The Goonies


The Goonies ARE good enough!

The Goonies ARE good enough!

(1985) Adventure (Warner Brothers) Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Kerri Green, Martha Plimpton, Ke Huy Quan, John Matuszak, Robert Davi, Joe Pantolliano, Anne Ramsey, Lupe Ontiveros, Mary Ellen Trainor, Keith Walker, Steve Antin. Directed by Richard Donner

Some movies capture a moment in our lives, one in which we were essentially happy or later convinced that we were. Perhaps we were children at the time, or just starting out as adults with our whole lives ahead of us. I was 25 when The Goonies came out. My father was still alive. I was single but at least I was (kinda) dating. I was working at my dream job as a rock and movie critic for a weekly paper. Life was good.

Life was good for a group of kids who called themselves the Goonies as well, but then it turned not-so-good. Greedy developers wanted to put in a high end golf course and housing development where their homes were. Most of their parents were struggling to get through but now their struggles appeared to be over and the battle was lost. Despite their best efforts they were all going to have to move and after this weekend they’d never be together again.

Mikey Walsh (Astin) is an asthmatic kid with big dreams. The rainy weather of Astoria, Oregon (where they live and where the movie was shot) doesn’t do a kid with his lungs too much good. His big brother Brand (Brolin) is tasked with watching over him while his mom (Trainor) takes the maid (Ontiveros) out to get some things they need to clean up the house before they leave.

In the meantime they are joined by Mikey’s friends Chunk (Cohen), an overweight klutz with a big ol’ heart, Data (Quan) who yearns to be the next James Bond and is constantly inventing new gadgets to make that come true and Mouth (Feldman) who talks a whole lot but only once in awhile has something to say.

Brand on the other hand has it bad for Andy (Green), a comely young cheerleader whose acerbic best friend Stef (Plimpton) keeps her head from getting too big; besides that she genuinely likes the people hovering around Andy with the exception of Troy (Antin), the son of the developer who is putting the Goonies out of their homes.

While looking about the attic where Mikey’s dad, the director for the tiny local museum has been storing some of the town’s artifacts, the klutzy Chunk knocks over a painting to which the glass shatters. Inside the painting there turns out to be a map. The map appeared to be the work of local legend One-Eyed Willie, a pirate who sailed the waters of the Pacific centuries ago and disappeared with whispers of a vast treasure hidden in the area – a treasure that’s never been found.

Mikey realizes this could be their ticket; their means of saving their homes. Of course, there’s another legend – that of Chester Copperpot, a treasure hunter who disappeared while looking for One-Eyed Willie’s treasure. Despite Brand’s strict orders to that he needs to stay inside, Mikey and his friends ambush Brand and tie him up, let out the air of his bike’s tires and pedal off madly for one last great adventure.

In the meantime, Jake Fratelli (Davi) has been broken out of jail by his mean ol’ Ma (Ramsey) and brother Francis (Pantolliano). They’ve holed up in an abandoned restaurant which as it turns out is where the entrance to the caves where One-Eyed Willie’s treasure is buried. They manage to elude the not too bright crime gang but there is a wild car – the brutish Sloth (Matuszak) whom they keep chained up. Now the Fratellis are hot on the trail of the Goonies with the treasure – and their very homes – at stake. Are the Goonies good enough to take the challenge?

This is perhaps one of the classic movies of the 80s. It’s got Cyndi Lauper on the soundtrack. It’s got Steven Spielberg producing it. It’s got references that put it square in that remarkable decade. It’s got young actors, most of whom went on to bigger and better things in later years. And those young actors do an amazing job. You never forget for a moment that you’re in a group of friends, the same kind you had at their age. The kids you biked all over the neighborhood with. The kids you played videogames with on rainy afternoons. The kids you shared all your deepest secrets with.

Of course, a lot of kids in their 20s and younger reading this won’t have a clue what I’m talking about. Growing up was a whole lot different back then than it is now. You had a lot more face time with your friends who ALL lived in the neighborhood. You saw them in school, you hung out with them afterwards. That’s just the way it was.

The movie is perfectly cast and is fun from beginning to end. The caves of One-Eyed Willie are packed with fiendishly evil and clever traps. The pirate ship Inferno, the vessel of One-Eyed Willie, is magnificent in detail (the filmmakers actually built a working vessel; when you see it sailing near the end of the film, it actually is sailing.

This is perfect family entertainment; it’s got a little bit of everything and it’s never overbearing. Although Donner directed it, there are definite Spielbergian touches throughout and you never for an instance think that it’s anything but a Spielberg film. However, there are definitely things that are of Donner’s devising as well. It’s a theme park attraction waiting to happen (who wouldn’t want to ride a waterslide into a lagoon with a pirate ship floating at anchor?) and a great ride of a movie. If you haven’t seen it, what are you waiting for? And if you have kids, get them off their cell phones and iPads and into the living room for a family movie night. It’s something your whole family will remember for a very long time to come.

WHY RENT THIS: A classic adventure and family movie. Delightful and clever.

WHY RENT SOMETHING ELSE: If you don’t like Spielberg, pirates, gadgets, spy movies, 80s movies or fun, you might not like this.

FAMILY VALUES:  There are a few mildly bad words, some rude humor, a bit of violence and peril and a couple of disturbing images.

TRIVIAL PURSUIT: When Jake Fratelli sings to Sloth an excerpt from Madame Butterfly, that’s really actor Robert Davi singing; he is a trained opera singer as well as an actor.

