New Releases for the Week of March 22, 2019


US

(BlumHouse/Universal) Lupita Nyong’o, Winston Duke, Elisabeth Moss, Tim Heidecker, Shahadi Wright Joseph, Evan Alex, Anna Diop. Directed by Jordan Peele

A woman with a mysterious trauma in her past can’t shake the nagging feeling that her family is in danger. Her husband thinks she is just over-stressed and takes the whole family to their seaside vacation home. There they encounter the silhouettes of a family – a family which turns out to be doppelgangers of themselves. What do these duplicates want? And how can you beat something that knows every thought you’re thinking before it even enters your mind?

See the trailer, video featurettes and an interview here
For more on the movie this is the website

Genre: Horror
Now Playing: Wide Release

Rating: R (for violence/terror, and language)

Giant Little Ones

(Vertical) Maria Bello, Kyle MacLachlan, Taylor Hickson, Peter Outerbridge. Two boys, best friends since grade school, are cruising through high school as the “it” guys – swim team members, handsome, popular with girls. Everything changes though on the night one of them turns seventeen.

See the trailer and video featurettes here
For more on the movie this is the website

Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for sexual content, language and some drug/alcohol use, all involving teens)

Gloria Bell

(A24) Julianne Moore, John Turturro, Michael Cera, Brad Garrett. A divorcee, happy to be single, spends her days working in a straight-laced office job and her nights dancing in the clubs of Los Angeles. There she finds an unexpected romance that brings both the joys of new love and the complications of a new man in her life.

See the trailer here
For more on the movie this is the website

Genre: Romantic Comedy
Now Playing: AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Enzian Theater, Regal Oviedo Marketplace

Rating: R (for sexuality, nudity, language and some drug use)

Kesari

(Zee) Akshay Kumar, Panneeti Chopra, Ashwath Bhatt. The incredible but true story of a group of 21 undisciplined Sikh conscripts into the British Army who are forced to take on an army of 10,000 Afghans in a fort in the middle of nowhere in 1897.

See the trailer here
For more on the movie this is the website
Genre: Action
Now Playing: AMC West Oaks, Cinemark Universal Citywalk
Rating: NR

The Wedding Guest

(IFC) Dev Patel, Radhika Apte, Jim Sarbh, Harish Khanna. A mysterious man travels from Britain to Pakistan to attend a wedding but not to celebrate – he intends to kidnap the bride. As the kidnapper and his hostage goes on the run through the dark side of the sub-continent, secrets will be revealed and an attraction will develop.

See the trailer here
For more on the movie this is the website

Genre: Thriller
Now Playing: Barnstorm Theater, Regal Winter Park Village

Rating: R (for language, some violence and brief nudity)

ALSO OPENING IN ORLANDO/DAYTONA:

Cruel Intentions: 20th Anniversary
One Great Love
Out of Blue
Trading Paint
Ulan

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Cruel Intentions: 20th Anniversary
Dragged Across Concrete
The Highwaymen
I Am Cuba
June
Out of Blue
Styx
Woman at War

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Cruel Intentions: 20th Anniversary
June
Made in Abyss: Journey’s Dawn
Trading Paint
Transit

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Bell Bottom
Cruel Intentions: 20th Anniversary
Ulan

SCHEDULED FOR REVIEW:

Gloria Bell
Out of Blue
Us

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New Releases for the Week of February 23, 2018


ANNIHILATION

(Paramount) Natalie Portman, Oscar Isaac, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny, Benedict Wong, David Gyasi. Directed by Alex Garland

A biologist with military experience is decimated when her husband disappears in an ecological disaster zone. However when he mysteriously returns in a coma, she volunteers to go into the zone, known as The Shimmer, to discover what is going on there. She and her team will come face to face with something she doesn’t expect and could never have prepared for. This is the latest from Alex Garland, director of the acclaimed Ex-Machina.

