New Releases for the Week of April 13, 2018


RAMPAGE

(New Line/Warner Brothers) Dwayne Johnson, Naomie Harris, Malin Akerman, Jeffrey Dean Morgan, Joe Manganiello, Marley Shelton, P.J. Byrne. Directed by Brad Peyton

A rogue genetic experiment goes way out of control, turning normal animals into giant monsters. A primatologist whose friend – a rare and unusually intelligent white ape – is a victim of the experiment joins forces with a discredited scientist to come up with a cure not just to save humanity but to save his buddy.

See the trailer and video featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, DBOX, DBOX 3D, Dolby 3D, Dolby Atmos, IMAX, IMAX 3D, RPX, RPX 3D, XD, XD 3D
Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for scenes of action, violence and destruction, brief language, and crude gestures)

Aardvark

(Great Point) Zachary Quinto, Jenny Slate, Jon Hamm, Sheila Vand. The brother of a TV star who has issues with his brother’s popularity falls under the care of a therapist who herself begins to develop obsessive behavior towards his brother. Unable to tell fantasy from reality easily, her patient begins to fall in love with a woman – it’s just that he isn’t sure if she is real or not.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village

Rating: PG-13 (for mature thematic issues, language, some sexuality and violence)

Beirut

(Bleecker Street) Jon Hamm, Rosamund Pike, Mark Pellegrino, Dean Norris. A disgraced diplomat who lost everything during an assignment to Beirut is forced to return to that city in the midst of the Lebanese Civil War in the 1980s to negotiate the safe return of his best friend, a CIA operative. However, everyone around him has their own agenda and there’s no way to know who to trust. You can read my review at the link below.

See the trailer, video featurettes and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village, Rialto Spanish Springs Town Square (opened Wednesday)

Rating: R (for language, some violence and a brief nude image)

Krystal

(Great Point/Paladin) Nick Robinson, Rosario Dawson, Grant Gustin, William Fichtner. A young man who’s led a sheltered life falls hard for the most unlikely woman – a junkie/stripper/prostitute named Krystal. From a completely different world that might as well be another planet, he joins Alcoholics Anonymous even though he doesn’t drink just so he can be in the same room as her. Needless to say, his family does not approve William H. Mach directs this and has a supporting role as well.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Universal Cineplex

Rating: R (for language throughout, drug use, some nudity and brief sexuality)

Mercury

(Stone Bench) Galaraj, Ramya Nambeeshan, Prabhudheva, Sanath Reddy. Five childhood friends, all disfigured due to mercury poisoning in the town they grew up in, return for a high school reunion. However in a moment of mischief they disturb something that should have better been left alone. The movie was filmed without dialogue.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror/Thriller
Now Playing: Cinemark Artegon Marketplace

Rating: NR

Sgt. Stubby: An American Hero

(Fun Academy) Starring the voices of Helena Bonham Carter, Logan Lerman, Gérard Depardieu, Jordan Beck. A soldier adopts a stray dog near the barracks during the First World War. That dog would go on to become the most decorated canine in American military history.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for war action and some thematic elements)

Truth or Dare

(Blumhouse/Universal) Lucy Hale, Tyler Posey, Violett Beane, Sophia Ali. A group of friends playing what seems to be a harmless game of truth or dare discover that they have stumbled into a supernatural entity which insists the game be played properly. Those who lie or refuse to do the dare are punished – terminally.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violence and disturbing content, alcohol abuse, some sexuality, language and thematic material)

Where is Kyra?

(Great Point/Paladin) Michelle Pfeiffer, Kiefer Sutherland, Suzanne Shepherd, Sam Robards. An unemployed woman tries to find work and care for her ailing elderly mother as her debts continue to mount up. Desperation drives her to do a dangerous act in order to survive. Find a link to our recent review of this film below.

