Rabid (2019)


She’s got a bit of an overbite.

(2019) Horror (Shout! FactoryLaura Vandervoort, Benjamin Hollingsworth, Ted Atherton, Hanneke Talbot, Stephen Huszar, Mackenzie Gray, Stephen McHattie, Kevin Hanchard, Heidi von Palleske, Joel Labelle, C.M. Punk, Edie Inksetter, Tristan Risk, Sylvia Soska, Jen Soska, Vanessa Jackson, Joe Bostick, Troy James, Greg Bryk, A.J. Mendez, Dion Karas, Amanda Zhou. Directed by Jen and Sylvia Soska

 

The Soska sisters are a pair of Canadian identical twins who have turned into promising horror directors. Their latest, a remake of an early classic by their countryman David Cronenberg, walks a fine line between modernizing a classic and overpraising it.

Rose (Vandervoort) is a mousy wannabe fashion designer who works for the insufferable Euro-trash designer Gunter (Gray) who regularly bullies her. Her BFF Chelsea (Talbot) convinces her to come to the company party that night where hottie photographer Brad (Hollingsworth) flirts with her. When she discovers that Chelsea put him up to it, Rose storms out of the party, gets on her scooter and promptly gets into a horrific accident.

With part of her intestine missing and her face marred by a ghastly mutilation, she is certain her career is over. However, Dr. Burroughs (Atherton) proposes a radical new treatment – stem cell manipulation – that will restore her beauty and repair her injuries. It sounds too good to be true but what does she have to lose?

The treatment goes better than she would dare hope. Dr. Burroughs’ promises are kept and more; when Rose gets back to work, she does so with new-found confidence that impresses Gunter to the point that he invites her to work on his new collection. She’s living the dream now.

But not so much since it turns out there are side effects. You see, Rose has a massive craving for blood and a weird appendage growing out of her armpit. And it turns out that Rose is now carrying a kind of super-rabies that is spreading throughout the city. Living the dream has turned into a living nightmare.

This is a fairly faithful remake of the original which is best-known for being porn star Marilyn Chambers’ first legitimate screen role. There is a smattering of social satire here that is welcome and a few in-jokes; early on, an employee of Gunter’s wonders about his new line “Why are we remaking old trends?” The level of self-awareness in the film is clever and subtle.

Unfortunately, a lot of good ideas here go undeveloped and the Sisters – whose earlier films didn’t shy away from the gore, certainly seem to be a bit tamer here. There are a few gruesome scenes – the injuries to Rose’s face, as depicted above, among them – but for the most part, there is a curious lack of over-the-top gore which might have benefitted the film.

A little judicious editing might have always helped. The movie is 20 minutes longer than the original and feels long; by the time the movie reaches its denouement it feels more like a marathon than a sprint. A good horror film requires brevity. There’s none of that here.

Vandervoort, best known for her time on Smallville, does a fairly decent job although quite frankly when compared with Chambers that’s not a high bar to reach for. She shows some nice horror chops here and although I don’t think that a further career as a scream queen is necessarily in the cards for her but if she chose to go that route I think she could make some real inroads.

I had high hopes for this one given the pedigree of the Soska sisters and the original material so I was mildly disappointed. It’s still worth seeing, particularly if you’re into body manipulation horror, but this is far from essential. Still, I do believe the Soska sisters are on the verge of becoming big players in the horror genre.

REASONS TO SEE: Occasionally delves into social satire which it does with welcome subtlety.
REASONS TO AVOID: Way too long.
FAMILY VALUES: There is extreme and often horrific violence, disturbing images, drug use, sexuality and nudity not to mention plenty of profanity.
TRIVIAL PURSUIT: Producer Paul Lalonde is best known for his work o the Left Behind film franchise. This is his first non-faith-based film.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Vudu, YouTube
CRITICAL MASS: As of 12/21/19: Rotten Tomatoes: 57% positive reviews: Metacritic: 41/100
COMPARISON SHOPPING: World War Z
FINAL RATING: 6/10
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And Two If By Sea

Grave Encounters


Grave Encounters

The best thing about zombie sex is the cuddling afterwards.