See the trailer, clips and video featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Horror
Now Playing: Wide Release

Rating: R (for violence, bloody images, language and some sexuality)

Every Day

(Orion) Angourie Rice, Maria Bello, Debby Ryan, Jacob Batalon. A shy teenage girl is smitten by a young man who clearly has a crush on her. Then she discovers that the young man has been inhabited by a spirit that switches bodies, a different one each day. That can prove to be quite an obstacle but true love will find a way.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Fantasy
Now Playing: Wide Release

Rating: PG-13 (for thematic content, language, teen drinking and suggestive material)

Game Night

(New Line) Jason Bateman, Rachel McAdams, Kyle Chandler, Danny Huston. A group of friends who get together for a regular game night discover that the murder mystery that’s supposed to be a game is a mystery that they are going to need to solve if they are to make it through the night.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for language, sexual references and some violence)

ALSO OPENING IN ORLANDO/DAYTONA:

Basmati Blues
The Female Brain
Humor Me
Sonu Ke Titu Ki Sweety

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Loveless
Operation Red Sea
The Peanut Butter Solution
Sonu Ke Titu Ki Sweety
Welcome to New York

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Beast of Burden
The Chamber
Sonu Ke Titu Ki Sweety
Welcome to New York

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Beast of Burden
Sin Island
Welcome to New York

SCHEDULED FOR REVIEW:

Annihilation
The Chamber
Game Night

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Dan Savage’s Hump Film Festival Miami

The Late Bloomer


Touchdown!

Touchdown!

(2016) Romantic Comedy (Momentum) Johnny Simmons, Brittany Snow, J.K. Simmons, Maria Bello, Kumail Nanjiani, Blake Cooper, Paul Wesley, Jane Lynch, Lenora Crichlow, Joey Greer, Matt Jones, Beck Bennett, Jason Antoon, Sam Robards, Ileana Douglas, Laraine Newman, Brian Doyle-Murray, Bobby Flay, Page Tierney, Vanessa Ragland, Lauren Shaw. Directed by Kevin Pollak

 

Puberty is an uncomfortable time for all of us. Most of us remember it with a mixture of wistfulness and downright embarrassment. Most of us wish we could have a do-over for that time in our life. Imagine going through it though when you’re thirty.

For Peter Newman (Simmons), that’s exactly what he’s facing. A successful sex therapist who advocates abstinence in his proto-bestselling book From Sex to Success, he’s had few romantic relationships and *gasp* no sex. Let’s just try and put aside for a moment that a virginal sex therapist is about as useful as a basketball coach who’s never even seen a single game of basketball played before.

Speaking of basketball, while playing a pick-up game a particularly vicious shot to the family jewels sends Peter to the E.R. where he discovers something alarming; there’s a tumor on his pituitary gland. Mind you, it’s benign but its presence kept Peter from entering puberty. Once removed, Peter is going to get the whole enchilada.

Yes that includes acne, inappropriate erections, a massive urge to masturbate and a squeaky, cracking voice at the worst possible moments. Worse yet, his crush – his neighbor Michelle (Snow) who has the world’s most inattentive boyfriend (Wesley) and a dream of becoming a celebrity chef – suddenly becomes the subject of his sexual desires, jeopardizing his friendship with her.

For his friends Rich (Nanjiani) and Luke (Bennett) this becomes the source of great amusement. For his parents (Bello, Simmons) this becomes a long-awaited relief. For his boss (Lynch) it becomes horribly inconvenient just when Peter’s renown is bringing his clinic a ton of new patients and new revenue. For Peter it is sheer torture as everything in his life changes in the wink of an eye.

Believe it or not, this is based on actual events. The subject in question is former E! Network reporter Ken Baker whose book Man Made: A Memoir of My Body is what the movie is based on. Incomprehensibly, the committee of six (!) writers who are responsible for this thing chose to change professions and turn an interesting take on sexuality and puberty into a cross between a raunchy sex comedy and a clichéd rom-com.

Pollak, the same guy with successful stand-up/impressionist and acting careers (if you haven’t seen his impressions of James T. Kirk and Columbo, you’re missing something) was motivated to make a movie out of this story but something tells me that the script wasn’t exactly what he had in mind. Still, the veteran Pollak could call on friends to do him a solid which explains the really top-notch cast. Simmons and Bello shine as Peter’s hippie parents and Lynch as always is dry as a bone in her delivery but charismatic as hell onscreen.

There is certainly room for a great movie here; Baker’s story actually has a good deal of humor in it and some real insight into sexual stereotypes, growing up, and the role of sex in modern society. We really get none of that here; mostly the humor is crude and juvenile which wouldn’t be a bad thing if the jokes were a bit funnier – or to be fair, if more of them were as there are I have to admit some genuine laughs here. There just aren’t enough of them to overcome a script that is riddled with cliches and an ending that recalls the worst aspects of sitcom writing.