See the trailer here.
For more on the movie this is the website
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Krishnarjuna Yudham
Venemo

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

20 Weeks
Back to Burgundy
Baja
Beauty and the Dogs
Big Fish and Begonia
Borg/McEnroe
Final Portrait
Gultoo
Ismael’s Ghosts
Krishnarjuna Yudham
Mister Lonely
October
Venemo
Women of the Venezuelan Chaos

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Flock of Four
Krishnarjuna Yudham
October

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Fanny
Krishnarjuna Yudham
October
Pandas

SCHEDULED FOR REVIEW:

Back to Burgundy
Beirut
Borg/McEnroe
Rampage
Truth or Dare
Where is Kyra?

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Florida Film Festival, Orlando FL
Sarasota Film Festival, Sarasota FL

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The Vanishing of Sidney Hall (Sidney Hall)


The Hollywood version of a writer hard at work.

(2017) Drama (A24) Logan Lerman, Elle Fanning, Michelle Monaghan, Kyle Chandler, Janina Gavankar, Margaret Qualley, Nathan Lane, Blake Jenner, Yahya Abdul-Mateen II, Tim Blake Nelson, Michael Drayer, Christine Brucato, Alex Karpovsky, Darren Pettie, David Alan Basche, John Trejo, Danny Cullen, Richard Beal, Ryan Willard, Cris Williams, Stephanie Purpuri. Directed by Shawn Christensen

 

From time to time, people who are at the top of their field, wrapped in success and fame, who simply walk away. It’s an irresistible story for the rest of us who wonder why those folks give up what the rest of us dream of. It is a sign of the prurient side of ourselves.

Sidney Hall (Lerman) is a gifted writer. Ask him; he’ll tell you so. We meet him in a high school writing class in which he has been tasked with writing an essay on the meaning of life. What he delivers is a treatise on his willingness to masturbate over a popular cheerleader and his feeling that he’s wasting his efforts on it. Needless to say, this doesn’t impress the tightly wound English teacher much.

Duane (Abdul-Mateen) knows that Sidney is just breaking the balls of the teacher who doesn’t understand him. He acts as kind of a mentor (and later a literary agent) to Sidney, delivering him to a prestigious publishing house and it’s acerbic editor (Lane). Sidney’s first novel, about the suicide of a high school student, becomes not only a bestseller but a cultural phenomenon and makes him wealthy and a bit of a rock star.

But Sidney’s personal life is a shambles. He left home, getting away from his shrill and controlling mother (Monaghan) and with his high school sweetheart Melody (Fanning) who later becomes his wife. But success breeds some not so pleasant side effects and Sidney’s marriage is crumbling as he becomes more and more self-absorbed. After losing the Pulitzer to another writer and devastated at the end of his marriage, Sidney abruptly disappears from public view.

A series of arsons in bookstores and libraries in which Sidney’s books alone are targeted for burning puts a detective (Chandler) on the trail of Sidney, who has at this point become something of a hobo, riding the rails with his dog Homer. But what motivated Sidney to walk away from everything? What is inside the mysterious box he dug up with his jock friend Brett Newport (Jenner)? Who is the mysterious detective chasing him and why is he so keen to find him? There are ghosts haunting Sidney Hall and perhaps that is why he wants to become one himself.

Director Shawn Christensen has enormous talent; it was clearly on display in his last movie Before I Disappear and there are moments where you can see it in this film. Unfortunately, this is much more of a mess than his last movie was. Christensen has three separate timelines interweaving with one another; Sidney’s last weeks in high school as his relationship with Melody begins and his relationship with Brett is explained. There’s also the apex of his career as a successful writer in his 20s in which his nascent ego has reached full flower, alienating him from just about everyone including his wife. Finally we see him as a lonely and just about psychotic wanderer, cloaked in self-loathing and with only a dog for company.

There are a lot of revelations in the film and to be honest some of them work, others are more on the ludicrous side. Lerman is a fine actor but he’s unconvincing here particularly in some crucial scenes which quite frankly undermines the whole she-bang. He also has almost no chemistry with Fanning whose character is so massively cliché that we’re banging our heads against the wall in frustration.

