Lucy


Lucy in the sky with data streams.

Lucy in the sky with data streams.

(2014) Action (Universal) Scarlett Johansson, Morgan Freeman, Min-sik Choi, Amr Waked, Julian Rhind-Tutt, Pilou Asbaek, Analeigh Tipton, Nicolas Phongpheth, Jan Oliver Schroeder, Luca Angeletti, Loic Brabant, Pierre Grammont, Pierre Poirot, Bertrand Quoniam, Pascal Loison, Claire Tran, Sifan Shou, Paul Chan, Laura D’Arista (voice). Directed by Luc Besson

What would it be like if we could be smarter? What kind of miraculous change in our lives would we be able to affect? What sort of secrets would we unlock?

The myth is that we only use 10% of our brains – according to Scientific American that’s simply not true. We actually use all of it, which debunks the science in this movie thoroughly. So, let’s play a game of “let’s pretend” that Besson’s assertion here is true, that we go through our lives only using 10% of our potential.

Hard-partying grad student Lucy (Johansson) might not even use that much. She hooks up with Richard (Asbaek), the sort of guy who would set off all sorts of alarm bells in any rational person but apparently that particular function of her brain is inactive. He is supposed to deliver a brief case to Mr. Jang (Choi) in a posh Hong Kong hotel but wants Lucy to do it instead. She is reluctant and they spend the first seven minutes of an 89 minute film arguing about it. Think of a movie starting with an old style Life cereal commercial “I’m not gonna try it you try it” “I’m not gonna try it – hey let’s get Lucy! She won’t like it! She hates everything!” “She likes it! Hey Lucy!”

 

Actually she is forced to do it when he cuffs the briefcase to her wrist and tells her that Jang is the only one who can remove it. Jang turns out to be a ruthless criminal and Richard, instead of saving his own skin, ends up being the first to exit stage left. Lucy is hustled up to a swanky suite where Jang has just finished murdering a couple of people, stepping over corpses and washing his blood soaked hands in front of an understandably panicky Lucy.

She is knocked out and when she wakes up, there is an incision in her tummy and she is told she is to be a drug mule, transporting a new drug called CPH4 which Jang’s suave English speaking flunky (Rhind-Tutt) assures her that the kids in Europe are going to love. However through a set of unforeseen circumstances, the bag of drugs begins to leak into her system. Lucy begins to learn at an amazing rate, develops powers of telekinesis and control of magnetic waves. She is able to wave her hands and have people fall asleep. The more of the drug that’s absorbed into her system, the more her powers develop. She goes from 20% to 30%, 30% to 40%.

She is easily able to escape from Jang’s thugs and makes her way to a Hong Kong hospital where she demands that the bag be removed from an astonished surgeon, doubly astonished when she shoots the patient he’s operating on dead, telling him “You couldn’t have saved him. The tumor’s already spread.” Even though there still remains about half a bag of the stuff, the damage is done. Lucy can feel her cells reproducing at an accelerated rate. She estimates she has about 24 hours before her body dies.

She flies to Paris to enlist the aid of Professor Norman (Freeman), an expert on the development of the human brain, as well as Parisian detective Del Rio (Waked) whom she brings aboard to protect her but also to nab three other drug mules sent by Jang to other European cities. She needs the drugs they are carrying to complete her work which is now essentially to download everything she knows, which is growing more considerable. As she inches towards 100% neither Professor Norman nor even Lucy herself knows exactly what’s going to happen.

Besson, who has written or directed some of the most compelling action films of the past 20 years (including The Fifth Element, District B-13 and The Professional) channels Stanley Kubrick a little bit here. He inserts mostly vintage clips of all sorts of things like animals mating, magicians creating illusions and cameras travelling through canyons and across endless oceans to denote the gradual increase in Lucy’s powers and knowledge. He is fairly liberal about it when he should have used it a bit more sparingly; it does get distracting and in a film this short feels like filler it doesn’t need, particularly when he could have used the time to build relationships.

Johansson has never been an actress who has played “smart” but this year with roles in Under the Skin as an alien with a superior intellect, and as the operating system in Her she has shown beyond a shadow of a doubt that she is more than an agent of SHIELD. The trouble is that once the drug enters Lucy’s system Johansson’s expression essentially doesn’t change and she speaks in an emotionless monotone. I’m not sure why it is that in science fiction that evolution of the human species seems to be that we move past our emotions. I would argue that our emotions would evolve along with our intellect but that’s another fight for another day.