REASONS TO GO: A really fascinating subject for a movie.
REASONS TO STAY: Juvenile humor and bland writing-by-committee torpedo what could have been a terrific film.
FAMILY VALUES:  You’ll find plenty of sexual content (much of it of the juvenile variety), profanity and some nudity.
TRIVIAL PURSUIT:  Wesley and Snow previously starred in the short-lived television show American Dreams.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play, iTunes, Netflix, Vudu
CRITICAL MASS: As of 12/6/16: Rotten Tomatoes: 20% positive reviews. Metacritic: 34/100.
COMPARISON SHOPPING: The Forty Year Old Virgin
FINAL RATING: 5/10
NEXT: Billy Lynn’s Long Halftime Walk

New Releases for the Week of October 14, 2016


The AccountantTHE ACCOUNTANT

(Warner Brothers) Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, John Lithgow, Jean Smart, Cynthia Addai-Robinson. Directed by Gavin O’Connor

A young high-functioning autistic boy grows up to be a CPA, a math savant who has Einstein-like genius when it comes to numbers. As an adult, he works under the cover of a small, insignificant CPA office in the Rust Belt with an unbelievable secret to hide. He in fact works for some of the most dangerous criminal organizations on Earth, uncooking their books and protecting their wealth. When he takes on his first legitimate client, a robotics firm where an accounting clerk has uncovered some discrepancies in the books, he discovers that the deadliest clients aren’t always the ones operating outside the law.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for strong violence and language throughout)

American Honey

(A24) Sasha Lane, Shia LaBeouf, Riley Keough, McCaul Lombardi. A young adolescent girl living in a house that is nothing like a home impulsively runs away with a crew that sells magazines door to door. Feeling like this is where she belongs, she begins to adjust to the lifestyle of lawless days, hard-partying nights and eventually, the onset of love among the ruins.

See the trailer and B-roll video here.
For more on the movie this is the website
.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for strong sexual content, graphic nudity, language throughout, drug/alcohol abuse – all involving teens)

Blue Jay

(The Orchard) Mark Duplass, Sarah Paulson, Clu Gallagher. A pair of former sweethearts from a small California mountain town has returned home for separate reasons and meet up unexpectedly in a grocery store. Although both have gone on to separate lives they find themselves reconnecting as if no time at all has passed. Filmed in black and white and starring the irrepressible Duplass who was one of the guests of honor at this year’s Florida Film Festival.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater

Rating: NR

Denial

(Bleecker Street) Rachel Weisz, Timothy Spall, Tom Wilkinson, Andrew Scott. A history scholar is sued for libel in Britain when she is accused of labeling a writer a Holocaust denier. In order to prove her innocence (in the United Kingdom, the burden of proof is on the defendant in libel cases) she must prove that the Holocaust actually occurred, a much more difficult feat as it turned out than at first it sounded.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for thematic material and brief strong language)

Desierto

(STX Entertainment) Gael Garcia Bernal, Jeffrey Dean Morgan, Alondra Hidalgo, Diego Cataño. A group of immigrants navigating the treacherous border crossing from Mexico into the United States find they have an additional obstacle to overcome. They are being stalked by a psychopath with a high powered rifle who starts picking off the group one by one.

See the trailer, interviews, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Disney Springs, Regal The Loop

Rating: R (for strong violence and language)

The Greasy Strangler

(FilmRise) Michael St. Michaels, Sky Elobar, Elizabeth De Razzo, Gil Gex. A degenerate father and his brow-beaten son run a disco-themed walking tour of L.A. When a sexy young woman takes the tour, both father and son end up competing for her attention. At about the same time, a serial killer of women begins a reign of terror in Los Angeles. This gross yet compelling film played at the Florida Film Festival this past April.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Comedy
Now Playing: Enzian Theater

Rating: NR

Kevin Hart: What Now?

(Universal) Kevin Hart, Halle Berry, Don Cheadle, Ed Helms. Last year Kevin Hart performed to 50,000 people in Philadelphia’s Lincoln Stadium, the first time a stand-up comic had performed to capacity in a stadium venue. The show was filmed for theatrical release, but some framing material, casting Hart as a sort of tiny James Bond is also included.

