Top 10 of 2014


Top 10 of 2014For most of the year, I asserted that this was kind of a down year for movies in terms of quality and to a lesser degree, of box office as well. Although there have been some really good movies that would be contenders for the best movie of the year in any year, I still think that overall there were fewer movies that had the slam dunk quality overall of years past.

Still, the movies on this top 10 list were all of very high quality and you won’t go wrong in watching any of them. I was pleased to see that there were a number of indie movies that really stepped up the game; in fact, I think it’s a safe bet to call this the Year of the Indie. While some of these are indies in name only, distributed by major studios who have developed distribution arm for foreign films and smaller scale American films produced outside of the studios (i.e. Fox Searchlight, Sony Classics and Paramount Vantage), plenty are true indies with no financing or distribution from a major.

We continue to see a migration of traditional distribution in which movies received a theatrical release, followed about six months later by a home video release and ending up with a premium cable release about a year after the initial theatrical release. That is no longer the case as people are more and more watching films at home rather than in theaters. Some of the major indie distributors like Magnolia and IFC are releasing their films in On-Demand format concurrently with their theatrical release (and often ahead of it) which makes good fiscal sense for them. Mid-majors like Weinstein and Lionsgate have begun to follow suit. Universal even decided to release the acclaimed Joe Carnahan film Stretch into on-demand without a theatrical release which is a bit disturbing but sensible as well. We might see marginal studio films going that route more often in the future.

As with previous years, you can learn more about each movie on the top 10 list by clicking on the title to access my initial review, or clicking on the photo of the movie to go to the movie’s website or Facebook page when available. The information given should be self-explanatory. This year we’re also adding the top 10 films’ Rotten Tomatoes and Metacritic scores as of the date I write the blurbs.

As always, the list is entirely arbitrary. How I rank these movies today isn’t necessarily how I would rank them tomorrow. I am also ignoring half-points from the initial ratings so you might see a 9.0 ranked ahead of a 9.5. It’s my list. Deal with it. In any case, at the end of the day the order the films are ranked in is unimportant save for the number one movie of the year. The thing to remember is that all of these films including the honorable mention films are all of the highest quality and you can’t go wrong seeing any of them. Hopefully this list will suggest a few to you that you might have missed during the year or didn’t get distribution in your home town. Many of them will be already out on home video or VOD, while a few may still be in your local theaters. Do yourself a favor and try and see as many of these as you can. You won’t regret it.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So, in no particular order;

The Grand Budapest Hotel, The Wind Rises, The Babadook, Before I Disappear, Ida, The Trip to Italy, Doomsdays, Tim’s Vermeer, Copenhagen, Chef, Bad Words, The Final Member, The Zero Theorem, The Devil’s Knot, The Railway Man, Cold in July, Blue Ruin, The Fluffy Movie, The Hundred-Foot Journey, Interstellar, The Boxtrolls, The Good Lie, Birdman, Foxchaser, Wild, Slingshot, Ernest and Celestine, The Lunchbox, Jodorowsky’s Dune, The LEGO Movie, Locke, Force Majeure, Life Itself.

Captain America: The Winter Soldier10. CAPTAIN AMERICA: THE WINTER SOLDIER

(Disney/Marvel) Chris Evans, Samuel L. Jackson, Scarlett Johansson, Robert Redford, Anthony Mackie, Toby Jones, Cobie Smulders, Frank Grillo, Hayley Atwell. Directed by Anthony Russo and Joe Russo

Released April 3, 2014 Steve Rogers, a.k.a. Captain America fresh from saving New York City from an alien invasion is an integral part of SHIELD, protecting the world and particularly the United States, from threats too powerful for local law enforcement to handle. But something is attacking SHIELD from within and Rogers, who knows nobody from this era after having been frozen in the Arctic for nearly half a century, doesn’t know who to trust or what to believe. He’s a black and white kind of guy in a shades of grey world.
WHY IT IS HERE: Hearkens back to the political thrillers of the 1970s coupled with a modern special effects-laden action film. Was the box office champion for much of 2014 until a Marvel mate came to take the crown from Cap. But more importantly, people began to see that Marvel movies could be a lot more than superhero films.
HIGHLIGHT SCENE: Cap takes out an elevator full of would-be assassins.
CRITICAL MASS: Rotten Tomatoes: 89% positive reviews. Metacritic: 70/100.
BOX OFFICE RESULTS: $259.8 million domestic, $714.1M total (as of 1/13/15).
BUDGET: $170 million
STATUS: Currently available on home video. Download from iTunes/Vudu/Amazon. Stream on Vudu/iTunes. Rent DVD/Blu-Ray on Netflix.