The special effects are nifty, with Lucy able to see trees absorbing nutrients through their roots, or streams of data travelling from cell phones to the satellites above. Near the end of the movie she takes a journey backwards through time in a sequence reminiscent of the opening sequence of The Tree of Life only with a human element involved – Lucy meets the first known human ancestor, also named Lucy (not a coincidence with the names, that) – going all the way back to the Big Bang and before.

 

But for all the scientific gobbledygook, my favorite sequence in the film is the most human – a phone conversation between Lucy and her mother (D’Arista) in which Lucy tearfully tells her that she can remember everything – even things she shouldn’t have been able to, like the taste of her mother’s milk in her mouth. It is a sense of saying goodbye, and it is a poignant moment because Lucy knows that she will be evolving past the feelings shortly and not long after, departing this Earth entirely.

The movie is largely unsatisfying. We get Hong Kong-style gun battles and the car chases Besson is known for but little development in the way of the characters. Besson likes to move things along at a frenetic pace and that’s not a bad thing but we get no sense of human connection – other than that one scene I just described – between Lucy and the world so when that connection begins to drift away, there is no sense of loss. Certainly there is some fine eye candy but eye candy alone doesn’t make for a substantive and ultimately satisfying film experience. Besson is certainly capable of delivering on those sorts of films but in this instance he fell short.

REASONS TO GO: Nice premise and some nifty special effects.

REASONS TO STAY: Directing misfires. Johansson misused. Look ma, I’m directing!

FAMILY VALUES:  Violence, some of it disturbing, some drug use and sexuality.

TRIVIAL PURSUIT: Angelina  Jolie was originally cast in the title role but had to drop out due to directing commitments and Johansson was cast in her place.

CRITICAL MASS: As of 7/28/14: Rotten Tomatoes: 57% positive reviews. Metacritic: 61/100.

COMPARISON SHOPPING: Limitless

FINAL RATING: 5.5/10

NEXT: The Fluffy Movie

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New Releases for the Week of July 25, 2014


HerculesHERCULES

(MGM/Paramount) Dwayne Johnson, Ian McShane, John Hurt, Rufus Sewell, Ingrid Bolso Berdal, Joseph Fiennes, Peter Mullan, Rebecca Ferguson. Directed by Brett Ratner

Hercules the legend is also Hercules the man and the man and the legend don’t always coexist well. Haunted by the sins of his past, Hercules the man has turned his back on Hercules the legend and become a mercenary, using his reputation to intimidate those who oppose those who hire him. When the good King of Thrace and his daughter beg for help against an implacable warlord, Hercules finds that in order for justice to triumph he must once more shoulder the mantle of hero and let him embrace his legend – and perhaps at last put to bed the ghosts that haunt him. Assuming he survives, of course. Based on the revisionist take on the Hercules myth Radical Studios graphic novel.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D (opens Thursday)

Genre: Swords and Sandals

Rating: PG-13 (for epic battle sequences, violence, suggestive comments, brief strong language and partial nudity)

A Most Wanted Man

(Roadside Attractions) Philip Seymour Hoffman, Robin Wright, Willem Dafoe, Rachel McAdams. The arrival of a half-dead Chechen man on the run from mysterious forces brings the attention of the German secret service. They enlist an idealistic lawyer and a banker to discover what’s going on, with a top-ranked spy willing to go to any lengths to discover the truth, even if it means innocent lives. Based on a novel by master spy novelist John Le Carré.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Spy Thriller

Rating: R (for language)

And So It Goes

(Clarius) Michael Douglas, Diane Keaton, Frankie Valli, Frances Sternhagen. Oren Little has everything all mapped out. He’s going to sell one last house, retire from real estate and live a quiet life undisturbed by people. When his son drops off a nine-year-old granddaughter he never knew he had, his plans are thrown into chaos. Completely unprepared and ill-qualified to be a caregiver to a child, he at first foists the girl off on his extremely tolerant and patient neighbor but gradually he learns that being an obnoxious, curmudgeonly loner isn’t all it’s cracked up to be.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romance

Rating: PG-13 (for some sexual references and drug elements)

The Fluffy Movie

(Open Road) Gabriel Iglesias, Jacqueline Obradors, Ron White, Tommy Chong. Iglesias went from a contestant on Last Comic Standing to being kicked out of that competition for violating the competition’s rules for calling home and going on to become a cultural phenomenon. The performance footage here is taken from his Unity Through Laughter tour which spanned 23 countries and sold out nearly everywhere.