See the trailer, interviews and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy/Documentary
Now Playing: Wide Release

Rating: R (for some sexual material, and language throughout)

Max Steel

(Open Road) Maria Bello, Andy Garcia, Ben Winchell, Josh Brener. A young boy who has the ability to generate a powerful energy force is befriended by a techno-organic alien. The two together form Max Steel, a superhero more powerful than any on Earth. Unfortunately, they have enemies after them – from this world and beyond.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sci-fi action violence)

Miss Sharon Jones!

(Starz Digital Media) Sharon Jones, Alex Kadvan, Austen Holman. Sharon Jones is one of the greatest soul singers of the 21st century. She and her band the Dap-Kings have been wowing audiences all throughout the world over the past couple of decades. The challenges that she faced in the music business were nothing like what she faced in her own life, as this documentary captures the essence of an exemplary artist who is also a strong, brave woman.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater

Rating: NR

Priceless

(Roadside Attractions) David Koechner, Joel Smallbone, Jim Parrack, Bianca A. Santos. A widower, already reeling from the death of his wife, loses custody of his daughter on top of his bereavement. At rock bottom, he gets a new job driving a truck cross country – no questions asked. When he discovers what the cargo is, however, he’ll be confronted by an agonizing choice.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall, Regal Waterford Lakes

Rating: NR

Lights Out (2016)


Attention Teresa Palmer: there's a blue light special in the basement.

Attention Teresa Palmer: there’s a blue light special in the basement.

(2016) Horror (New Line) Teresa Palmer, Gabriel Bateman, Alexander DiPersia, Billy Burke, Maria Bello, Alicia Vela-Bailey, Andi Osho, Rolando Boyce, Maria Russell, Elizabeth Pan, Lotta Losten, Amiah Miller, Ava Cantrell, Ariel Dupin. Directed by David F. Sandberg

 

As humans, we are conditioned to fear the unknown and what can be more unknown than darkness? We can’t see what’s in the dark – our eyes aren’t built for it. In the dark, anything can happen and not all of it is pleasant. Sometimes, that which lives in darkness can be downright terrifying.

Rebecca (Palmer) is a metal-loving young woman who has a – I hesitate to call him a boyfriend but he does have sex with her and they’ve been dating for several years – friend with benefits named Bret (DiPersia) who is a musician who plays metal. She lives on her own in an apartment over a tattoo parlor. She left home the moment she could pack her bags; hallucinations and nightmares had driven her to the brink of madness.

This is where her mother Sophie (Bello) dwells as a matter of course. Sophie was committed to a mental institution as a little girl and came out fragile, but her issues seemed to be under control with medication, and her second husband Paul (Burke) – not Rebecca’s dad by the way – has watched with some alarm as his wife’s mental condition starts to deteriorate rapidly. When Paul meets a tragic end, Sophie pretty much slides off into the deep end.

Rebecca’s half-brother Martin (Bateman) has now begun to have the same kinds of nightmares and hallucinations that just about destroyed Rebecca’s sanity. Concerned that Sophie is terrorizing her little half-brother, Rebecca moves to take Martin over to her apartment and out of Sophie’s influence. Sophie, who not only hears voices but has conversations with them, seems to be talking to a presence named Diana. Diana, as it turns out, was a friend who brutalized her in the asylum but had met a gruesome end. Some ends, as it turns out, are not as permanent as others.

Sandberg based this movie on a short movie – less than three minutes long – based on the same creature. With the feature clocking in at just a hair over 80 minutes, he certainly knows how to keep his stories compact which is laudable these days when movies routinely hit the two hour mark. He also uses a very interesting trope for his demonic presence; it only becomes visible and physical in darkness. Shine a light on Diana and she becomes incorporeal and harmless. When that light goes out…well, Diana raises havoc with those unfortunate to fall under her crosshairs.

This isn’t a particularly gory movie, nor are there a ton of murders (although a couple of hapless cops do get Diana’s special attention near the end of the movie). Most of the film is spent basically running away from Diana who is apparently very possessive of Sophie and doesn’t want to share her with anyone, even (and maybe especially) her own children.

It is refreshing to have characters in horror movies not act like utter and complete idiots, doing things that no rational sane human being would ever do. Say what you want about the leads here, they act like you and I would probably act in a similar situation, although to be fair I’d probably be a screaming wreck about a third of the way into the movie were it my life story.