Whiplash9. WHIPLASH

(Sony Classics) Miles Teller, J.K. Simmons, Paul Reiser, Melissa Benoist, Austin Stowell, Nate Lang, Chris Mulkey, Damon Gupton, Suanne Spoke, Max Kasch, Charlie Ian, Jayson Blair, Kofi Siriboe, Kavita Patil. Directed by Damien Chazelle

Released October 10, 2014 A driven young jazz drummer attending a prestigious music conservatory in New York City yearns to be the best, and in order to do that will have to make sacrifices. Taken under the wing of a stern taskmaster of an instructor, the two strong wills meet head on as Chazelle asks us to consider at what point the price of greatness becomes too dear.
WHY IT IS HERE: Newcomer Chazelle has delivered a taut, engaging movie in which two performances take front and center. Teller proves that he can be a compelling lead actor, while veteran character actor Simmons delivers the performance of his career for which he has already won a Golden Globe and is the odds-on favorite for the Best Supporting Actor Oscar next month.
HIGHLIGHT SCENE: Andrew’s drum solo in a situation in which he had been set up to fail, yet ends up triumphing despite the adversity.
CRITICAL MASS: Rotten Tomatoes: 95% positive reviews. Metacritic: 88/100.
BOX OFFICE RESULTS: $6.2 million domestic, $7.1M total (as of 1/13/15),.
BUDGET: $3.3 million
STATUS: Scheduled for home video release on February 24. Digital download pre-order available on Vudu.

Gone Girl8. GONE GIRL

(20th Century Fox) Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, Patrick Fugit, Carrie Coon, David Clennon, Lisa Barnes, Missi Pyle, Emily Ratajkowski, Casey Wilson, Lola Kirke, Boyd Holbrook, Sela Ward. Directed by David Fincher

Released October 2, 2014 When his wife disappears, Nick Dunne fears the worst – maybe she’s been kidnapped or possibly, given the blood at the scene of the crime – murdered. But when signs point to Nick being the killer, suddenly the sympathy he’d been receiving turns to something else. Almost nobody believes him. However, even Nick doesn’t suspect what’s going on and who’s behind it.
WHY IT IS HERE: One of the big box office hits of 2014 took a lot of people by surprise. Fox did a masterful job of marketing the film without revealing its twists and turns. Fincher directs it masterfully, making sure that everything that happens onscreen has a reason for it. Pike got a Golden Globe nomination for her star-making performance and may well net an Oscar nom as well.
HIGHLIGHT SCENE: I can’t reveal too much about the scene without spoiling the surprises but let’s just call it “NPH gets lucky…or does he?”
CRITICAL MASS: Rotten Tomatoes: 89% positive reviews. Metacritic: 79/100.
BOX OFFICE RESULTS: $167.2 million domestic (as of 1/14/15), $365.4M total.
BUDGET: $61 million
STATUS: Currently available on home video. Download from iTunes/Amazon/Vudu/Target Ticket. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Vudu/iTunes/Target Ticket.

The Imitation Game7. THE IMITATION GAME

(Weinstein) Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Alan Leech, Matthew Beard, Charles Dance, Mark Strong, James Northcote, Tom Goodman-Hill, Steven Waddington, Ilan Goodman, Jack Tarlton. Directed by Morten Tyldum

Released November 28, 2014 The story of Alan Turing wasn’t a particularly happy one. A brilliant mathematician with a lifelong passion for cyphers, he was enlisted by the British Army during the Second World War to crack what was then thought to be an unbreakable code – Enigma. The Germans used it for all their communication and the Allies were losing the war largely because of it. The socially awkward Alan has a secret of his own – and that secret might just lose the war for the Allies altogether.
WHY IT IS HERE: Well-acted throughout, with an Oscar-worthy performance by Cumberbatch in the lead role, with Knightley giving some fine support. The movie is told as something of a wartime thriller, but it’s so much more. The agonizing decisions that Turing had to make in order to make his machine work and then on keeping their progress hidden from the Germans is truly heart-wrenching.
HIGHLIGHT SCENE: An a-ha moment that leads to a breakthrough.
CRITICAL MASS: Rotten Tomatoes: 90% positive reviews. Metacritic: 72/100.
BOX OFFICE RESULTS: $41.0 million domestic (as of 1/14/15), $81.9M total..
BUDGET: $14 million.
STATUS: Still in wide release.