There are a lot of clichés on display here; the writer in his study, a glass of whiskey beside him, cigarette smoke curling up from his keyboard as he ponders the weight of his next few words. There is in fact a great deal of pretentiousness here, from the condescending dialogue to the portrait of the writer as a young snot. Although we find out near the end of the film that Sidney has suffered greatly at the hands of life, by that time it’s really too late to rescue the character from being someone we can’t stand to be around for very long – and we’re forced to hang out with him for nearly two hours.

Yes, the movie is much too long and feels padded out with gratuitous misery. We get it, Sidney’s life sucks and success isn’t all it’s cut out to be yadda yadda yadda. It doesn’t help that the leaping back and forth from timeline to timeline is done with leaden hands, leaving the audience frustrated yet again.

The sad thing is that there really is a good film somewhere in here. The cast is strong top to bottom and the performances are for the most part compelling; Nathan Lane brings some well-needed levity to the movie and Blake Jenner is surprisingly strong in his role as well. This just feels like a director trying to spread his wings but for whatever reason he plummets from his perch to make a great big ker-splat on the ground. I’m hoping this is just a misstep for Christensen and that we can still expect better things from him in the future. This isn’t going to be one of the highlights on his resume though.

The film is just hitting theaters after a month-long run on DirecTV. It is also still available there for subscribers to that satellite service. Expect it on a larger array of streaming services in the near future if you’re of a mind to see it.

REASONS TO GO: Nathan Lane is always a hoot. There are some really nice cinematic moments. The cast does pretty well in general.
REASONS TO STAY: The storytelling is disjointed and frustrating. The movie goes on way too long. The dialogue and plot are way too pretentious.
FAMILY VALUES: There is plenty of profanity including some sexual references.
TRIVIAL PURSUIT: Lerman plays Sidney as a high school student, in his 20s and lastly in his 30s; Lerman is actually 25 years old.
BEYOND THE THEATER: Vudu
CRITICAL MASS: As of 3/3/17: Rotten Tomatoes: 10% positive reviews. Metacritic: 18/100.
COMPARISON SHOPPING: Listen Up, Philip
FINAL RATING: 5/10
NEXT:
Submission

New Releases for the Week of March 2, 2018


RED SPARROW

(20th Century Fox) Jennifer Lawrence, Joel Edgerton, Matthias Schoenaerts, Charlotte Rampling, Mary-Louise Parker, Ciarán Hinds, Joely Richardson. Directed by Francis Lawrence

A ballerina is recruited for the Soviet-era “Sparrow School” in which beautiful young women are trained to be ruthless assassins, using their sexuality as a weapon. She is given the target of a CIA agent with whom she develops feelings for. She is playing a dangerous game and there is no way to know who to trust. Her own agency is after her and her beloved mother; the only way out may be to betray all that she was.

See the trailer, clips, interviews, video featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, Dolby Atmos, IMAX
Genre: Spy Action
Now Playing: Wide Release

Rating: R (for strong violence, torture, sexual content, language and some graphic nudity)

A Fantastic Woman

(Sony Classics) Daniela Vidal, Francisco Reyes, Luis Gnecco, Aline Kupperheim. Marina is a transsexual woman who works as a waitress and moonlights as a nightclub singer. It is hard enough to survive as a transsexual in Latin America but when her boyfriend abruptly dies she is left floundering and wondering if she can go on.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: R (for language, sexual content, nudity and a disturbing assault)

Death Wish

(Annapurna/MGM) Bruce Willis, Elisabeth Shue, Vincent D’Onofrio, Camilla Morrone. A family man whose wife and daughter are brutally attacked becomes a vigilante when he finds that the police can’t help him find justice – so he goes after the perpetrators himself. This is Eli Roth’s version of the classic Charles Bronson revenge thriller.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action 
Now Playing: Wide Release

Rating: R (for strong bloody violence and language throughout)

Nostalgia

(Bleecker Street) Jon Hamm, Catherine Keener, Bruce Dern, Ellen Burstyn. This is an anthology of tales about loss and love, and the artifacts, memories and emotions that shape our lives.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs, Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for some language)

The Vanishing of Sidney White

(A24) Michelle Monaghan, Elle Fanning, Logan Lerman, Kyle Chandler. A young writer pens a bestseller about the death of a high school classmate. As the controversy surrounding his hit novel grows, his relationship with his girlfriend disintegrates and at last he disappears without a trace. A decade later a dogged detective searches for the legendary author when his cult classic book is linked to a string of arsons. Florida Film Festival alumnus Shawn Christensen co-wrote and directed this.