The acting isn’t particularly outstanding; Bello is one of my favorite actresses but she makes some odd choices as Sophie – no pun intended. The part is a little bit of a caricature of a crazy person and if you don’t get the jitters watching Sophie for any length of time, you’ve probably taken some Valium recently. That or you drink enough coffee to make you permanently immune to the jitters. Palmer is beautiful and has some facial resemblance to Bello, but at the end of the day this isn’t a performance I would put into a star-making category; the success of the film will likely give her career quite a boost however.

Sandberg relies mainly on practical effects here, believe it or not. The CGI is kept to a minimum, although I’m certain that there is some optical trickery going on to make Diane visible and invisible so smoothly. I’m sure a computer or two were employed in that essential process.

All in all, this is a solid, scary movie that is going to make you think twice about turning out the lights when you go to sleep. I’m usually immune to such things, but I have to admit that when I went to bed after seeing the movie earlier that day, I did feel a good deal of apprehension as I shut out the lights. When a horror movie can do that to you, you know that you’re watching a director who knows what he’s about. I’ll be looking forward to his future work with more than a little bit of interest.

REASONS TO GO: You’ll want to sleep with the lights on afterwards. The demonic presence in the film has a nifty conceit.
REASONS TO STAY: Bello is wasted in a caricature of a performance and none of the actors really stand out. There are only so many ways you can make the lights flicker.
FAMILY VALUES: Plenty of disturbing images and terror, a fair amount of violence, some adult themes and a brief drug reference.
TRIVIAL PURSUIT: The house in this movie is the same one used in Ouija and its upcoming follow-up Ouija: Origin of Evil.
CRITICAL MASS: As of 8/18/16: Rotten Tomatoes: 77% positive reviews. Metacritic: 58/100.
COMPARISON SHOPPING: Darkness
FINAL RATING: 6.5/10
NEXT: Jason Bourne

New Releases for the Week of July 22, 2016


Star Trek BeyondSTAR TREK BEYOND

(Paramount) Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Idris Elba, Sofia Boutella, Shohreh Aghdashloo. Directed by Justin Lin

While exploring a previously uncharted section of the quadrant, the U.S.S. Enterprise meets up with a powerful foe. Stranded on a strange planet without ship or crew, Captain James T. Kirk will need to use all his wiles and bravado to rescue his crew and escape the clutches of their captor, who means to put the values of the Federation to the test.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action and violence)

Absolutely Fabulous: The Movie

(Fox Searchlight) Jennifer Saunders, Joanna Lumley, Jane Horrocks, June Whitfield. One of the more beloved British sitcoms of the 90s makes a leap to the big screen as Edina and Patsy, two ladies who love the posh life, find themselves embroiled in a scandal. Stalked by the paparazzi, they are forced to flee to the French Riviera without a sou to their name. True to their nature, they hatch a scheme that will allow their vacation to be permanent – if they can but pull it off!

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Disney Springs, Regal Winter Park Village

Rating: R (for language including sexual references, and some drug use)

Captain Fantastic

(Bleecker Street) Viggo Mortensen, Kathryn Hahn, Steve Zahn, Frank Langella. A counterculture sort of fellow tries to raise his kids off the grid in the Pacific Northwest, and instill in them everything they need to become extraordinary adults. However, when tragedy strikes the family, he must bring them into the world the rest of us live in and finds that not only are they shocked by what they discover, but that everything he has taught them has been called into question.

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater
Rating: R (for language and brief graphic nudity)

Equals

(A24) Kristen Stewart, Nicholas Hoult, Guy Pearce, Jacki Weaver. In the future, humanity will have, like the Vulcans of Star Trek eschewed emotion, preferring to lead logical, orderly lives devoid of conflict – and devoid of love. Two young people discover a means to bypass their conditioning and feel something, soon discovering what they are feeling is love for one another and begin a dangerous secret romance.