Mission Congo6. MISSION CONGO

(C-Colony) Pat Robertson, Robert Hinkle, Jessie Pott. Directed by David Turner and Laura Zizic

Released April 5, 2014 A compelling documentary that looks at televangelist Pat Robertson and his humanitarian aid program Operation Blessing. Ostensibly sending medical supplies and personnel to the Democratic Republic of the Congo (then known as Zaire) to help aid the hundreds of thousands of refugees from Rwanda which was then in the throes of a civil war and genocide, the filmmakers contend that Robertson’s prime focus was mining diamonds and not saving lives.
WHY IT IS HERE: While decidedly one-sided (Robertson was invited to be interviewed but declined – he’s steadfastly denied the charges) the evidence is presented in an organized and thoughtful manner. Using tax returns, archival footage and eyewitness accounts, the filmmakers put together a pretty damning case against the preacher.
HIGHLIGHT SCENE: The footage showing the real places supposedly helped by Operation Blessing and how the reality differs greatly from how Operation Blessing portrays things.
CRITICAL MASS: Rotten Tomatoes: No score yet. Metacritic: No score yet.
BOX OFFICE RESULTS: No information available.
BUDGET: Not available.
STATUS: Not available. May still be playing the festival circuit.

The Kill Team5. THE KILL TEAM

(Oscilloscope Laboratories) Adam Winfield, Jeremy Morlock, Justin Stoner, Andrew Holmes, Chris Winfield, Emma Winfield, Eric Montalvo. Directed by Dan Krauss

Released April 6, 2014 Some may remember a few years back a squadron of soldiers that was brought up on charges of unjustifiably murdering Afghan civilians and keeping human remains as souvenirs of their misdeeds. This is a documentary about the men in that squadron, how they were hung out to dry by the Army who denied the atrocities that they were later to have proven that they committed had actually happened.
WHY IT IS HERE: A very gripping look at one of the less savory incidents of the war. We focus mainly on Winfield, who tried to blow the whistle on what was happening but instead ended up in prison. This illustrates how officers are treated differently than enlisted men, how CYA is a military code in and of itself and how innocents get caught in the middle. The very best documentary of 2014, a year in which great documentaries were the norm and a Florida Film Festival favorite.
HIGHLIGHT SCENE: The aftermath of the sentencing of Adam Winfield.
CRITICAL MASS: Rotten Tomatoes: 90% positive reviews. Metacritic: 72/100.
BOX OFFICE RESULTS: $18,983 domestic (as of 1/16/14), $18,983 worldwide.
BUDGET: Not available
STATUS: Currently available on home video. Download from iTunes/Vudu/Amazon. Rent DVD from Netflix. Stream from iTunes/Vudu/Amazon.

Guardians of the Galaxy4, GUARDIANS OF THE GALAXY

(Disney/Marvel) Chris Pratt, Zoe Saldana, Lee Pace, Dave Bautista, Vin Diesel (voice), Bradley Cooper (voice), Glenn Close, John C. Reilly, Djimon Hounsou, Michael Rooker, Benicio del Toro, Karen Gillan, Josh Brolin. Directed by James Gunn

