Free Trip to Egypt


One great stone face and another.

(2019) Documentary (Kindness) Tarek Mounib, Brian Kopilec, Ellen Decker, Adam Saleh, Terry Decker, Katie Appledorn, Jenna Day, Jason Reynolds, Marc Spalding, Amr Madkor, Ahmed Hassan, Salma Salem, Mohammed Ragab, Asmaa Gamal, Tom Appeldorn, Mark Decker, Nevine Madkor. Directed by Ingrid Serban

 

We live in a deeply divided country that has in many ways become hard right and hard left. There is a segment of our society which was deeply affected by 9/11 and continues to bear the scars of that terrible day even now. Their belief about Muslims, spurred by right-leaning news sources, is that most of the Muslim population of the rest of the world are largely terrorists and those who aren’t are terrorist sympathizers. They believe in President Trump’s agenda of excluding immigration from Muslim countries and maybe, to a certain extent, of deporting Muslims living here back to the Middle East.

Tarek Mounib, a Canadian entrepreneur of Egyptian descent, found himself very disturbed by this attitude. While working in Switzerland, he had an epiphany; why not take some Americans who have this mindset to Egypt, have them hang out with real Egyptians and see if it changes their world view. He thought if he paid for all expenses for such a trip, that he could maybe get a few people to go.

At first, he went directly to what he thought would be the motherlode; a Trump rally in Louisville, Kentucky. There he met Brian, an ex-Marine with a yen for travel who agreed to go for the experience. Two of his friends, Jason and Jenna, both evangelical Christians, also agreed to go – in Jason’s case, hoping he could use the opportunity to make a few Egyptians see the light. Mounib also got Mark, an African-American police officer working at the rally to agree to go although of all those who ended up taking the trip he seemed to be the least prejudiced of them all.

Other means of recruiting others didn’t work so well. It wasn’t until Mounib appeared on a nationally syndicated radio talk show that he finalized his line-up; single mom Katie who had deep-seeded issues with the way women are treated in the Islamic faith, and elderly couple Eileen and Terry, both of whom had become xenophobic after 9/11. Eileen, who confessed she had marched in the Sixties for racial equality, had realized that she was a racist and hated herself for it but couldn’t find a way out of the vicious circle, especially when their only son Mark took a job in Saudi Arabia.

Mounib paired the travelers with Egyptians who would spend the day with him and in addition to taking them to the usual tourist sights like the Cairo Museum and the Pyramids, also had meals with them and introduced them to friends and family. Most of them are well-paired; for example, Jenna and Jason are paired with a large Egyptian family; Mark with a jovial overweight Egyptian who is more pro-Trump than most of the Americans; Eileen and Terry are paired with a cinematographer and Kate with a female activist. Sadly, we don’t get to know the Egyptians nearly as well as the Americans. I think that might have helped the movie make its point more powerfully.

There are some awkward moments; the group including their Egyptian hosts are taken to a Zar healing ritual, both the evangelicals and their host family are greatly disturbed at what they see on the Muslim side as a perversion of Islam and on the Evangelical side as paganism. An odd place to find common ground, but these are odd times.

This is the kind of movie that we all need to see but especially those who feel, as many of the travelers initially do, that the world is an us versus them type of place and that there is an unconquerable divide between the Muslim world and ours. Not everyone is transformed by this experience who goes – Jason ends up trying to convert Mounib which I found a bit amusing – but there are at least some interesting discussions. Jenna ends up admitting that if heaven turned out to be a place without Christ, she would rather go to Hell. That’s pretty powerful when you think about the ramifications of it.

There is a coda as the filmmakers follow some of the participants well after the trip is over. Two of the participants were truly transformed by their experience (and you can probably guess who just by reading this review) and when a momentous event occurs, we truly see how completely that person had changed. It’s the kind of tug on the heartstrings moment that will leave even the most jaded moviegoer a bit misty-eyed.

Too often we emphasize the differences between cultures while ignoring the similarities. At the end of the day we are all just people, making the best of things in a world that is impossibly hard to navigate at times. We are all just fellow travelers on the same road and maybe when we boil it down that way, then little details like how we worship God or where we live or what we eat or the color of our skin ceases to matter much. The quickest way to heaven’s gates is through an open heart.

REASONS TO SEE: A strong and vital project with some truly powerful moments. There’s an unexpected coda. Transformative in many ways. Love that it emphasizes the similarities of cultures rather than the differences.
REASONS TO AVOID: Doesn’t spend enough time letting us get to know the Egyptians.
FAMILY VALUES: There’s a bit of profanity.
TRIVIAL PURSUIT: The movie was timed to coincide with Cunningham’s centennial.
CRITICAL MASS: As of 5/26/19: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: American History X
FINAL RATING: 9/10
NEXT:
For the Birds

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Goldfinger


Goldfinger

Shirley Eaton is just golden.