 

See the trailer, clips and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Stand-Up Comedy Concert

Rating: PG-13 (for suggestive material and sexual references)

Kick

(UTV) Salman Khan, Jacqueline Fernandez, Nawazuddin Siddiqui, Randeep Hooda. When a young woman finally figures out that her fiancée who lives for thrills is just not responsible enough for marriage, she calls things off. She tells the story of her previous engagement to a new prospective suitor who happens to be a police inspector. He also happens to be chasing her ex who has become a notorious thief who is giving all his ill-gotten gains away to charities for children. Seems like kind of an extreme way to win your lover back.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood Action

Rating: NR

Lucy

(Universal) Scarlett Johansson, Morgan Freeman, Min-sik Choi, Analeigh Tipton. A young woman is caught up in forces beyond her control as ruthless drug smugglers put a bag of a revolutionary new drug in her tummy in order to smuggle it to the United States. The bag starts to leak and the drug enhances her brain to allow her to use 100% of it. She begins to change into something more than human, which not only makes her a danger to the drug smugglers but potentially to the whole human race as well.

See the trailer, interviews, featurettes, clips and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Sci-Fi Thriller

Rating: R (for strong violence, disturbing images, and sexuality)

She’s Dating the Gangster

(Star Cinema) Kathryn Bernardo, Daniel Padilla, Sofia Andres, Khalil Ramos. A Filipino teen and a rebellious friend start up a false romance in order to spite his ex-girlfriend. However, their feelings begin to get deeper and the relationship shows signs of growing into something greater, but the boy may be a part of a vicious Manila gang.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: NR

Willow Creek

(IFC) Alexie Gilmore, Bryce Johnson, Peter Jason, Tom Yamarone. A Bigfoot enthusiast drags his long-suffering girlfriend to the place where the iconic Patterson-Gimlin film was shot years before to try and catch footage of his own. He gets a lot more than he bargained for and the couple discover the meaning to their horror of the term “forest bride.” A send-up of found footage horror films by comedian and director Bobcat Goldthwaite.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror Comedy

Rating: NR

Four-Warned: July 2014


LucyEvery month I’m going to look at every movie on the release schedule and try to assign them a numerical value corresponding to how anxious I am to see it. The lower the number, the more I want to see it. A one means I would walk through hell and high water to see it; a four means there’s no interest whatsoever. The numbers are not arrived at scientifically but they aren’t arbitrary either.

The numbers aren’t a reflection of the artistic merit of any of these films, but merely a reflection of my willingness to go to a movie theater and see it. The top four scores will be gathered as a means of reflecting the movies I’m anticipating the most; you may use that as a guide or not.

Most of the movies will never play theatrically where you live (unless you live in either New York or Los Angeles) but many of those that won’t will be available through Video-on-Demand; check with your local cable or satellite providers to find out if any specific movie is available through that medium.

Each entry is broken down as follows:

NAME OF FILM (Studio) Genre A brief description of the plot. Release plans: Wide = Everywhere, Limited = In selected markets. RATING A brief comment

Keep in mind that release dates are extremely subject to change, even at this late date.

FOUR TO SEE
1. LUCY (1.2)
2. DELIVER US FROM EVIL (1.5)
3. DAWN OF THE PLANET OF THE APES (1.6)
4. THE PURGE: ANARCHY (1.8)

FOUR TO SEEK OUT (FILMS NOT IN WIDE RELEASE)
1. LIFE ITSELF (1.0)
2. ALIVE INSIDE (1.2)
3. A LONG WAY DOWN (1.3)
4. MAGIC IN THE MOONLIGHT (1.5)