See the trailer and an interview here.
For more on the movie this is the website

Release Formats: Standard
Genre: Mystery
Now Playing: AMC Universal Cineplex

Rating: R (for language and some sexual references)

ALSO OPENING IN ORLANDO/DAYTONA:

Dance Academy: The Comeback

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Dance Academy: The Comeback
In Between
Let Yourself Go
The Lullaby
The Party

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Dance Academy: The Comeback
Pari

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

None

SCHEDULED FOR REVIEW:

Death Wish
Red Sparrow
The Vanishing of Sidney White

FILM FESTIVALS TAKING PLACE IN FLORIDA:

WineFest: Wine’s World, Tampa

New Releases for the Week of August 12, 2016


Pete's DragonPETE’S DRAGON

(Disney) Bryce Dallas Howard, Robert Redford, Oakes Fegley, Oona Laurence, Wes Bentley, Karl Urban, Isiah Whitlock Jr, Marcus Henderson. Directed by David Lowery

Some of Disney’s films are better known than others. This 1977 film was from a period when their films weren’t as popular as they once were and, quite frankly, weren’t as good. This live action reimagining starts with the discovery of a young boy alone in a deep and dangerous forest. It turns out that the boy has been in there for years and experts are confounded as to how he possibly could have survived all alone. Then it turns out that he wasn’t all alone…

See the trailer and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family
Now Playing: Wide Release

Rating: PG (for action, peril and brief language)

Anthropoid

(Bleecker Street) Jamie Dornan, Cillian Murphy, Toby Jones, Charlotte Le Bon. This is the true story of two Czech army-in-exile soldiers who are secretly parachuted into their occupied homeland near the end of World War II. Their mission: assassinate Reinhard Heydrich, one of the top officers in the SS. In a city under brutal lockdown, with limited information and a deadline approaching, the two know that if they succeed it will change the war in Europe dramatically.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Historical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Oviedo Mall, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for violence and disturbing images)

Blood Father

(Lionsgate) Mel Gibson, Erin Moriarty, Diego Luna, William H. Macy. An ex-con trying to re-establish a connection with his daughter and to ease into the straight life is sucked back into his past when his daughter runs afoul of a drug cartel and is being hunted by them. Using his criminal skills and connections from the past, he’ll have to stay one step ahead of some of the most brutal human beings on Earth to keep his daughter safe.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: AMC Loew’s Universal Cineplex

Rating: R (for strong violence, language throughout and brief drug use)

Eat That Question: Frank Zappa in His Own Words

(Sony Classics) Frank Zappa, Gail Zappa, Keith Moon, Ringo Starr. One of the most influential figures in popular music of our time was taken from us far too soon. However, his 30-year career is chronicled exclusively through archival interview footage so we get to hear, in the maestro’s own words, what he did, how he felt and get a sense of his lasting contributions to music that reverberate through popular culture even today.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village

Rating: R (for language, some sexual references and brief nudity)

Florence Foster Jenkins

(Paramount) Meryl Streep, Hugh Grant, Simon Helberg, Rebecca Ferguson. Some of you may have seen the French film Marguerite. You may or may not have known this, but she was based on a real person, the American heiress Florence Foster Jenkins. This is the true tail of a New York socialite who fancied herself an opera singer, but was perhaps the worst singer in history. She was apparently such a sweet soul that nobody had the heart to tell her, but when she determined to perform a concert at Carnegie Hall, it became obvious that the truth was going to come out one way or another.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Dramedy
Now Playing: Wide Release

Rating: PG-13 (for brief suggestive material)

