(Arclight) Jim Caviezel, Claudia Karvan. Directed by Jamie Blanks
The old saying goes “Don’t fool with Mother Nature” with the implied “because she’s a real bitch who will carve out your innards if you do” as well. More to the point that like any mother, Mother Nature will fight back if you disrespect her long enough.
Peter (Caviezel) and Carla (Karvan) is a couple who have been married too long. The love has long since disappeared and their relationship has disintegrated into a series of battles that nobody really wins. They decide – well, at least Peter did – that to make a last-ditch attempt to save their marriage they should take a vacation.
That would normally be a good idea, but even that turns out badly. You see, whereas Carla’s idea of a vacation is five-star hotels, massages and lush resorts, Peter prefers a tent, a secluded bit of beach and a gun. A gun which he fires in the general direction of his wife as a joke when they first arrive at the beach…at least, they think it’s the beach. The truth is that Peter got hopelessly lost on his way there and they really have no idea where they are.
At first it seems idyllic. Not far from the beach, a secluded forest with plenty of wildlife for shooting and only a few neighbors far away. However, things are rapidly deteriorating between Carla and Peter. It’s not a case of one being a jerk and the other a martyr…they’re both pretty much jerks. Peter is an alpha male whose testosterone drives him to do stupid, moronic things. Carla is a world-class nag and an all-Aussie bitch.
There are some other troubling things. One of Peter’s mates and his girlfriend was supposed to be meeting them, but they never showed. There are strange sounds in the night. Animals, plants and insects are acting unusually aggressive. A chicken rots in a cooler without explanation.
In the meantime, Peter and Carla act recklessly and thoughtlessly, Carla running over a kangaroo in the night, Peter shooting anything that moves (and several things that don’t). One wonders when the tipping point will be reached.
This is a remake of a 1978 eco-thriller called Long Weekend (which was the title this was released under in Australia where it was made) directed by the late Colin Eggleston. Although I never saw the original, I’m led to understand the remake is fairly faithful to it.
Caviezel is an actor I’ve always been fond of although he has been less visible on the big screen as of late. He is versatile enough to play the heavy (as he has in several movies) as well as the divine (as he did in The Passion of the Christ) and here, he plays a bit in between. Peter is a macho asshole (there’s really no other way to say it) but he isn’t rotten through and through; occasionally a bit of softness shows through.
I like the way the marriage between Carla and Peter is portrayed here. The two commit acts of petty cruelty in a slow dance of one-upsmanship whilst twisting the knife. As the song says, there’s a thin line between love and hate and that line is blurring here. Their pain has become so ingrained in them that every move is a series of reactions and counter-reactions to the slights, perceived and otherwise, delivered by the other. In that sense this is as fascinating a portrayal of a marriage in its death throes as any I’ve ever seen.
However, this is ostensibly a horror movie and while there are a few shocks, quite frankly this is one of those less-is-more type of horror movies that is more of a character study in which the scares come from left field. Veteran gorehounds will probably cringe while watching this, but it is better approached as a psychological thriller despite the supernatural aspect.
Because the lead characters are so cruel to one another, it’s very difficult to really root for them even when things are really going to hell in a handcart. After all, this is the bed they made, so lying in it comes with the territory. That said, it should be noted that the Aussies are often underrated when it comes to delivering delicious horror movies; quite a few good shock flicks have come from Down Under over the past thirty years, and some of them are as enviably good as any to come out of Japan, Korea, Spain, England or of course the U.S. This might be more than a little difficult to locate but it’s well worth the effort; while it doesn’t set any genres on fire, the train wreck aspect of watching the relationship deteriorate is equally a horror to the gory scenes of nature’s devastations.
WHY RENT THIS: Realistic portrait of a marriage that has completely come apart. It’s the relationship between Peter and Carla that make this movie.
WHY RENT SOMETHING ELSE: Maybe a little too subtle for the average horror film. Some might think Caviezel spends way too much time without his shirt on. There is a good deal of marital ugliness that might hit a little too close to home.
FAMILY VALUES: There are some images that are definitely not for the squeamish, a few big scares, lots of rough language and some drinking and drug use.
TRIVIAL PURSUIT: Screenwriter Everett De Roche also penned the 1978 original.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: Not available.
FINAL RATING: 5/10
TOMORROW: Day 3 of Six Days of Darkness.