See the trailer, clips and view the full movie on Amazon here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex

Rating: PG-13 (for thematic content, sensuality, partial nudity and disturbing images)

Fight Valley

(Breaking Glass) Susie Celek, Miesha Tate, Erin O’Brien, Kari J. Kramer. A young woman is found dead after entering the dangerous world of underground fighting. Her sister, vowing to find her killer and bring them to justice, begins training under a respected ex-fighter so she can enter the world that led to her sister’s death.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Ice Age: Collision Course

(20th Century Fox) Starring the voices of Ray Romano, Denis Leary, John Leguizamo, Queen Latifah. In his quest for the elusive acorn, Skrat accidentally sets off a chain of events that may end the ice age forever and wipe out the creatures living in it. In order to escape the coming devastation, Manny, Diego and their friends must journey to exotic new lands and hope they find safety.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild rude humor and some action/peril)

Lights Out

(New Line) Teresa Palmer, Gabriel Bateman, Billy Burke, Maria Bello. A young woman escapes the nightmares of her childhood and her fear of what lurks in the dark. When she discovers her little brother is displaying the same symptoms, she returns home to confront her mother and the mysterious entity that has made her life a living hell, except now that entity wants to end all their lives once and for all.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for terror throughout, violence including disturbing images, some thematic material and brief drug content)

The 5th Wave


You can run but you can't hide from the critics.

You can run but you can’t hide from the critics.

(2016) Science Fiction (Columbia) Chloë Grace Moretz, Zackary Arthur, Alex Roe, Nick Robinson, Liev Schreiber, Maria Bello, Ron Livingston, Maggie Siff, Maika Monroe, Tony Revolori, Nadji Jeter, Flynn McHugh, Cade Canon Ball,  Alex MacNicoll, Michael Beasley, Justin Smith, Geoffrey Kennedy, Adora Dei, Parker Wierling, Terry Serpico, Charmin Lee, Gabriela Lopez, Bailey Ann Borders . Directed by J Blakeson

Sometimes you wonder why a film gets made. You look at the various reasons; a hit comic book franchise, a remake of a beloved classic, a box office star is attached, an Oscar-winning director is attached. Or maybe it’s part of a young adult fantasy series.

Once upon a time, that wasn’t necessarily a bad thing. The Harry Potter series, after all, smashed box office records but not only that, was well-written, meticulously crafted and the films that were made of the books were gorgeous and entertaining for audiences both young and old. But then came Twilight and it was basically a Harlequin romance aimed at tweens and their moms, and frankly wasn’t nearly as well-written as they were.

After that, a series of attempts to cash in on those two enormously popular franchises came with varying degrees of results, mostly bad. The formula that seemed to work best involved the Twilight tropes; a plucky young heroine, check. Forces supernatural or extraterrestrial arrayed against her, check. Foxy young hottie from home she has a mad crush on, check. Mysterious young hunk takes a hand in her life as protector and/or mentor, check. The heroine develops feelings for both young studs, check. Young tweens and teens and their moms take sides as to who would be the best man for the plucky young heroine, check.

Essentially, this is an alien invasion movie for tween girls, which isn’t of itself a bad thing, but the movie is so completely derivative of much better movies (and a few that are genuinely awful) that it’s impossible to really take it seriously. I haven’t read the Ben Yancey book (the first of a trilogy) that the film is based on, but I certainly hope that it is less hokey, less full of incredible lapses of logic, as this one is.

The premise is that young Cassie (Moretz), a resident of Dayton, Ohio, witnesses the arrival of a gigantic alien spacecraft. An electromagnetic pulse is sent out, rendering all electric devices inert. That was the first wave. The second wave was a series of natural disasters – earthquakes and tidal waves – that destroyed the coastal cities. The third wave was a biological plague that took out a number of the survivors, including Cassie’s mom (Siff). The fourth wave is the infiltration of the parasitical aliens on human hosts, putting the aliens among us in forms indistinguishable from our own. The fifth wave…well, that’s something you’ll find out if you watch this turkey.

Actually, the premise isn’t a bad one and the special effects are pretty nifty. Moretz is a fine actress and to her credit she puts in a solid performance in a role that essentially requires her to feel sorry for herself a third of the time, be paranoid a third of the time, and be mulishly determined to find her little brother (Arthur) who got separated from her at about the time their father (Livingston) is taken from them.

I don’t have a problem of cobbling elements from other stories and films together to make something new, but what’s here is so much like other films in the young adult genre that there seems to have been little creativity put in to making this something different or special; instead the focus seems to be on hitting all the notes that will supposedly bring tweens and their moms into the theaters in numbers that have made the Hunger Games, Twilight and Divergent series successful. That this hasn’t happened may be a sign that that audience which has been of late rather notoriously undiscerning about the movies they’ve chosen to throw their obsession to, may be a welcome sign that this demographic is starting to require a little more thought to bring them into the theaters.