Gleason

(Open Road/Amazon) Steve Gleason, Michel Varisco-Gleason, Drew Brees, Mike McCready. Most football fans known Gleason as the all-pro defense back for the New Orleans Saints whose block of a punt remains one of the biggest plays in franchise history, getting them into a Super Bowl. But at 34 years of age, he was diagnosed with ALS – also known as Lou Gehrig’s disease – which gave him a life expectancy of only three to four years. With the same determination that made him an NFL star, he set upon living his remaining years as fully as possible and to leave a record for his newborn son that would give him the fatherly advice he wouldn’t be able to give him growing up.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: AMC Disney Springs, Regal Winter Park Village

Rating: R (for language)

Indignation

(Roadside Attractions/Summit) Logan Lerman, Sarah Gadon, Tracy Letts, Linda Emond. In 1951 a brilliant working class Jewish boy from New Jersey accepts a scholarship to a small, conservative college in Ohio, exempting him from service in the Korean War. However, he increasingly clashes with the school’s unprincipled dean and simultaneously falls for a beautiful WASP which puts his family’s plans in jeopardy. This is based on the novel by the late, great Philip Roth.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs, Regal Winter Park Village

Rating: R (for sexual content and some language)

Mohenjo Daro

(UTV) Hrithik Roshan, Pooja Hegde, Arunoday Singh, Kabir Bedi. An adventure set during India’s Indus Valley civilization (although the graphics in the trailer place it before that era).

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: AMC Loew’s Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: NR

Operation Chromite

(CJ Entertainment) Liam Neeson, Jung-jae Lee, Beom-Su Lee, Dean Dawson. A squadron gets set to fight in the Battle of Inchon during the Korean War. In the meantime, General Douglas MacArthur’s strategies are being developed that will have a critical effect on those going into battle – and irrevocably alter his career.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: War
Now Playing: AMC Disney Springs

Rating: NR

Sausage Party

(Columbia) Starring the voices of Seth Rogen, Edward Norton, Salma Hayek, James Franco. In the supermarket aisle, all the various foods we bring home long to be selected. What they don’t know is that selection means they are eaten…alive. One brave sausage means to escape that fate and return to the market to warn his compatriots of their doom. Yes, this is animated. Do. Not. Bring. Your. Kids!

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: R (for strong crude sexual content, pervasive language and drug use)

Fury


Brat Pitt sets Logan Lerman straight about Benjamin Button.

Brat Pitt sets Logan Lerman straight about Benjamin Button.

(2014) War (Columbia) Brad Pitt, Logan Lerman, Shia LaBeouf, Michael Pena, Jon Bernthal, Jason Isaacs, Jim Parrack, Brad William Henke, Kevin Vance, Xavier Samuel, Anamaria Minca, Alicia von Rittberg, Scott Eastwood, Laurence Spellman, Daniel Betts, Adam Ganne, Eric Kofi-Abreva, John Macmillan, Saul Barrett, Marek Oravec, Orion Lee, Stella Stocker. Directed by David Ayer

If war is hell, the hell of war are metal tubes and tanks. During the Second World War, America lost tanks and their crew at a terrifying rate. It took (and continues to take) a special kind of warrior to lock themselves in those iron coffins and duel other warriors in an effort to pan-fry or blow off the face of your enemies before they do the same to you.

In the waning days of that war, the tank crew for the tank nicknamed “Fury” is led by Don “Wardaddy” Collier (Pitt), a hard, rough fellow who has only one goal – to get his men back home alive. He’d started killing Nazis in North Africa; now he’s killing them in Germany. However, there isn’t much left of the once-mighty German army. They’re mostly children and old men drafted from villages to protect the Fatherland. Those that refused were hung in the name of the defense of the Wehrmacht.

Inside his tank is his lead driver Trini “Gordo” Garcia (Pena), an even-tempered man with a quirky sense of humor; gunner Boyd “Bible” Swan (LaBeouf), a devout Christian who believes that killing the evil Germans is God’s work (and he’s not far wrong). The mechanic is Grady “Coon-Ass” Travis (Bernthal), a wizard with mechanical things but an absolute horror with people. Surly and prejudiced against…well, EVERYONE, he’s meaner than a hound dog with a butt itch.

