star, tries to help her navigate the pitfalls of stardom but will it be enough?

See the trailer, video featurettes and a clip here
For more on the movie this is the website  
Genre: Musical
Now Playing: AMC Disney Springs, Barnstorm Theater, Cinemark Universal Citywalk, Cobb Daytona, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Port Orange Pavilion, Regal Waterford Lakes
Rating: PG-13 (for some suggestive content, and for teen drinking and smoking)

ALSO OPENING IN ORLANDO/DAYTONA:

Athiran
Daddy Issues
Her Smell
Jersey
Kavaludaari
Last Fool Show
Little Woods
The Pilgrim’s Progress

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

3 Faces
Amazing Grace
Athiran
Jersey
Kavaludaari
The Pilgrim’s Progress
Ramen Shop
Yellaipookal

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Amazing Grace
Athiran
Drunk Parents
Jersey
Kanchana 3
Kavaludaari
The Pilgrim’s Progress
Stuck
Yellaipookal

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Amazing Grace
Athiran
The Brink
Dead Man
Her Smell
Jersey
Kavaludaari
The Pilgrim’s Progress
Woman at War

SCHEDULED FOR REVIEW:

The Curse of La Llorona
Little Woods
Penguins
Ramen Shop
Teen Spirit

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Florida Film Festival, Maitland/Winter Park FL

New Releases for the Week of October 26, 2018


MID90S

(A24) Sunny Suljic, Katherine Waterston, Lucas Hedges, Na-kel Smith, Olan Prenatt, Gio Galicia, Ryder McLaughlin, Alexa Demie, Fig Camila Abner. Directed by Jonah Hill

Stevie, a 13-year-old boy living in Southern California in the 1990s, develops a deep friendship with a group of skaters at the local skate shop. They help take his mind off of his troubled home life and teach him life lessons that will serve him well in the next Millennium. Not only is this actor Jonah Hill’s directing debut it is getting some legitimate Oscar buzz off of the film’s Toronto Film Festival appearance just last month.

See the trailer, an interview and a video featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: R (for pervasive language, sexual content, drug and alcohol use, some violent behavior/disturbing images – all involving minors)

The Guilty

(Magnolia) Jakob Cedergren, Jessica Dinnage, Omar Shargawi, Johan Olsen. A Copenhagen police officer is put on desk duty at the local emergency call center after an incident in the field. On his last day before he is expected to be cleared for his actions, a call comes in from a terrified woman who has been kidnapped. As the drama unfolds we see this entirely from the point of view of the operator who it turns out has secrets of his own. This was my favorite movie from this year’s Florida Film Festival and if you missed it then, you owe it to yourself to see it now. Not convinced? Follow the link below to my review

See the trailer and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Suspense
Now Playing: Enzian Theater

Rating: R (for language)

Hunter Killer

(Summit) Gerard Butler, Gary Oldman, Common, Linda Cardellini. An American captain is tasked with the mission of rescuing a kidnapped Russian president from a rogue General and in doing so averting World War III.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for violence and some language)

Indivisible

(Pure Flix) Justin Bruening, Sarah Drew, Jason George, Tia Mowry-Hardrict. An Army Chaplin serving in Iraq and his wife keeping the home fires burning at home face tribulations and heartache while separated. Neither dreamed that reuniting would be even more of an obstacle as they both wonder if they have the strength left to save their marriage.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Faith-Based Drama
Now Playing: Wide Release

Rating: PG-13 (for some thematic material and war violence)

Johnny English Strikes Again

(Focus) Rowan Atkinson, Olga Kurylenko, Emma Thompson, Michael Gambon. Britain’s greatest spy is called out of retirement when all of the current secret agents are outed by a cyber-spy. To find the mastermind behind the disaster, English must utilize all his experience and skills which is harder than it sounds being as he’s an analogue man in a digital world.