(2011) Horror (Tribeca) Sean Rogerson, Ashleigh Gryzko, Juan Riedinger, Merwin Mondesir, Mackenzie Gray, Shawn Macdonald, Arthur Corber, Bob Rathie, Ben Wilkinson, Alex Sander, Fred Keating, Luis Javier, Michelle Cummins, Eva Gifford. Directed by The Vicious Brothers

Be careful when you go looking for something, you just might find it. If you’re the host of a paranormal activity television show, that could just be fatal.

We are told at the beginning that there once was a television show named Grave Encounters (think “Paranormal State” for those who are familiar with it) starring Lance Preston (Rogerson) as the host. Lance and his team – Matt (Riedinger) the tech guy, Sasha (Gryzko) the occult expert, Houston  (Gray) the psychic and T.C (Mondesir) the cameraman. They filmed five episodes and were working on a sixth when they mysteriously disappeared.

Later, this footage came to light. It shows the team at Collingwood Psychiatric Hospital in rural Maryland (with Vancouver subbing) where they are investigating rumors of paranormal phenomenon. It’s an old hospital with lots of tunnels and endless hallways. During its heyday, one Dr. Arthur Friedkin (Corber) had developed a sinister reputation or the excessive amount of lobotomies that were performed at Collingwood.

The hospital caretaker (Rathie) shows them around and gives the crew an interview about the things he’s experienced, but it turns out that he was urged by Lance to exaggerate and make up things in order for the hospital to seem more malevolent. In fact, in some candid “behind-the-scenes” footage, it becomes clear that the team doesn’t believe in the paranormal at all and are mainly a bunch of charlatans looking for a paycheck.

Of course, you can guess what happens next. They get themselves locked in for the night and set up cameras to “document” the unexplainable phenomena that occur, which they don’t expect to. Then things start to occur, harmless at first but soon growing more and more disturbing. They are quite thankful when the appointed hour comes for the caretaker to arrive and unlock the doors – except he doesn’t. Matt, out to retrieve the cameras, disappears. Thing start to get much more dire – their food supply rots away. They see gruesome apparitions with malevolent intent. And they start feuding among themselves. They try to break out – but the doorways out lead into hallways. There is no escape…can they find their way out of this nightmare?

Sure, I grant you that the found footage genre has probably outstayed its welcome but this film actually uses a pretty good backstory – if you’ve seen paranormal TV programs with smarmy hosts, you’ll get a lot of the in-jokes here.

More importantly, they deliver on the scares. The demons and ghouls that populate the eternally dark landscape of Collingwood are well done and the stuff of nightmares. Sure, some of the set-ups are of the been-there-done-that variety but they’re still effective. The last third of the movie is a definite express train to Hell.

Like a lot of these movies, the acting is pretty rudimentary. Rogerson gets most of the attention and as the puffed up host who thinks he’s all that, does pretty well. Still, you’re not seeing this for future appearances on In the Actors Studio with James Lipton. You want to be scared and shocked and thrilled and this delivers on all of that. I was pleasantly surprised; I thought it would be like a lot of tired found footage films we’ve been seeing of late. Yeah, I’m a little tired of the concept but that doesn’t mean there isn’t room for good movies within the genre

WHY RENT THIS: Nice creepy vibe. Some real awesome scares. Like the TV show conceit.

WHY RENT SOMETHING ELSE: Kind of been-there done-that with the found footage.

FAMILY VALUES: There are some pretty intense scares, a bit of bad language and some violent and terrifying images.

TRIVIAL PURSUIT: The Vicious Brothers are known to their parents as Colin Minihan and Stuart Ortiz.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $5.4M on a $2M production budget; this movie was profitable.

COMPARISON SHOPPING: Paranormal Activity

FINAL RATING: 6/10

NEXT: Day 5 of the Six Days of Darkness