There’s also a second driver whose face and eyeball and a good deal of his skull as well as assorted bits of brain and blood have painted the inside of the tank.

They receive a new second gunner, young Norman Ellison (Lerman) who has not fired a shot in anger at anyone and was originally conscripted to be a clerk-typist for the army who has been forced to start replacing the staggering losses from wherever they can. He has a hard time with this change in duties and when the time comes to fire his weapon at a living human being, he can’t bring himself to do it. His inaction costs another tank crew their lives.

However, even as the Allies are pushing through to Berlin, word comes that a column of battle-hardened SS soldiers are coming down the road to pierce into the heart of the forward command. If they’re successful, they may set the Allies back a bit and add more time and casualties to a war that already has plenty of both. It will be up to the valiant crew of the Fury to stand fast. Will they be up for the challenge?

This was originally thought to be a major Oscar contender but the studio ended up pushing it back from a Holiday release to an October one. I can’t say as I blame them. This doesn’t quite have the feel of a movie that’s going to have a great deal of attention from Academy voters, although there’s a good chance Pitt might get at least some nominating votes.

Ayer was a stickler for authenticity throughout from the uniforms that the soldiers wear, the fashions of the French women that Wardaddy and Norman take a brief break with, and the machines themselves, American Shermans and a fearsome German Tiger. The actors learned to drive the antique vehicle as well as fire the guns it carried. Oddly, they don’t spend a lot of time displaying the claustrophobia of fighting in those tanks, although we get a sense of the limited visibility of the vehicles.

There is a good deal of gore as bodies are burned, blown to pieces and riddled with bullets. While it doesn’t have the visceral you are there feel of Saving Private Ryan, it’s still from my admittedly inexpert viewpoint a pretty accurate representation of tank warfare as it existed in the last days of the war.

The plot is not unlike other movies you’ve seen before, given the characters are pretty cliche including the wise but gruff commanding officer, the nervous rookie having to suddenly re-evaluate his moral code in the heat of battle, the ignorant drunk from the deep South and so on. Pena and Bernthal make the most of their roles and at least offer some personality. Unfortunately LaBeouf doesn’t seem to embrace the role in the same way and quoting the Biblical passages sounds as foreign coming out of his mouth as they would were he saying them in Mandarin Chinese. His Really Awful Mustache doesn’t help matters.

While the authenticity is there, the creativity kind of isn’t. This doesn’t really add anything to the short list of films about tank warfare. Yeah, there’s plenty of camaraderie and some battle thrills. That’s been done. The more interesting elements of the story – how the war affected the men who served in the tank, desensitizing them to what we would consider their humanity, falls by the wayside during the last third of the movie when it becomes a standard “last stand” story. It’s a shame because the movie has a ton of promising elements; it just doesn’t become greater than the sum of its parts but rather, equal to them. Good enough may well be good enough but I was hoping for more.

REASONS TO GO: Drips authenticity. Fine performances by Pena, Bernthal and Pitt. Some intense battle sequences.
REASONS TO STAY: Really doesn’t add much to the tank warfare movies. A little bit too long. LaBeouf is a distraction.
FAMILY VALUES: War violence, some fairly grisly images, plenty of foul language and some sexuality.
TRIVIAL PURSUIT: All the uniforms, weapons and tanks used in the movie were authentic and loaned from various museums around the world including the only currently functioning Tiger tank on loan from the Bovington Tank Museum in the United Kingdom.
CRITICAL MASS: As of 11/3/14: Rotten Tomatoes: 79% positive reviews. Metacritic: 64/100.
COMPARISON SHOPPING: Lebanon
FINAL RATING: 6/10
NEXT: The Judge

New Releases for the Week of October 17, 2014


FuryFURY

(Columbia) Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Pena, Jon Bernthal, Jason Isaacs, Brad William Henke, Scott Eastwood, Anamarie Marinca. Directed by David Ayer

In the waning days of World War II an American tank brigade rolls through Germany making the final push for Berlin. As the crusty sergeant who commands one Sherman tank knows, it’s one thing to fight Germans in Africa and another thing entirely to fight them in Germany. It will be a long hard slog to make it to the end of the war, and it will be longer and harder once his tank is assigned to a dangerous mission behind enemy lines. He promised his crew he’d get them home alive but some promises are just beyond keeping.