REASONS TO GO: Moretz gives a game effort.
REASONS TO STAY: Derivative and hokey. Predictable young adult sci-fi pabulum. Gigantic holes in logic and reason.
FAMILY VALUES: Violence and sci-fi destruction, along with some adult themes and a brief scene of teen partying.
TRIVIAL PURSUIT: The character of Reznik was male in the book; she is played by a nearly unrecognizable Maria Bello here.
CRITICAL MASS: As of 2/5/16: Rotten Tomatoes: 16% positive reviews. Metacritic: 33/100.
COMPARISON SHOPPING: Battle: Los Angeles
FINAL RATING: 3/10
NEXT: 13 Hours: The Secret Soldiers of Benghazi

New Releases for the Week of January 22, 2016


The 5th WaveTHE 5TH WAVE

(Columbia) Chloë Grace Moretz, Liev Schreiber, Maggie Siff, Maria Bello, Maika Monroe, Ron Livingston, Nick Robinson. Directed by J Blakeson

Cassie is a normal kid, but times aren’t normal. The Earth is being battered by increasingly more devastating waves of destruction, the products of a vicious alien invasion. Separated from her kid brother and determined to find him, she must put her trust in a young man who may be the key to her survival – or the agent of her demise.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for violence and destruction, some sci-fi thematic elements and brief teen partying)

Anomalisa

(Paramount) Starring the voices of David Thewlis, Jennifer Jason Leigh, Tom Noonan. A man, caught in life’s mundane embrace, experiences something unexpectedly extraordinary and finds that it changes him in profound ways. This stop motion animated films is definitely not for kids and comes to us from the mind of acclaimed director Charlie Kaufman (who co-directed with Duke Johnson).

See the trailer and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Comedy
Now Playing: Enzian Theater

Rating: R (for strong sexual content, graphic nudity and language)

The Boy

(STX) Lauren Cohan, Rupert Evans, James Russell, Jim Norton. A young American woman takes on the job of a nanny for a strange reclusive couple in a remote village in the English countryside only to find that her charge is a life-sized doll. Thinking this is a way for the couple to cope with the death of their actual son, she humors them initially until she violates a list of strict rules left for her to obey. She begins to experience strange and disturbing events, leading her to believe that the doll may actually be alive.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violence and terror, and for some thematic material)

Caged No More

(Freestyle) Loretta Devine, Kevin Sorbo, Cynthia Gibb, Debra Wilson. After the disappearance of her two granddaughters at the hands of their drug-addicted father, a grandmother is determined to find the young girls, discovering to her horror that they’ve been taken overseas to be sold as slaves. Enlisting the aid of a local philanthropist and his son, a former Special Forces combat veteran, the team will stop at nothing to see that the girls are returned home safe and sound. From the producers of God’s Not Dead, this is based on actual events.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Faith-Based Thriller
Now Playing: Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Winter Park Village

Rating: PG-13 (for mature thematic content and some violence)

Dirty Grandpa

(Lionsgate) Robert De Niro, Zac Efron, Aubrey Plaza, Julianne Hough. It looks like Jason’s life is going the way he intended it to; getting ready to marry the boss’ daughter in a week which puts him on the fast track for partnership, he is tricked into driving his foul-mouthed grandfather to Daytona for Spring Break. Now, everything he’s carefully built is in jeopardy but maybe that’s just the thing he needs.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content throughout, graphic nudity and for language and drug use)

Monkey Up

(Freestyle) John Ratzenberger, Yasmeene Lilyelle Ball, Caleb Burgess, Erin Allin O’Reilly. A dysfunctional family trying to cope with financial hardship thinks they’ve found the answer to all their problems when they discover a talking monkey. However, rather than bringing them the riches they thought he would, instead he reminds them of what is truly important in life; being together as a family.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex

Rating: PG (for some rude humor)

Monster Hunt

(FilmRise) Baihe Bai, Boran Jing, Wu Jiang, Elaine Jin. In a fantasy world based on ancient China, monsters are real and co-exist with suspicious humans. When the monster queen bears a child born of a human father, it creates an uproar, upsetting the precarious balance between monsters and humans. Everyone is after the baby for their own purposes but the baby is far less vulnerable than everyone thinks. This is the highest grossing film in the history of Chinese cinema, although there has been some controversy as to whether those figures have been artificially inflated.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy/Martial Arts
Now Playing: AMC Disney Springs

Rating: NR

McFarland, USA


Kevin Costner urges one of his runners on.

