(2016) Comedy (Netflix) Paul Reubens, Joe Manganiello, Alia Shawkat, Stephanie Beatriz, Jessica Pohly, Doug Cox, Richard Riehle, Katherine VanderLinden, Josh Meyers, Corey Craig, Paul Rust, Monica Horan, Brian Palermo, Linda Porter, Tara Buck, John H. Mayer, Dave Power, Bobby Ray Shafer, Frank Collison, Brad William Henke, Leo Fitzpatrick, Christopher Heyerdahl, Sonya Eddy. Directed by John Lee
Sometimes when confronted by something that was an important part of our growing up, we are surprised that it meant anything to us at all. Other times, we are reminded why it was so important in our memory in the first place – it’s like rediscovering who we once were all over again.
So it is for those who grew up with Pee-Wee’s Playhouse during its CBS run from 1986-1990. It garnered 15 Emmys in those five years and changed the nature of children’s television. It also ended with the star disgraced after a public indecency incident which effectively derailed his career. Reubens, who played a man-boy character in a skinny grey suit with red bow-tie, pale skin and red lips, a 1950s haircut and an irrepressible attitude, made some cameo appearances but only recently has returned as a character actor, appearing most recently in the Gotham TV series.
Reubens is 63 now and his image is digitally enhanced to retain the youthful appearance of Pee-Wee Herman (Reubens). Still, he is placed in the idyllic small town of Fairville where he is the beloved fry-cook at the local diner, a man who’s never left the town limits and doesn’t aspire to. That is, until Joe Manganiello (Manganiello) roars into town on his motorcycle.
At first, all Manganiello wants is a chocolate shake – and Pee Wee makes a tasty one. But the men bond over a shared love of Root Beer Barrels candy and Manganiello impulsively invites his new best buddy to his birthday party in New York City in a week. He also advises Pee Wee to take a road trip rather than an airplane – the better to learn more about himself.
And so Pee-Wee hits the road and in some ways, the road hits back from a trio of brash bank robbing women straight out of a Russ Myers movie to an Amish community who are not ready for Pee-Wee to the most drawn-out Farmer’s Daughter joke in history, Pee-Wee discovers an America which is in many ways the way we imagine it would be, only through a skewed lens, but the more that happens to Pee-Wee the farther it seems he gets from his goal. Will he make it to New York for Joe’s party?
Those who loved Pee-Wee’s Playhouse are going to greet this movie with affection and nostalgia. Does it live up to the expectations of that show? Well, let’s be honest – Reubens set a very high bar with the show and movie, and I will have to say I’m not sure that Pee-Wee’s Big Holiday clears that bar, but it comes close enough that most devoted fans should be satisfied.
It also stands to reason that those who found Pee-Wee’s Playhouse less of a place they wanted to play in will probably not find this any more palatable. The same goofy vibe pervades and the same scattered sense of humor dominates. While most of the characters from the original show (other than Pee-Wee himself) are not involved, most fans will find the tone right in their wheelhouse.
Like much of the Playhouse material, the humor is a bit scattershot and some of the stuff works here better than other stuff. There is a sense that the filmmakers are trying a little too hard to recapture the magic and at times things feel a little forced. I have heard the complaint that Pee-Wee is essentially something of a one-note character but I don’t think that’s true, although he doesn’t have as much depth as some of the Muppets who always seem to have a lot of that for characters made of felt and wood.
I suspect those who have planned to see this likely already have and are either planning future viewings or have had their fill. However, those of you who are on the fence about this should be warned (or re-assured) that this is essentially more of the same of what you’re used to – not a bad thing of itself, but the material here while it doesn’t live up to the standards of the original doesn’t disappoint overly much either.
REASONS TO GO: Quirky and imaginative. Very charming in places.
REASONS TO STAY: An acquired taste. One gets a sense that the filmmakers are trying too hard.
FAMILY VALUES: Some rude humor here.
TRIVIAL PURSUIT: Lyonne and Greenfield both appear in the sitcom New Girl.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 3/28/16: Rotten Tomatoes: 79% positive reviews. Metacritic: 63/100.
COMPARISON SHOPPING: Pee-Wee’s Big Adventure
FINAL RATING: 6/10
NEXT: The Mermaid