See the trailer and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Spy Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Universal Citywalk, Regal Oviedo Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG (for some action violence, rude humor, language and brief nudity)

London Fields

(Paladin/Atlas) Billy Bob Thornton, Amber Heard, Theo James, Jim Sturgess. A terminally ill American writer in London searches for one last story to tell and finds one in Nicola Six, who knows when and how she will be murdered but not who – only that one of them is a man she’s having a relationship with. Based on a Martin Amis novel, this has already been reviewed by Cinema365. Follow the link to the review below

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Mystery
Now Playing: AMC Disney Springs, Cinemark Universal Citywalk, Regal Oviedo Marketplace, Regal Pointe Orlando

Rating: R (for language including sexual references and brief nudity)

Silencio

(Tulip) John Noble, Rupert Graves, Melina Matthews, Michel Chauvet. In order to save her son’s life, a woman must find a stone with incredible powers in a remote and dangerous part of Mexico. However, there are others after the stone – who would be willing to kill to acquire it.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Adventure
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cobb Plaza Cinema Café, Regal Oviedo Marketplace, Regal Waterford Lakes, Regal Winter Park Village, Satellite Ocean Walk

Rating: R (for some violence)

Street Voices

(Duende) El Alfa, Melymel, Vicente Suriel, Shellow Shaq. A trio of talented but poor street kids who love rap decide to pool their talents to realize their musical dreams. Those dreams could come at a high price however.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Urban Musical
Now Playing: Regal The Loop, Regal Waterford Lakes

Rating: PG-13 (for crude and sexual content throughout, language, some drug references and violence)

ALSO OPENING IN ORLANDO/DAYTONA:

Don’t Go
First Love
Kaashamora
Namaste England
Trabajo Sucio
Veera Bhoga Vasantha Rayalu

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Beautiful Boy
El Pacto
First Love
Glass Jaw
The Happy Prince
Havana Habibi
I Am Not a Witch
Kayamkulam Kochunni
Parkland Inside Building 12
Suspiria (2018)
Trabajo Sucio
Veera Bhoga Vasantha Rayalu

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Air Strike
The School
Trabajo Sucio
Veera Bhoga Vasantha Rayalu

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

The Perfect Wave

SCHEDULED FOR REVIEW:

Don’t Go
The Guilty
Hunter Killer
London Fields
Mid90s

Daddy’s Home 2


A boy’s night out isn’t necessarily meant for all boys.

(2017) Comedy (Paramount) Will Ferrell, Mark Wahlberg, Mel Gibson, John Lithgow, Linda Cardellini, Alessandra Ambrosio, Owen Wilder Vaccaro, Scarlett Estevez, Didi Costine, John Cena, Andrea Anders, Kyle Tristan Wakefield, Hector Presedo, Yamilah Sarivong, Daniel DiMaggio, Matthew Delameter, Yimmy Yim, Bill Mootos, Chesley “Sully” Sullenberger, Sylvia Barjolo. Directed by Sean Anders

 

In our modern age, children often have more than one father or more than one mother (and occasionally both). Marriages don’t last a lifetime as they did back in the day. Sometimes having more than one pair of hands can be helpful. More often though things just get confused.

Co-Dads Brad (Ferrell) and Dusty (Wahlberg) have patched up their differences and are humming along as a unit; Dusty has found his inner touchy-feely guy and Brad is still dangerous around power tools. Christmas is coming and rather than bounce from house to house, the two have decided to have one massive Christmas celebration, a “together Christmas.” The prospect is exciting but for the advent of…the granddaddies.

Dusty’s dad Kurt (Gibson) is a womanizing ex-astronaut who looks at his son’s new-found soft side about the same way a steak lover would look at maggots in his filet. He is convinced that Brad is emasculating his son and seeks to drive a wedge between the two of them. At the same time Brad’s dad Don (Lithgow) has arrived with his love of improv comedy and enough hugs to give Richard Simmons diabetes.

