A Fantastic Woman (Una mujer fantástica)


Daniela Vega delivers an intense performance in A Fantastic Woman.

(2017) Drama (Sony Classics) Daniela Vega, Francisco Reyes, Luis Gnecco, Aline Kuppenheim, Nicolás Saavedra, Amparo Noguera, Trinidad González, Néstor Catellana, Alejandro Goic, Sergio Hernández, Antonia Zegers, Roberto Farias, Christian Chaparro, Diana Cassis, Eduardo Paxeco, Paola Lattus, Felipe Zambrano, Erto Pantoja, Loreto Leonvendagar, Fabiola Zamora. Directed by Sebastián Lelio

 

It is hard enough to mourn the loss of a loved one. When we lose someone close to us, we want to be surrounded by others grieving that person. We need the comfort of the company of like-minded individuals, people who are willing to reach out and comfort us in our time of need.

Marina Vidal (Vega) finds herself in that situation. She has just moved into her boyfriend’s house. Orlando Ortillo (Reyes) owns a textile mill in Santiago. He left his wife Sonia (Kuppenheim) to be with Marina who is a waitress and a part-time lounge singer who specializes in salsa and other Latin dance music. After Orlando takes Marina out for a night on the town, he wakes up in the middle of the night complaining of a headache and feeling ill. Concerned, she means to take him to the hospital but he falls down a flight of stairs on the way to the car. The doctors determine he has suffered an aneurysm but he dies on the operating table.

But that’s just the beginning of the pain. Suspicious of the bruises and wounds on his body, the police question Marina about the incident. Eventually they assign a sex crimes detective (Noguera) to investigate, forcing Marina to submit to a humiliating interview and medical exam. Worse yet is Orlando’s family.

Sophia’s initial civility is quickly stripped away as she becomes a vicious, vengeful harpy who forbids Marina from attending the funeral and services for Orlando. Worse yet is her son Bruno (Saavedra) who sneers at and degrades Marina and wants her out of the apartment so he can move in. Marina doesn’t have any legal standing, but to make matters worse, she’s a transgender. In Latin America, that is no easy thing to live with. Through all the humiliations both petty and major, Marina tries to keep her calm, cool demeanor and if she plays things close to the vest, who can blame her?

Finally enough is enough – all she wants to do is mourn her dead lover so she can move on. She sees him, a kindly ghost haunting her wherever she goes. The more she is discriminated against however, the more her blood boils. The time is coming when she will stand up for herself against those who persecute her. What form will that take though?

This is a movie that tackles what is a controversial subject even here in the States – transgenders. Although our legislators seem to take a great interest in which bathrooms they use, there is little interest in dealing with the treatment they receive and the way they are perceived. They are often confused with cross-dressers and are often the targets of violence. It is especially more brutal in Latin America where the culture of machismo flourishes. That Lelio would even take on the subject is to be seriously commended.

One of the reasons this movie works as well as it does is the performance of Vega. At times she seems pensive, like all her thoughts are turned inward. She seems brittle and fragile and even a little bit intellectual. Then she is hot and passionate, her anger manifesting in a propensity for punching inanimate objects. Her frustration and grief are mostly kept to herself, even when her tormentors take her beloved dog Diabla from her. It’s only when she gets tired of being treated as a non-person that she finally shows her defiance and yes, it’s a beautiful thing to watch.

There are elements of fantasy here – sightings of the ghost of Orlando, strange winds that force Marina to bend nearly parallel to the ground, a trip to a disco in which individuals dancing turns into a choreographed chorus line with Marina in an amazing glittery outfit. Is this all in Marina’s imagination or are they hallucinations? Lelio doesn’t explain, leaving it up to the audience to decide which.

The disco scene actually went on for way too long unfortunately – because I liked what Lelio was trying to do. However the strobe lights became so intrusive, so overwhelming that my vertigo was triggered. Anyone who has epilepsy should be well-advised to take a bathroom break once the disco scene begins. I do like the color palate that Lelio uses; every scene is full of bright greens, reds and blues that suffuse the film in a kind of neon glow.

Da Queen and I checked this out the night before it would win the Best Foreign Language Film at this year’s Oscars, so the timing couldn’t have been better. Given the subject matter, this isn’t a movie that is going to pull in crowds of people at the box office; I suspect that we as a nation are still too intolerant for that to happen although one lives in hope that we will grow up eventually and realize that love is love, no matter what the genders are of the two people involved. This is a movie that is at once heartbreaking and soul-stirring and while it makes its case for the drum it is beating, it doesn’t necessarily hit you in the face with bromides and broadsides. Strictly put, this is a film that is deceptively quiet and small-budgeted but it nonetheless packs an emotional wallop and gives voice to those who rarely get to use theirs. Definitely one to see when you get the chance.

