(2006) Holiday Comedy (20th Century Fox) Danny DeVito, Matthew Broderick, Kristin Davis, Kristin Chenoweth, Alia Shawkat, Dylan Blue, Kelly Aldridge, Sabrina Aldridge, Jorge Garcia, Fred Armisen, Gillian Vigman, Ryan Devlin, Sean O’Bryan, SuChin Pak, Jackie Burroughs, Garry Chalk, Nicola Peltz, Zak Santiago, Jill Morrison, Brenda M. Crichlow, Eliza Norbury. Directed by John Whitesell
There comes a time in all our lives when we laugh at something we know we shouldn’t laugh at. We know it’s wrong, we know we shouldn’t do it but we still do it anyway. When it happens in a movie, we call it a “guilty pleasure.”
Dr. Steve Finch (Broderick) is a mild-mannered optometrist in one of those picture postcard perfect Massachusetts towns that looks like it sprung fully formed from a Currier and Ives print. He’s also the Christmas guy around town, the one who decorates his home tastefully but noticeably, the guy who’s in charge of the Christmas pageant, the one who buys his family matching ugly Christmas sweaters. His children Madison (Shawkat) and Carter (Blue) are somewhat disinterested in their father’s regimented, traditional Christmas that allows no deviation from the norm. Although his wife Kelly (Davis) wishes that her husband was less rigid, she tolerates the situation because being obsessed with Christmas is way better than being obsessed with Internet porn, right?
Then across the street moves in used car salesman Buddy Hall (DeVito) with his…ummmm, statuesque wife Tia (Chenoweth) and his buxom blonde twin daughters Ashley (K. Aldridge) and Emily (S. Aldridge). Buddy is going through an epic midlife crisis. He has never really attained any sort of real success and is living in a house he really can’t afford. The neighborly Finches invite his family over for dinner and Buddy’s inferiority complex is deepened when he discovers that the satellite locating website MyEarth (which is Google Earth without paying Google the big bucks for using their name) shows his neighbor’s house just fine but his is too small to be seen from space. Then it hits him – what if he put up a Christmas display so bright that it can be seen from space?
This puts Buddy in a frenzy of light buying and Christmas pageantry which doesn’t sit well with Dr. Steve who is threatened by a usurper for his title of the Christmas guy around town. He sets off to sabotage Buddy’s efforts which he sees as garish and lurid. The two begin a series of escalating pranks on one another, culminating in both their wives taking their children out of the house and staying elsewhere, leaving the two obsessed Christmas porn lovers to duke it out between themselves. Will Buddy win and get his wish to be noticed, to accomplish something monumental? Or will Steve win and get his wish for a traditional Christmas?
Critics savaged the movie when it came out and in a lot of ways I can’t really blame them. The humor often falls flat and is generally crude, the script preposterous, the plot outlandish and the acting mainly phoned in. Broderick, whose character is covered at one point with camel spit and sheep doo-doo from a living nativity that Buddy throws up, was heard to mutter on the set “I’ve hit rock bottom” on a regular basis and DeVito literally flew in on the days he was scheduled to shoot, acted his scenes and left without interacting with any of the cast. Supposedly everyone on set was fully aware they were cooking up a turkey.
And yet…and yet…I still find myself strangely drawn to the movie. In some demented way, it appeals to me. I think deep down it is supposed to be a commentary on how we’ve warped Christmas in this country with rampant consumerism and a terminally competitive attitude towards showing how much Christmas spirit we have (We’ve got spirit – yes we do! We’ve got spirit – how ’bout YOU?!?) particularly in decorating our homes. Not that saying we’ve lost our way in terms of the season is anything new or earth-shattering – Miracle on 34th Street was making the same point 59 years earlier – but it’s a point that bears repeating.
Chenoweth, one of Broadway’s brightest stars and who always impresses when she gets a movie to work on, is one of the highlights. She’s the blonde bimbo who turns out to be a bit smarter than anyone gives her credit for, seeing her husband for what he is and loving him anyway although when his excesses threaten the family stability, she exhibits a lot more strength than you’d imagine she has. Maybe I have a critic-crush on the woman, but she’d make reading the phone book an interesting movie.
I mentioned the humor earlier but I neglected to mention how mean-spirited it is. For example, Buddy and Steve are watching the Christmas pageant and a trio of scantily dressed young women come out and do a provocative dance. Both men cheer and call out “Who’s your daddy?!” repeatedly until the girls turn around – and it’s their daughters. They run to the nearest Catholic church and wash out their eyes with Holy Water. That doesn’t sound like it should be appealing but remember how I mentioned laughing at things you shouldn’t? There ya go.
Sure, the ending is a bit treacly and has that timeless Christmas movie trope of healing all wounds with the singing of carols but somehow those things still work even though you know they’re coming. I guess I’m just a sucker for Christmas spirit, neighbors looking out for each other and Currier and Ives New England villages. Here in Florida, Christmas is a whole different thing where we get milder weather (although we can get heatwaves from time to time) and almost never see any snowfall. My wife longs for a White Christmas which is something I haven’t experienced since I was a little boy in Connecticut which was so long ago that dinosaurs roamed the Earth back then. Okay, not really but you get the (snow) drift.
This might not be your cup of cocoa and I respect that but if you’re looking for guilty pleasure Christmas entertainment, you can do much worse (Santa Claus vs. the Martians anyone?) and you might, like I did, get suckered in by the sticky sweet ending. Christmas can do funny things to a person.
WHY RENT THIS: A primer in tacky Christmas displays. Chenoweth is always a pleasure.
WHY RENT SOMETHING ELSE: Disagreeable leads. Mean-spirited.
FAMILY VALUES: Some crude humor and brief bad language.
TRIVIAL PURSUIT: The production used LED lights on the house that allowed programmable effects and was installed by Color Kinetics of Boston. The nodes used just 7,150 watts of energy or the equivalent of four hair-dryers, and 126 amps which is the average for 1 1/3 homes.
NOTABLE HOME VIDEO EXTRAS: There is a blooper reel as well as interviews with young actor Dylan Blue. Featurettes on filming a Christmas movie in July, the design of Buddy’s Christmas light display and the building of the house sets are also included.
BOX OFFICE PERFORMANCE: $47.2M on an unknown production budget.
SITES TO SEE: Netflix (DVD rental only), Amazon (streaming only), Vudu (buy/rent), iTunes (buy/rent), Flixster (streaming only), Target Ticket (not available)
COMPARISON SHOPPING: Jingle All the Way
FINAL RATING: 6/10 (Talk about a Christmas gift…)
NEXT: The Holly and the Quill concludes