With the kids undergoing crises of their own and Sara (Cardellini) – Dusty’s ex and Brad’s current wife – showing justifiable jealousy over Dusty’s new girlfriend, the extremely sensuous best-selling author Karen (Ambrosio) and this family is a Christmas meltdown waiting to happen.

Like the first film, the comedy is strictly hit or miss with the edge going towards the latter. However, the sequences that work will induce plenty of laugh-out-loud guffaws in all but the most jaded of audiences. However, most audiences will also experience extended sequences of dead silence, possibly punctuated by an occasional groan or eye-roll.

The chemistry between Ferrell and Wahlberg remains pretty strong; adding the two veterans Gibson and Lithgow to the mix doesn’t appear to affect it much. Lithgow however is in top form, hitting a comedic stride that actors who specialize in comedic roles might envy. I found myself grinning every time Lithgow was onscreen; even though Don is a bit of a one-note character, Lithgow keeps that note fresh and sounding clear as a bell throughout.

Some critics have expressed absolute disgust that Gibson was cast at all. I have three words for them; Let. It. Go. You’re talking about events that happened 20 years ago when Gibson was a raging alcoholic. Yes, I get that he said some absolutely detestable things but his career was effectively derailed and by all accounts he’s sober at the moment. Do people have to pay for their mistakes the rest of their lives or do we forgive them and move on at some point?

The subplots involving the children seem to be aimed at an entirely different audience and the movie could have easily done without them. And not for nothing but the juvenile actors here give performances that can only be deemed as “excruciating.”

It also should be said that none of the women in the film – and there aren’t many – have any character development to speak of. All of that is reserved for the men. Make of that what you will but personally think the filmmakers could have spared a little bit of time to allow us to get to know Karen and Sara a little better.

Mainly this is adults behaving badly and at times the film descends into shtick and cliché. There are enough funny moments to balance that out for the most part but generally speaking, Daddy’s Home 2 left me with absolutely no desire to check out a third film. I suspect I’m not alone in that regard.

REASONS TO GO: Lithgow is hysterically funny here. There are some pretty decent laughs here and there.
REASONS TO STAY: None of the female characters are developed at all. The kids are extremely annoying.
FAMILY VALUES: There is a bit of profanity and some sexually suggestive material.
TRIVIAL PURSUIT: Although Gibson plays Wahlberg’s father in the film, in reality Gibson is only 15 years older than his onscreen son.
CRITICAL MASS: As of 1/16/18: Rotten Tomatoes: 19% positive reviews. Metacritic: 30/100.
COMPARISON SHOPPING: Daddy Day Camp
FINAL RATING: 6/10
NEXT:
Small Crimes

The Founder


Ray Kroc worshiping at the Golden Arches.

(2016) Biographical Drama (Weinstein) Michael Keaton, Nick Offerman, John Carroll Lynch, Laura Dern, Linda Cardellini, B.J. Novak, Patrick Wilson, Justin Randell Brooke, Kate Kneeland, Griff Furst, Wilbur Fitzgerald, David de Vries, Andrew Benator, Cara Mantella, Randall Taylor, Lacey King, Jeremy Madden, Rebecca Ray, Adam Rosenberg, Jacinte Blankenship. Directed by John Lee Hancock

 

Most of us are more than familiar with McDonald’s. It is Main Street, America on a global scale; on a typical day the fast food chain will feed something like 8% of the world’s population. They are convenient and in a fast-paced world where meals can be afterthoughts, a necessity. But how did they get to be that way?

Salesman Ray Kroc (Keaton) is having a spectacular lack of success selling his five spindle milkshake mixer to diners and drive-ins in the Midwest. When he gets an order for five of the machines from a burger joint in San Bernadino, California, he is gratified – gratified but amazed. The operation he visits is staggering; lines snake through the parking lot. Counter service only, he makes his order for a cheeseburger, fries and a coke and gets it delivered to the window in less than a minute. Dumbfounded, he sits down to eat his meal – and it’s actually pretty darn good. The restaurant, named McDonald’s for the McDonald brothers who own it, looks promising as visions of a franchise operation begin to dance in his head.

