(2008) Drama (Monterey Media/Wildcat) Ben Gazzara, David Moscow, Talia Shire, Pedro Armendariz Jr., Angelica Aragon, Roberto Diaz Gomar, Jimmy Morales, Sammy Morales, Vincent Pastore, Joe Manuella, Robert Youngs, Dick Smith, Sofia Comparini. Directed by Andrzej Krakowski
They say you can run but you can’t hide. That’s doubly true if you’re a movie star. You may find a remote village somewhere in the middle of nowhere where few (if anybody) will know who you are but if you have box office pull, Hollywood will find you.
Jack Palladin (Gazzara) has plenty of pull. One of Hollywood’s most respected actors back in the day, he has disappeared from view as of late with rumors that he is hiding out in a Central American village. High octane agent Josh Ross (Moscow) is sent to fetch him, bearing an offer for the two-time Oscar winner of a million dollars for a cameo in a remake of one of his signature films.
The trouble is, Palladin doesn’t necessarily want to be found, and the locals whose lives he has become a part of are willing to aid him in his privacy. Josh’ disdain for them is matched by their snickers that his Gucci loafers are obvious fakes which I’m sure a lot of Guatemalan villagers are experts at sussing out.
When they do finally meet, Palladin is not inclined to take the offer; he is far too content to be the cook in the restaurant owned by Arnie (Pastore), surrounded by his pals – fellow ex-pats and locals, like the bemused police chief (Armendariz). However, it turns out that Josh and Palladin have an unexpected connection – which changes the game in a profound way.
While the name of the village is Antigua, this is actually set (I think) in Guatemala where it was also filmed. Cinematographers Giovanni Fabietti and Alberto Chaktoura make good use of the breathtaking Central American scenery and the colorful environment of a rural Guatemalan village to make a visually pleasing film.
The late Ben Gazzara takes what could easily be a fairly cliché role (well, when all is said and done it is exactly that) and gives it far more dimension than it probably deserves. I always thought he was underrated as an actor and this is the kind of performance that gives me that impression. Palladin is a gruff old codger who sometimes plays at being a kind of Central American Yoda with a SAG card but deep down is running more from his own demons than from the price of fame. None of that is in the script but Gazzara conveys it nonetheless.
The problem here is that the story is kind of rote, with Josh being a kind of goyim Ari Gold. Jeremy Piven kind of owns this role and while Moscow does the best he can ends up leaving us thinking how much better the movie might have been as an episode of “Entourage” which really isn’t his fault; there’s just nothing to distinguish his character from the HBO version.
There is a twist near the end of the movie which throws everything off-kilter and for good reason – it’s so nonsensical that when I saw it on DVD I had to rewind and watch it again just to make sure I hadn’t misinterpreted what I saw. I hadn’t. I won’t mention what that twist is but suffice to say if something like it happened to you no doubt you’d want to get your head examined afterwards.
There are a couple of things to recommend the movie – Ben Gazzara and the Guatemalan location chief among them – but only just. If the script had been tweaked a little bit and that twist pulled out altogether (there are other reasons to make Palladin consider the cameo other than the one the writers came up with) this might have been a seriously good little film. As it is it may have just enough to make you not regret choosing to watch it one night when you’re looking for something you haven’t seen before.
WHY RENT THIS: Gazzara is at his grouchy best. Nice cinematography.
WHY RENT SOMETHING ELSE: Nothing really stands out in terms of story or plot except that which is preposterous.
TRIVIAL PURSUIT: While filming The Bridge at Remagen the Warsaw Pact invaded Czechoslovakia where the production was filming and Gazzara and co-star Robert Vaughn were briefly detained. After being released, they helped a Czech woman escape by smuggling her out in the trunk of her car.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $11,268 on an unreported production budget; even though this probably had any budget a’tall, I can’t see it being profitable on those kinds of receipts.
COMPARISON SHOPPING: Searching for Bobby Fisher
FINAL RATING: 6/10
NEXT: Detective Dee and the Mystery of the Phantom Flame