Released August 1, 2014 A group of misfits, criminals and genetic mistakes are all that stands between the universe and a power-mad fanatic who has hold of one of the most powerful artifacts in reality. Led by the displaced human Peter Quill – who prefers to be called Star Lord – the beautiful and deadly assassin Gamora, the sentient tree Groot, the genetically enhanced Rocket Raccoon and the vengeful strong man Drax the Destroyer, these five will stand against Ronan the Accuser and the machinations of the evil Thanos – and the Infinity Gem.
WHY IT IS HERE: Spectacle, action, comedy, pathos – this film has it all. The box office champion of 2014 (although that will have likely changed by the time this is published, or at least shortly thereafter), this proves that Marvel can take some of their most obscure properties and make huge box office hits out of them. Some have said this will end up being the Star Wars for this generation. Okay, well, that was me that said it. In any case, Da Queen would kill me if this didn’t at least make my Top 5.
HIGHLIGHT SCENE: One of the Guardians mourns a fallen comrade.
CRITICAL MASS: Rotten Tomatoes: 91% positive reviews. Metacritic: 76/100.
BOX OFFICE RESULTS: $333.2 million domestic (as of 1/20/15), $772.8 million total.
BUDGET: $170 million.
STATUS: Available on home video. Download from Amazon/iTunes/Vudu/Target Ticket. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Vudu/Target Ticket.

Her3, HER

(Warner Brothers) Joaquin Phoenix, Amy Adams, Scarlett Johansson (voice), Olivia Wilde, Chris Pratt, Rooney Mara, Kristen Wiig (voice), Bill Hader (voice). Directed by Spike Jonze

Released January 10, 2014 In the near future, we rely on computers more than ever and it takes a powerful operating system to keep up with demand. When a new OS with the capacity for learning debuts, it hits some people like a ton of bricks. For Theodore Twombly is in love – with his operating system.
WHY IT IS HERE: Although it came out for an Oscar qualifying run in December 2013, most of the country didn’t get to see it until January. Shaply funny in places with a wit and an eye for our modern social media obsessed culture. This would have ended up on last year’s even harder to crack top 10 if we’d had the opportunity to see it in December.
HIGHLIGHT SCENE: Theo and Samantha have a steamy bedtime conversation.
CRITICAL MASS: Rotten Tomatoes: 94% positive reviews. Metacritic: 90/100.
BOX OFFICE RESULTS: $25.6 million domestic (as of 1/20/15), $47.4 million total.
BUDGET: $23 million.
STATUS: Available on home video and on HBO. Download from Amazon/iTunes/Flixster/Vudu. Stream from iTunes. Rent DVD/Blu-Ray from Netflix.

The Double2. THE DOUBLE

(Magnolia) Jesse Eisenberg, Mia Wasikowska, Wallace Shawn, Yasmin Paige, Noah Taylor, James Fox, Cathy Moriarty, J. Mascis. Directed by Richard Ayoade

Released May 9, 2014 Simon is a mousy but hard-working office drone has an existence of invisibility; people forget that he’s worked there for seven years and the girl of his dreams won’t even give him a second glance. All that changes when James starts working in the office. James is everything that  Simon is not – self-confident, charismatic and irresistible to women. However, James is also everything that Simon is – an exact physical double. And, to Simon’s despair, he is taking over Simon’s life.
WHY IT IS HERE: Yeah, I know that the retro-futurist look is nothing new but few movies take advantage of it as well as this one, and none since Brazil in an office environment. Eisenberg delivers the kind of performance that serves notice that he’s not a nebbish-y kid anymore. This was the best narrative film from this year’s Florida Film Festival and my favorite overall.
HIGHLIGHT SCENE: Some cops talk to Simon about the chances he’ll commit suicide.
CRITICAL MASS: Rotten Tomatoes: 82% positive reviews. Metacritic: 68/100.
BOX OFFICE RESULTS: $200,406 (as of 1/21/15), $1.7 million total.
BUDGET: Not available.
STATUS: Available on home video. Download on Amazon/iTunes/Vudu/Target Ticket. Stream on Netflix/Amazon/iTunes/Vudu/Target Ticket. Rent Blu-Ray/DVD on Netflix.