At first the brothers – Dick (Offerman) and Mac (Lynch) aren’t too interested. They’d tried something like it before and ended up with franchise owners adding their own flair – fried chicken, barbecue, straying from the formula of keeping the menu simple and the quality high. Kroc thought he could make that happen by being a hands-on boss. As it turned out, that didn’t quite work out the way he expected.

At home, his wife Ethel (Dern) lives a life of loneliness and boredom, living for those precious times when they go to dinner at the local club. He uses those occasions to snare investors and Ethel tries to help in her own way. Soon though Ray’s dreams are fast outstripping those of his partners as well as those of his wife. The wife (Cardellini) of a potential investor (Wilson) catches his eye. As for the McDonald brothers, they are content with having a quality restaurant and what Ray is looking to build is more than they intended to take on and their reluctance to change or to compromise quality becomes a major frustration for Ray. He becomes aware that the biggest hurdle in making McDonald’s a household name are the McDonald brothers themselves.

I’m not too sure what the executives at the McDonald’s corporation think of this movie; they are in a very real sense the descendants of Ray Kroc and they owe their position to his vision and his drive to achieve it. I think they appreciate the free advertising but Ray doesn’t come off terribly well here in many ways although he did do a lot of the less savory things that are depicted here, including taking credit for some of the aspects of the image that the McDonald brothers introduced (like the golden arches) and effectively excising the brothers from the history of the company (he labeled an Illinois franchise McDonald’s #1 when in fact it was the ninth store to open). Keaton imbues Ray with a surfeit of charm without ignoring the man’s more vicious traits; he also gives Ray enough energy and charisma that when he does some pretty bad things, one still roots for him. Maybe there’s something in that secret sauce that compels us to but I think that Keaton’s performance has a lot to do with it too.

The film only covers a short period in the history of the fast food Goliath and doesn’t really get into the globalization of the brand or examine the effect of their product on the obesity epidemic in this country which has disappointed some critics but not this one. There are plenty of things one can get into concerning the pros and cons of McDonald’s from their catchy advertisements, their shrewd marketing to children with the play areas and Ronald McDonald and their recent move to adding more nutritional selections on their menu and offering a wider variety of food in general. I think the movie accomplished what it set out to do and examine how McDonald’s went from being a small roadside burger joint in California to the global giant it is today and that’s plenty of story for one movie.

There’s plenty of dramatic conflict that goes on but this simply isn’t going to appeal to those who are easily bored. Although there might be a niche group interest for those who are interested in how corporate entrepreneurs achieved their success, I’m not sure if America (or anywhere else) is waiting for movies about Col. Sanders, Sam Walton (founder of Wal*Mart) or Bill Gates. I did find Keaton’s performance fascinating and that kept enough of my interest to give this a mild recommendation.

REASONS TO GO: Keaton delivers a solid performance.
REASONS TO STAY: Some might find this a bit boring.
FAMILY VALUES: There is a bit of profanity.
TRIVIAL PURSUIT: All of the McDonald’s restaurants depicted in the film were built from scratch in parking lots and vacant lots because producers couldn’t find suitable locations that matched the look of the film that they were aiming for.
CRITICAL MASS: As of 3/15/17: Rotten Tomatoes: 83% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: The Social Network
FINAL RATING: 6/10
NEXT: It’s Not My Fault (And I Don’t Care Anyway)

New Releases for the Week of January 20, 2017


xXx: The Return of Xander CageXXX: THE RETURN OF XANDER CAGE

(Paramount) Vin Diesel, Samuel L. Jackson, Donnie Yen, Toni Collette, Tony Jaa, Nina Dobrev, Deepika Padukone, Ruby Rose, Kris Wu, Ice Cube. Directed by D.J. Caruso