RATING SYSTEM: 1) Must-see, 2) Should-see, 3) Perhaps-see, 4) Don’t-see

JULY 2, 2014

DELIVER US FROM EVIL (Screen Gems) Genre: Horror. Teaming up with a renegade Catholic priest, a down-to-earth Bronx police detective bears witness to supernatural evil. Release Strategy: Wide. RATING: 1.5 Eric Bana is a favorite and the trailer looks pretty damn spooky.
EARTH TO ECHO (Relativity) Genre: Family. A group of kids who are about to lose their homes to a highway project must find a way to rescue an extraterrestrial and help him find his way home. Release Strategy: Wide. RATING: 3.4 The similarities to E.T. are too much to ignore.
PREMATURE (IFC Midnight) Genre: Sex Comedy. In what seems to be a common theme lately, a high school senior relives the same day over and over again. Release Strategy: Limited. RATING: 3.3 Describes itself as American Pie meets Groundhog Day; now why doesn’t that sound appealing at all?
SCHOOL DANCE (Lionsgate) Genre: Comedy. To win the heart of his high school crush, a young man must make the school’s hottest dance crew, survive her gangsta brother and his own holy terror of a mom. Release Strategy: Limited. RATING: 4.0 A spoof of a genre that I can’t stand anyway figures to be an utter waste of my time.
TAMMY (New Line) Genre: Comedy. In the grip of a very bad day, Tammy decides to go on a road trip but the only way she can afford to do it is to take her feisty grandmother along. Release Strategy: Wide. RATING: 2.2 Thelma and Louise done for laughs – and with Melissa McCarthy and Susan Sarandon aboard, I’m betting this will be worth the trip.

JULY 3, 2014

NOTHING BAD CAN HAPPEN (Drafthouse) Genre: Horror. Based on actual events, a Swedish Christian punk street kid in a foster home finds himself increasingly at odds with the dysfunctional family he lives with as the cruel and vicious father tests his faith and capacity to love in ways that will drive him to his limit – and beyond. Release Strategy: New York City only. RATING: 2.9 Was an official entry at Cannes and has won numerous awards on the horror festival circuit.

JULY 4, 2014

BEYOND THE EDGE (IFC) Genre: Crime Comedy. When two rival gangs try to rob the same bank at the same time, a teller and a customer try to save the day without getting caught in the crossfire. Release Strategy: Limited. RATING: 2.5 A very interesting trailer and a very attractive cast.
BOBBY JASOOS (Reliance) Genre: Bollywood. Perhaps the impossible dream is to become the best detective in Hyderabad; perhaps not. Release Strategy: Limited. RATING: 2.9 Like most Bollywood films looks cheesy but fun; I do wish they’d provide an English translation on the trailers though.
GABRIELLE (DreamWorks) Genre: Horror. A high school senior suspects his new neighbor is a vampire. Release Strategy: Wide (Standard, 3D). RATING: 2.0 Was a remake of this ‘80s horror comedy really needed? And does the new version add anything?
HEATSTROKE (Phase 4) Genre: Action. On a family trip to the African desert, a research scientist accidentally runs afoul of murderous arms dealers and must evade the killers and protect his daughter and girlfriend from them as well as from the dangerous African environment. Release Strategy: Limited. RATING: 2.6 Stephen Dorff is becoming a very capable action hero.
LIFE ITSELF (Magnolia) Genre: Documentary. Roger Ebert wasn’t only the greatest film critic who ever lived; his compassion and social awareness inspired many through his long and decorated career. Release Strategy: Limited. RATING: 1.0 Ebert was a personal hero of mine and a continuing inspiration; I’ll see this one even if I have to drive 500 miles to do it.

JULY 9, 2014

CLOSED CURTAIN (Reliance) Genre: Drama. An Iranian author, hiding inside his house with his dog, sees his life changed by the arrival of a woman fleeing for her life. Release Strategy: New York City only. RATING: 2.1 I like the concept but the trailer doesn’t really reveal very much.