Boyhood1. BOYHOOD

(IFC) Ethan Hawke, Patricia Arquette, Ellar Coltrane, Lorelei Linklater, Steven Prince, Bonnie Cross, Marco Perella, Libby Villari. Directed by Richard Linklater

Released July 11, 2014 We capture the life of a young boy growing into a young man over a 12-year period. Young Mason, his single mom, his sister Samantha and his dad cope with the vagaries of being a divorced family, through abusive stepdads, periods of acting out, attempts to find himself as he goes through high school and prepares for college. Filmed over a period of 12 years with the same cast and much of the same crew makes the aging process natural and believable.
WHY IT IS HERE: If Roger Ebert and Gene Siskel were still alive, I believe they’d both likely vote this the film of the decade or at least one of them. This is the ultimate slice of life film and Linklater deserves all the accolades he’s received for this movie. There are no mysteries, no explosions, no contrived romances – but nonetheless this movie pulls you in and affects you deeply, thanks to some wonderful performances and Coltrane’s natural abilities. Sometimes the universe lines up in such a way that everything works the way you hope it would – this is one such instance.
HIGHLIGHT SCENE: There are several but there’s a conversation between Mason and his dad at a graduation party which is priceless.
CRITICAL MASS: Rotten Tomatoes: 98% positive reviews. Metacritic: 100/100.
BOX OFFICE RESULTS: $24.6 million domestic (as of 1/21/15), $43.8M total.
BUDGET: $4 million.
STATUS: Currently available on home video. Download from Amazon/iTunes/Vudu/Flixster. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Vudu/Flixster.

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Locke


Tom Hardy discovers that he can't go home again.

Tom Hardy discovers that he can’t go home again.

(2013) Drama (A24) Tom Hardy. Starring the voices of Olivia Colman, Ruth Wilson, Andrew Scott, Ben Daniels, Tom Holland, Bill Milner, Danny Webb, Alice Lowe, Silas Carson, Lee Ross, Kristy Dillon. Directed by Steven Knight

As we drive from point A to point B, we are in our own insulated little world in our cars, surrounded by other people in their own little worlds. Do you ever wonder what dramas are taking place in those other vehicles, what life and death struggles are happening as our tiny little environments of steel and glass hurtle down the concrete ribbons in the night, each bound for its own private destination.

Ivan Locke (Hardy) is in one such car. He has knocked off of work at a construction site in Birmingham, England where he is the manager of a major project. The next morning is a big day on his job – the pouring of concrete to lay the foundation for the tower he is building. It is going to be one of the largest concrete pours in European history and things have to go just right.

Except Locke won’t be there. He has an errand of his own, a personal one. He is driving from Birmingham to London where a woman is waiting for him in a hospital bed. The woman is not his wife. Rather, his wife and two sons are preparing to watch the local football  team in a crucial match. That’s football as in soccer, by the way. In any case, the boys are excited, mom has bought some sausages to grill up and has even finally consented to wear the team jersey that Ivan bought for her and has been nagging her to wear on game days. But Locke won’t be there either.

During the course of the night he will drive down British highways through varying degrees of rush hour traffic while talking on a hands free mobile phone built into the dashboard of his SUV. He will nursemaid his second in command through the necessary steps of preparing the construction site for the big pour. He will try to explain to his boss why he is acting the way he is, and the same to his wife while trying to at least maintain a veneer of normalcy for his sons. The longer the drive continues, the more that veneer cracks and threatens to fall apart.

This is not your usual sort of drama. Other than the opening scene in which we see other anonymous faceless construction workers leaving the job site, Hardy is the only person we ever see onscreen. He interacts with other actors on the phone, wispy spectral voices that question Ivan’s judgment and even his sanity.

Ivan Locke is a fastidious sort. Respected in his profession, a solid family man, he nevertheless has made a crucial error in his personal life and is now trying to make it right. In his mind at least he’s doing the right thing – viewers may disagree, but Ivan Locke, once his mind is made up, never wavers in his course. It separates him from his father, whom Ivan addresses in the car from time to time even though dear old dad, an alcoholic who abandoned his family, has been dead for some time. Ivan has never forgiven him however; he would love to dig up dear old dad just to desecrate his bones.

Hardy is best known for playing the masked terrorist Bane in The Dark Knight Rises. There he is behind a mask with his voice electronically modulated but still Bane is perhaps the best thing about the movie. Here, Hardy shows just how good an actor he is, something that those who saw Bronson already knew. While his ascendance to Hollywood stardom has left him with some fluffy roles as of late, he certainly has plenty of chops to carry this through.