REASONS TO GO: The film confronts dead-on the issues faced by transgenders not only in Latin America but globally. Vega gives an intense performance that should make her an instant international star.
REASONS TO STAY: The disco scene with the strobe light went on way too long and actually provoked a vertigo attack in this viewer.
FAMILY VALUES: There is some sexual content, some violence, plenty of profanity and lots of adult thematic material
TRIVIAL PURSUIT: Vega was the first transgender to present at the Oscars.
CRITICAL MASS: As of 3/6/18: Rotten Tomatoes: 94% positive reviews. Metacritic: 86/100.
COMPARISON SHOPPING: Laurence Anyways
FINAL RATING: 9/10
NEXT:
Mom and Dad

New Releases for the Week of February 3, 2017


RingsRINGS

(Paramount) Matilda Lutz, Alex Roe, Johnny Galecki, Vincent D’Onofrio, Aimee Teegarden, Bonnie Morgan, Chuck Willis, Patrick Walker. Directed by Javier F. Guttieréz

It is whispered that once there was a videotape, one in which if you watched it you would be marked and in seven days after first viewing it you would die. When a woman’s boyfriend gets caught up in the subculture surrounding the urban legend, she sacrifices herself to save him and finds out that the horror doesn’t end there – that there is a movie within the movie, one that nobody knew existed and one that will bring her face to face with Samara herself.

See the trailer and the first three minutes of the movie here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violence/terror, thematic elements, some sexuality and brief drug material)

The Autopsy of Jane Doe

(IFC Midnight) Emile Hirsch, Brian Cox, Ophelia Lovibond, Olwen Kelly. A small town coroner and his son who assists him receive a body one dark and stormy night; the body of a woman who was found in the walls of a home where a terrible massacre took place. The two begin to perform an autopsy on the body but strange and disturbing things begin to happen…and soon it becomes apparent that this strange body might be at the center of it.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: R (for bloody horror violence, unsettling grisly images, graphic nudity and language)

The Comedian

(Sony Classics) Robert De Niro, Leslie Mann, Harvey Keitel, Danny DeVito. An aging comic icon, seeking to reinvent himself in a new era of stand-up instead gets into a physical altercation with an audience member and is sentenced to community service. There he meets the daughter of a predatory real estate developer who could be the key to his future.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Epic Theaters of Clermont, Regal Oviedo Marketplace, Regal Winter Park Village, UA Seminole Towne Center

Rating: R (for crude sexual references and language throughout)

Neruda

(The Orchard) Gael Garcia Bernal, Luis Gnecco, Pablo Derqui, Alfredo Castro. In 1948 the Chilean president banned the communist party in Chile as the Cold War went into full swing. Poet and member of the Chilean Senate, Pablo Neruda decried the actions of the President and was forced to go into hiding. A dogged police inspector pursued him only to find the poet and academic was one step ahead of him at nearly every turn. This, Pablo Larrain’s latest film, was nominated for a Golden Globe for Best Foreign Language Film.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: R (for sexuality/nudity and some language)

The Space Between Us

(STX Entertainment) Asa Butterfield, Gary Oldman, Britt Robertson, Carla Gugino. Gardner Eliot is the first human to be born outside of planet Earth – his mother was one of the original colonists of Mars but she died giving birth to him and never revealed the identity of his father. As the boy grows up, he becomes more obsessed with finding out who his father is and in the process begins an online relationship with a girl named Tulsa in Colorado – not the girl named Denver in Oklahoma which is what he was originally after. Anyway, when Gardner gets a chance to go to Earth he takes it, hoping to experience the home planet he’s never known only to discover that his fragile physiology will kill him if he remains there too long.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Teen Romance
Now Playing: Wide Release
Rating: PG-13 (for brief sensuality and language)

Un padre no tan padre

(Pantelion) Héctor Bonilla, Zamia Fandiño, Jacqueline Bracamontes, Benny Ibarra de Llano.  When 85-year-old Don Servando Villegas is kicked out of the retirement home he lives in because of his antisocial behavior, his son is forced to take him in to the commune where he lives with his girlfriend and son. As the logline describes it, old age meets new age as the elderly gentleman discovers that the family we’re born into isn’t always the one we create for ourselves as we make our journey.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Regal The Loop

Rating: PG-13 (for drug material, some language and partial nudity)