JULY 11, 2014

A LONG WAY DOWN (Magnolia) Genre: Drama. Four strangers who decide to kill each on the same night meet and mutually decide to wait six weeks, becoming media sensations as an unintended consequence. Release Strategy: Limited. RATING: 1.3 Looks really, really, REALLY good.
AFFLUENZA (FilmBuff) Genre: Drama. Escaping a middle class existence for a life of privilege and wealth, a would-be photographer watched his rich cousin’s life come crashing down around her. Release Strategy: Limited. RATING: 2.1 Interesting trailer but can’t help thinking that it has a bit of the “poor little rich girl” element to it.
BOYHOOD (IFC) Genre: Drama. Twelve years in the life of a young boy and his family. Release Strategy: Limited. RATING: 1.4 Director Richard Linklater filmed this over the course of 12 years with the same cast as the young actors literally grow up before our eyes.
DAWN OF THE PLANET OF THE APES (20th Century Fox) Genre: Science Fiction. Ten years after a devastating virus has wiped out most of the human race, the genetically evolved apes led by Caesar and the remaining humans will fight it out for the role of dominant species on this planet. Release Strategy: Wide. RATING: 1.6 I think we can guess who wins the war.
LAND HO! (Sony Classics) Genre: Comedy. A pair of aging men, once related by marriage, try to reconnect during a trip to Iceland. Release Strategy: New York City/Los Angeles. RATING: 1.7 I’m all for movies that celebrate the joy of life.
MADE IN AMERICA (Phase 4) Genre: Musical Documentary. At a music festival created by Jay Z to celebrate how music unites us and engages us to pursue our dreams, director Ron Howard creates a documentary designed to immerse us in that vibe. Release Strategy: Limited. RATING: 2.5 The next best thing to being there I suppose.
RAGE (RLJ/Image) Genre: Thriller. When his daughter is kidnapped, a businessman with a dark past must revisit his violent years to get her back by any means necessary. Release Strategy: Limited. RATING: 2.8 I guess Nicolas Cage still has some of these awaiting release.
ROAD TO PALOMA (Anchor Bay) Genre: Thriller. A Native American on the run after avenging his mother’s murder discovers that justice has a cost. Release Strategy: Limited. RATING: 2.7 Jason Momoa stars and directs; looks pretty gritty from where I sit.
UNDERWATER DREAMS (AMC) Genre: Documentary. Four teenage boys from an impoverished school enter an underwater robot competition against MIT and won with a robot built with parts from Home Depot. Release Strategy: Limited. RATING: 2.2 The ultimate underdog story.

JULY 18, 2014

ALIVE INSIDE (BOND/360) Genre: Documentary. Dan Cohen founds a nonprofit organization called Music & Memory which uses music to help reawaken memories in people the healthcare system has given up on. Release Strategy: Limited. RATING: 1.2 A celebration of life and humanity; if the trailer doesn’t move you, nothing in life will.
AMONG RAVENS (Gravitas) Genre: Drama. During a 4th of July gathering, the secrets of a family begin to emerge and have a severe effect on their 10-year-old daughter. Release Strategy: Limited. RATING: 3.0 Tries to filter a serious subject through the eyes of a 10-year-old; the trailer doesn’t work for me.
AND SO IT GOES (Clarius) Genre: Romance. A curmudgeonly realtor just wants to sell one last home and retire but when his son drops off a precocious 9-year-old granddaughter he never knew he had, his outlook changes.. Release Strategy: Wide. RATING: 2.7 With Michael Douglas and Diane Keaton in front of the camera and Rob Reiner behind it, this is bound to be worth a look.
I ORIGINS (Fox Searchlight) Genre: Science Fiction. During his research on the human eye, a molecular biologist makes a discovery that will have implications on our spiritual and basic scientific beliefs. Release Strategy: Limited. RATING: 2.9 An interesting take on science vs. spirituality.
MOOD INDIGO (Drafthouse) Genre: Fantasy. In order to save his love from the effects of a flower growing in her lungs, a wealthy bachelor must keep her surrounded by flowers while he develops a cure. Release Strategy: Limited. RATING: 2.8 The latest from French visionary Michel Gondry is bound to be visually inventive.
PERSECUTED (One Media) Genre: Thriller. Framed for murder, an evangelist goes underground to prove his innocence and stop the coming wave of persecution against American Christians. Release Strategy: Limited. RATING: 4.0 This is the Tea Party’s wet dream.
PLANES: FIRE AND RESCUE (Disney) Genre: Animated Feature. Dusty Crophopper, facing retirement from racing due to a damaged engine, decides that he’d like to devote his life to fighting brush fires as an aerial firefighter. Release Strategy: Wide (Standard, 3D). RATING: 3.2 The first film was better than I thought it would be; it won’t take much for the second to make the same achievement.
THE PURGE: ANARCHY (Universal) Genre: Horror. The new Founding Fathers of America invite you to purge your sociopathic tendencies as innocents get caught in the crossfire. Release Strategy: Wide. RATING: 1.8 Last year’s surprise hit gets a sequel with new cast and bigger budget; could be worth a look.
SEX TAPE (Columbia) Genre: Sex Comedy. In the aftermath of making a sex tape to spice up their love lives, a couple frantically must hunt down all the tablets they gave away as gifts when the tape is accidentally uploaded to the cloud that each tablet is preloaded with. Release Strategy: Wide. RATING: 2.1 From director Jake Kasdan who has proven adept at comedy.
VIDEO GAMES: THE MOVIE (Variance) Genre: Documentary. The epic rise of video games from niche business to multi-billion dollar industry. Release Strategy: Limited. RATING: 2.0 My son is absolutely going to go bananas for this one, produced as it is by his hero Zach Braff.
WISH I WAS HERE (Focus) Genre: Dramedy. A man at the crossroads of his life decides to redefine his performance as a son, a husband, a brother and a father. Release Strategy: New York City/Los Angeles (expanding July 25 and August 1). RATING: 1.9 Zach Braff continues on the road to redefining his career.