See the trailer, clips, interviews, featurettes and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: War

Rating: R (for strong sequences of war violence, some grisly images, and language throughout)

The Best of Me

(Relativity) Michelle Monaghan, James Marsden, Luke Bracey, Liana Liberato. The newest Nicholas Sparks adaptation (does the man ever stop writing?) finds a pair of high school sweethearts who have been separated by a series of tragic events reunited after 20 years. Despite all the water under that particular Carolina bridge, the sparks remain there even though they are played by completely different actors.

See the trailer, clips, interviews, featurettes and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Romance

Rating: PG-13 (for sexuality, violence, some drug content and brief strong language)

The Book of Life

(20th Century Fox) Starring the voices of Diego Luna, Zoe Saldana, Channing Tatum, Ice Cube. A young man vies for the heart of a fiery jalapeno of a woman but he has a rival in a famous matador. Unbeknownst to evil, supernatural entities have placed bets on who wins the competition but one of the entities cheats on behalf of the matador. Exiled to the Land of the Dead, the young man must traverse three wildly different worlds, face his greatest fear, return to the Land of the Living and win the heart of his love. With a unique style based on Mexican folk art, this might be the most original animated feature of the year.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Animated Feature

Rating: PG (for mild action, rude humor, some thematic elements and brief scary images)

Men, Women and Children

(Paramount) Adam Sandler, Jennifer Garner, Rosemarie DeWitt, Judy Greer. A group of high school seniors and their parents find the waters of dating in the age of social networking to be increasingly infested by sharks and other dangers. As the Internet changes the way we interact and the way we develop relationships, the older generation struggles to catch up while the younger generation merely struggles to survive.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: R (for strong sexual content including graphic dialogue throughout – some involving teens, and for language)

Noah


Russell Crowe is about to get Biblical on yo ass.

Russell Crowe is about to get Biblical on yo ass.

(2014) Biblical Epic (Paramount) Russell Crowe, Jennifer Connelly, Ray Winstone, Anthony Hopkins, Emma Watson, Logan Lerman, Douglas Booth, Nick Nolte, Mark Margolis, Kevin Durand, Leo McHugh Carroll, Marton Csokas, Finn Wittrock, Madison Davenport, Gavin Casalegno, Nolan Gross, Skylar Burke, Dakota Goyo, Ariane Reinhart, Adam Marshall Griffith, Don Harvey, Sami Gayle. Directed by Darren Aronofsky

Most everyone in the Western world – and a good part of the Eastern – are familiar with the story of Noah and the Great Flood. How God, in his wrath, wiped out all life on Earth – except for Noah, his family and all the innocent creatures of the Earth…well, two of each species of them, anyway.

The story of Noah actually takes up only four chapters in Genesis however and is lacking in any sort of detail except for those important to the writers of the Bible and/or those they were writing it for. You have to wonder what the real story was.

Darren Aronofsky did. Intrigued by the tale of Noah since the age of 14, he set out to film his own interpretation of the events that led up to the flood and what happened during and after it. He and co-screenwriter Ari Handel did extensive Biblical research and while they did interpret some of it fairly loosely, this is what they came up with.

Noah (Crowe), a descendant of Adam’s son Seth and grandson of Methuselah (Hopkins) lives with his wife Naameh (Connelly) and his sons from oldest to youngest Shem (Booth), Ham (Lerman) and Japheth (Carroll) in the wastelands. They take from the Earth only that which they can use, eat the flesh of no animals and stay away from the civilizations of the time which are the works of the descendants of Cain. Noah had watched his own father (Csokas) slain for no real reason by some of those descendants.

Noah receives visions from the Creator – never referred to at any time as God in the film – that He is displeased with the wickedness of the world and intends to wipe everything out and start over. He will use a great flood to accomplish this. Troubled by his vision, Noah decides to visit his grandfather to see what this all means which makes sense since as part of the vision he saw the mountain his grandfather lives a hermit-like existence on. Along the way they pick up Ila (Watson) whose family was butchered by Cain’s descendants and whose own horrible injuries have left her unable to bear children.