An elite team led by the enigmatic Xiang is pursuing a powerful weapon named Pandora’s Box. This team is so deadly as to be nearly unstoppable, prompting the government to try and persuade Xander Cage, the legendary “Triple X,” to come out of “retirement.” He assembles an elite team of his own to take on Xiang but discovers that not everything that is happening is the way it seems.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX 3D

Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for extended sequences of gunplay and violent action, and for sexual material and language)

20th Century Women

(A24) Annette Bening, Elle Fanning, Greta Gerwig, Billy Crudup. As the 70s come to an end, a 50ish single mom in Santa Barbara finds raising her son a challenge and enlists the help of two younger women to help raise him to be the man she hopes he can become. Bening got a Golden Globe nomination for her performance and has a good shot to see some Oscar love as well.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Disney Springs, Enzian Theater, Regal Oviedo Marketplace, Regal Waterford Lakes

Rating: R (for sexual material, language, nudity and some drug use)

The Founder

(Weinstein) Michael Keaton, Nick Offerman, John Carroll Lynch, Linda Cardellini. The story of Ray Kroc, a milkshake machine salesman who one day stopped off at a popular burger joint in San Bernardino and discovered their method of producing burgers could revolutionize the way America eats. He determined to hitch his wagon to that restaurant and in doing so made it one of the biggest businesses in history. Today there’s a McDonald’s on every corner – and you have Ray Kroc to thank for it.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for brief strong language)

Paterson

(Bleecker Street/Amazon) Adam Driver, Golshifteh Farahani, Nellie, Barry Shabaka Henley. Paterson, a bus driver in Paterson, New Jersey (yes, they have the same name) spends his days watching the world go by his windshield. Snippets of conversations and his own observations make it into a book of poetry he has written but allows nobody to read. He likes his life and is content to let it remain as is. His wife, an artist, however is changing as new dreams inspire new creations. They love each other very much but are they drifting apart? This is the latest from director Jim Jarmusch.

See the trailer, interviews and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village

Rating: R (for some language)

The Resurrection of Gavin Stone

(BH Tilt/High Top) Brett Dalton, Anjelah Johnson-Reyes, Shawn Michaels, D.B. Sweeney. A former child star, fallen on hard times gets arrested and sentenced to community service at a local megachurch. In order to land the role of Jesus in the annual Passion Play, he pretends to be a devout Christian. Soon enough he discovers that the role requires more than just lip service.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Faith
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, AMC West Oaks, Cinemark Artegon Marketplace, Regal Oviedo Mall, Regal Waterford Lakes

Rating: PG (for thematic elements including a crucifixion image)

Split

(Universal/Blumhouse) James McAvoy, Anya Taylor-Joy, Haley Lu Richardson, Betty Buckley. A gifted young man with 23 distinct personalities fighting for dominance within him kidnaps three young women. His psychiatrist realizes that a 24th is set to emerge, one that is vicious, evil and set to dominate the others. Can the three kidnap victims find a way to escape their captor before the world is introduced to The Beast? This is the newest film from M. Night Shyamalan.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for disturbing thematic content and behavior, violence and some language)

New Releases for the Week of December 25, 2015


ConcussionCONCUSSION

(Columbia) Will Smith, Alec Baldwin, Albert Brooks, Gugu Mbatha-Raw, David Morse, Arliss Howard, Mike O’Malley, Eddie Marsan, Luke Wilson. Directed by Peter Landesman

Dr. Bennett Omalu, a forensic Neuropathologist working in Pittsburgh, is presented with a strange situation; a favored son of the city, a former football star, dies suddenly penniless, his very personality rumored to have changed completely. As he investigates he discovers something shocking; repeated head traumas, such as those routinely suffered by football players, leads to some terrifying consequences. However in bringing his findings to the public, he finds himself in a fight with a corporation that owns a day of the week – the National Football League. However, Dr. Omalu refuses to back down and becomes maybe the greatest advocate that pro athletes have ever had.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material including some disturbing images, and language)