(United Artists) Sean Connery, Honor Blackman, Gert Frobe, Harold Sakata, Cec Linder, Bernard Lee, Lois Maxwell, Desmond Llewellyn, Shirley Eaton. Directed by Guy Hamilton

There are many who consider this to be the ultimate James Bond movie and quite frankly, I’d have to agree with them. All of the elements come together and make this the standard against which not only all other Bond movies are measured, but all other spy movies as well.

James Bond (Connery) is in Miami having a little R&R when he receives a call from his boss M (Lee) to assist the CIA in observing Auric Goldfinger (Frobe) who happens to be staying at the Fontainebleau as is Bond. Felix Leiter (Linder), the CIA liaison, gives Bond the low-down; Goldfinger comes to the pool area every day to cheat at canasta, having a young beautiful blonde by the name of Jill Masterson (Eaton) report what his opponent’s cards are via shortwave radio to his hearing aid. Bond, being Bond, decides to mess with Goldfinger. He seduces Masterson, causing Goldfinger to lose. However, Goldfinger doesn’t take kindly to losing and sends a flunky named Oddjob (Sakata) to knock out Bond and repay Masterson for her betrayal by painting her gold, suffocating her skin.

As it turns out, MI6 has a big interest in Goldfinger owing to his smuggling of gold in and out of the UK. They’re wondering how he’s doing it and put Bond on the job. He follows the portly villain to Switzerland, where he has a run-in with Tilly, Jill’s sister. Oddjob murders her as well, making the score Oddjob 2, Masterson girls 0. He also captures Bond, which gives Goldfinger the opportunity to set up an industrial laser aimed for the Bond family jewels. It also gives Goldfinger to deliver the all-time classic villain line when Bond asks “You expect me to talk?” (For the record, the response is “No, Mister Bond, I expect you to die”).

Bond, thinking quickly on his feet (or on his back as it were), implies that he knows a lot more than he actually does. This forces Goldfinger to send Bond back to his Kentucky horse ranch under the watchful eye of his personal pilot Pussy Galore (Blackman), the dirtiest character name in the history of movies. There, he uncovers Goldfinger’s real ambition; to set off a nuclear device at Fort Knox, irradiating the largest gold supply in the world and making his own supply ultimately far more valuable. Can Bond stop the nefarious plot and overcome the seemingly indestructible Oddjob?

This was the Bond that essentially became the template for all the Bond movies to follow. It set the bar and quite high as well. For better or worse, all other Bond movies are measured against this one, just as all Bond villain are measured against Goldfinger, all Bond flunkies are compared to Oddjob and all Bond girls are compared to Pussy Galore.

The ultimate Bond car is the Aston-Martin DB5 that makes an appearance here. With its changing license plate, rocket launchers, oil slick dispensers and ejection seat, it was the ultimate spy vehicle. The car became so popular that two working models were built (complete with ejection seat) and toured the world in support of the film.

Like most Bond films of the era, the attitude towards women is pretty dated. While Pussy is a strong, independent woman, she is no match for Bond’s machismo; in fact, all it takes is a single kiss for her to see the error of her ways, a kiss that is forced upon her, I might add. In our more enlightened times, we might call that sexual assault.

It is the action that makes Goldfinger what it is, and that action is breathtaking. The assault on Fort Knox is one of the most awe-inspiring action sequences in the history of the movies. While some of the special effects look a little clunky, it still stands up 45 years after the fact.

I’m not saying this is the perfect movie, mind you. It is pretty darn close, however. It’s a reflection of its times, and that certainly needs to be taken into account, but it is timeless in all the important aspects of the movie. If you haven’t seen Goldfinger yet, your film education is incomplete without it.                    

WHY RENT THIS: By far, the best of the Bond movies. Frobe is one of the best baddies of all time and Connery was never better than he was here.

WHY RENT SOMETHING ELSE: Well, maybe you just don’t like movies made in the 20th century. Your loss.

FAMILY VALUES: There’s a surprising amount of violence, much smoking (remember, that was common for the era) but still pretty tame by modern standards.

TRIVIAL PURSUIT: One of the hoodlums gathered at Goldfinger’s ranch is played by an uncredited Garry Marshall, future director of Pretty Woman and Valentine’s Day, among others.

NOTABLE DVD EXTRAS: The new Blu-Ray contains a digitally enhanced print and there are a number of contemporaneous features about the making of the film. There are also some screen tests of some other actors who tested for the Goldfinger part, as well as a featurette on the phenomenon of the movie and one on the Aston Martin DB5, possibly the most popular movie car of all time.

FINAL RATING: 10/10

TOMORROW: You Only Live Twice