And he does. We see Ivan’s facade slowly crumble. While his voice is even and calm with a Welsh accent adding color to the part, we see in Hardy’s eyes the depth of frustration and doubt that assaults him. Ivan Locke knows what he is doing will have consequences that will be bitter, but even so he insists on trying to apply logic and practicality to a situation that he is painfully unequipped to handle because one thing Ivan Locke doesn’t understand is human emotion. So he drives through the night, downing cold medicine and blowing his nose. This isn’t just business for its own sake as other critics have intimated; Hardy actually had a cold during filming so his illness was written into the script.

When his wife wails “You love your buildings more than me,” she isn’t far from the truth. Ivan waxes rhapsodic about concrete, of stealing a part of the sky for this new tower. When asked why he is doing it, he says “I’m doing it for my building. I’m doing it for the concrete.” Locke, whose childhood was apparently full of instability, relishes the permanence of a well-laid foundation.

This might sound like a boring picture but thanks to some clever cinematography and on the basis of Hardy’s searing performance it is anything but. My wife and I were immersed in the film from beginning to end. Some may look at the manner of storytelling as a gimmick and I have to admit that in most hands it certainly would have turned out that way. Here however thanks to the elements I mentioned the gimmick works and how often can you say that truly?

REASONS TO GO: Mesmerizing performance by Hardy. Compelling story and clever concept.

REASONS TO STAY: Some might find it gimmicky.

FAMILY VALUES:  The language can get pretty raw. The themes are a little bit on the adult side.

TRIVIAL PURSUIT: Tom Hardy filmed his role in six days. The other actors were all in a hotel room and read their lines over the phone to Hardy.

CRITICAL MASS: As of 5/23/14: Rotten Tomatoes: 88% positive reviews. Metacritic: 82/100.

COMPARISON SHOPPING: Margin Call

FINAL RATING: 7.5/10

NEXT: Godzilla

New Releases for the Week of May 16, 2014


Godzilla

GODZILLA

(Warner Brothers/Legendary) Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, Bryan Cranston. Directed by Gareth Edwards

The king of all monsters returns to wreak havoc with coastal cities as well as to face malevolent creatures of human creation that now threaten our very existence. Judging on the reaction to the most recent trailers, this is one of the most anticipated films of the summer.

See the trailer, clips, interviews and B-Roll video here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D (opens Thursday)

Genre: Sci-Fi Action

Rating: PG-13 (for intense sequences of destruction, mayhem and creature violence)

Dom Hemingway

(Fox Searchlight) Jude Law, Richard E. Grant, Demian Bichir, Emilia Clarke. After being released from serving twelve years in prison, a safecracker with a larger-than-life personality sets out to make up for lost time. Setting out to reclaim an old debt, a brush with death leads him to try to re-connect with his estranged daughter but in his own inimitable fashion. This played at the recent Florida Film Festival and it’s single screening was completely sold out.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R (for sexual content, nudity, pervasive language, some violence and drug use)

Locke

(A24) Tom Hardy, Ruth Wilson, Andrew Scott, Bill Milner. Like every working day, Ivan Locke left the office  for the drive home. Blessed with the perfect family, his dream job and a successful career, he should be at the high point of life. However in a 90 minute drive, it all comes apart and a single phone call will force him to put everything on the line.

See the trailer, interviews, a featurette and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for language throughout)

Million Dollar Arm

(Disney) Jon Hamm, Bill Paxton, Lake Bell, Aasif Mandvi. When a sports agent loses his biggest client to a rival agency, he knows that his business is in serious trouble. A chance viewing of a cricket match from India leads to the brilliant idea of staging a nationally televised competition of finding the first major league players in India. Two finalists are at last selected and as they are brought to America to learn the game, the odds are against them as cultural differences and an unfamiliarity with the game may prevent them from achieving their goal.

See the trailer, clips, interviews and B-Roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: True Sports Drama

Rating: PG (for mild peril and some suggestive language)

Only Lovers Left Alive

(Sony Classics) Tom Hiddleston, Tilda Swinton, Mia Wasikowska, John Hurt. An underground musician, dissolute and discouraged over the deteriorating state of humanity, reunites with his enigmatic and more optimistic lover. Their romantic idyll is interrupted by the arrival of his wild and out of control little sister. Oh, and did I mention they’re all vampires? The latest from acclaimed director Jim Jarmusch.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: R (for language and brief nudity)