Methuselah gives Noah a tea to drink which brings on another vision – this time of a great ark that must be built to survive the storm. Methuselah gives Noah a seed – the last seed from the Garden of Eden. This creates a forest and convinces the stone Guardians – fallen angels whose light has been sheathed in mud – to help Noah and his family to build the massive structure.

Years pass and word passes to Tubal-cain (Winstone) the King of the local city who recognizes that Noah is serious. He means to possess the Ark for his own and start a new world in his own image while Noah is just as sure that men are a plague upon the Earth that need to be eradicated. Neither outcome sounds particularly palatable to Naameh and her children.

There has been plenty of controversy surrounding the film even before it came out. Evangelical Christians were damning the film based on remarks made by Aronofsky who is an atheist and said in an interview that it is the least Biblical epic made about a Bible story and characterized Noah as the first environmentalist. Of course, that’s the kind of thing that is sure to make an extreme right-wing Christian get their panties in a bunch.

However, in many ways I can’t blame them. They take a good deal of liberty with the story – six-armed fallen angels made of rock, Tubal-cain who barely appears in the Bible and then as essentially a blacksmith being elevated to King and nemesis. The core elements are all there though and the scenes of the flood are spectacular.

Sadly, not all the CGI lives up to that. There isn’t a single animal in this film that is alive – every animal is CGI and many of them are beasts that are no longer around or never were around. They don’t walk like animals do and there are so many that they all kind of run together. I know the story inherently calls for spectacle but the grand scale is too much; we need something as an audience to latch onto.

Fortunately there is Crowe who makes a mighty badass Noah. Noah is a bit pigheaded during a certain stretch of the movie and you can see in him the tenacity that would make a project like the Ark even possible. There is also a tender side to Noah that allows him to sing a gentle lullaby to an injured and frightened little girl. Noah is portrayed in the Bible as someone who follows God’s directives unquestioningly and we get the sense of that here.

Unfortunately, there is also Connelly who is a terrific actress but has one of the least satisfying performances of her career. She has one scene where she has a confrontation with her husband over his increasingly vile point of view, particularly when they receive some startling news involving Shem and Ila. The normally reliable Connelly is shrill and overacts within an inch of her life. I was kind of saddened by it. Watson, likewise, is misused and her character – who is apparently made up for the purpose of testing Noah since she doesn’t appear in the Bible – never really syncs up.

There is a message for our modern day squandering of our resources and our inhumanity to one another. Once again there has been some grousing from the right over these leftist messages, but I have to say that the Biblical parables were meant to be timeless and relatable to all people no matter the era. If Aronofsky is attempting that here, I would think that he’s in line with the intention of these stories if not their execution.

At the end of the day the clumsy CGI and occasional bouts of overacting make this two and a half hour film squirm-inducing particularly near the end. There are some beautiful moments – a dove appearing with an olive branch in its beak signifying that land exists and their ordeal is nearly over, or the rainbow at the film’s conclusion that signifies God’s covenant to never use the waters to destroy all life ever again. I wish I could recommend this more because of them, but the flaws overwhelm the strengths of the film too much that even a miracle couldn’t save it.

REASONS TO GO: Crowe is strong. Draws modern parallels on the story.

REASONS TO STAY: Overreliance on spectacle. Some of the CGI is woeful. Misuse of Connelly and Watson.

FAMILY VALUES:  There is some violence and some scenes may be too intense for the sensitive.

TRIVIAL PURSUIT: The film was banned in Qatar, Bahrain and the UAE prior to release because it would contradict the teachings of Islam, which forbids the depiction of prophets cinematically. Islam considers Noah to be one of the prophets.

CRITICAL MASS: As of 4/4/14: Rotten Tomatoes: 76% positive reviews. Metacritic: 67/100.

COMPARISON SHOPPING: The Fountain

FINAL RATING: 5/10

NEXT: The Florida Film Festival Begins!