JULY 23, 2014

THE MASTER BUILDER (Abramorama) Genre: Drama. In the twilight of his life, an architect who has bullied his family, friends, mistresses and employees seeks to make peace with himself. Release Strategy: New York City only. RATING: 2.5 Starring Wallace Shawn and based on an Ibsen play, this could be a film buff’s wet dream.

JULY 25, 2014

A MOST WANTED MAN (Roadside Attractions) Genre: Thriller. When a half-Chechen, half-Russian man who has been tortured nearly to death arrives in the Islamic community of a Russian city, his arrival brings chaos into the lives of a banker, a lawyer and a master spy. Release Strategy: Limited. RATING: 2.2 A John Le Carre spy story that has one of Philip Seymour Hoffman’s last performances – that has must-see written all over it.
BENEATH (IFC Midnight) Genre: Horror. Supernatural forces are unleashed during the collapse of a coal mine, leaving the trapped miners and a female environmentalist trapped with them to battle for their lives. Release Strategy: Limited. RATING: 2.6 Claustrophobic horror with a tinge of creature feature.
THE FLUFFY MOVIE (Open Road) Genre: Stand-Up Concert Film. Excerpts from Gabriel Iglesias’ “Unity Through Laughter” tour. Release Strategy: Wide. RATING: 2.1 Iglesias emerged after a tough break eliminated him from Last Comic Standing to become one of the most popular stand-up comedians today.
HAPPY CHRISTMAS (Magnolia) Genre: Dramedy. Moving in with her novelist friend, her film director husband and their two-year-old after a break-up, a hard-partying 20-something starts to turn their lives upside down. Release Strategy: Limited. RATING: 2.6 The latest from prolific director Joe Swanberg.
HERCULES (Paramount/MGM) Genre: Swords and Sandals. A legendary warrior tries to escape his own legend. Release Strategy: Wide (Standard, 3D, IMAX 3D). RATING: 1.9 Based on a graphic novel with a revisionist non-supernatural take on the myth.
IRONCLAD: BATTLE FOR BLOOD (XLRator) Genre: Action. One of the few survivors of the Siege of Rochester Castle returns home to defend his family against brutal Celtic raiders. Release Strategy: Limited. RATING: 3.1 Medieval histrionics that would have been a B movie 50 years ago and still is today.
LUCY (Universal) Genre: Science Fiction. An unwilling drug mules finds the side effects of the drug that leaks into her system to be limitless. Release Strategy: Wide. RATING: 1.2 Looks like one of Luc Besson’s best and with Scarlett Johansson in the title role? Ooh La LA!
MAGIC IN THE MOONLIGHT (Focus) Genre: Romance. In the South of France during the Jazz Age, an English detective is brought in to unmask a swindler. Release Strategy: Wide. RATING: 1.5 Woody Allen does Agatha Christie.
MY MAN IS A LOSER (Lionsgate) Genre: Comedy. After a ladies man’s advice to his buddies to reconnect with their wives backfires horribly, a straight shooting friend proves that the Lothario has a lot to learn when it comes to the fairer sex. Release Strategy: Limited. RATING: 3.4 John Stamos as a modern single ladies man…talk about dated.
VERY GOOD GIRLS (Tribeca/Well Go USA) Genre: Sex Comedy. Two young women who make a pact to lose their virginity during the summer before they head to college fall for the same guy. Release Strategy: Limited. RATING: 1.8 Anyone remember Little Foxes?

SCHEDULED TO BE REVIEWED HERE AS NEW RELEASES
Deliver Us From Evil, Earth to Echo, Tammy, Life Itself, Boyhood, And So It Goes, Dawn of the Planet of the Apes, The Fluffy Movie, Planes: Fire and Rescue, The Purge: Anarchy, Sex Tape, Wish I Was Here, Hercules, Lucy