NOTABLE HOME VIDEO EXTRAS: The Special Edition DVD includes music videos of both of Cyndi Lauper’s hit songs from the movie, outtakes and a video commentary track that periodically reduces the movie to a window in the corner; the commentators are Donner and all seven of the now-grown Goonies. The Blu-Ray edition has all of these plus a reprint of the official movie magazine from 1985, ten storyboard cards, a reprint of an Empire magazine article on the movie and a board game. That’s right, you heard me correctly – a board game. I’m gonna run right out and get this sucka for Christmas.

BOX OFFICE PERFORMANCE: $61.4M on an unreported production budget; these are only the domestic box office numbers. The movie was a huge hit in its day and continues to generate income through home video, television and occasional theatrical showings.

COMPARISON SHOPPING: Raiders of the Lost Ark

FINAL RATING: 10/10

NEXT: Things We Lost in the Fire

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King of California


King of California

Michael Douglas is clearly up to no good.

(First Look) Michael Douglas, Evan Rachel Wood, Willis Burks II, Laura Kachergus, Paul Lieber, Kathleen Wilhoite, Anne Nathan. Directed by Mike Cahill

Don Quixote tilted at windmills and searched for the perfect woman, and for his troubles was labeled insane. Even today, those who search for the impossible dream are often considered lunatics and are treated as such.

Miranda (Wood) has a fairly atypical and comfortable existence. She’s managed to fool the authorities and her estranged family into thinking that she’s living with relatives. The truth is that the teenaged girl is living alone in her family home, her mother long since deceased and her father Charlie (Douglas), an ex-jazz musician, is spending his days at his new address in a local mental institution.

One day however, Charlie is released from the nuthatch and she is forced to deal with him again. He has a peculiar gleam in his eyes and an appetite for things that makes her think he’s up to something. He denies it at first, claiming he’s just going for a job interview at a local Applebee’s.

Except that he’s not. He is, in fact, up to Something and it is not in error that I capitalize. Using the internet for research, he has locked into the idea that a Spanish conquistador once buried a treasure full of gold in the Santa Clarita valley, where the two of them live. He is positively giddy with the idea.

Miranda doesn’t have time for the lunacy, at least not at first. Their ramshackle house, virtually falling apart around them, is theirs only by the skin of her teeth. She is working double shifts and overtime at McDonald’s to make ends meet. She has managed to purchase a car – nay, a hunk of junk that runs by the grace of God – and it is her pride and joy. It is the one tangible proof that she has accomplished anything in life.

Soon, Charlie’s quest, like Don Quixote before him, overruns her life and begins to take it over. He discerns, using the translated maps and adjusting for the terrain changes in the intervening years that the gold is buried beneath a palate of toys and a slab of concrete at the local Costco. He hatches a plot to go retrieve the treasure, but is there really anything there or is this just a product of Charlie’s mental illness?

This movie came and went on a limited release and now is getting a bit of airtime on cable. The allusions to Cervantes’ iconic character aren’t lost on Michael Douglas, who plays Charlie with a wild, unkempt beard (making him look oddly Spanish) and a gleam in his eyes that could be madness or could be Gordon Gekko messin’ with ya. It’s been years since we’ve seen Douglas perform as well as he does here, having mostly done mediocre supporting roles in forgettable comedies recently. This is certainly a comedic role, but Douglas plays him in a sympathetic vein, making it very easy to root for the clearly unbalanced Charlie, even though we know he’s probably out to lunch.

Against this backdrop we have Evan Rachel Wood, a competent actress in her own right and she makes the best of a thankless role. Although she narrates the film, still the movie is Charlie’s and it is him you will remember from the movie, which is the way the filmmakers want it. Wood is no Dulcinea here – she’s far too worldly for that – but she plays the role as a girl wise beyond her years. Miranda humors Charlie mainly to give him something to do at first, but eventually she buys into his madness. It is charming to watch, and some of the later scenes in the movie are some of the best Wood has ever done.

The difficulty here is in balancing the story with the impulse to over-emphasize Charlie’s quirks, an impulse Cahill fails to resist. At times, Charlie’s screwloose charm dominates the movie overly much, making it nearly impossible to follow the story because the movie stops dead in its tracks in those instances. Still, for the most part, it moves nicely at a pace that isn’t too fast which might irritate those of the post-MTV generation who don’t like staring at the same shot for more than five seconds.

The story doesn’t really mine any new territory, and that’s okay. What matters here is that the movie’s point about the mind-numbing blandness of modern suburban life is well-taken and well-illustrated here. Few of Costco’s customers notice the wild-looking man pacing about Costco with a metal detector, all lost in their own banal nightmare. Charlie is a spark of life in an ocean of conformity, one who embraces life and seeks out adventure even when such acts are frowned upon and thought insane. One wonders if perhaps Charlie is the only sane one of all those living in a colorless world of interchangeability in which people all over the country in cities and suburbs identical to this one buy the same products in the same stores and eat at the same restaurants afterwards. If Charlie’s insane, then commit me now. I’d rather live in his world than in the other.

WHY RENT THIS: Douglas gives one of his best performances in years. The film pointedly illustrates how bland, banal and interchangeable modern suburban/city life is.

WHY RENT SOMETHING ELSE: The movie sometimes goes a bit overboard with the quirkiness. No new territory is really mined here.

FAMILY VALUES: There’s a bit of off-color language and references to past drug use but the kicker here is the portrayal of mental illness. More mature kids might be okay with this, but certainly fine for teens.

TRIVIAL PURSUIT: The production filmed in a working Costco during the nighttime hours when the store is normally closed. A cash register was kept open so that the crew could make purchases during the shoot.

NOTABLE DVD EXTRAS: This carries with it one of the strongest audio commentary tracks you are ever likely to hear. Highly recommended for that alone.

FINAL RATING: 5/10

TOMORROW: Mountain Patrol: Kekexili