The Big Short

(Paramount) Ryan Gosling, Christian Bale, Steve Carell, Marisa Tomei. As the economy came to the verge of collapse in 2008, a group of financial outsiders, seeing what the big banks had done to the economy knew that they would likely not get much more than a slap on the wrist. They decided on a bold scheme to get their share, taking on some of the biggest crooks in the history of mankind – and winning.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Dramedy
Now Playing: Wide Release

Rating: R (for pervasive language and some sexuality/nudity)

Daddy’s Home

(Paramount) Will Ferrell, Mark Wahlberg, Linda Cardellini, Thomas Haden Church. A white bread radio executive has married a divorced woman with two kids, and is trying to be the best dad possible to them, although frankly they don’t want anything to do with him. Still, he tries and hopes for the best – until their biological father shows up, forcing him to compete with the guy for the attention of the kids. The ante gets upped again and again until the stakes become ridiculous.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for thematic elements, crude and suggestive content, and for language)

The Danish Girl

(Focus) Eddie Redmayne, Alicia Vikander, Amber Heard, Ben Whishaw. Danish painter Einar Wegener was married to a fellow painter and seemingly happy with his life. However, a request from his wife, seemingly simple and innocuous, leads him to a profound change and the realization that he is a woman trapped in a man’s body. Desperate to find a solution, he takes a risk that at the time was unthinkable – but may be his only hope for happiness and peace.

See the trailer, clips, featurettes and Q&A sessions here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Springs, Regal Winter Park Village

Rating: R (for some sexuality and full nudity)

The Hateful Eight

(Weinstein) Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Bruce Dern. A bounty hunter, taking his quarry back to Red Rock, Wyoming to hang shortly after the end of the Civil War, finds himself snowed in with six other strangers in a Rocky Mountain stagecoach stop. Soon it becomes clear that not all of the men are being completely candid about who they are – and that not everyone holed up to wait out the storm is going to make it out alive. The movie will be playing in digital 70mm print approximation (few theaters across the country will have the real thing), and will be opening in wide release on January 8th in standard 35mm digital.

See the trailer, clips, interviews, a promo, a featurette, B-roll video and a Q&A session here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Western
Now Playing: AMC Disney Springs, Regal Waterford Lakes

Rating: R (for strong bloody violence, a scene of violent sexual content, language and some graphic nudity)

Joy

(20th Century Fox) Jennifer Lawrence, Bradley Cooper, Robert De Niro, Elizabeth Rohm. Coming from a working class background, nobody ever figured Joy would ever amount to much but nobody counted on her unshakable will. She goes on to found a business empire, navigating the cutthroat waters of modern business to become one of the most successful female entrepreneurs in the United States. This is the latest offering from director David O. Russell, who has become the nearest thing to a sure Oscar nominee as there’s been in the last few years.

See the trailer, clips, interviews and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for brief strong language)

Point Break

(Warner Brothers) Edgar Ramirez, Luke Bracey, Ray Winstone, Teresa Palmer. A young maverick FBI Agent infiltrates a group of extreme athletes who are suspected of pulling off daring robberies utilizing skills involving some of the most dangerous activities known to humans. The deeper the agent gets, the more he gets swept into their world. Eager to prove their innocence he begins to lose sight of his job and the protection of innocent lives. Can he bring these guys to justice before people die for their thrill-seeking ways – or will he ultimately prove their innocence?

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Action
Now Playing: Wide Release

Rating: R (for violence, thematic material involving perilous activity, some sexuality, language and drug material)

Youth

(Fox Searchlight) Michael Caine, Harvey Keitel, Jane Fonda, Rachel Weisz. Two lifelong friends vacation at a resort in the Swiss Alps as they contemplate oncoming retirement. Befriended by a young actor struggling to make sense of his latest role, one – a musician – is urged by his daughter not to retire just yet while the other – a screenwriter – labors to finish what may well be his last screenplay aided by his muse, who may or may not be true inspiration.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater
Rating: R (for graphic nudity, some sexuality, and language)