Kevin Costner urges one of his runners on.

(2015) True Sports Drama (Disney) Kevin Costner, Maria Bello, Ramiro Rodriguez, Carlos Pratts, Johnny Ortiz, Rafael Martinez, Hector Duran, Sergio Avelar, Michael Aguero, Diana Maria Riva, Omar Leyva, Valente Rodriguez, Danny Mora, Morgan Saylor, Elsie Fisher, Martha Higareda, Natalia Cordova-Buckley, Ben Bray, Vanessa Martinez, Adriana Diaz Chapa. Directed by Niki Caro

The American dream is a finicky thing. We all want to achieve it, but there are places in this country where just surviving day to day is about all anyone can hope for. When that happens, we must learn to rely on each other to be our own safety net.

McFarland in California’s San Joaquin Valley is such a place. Made up mostly of farm workers (mostly of Mexican descent) on nearby agribusiness, the town touts itself as America’s Fruit Basket. The reality however is that there are few services and almost no money for what they do have.

Jim White (Costner) is coaching football at a suburban high school when he gets into an altercation with a spoiled brat of a player which ends up with a frustrated White throwing a shoe at the locker which then takes an unintended ricochet and hitting the player. Adios, tony suburban high school job and bienvenidos best job that he can get, in the middle of nowhere where the only restaurant in town has a six item menu and none of them are burgers.

White feels like a fish out of water and his family are also feeling like aliens. They are awakened every morning by a rooster crowing and none of them speak any amount of Spanish. He’s the new P.E. coach at McFarland high, as well as the assistant football coach and he’s not even that when he refuses to put a player in who is exhibiting signs of a concussion and the head coach demands that Principal Camillo (V. Rodriguez) remove the prickly assistant coach, which Camillo does although he can’t really afford to fire him, since they have no substitutes or back-ups. So White continues as the P.E. teacher as well as a life sciences teacher.

One of the things that White notices is that some of his kids – most of whom get up at 4 AM to go out and work in the fields before coming to school for 8 hours and then returning to the fields until dark – are incredibly fast and durable owing to that many of them run from school to the fields miles away every day and have been since they were ten or twelve years old. With the California Interscholastic Federation, the governing body of high school athletics in the Golden State, initiating a statewide cross country championship (this takes place in 1987 just for the record) White has a brilliant idea; establish a cross country team, do well enough to get some attention and then get a job offer in some civilized suburban community where he and his long-suffering wife (Bello) and kids, young Jamie (Fisher) and soon-to-graduate Julie (Saylor) belong.

He recruits a team by hook or by crook and ends up with mercurial Thomas Valles (Pratts), the swiftest of the bunch; Johnny Sameniego (Duran), an easygoing sort; David (R. Martinez) and Damacio (Aguero) Diaz as well as their chunky but all-heart brother Danny Diaz (R. Rodriguez) and lady’s man Jose Cardenas (Ortiz). They have raw talent but not a lot of technique or discipline – nor a lot of desire in what they consider to be a foolish pursuit. Cross country is, after all, a sport for prep schools and rarefied air.

What they do have however is a solid work ethic, ingrained in them by their hours in the fields, and a sense of family and community. In fact the latter is central to the existence of McFarland – everybody in McFarland is family, to the point that Jim’s wife is moved to say “No place has ever felt like home to me as much as this one.”

Still, as the team begins to get some success, White begins to attract the attention of schools like Palo Alto High, who have a large budget and a history of winning. With the state championships within reach, will Jim commit to his runners the same way they’ve committed to him or will he move on and get the kind of lifestyle he always dreamed of?

This could easily have been just another sports underdog movie and there are always a few of them every year. Disney seems to be the most active purveyor of them, and in all fairness they have brought it down to a science. There are some formulaic aspects to most of these movies – the introduction, the first failed attempts, the coming together, the falling apart, the reuniting and the triumph – and some of those are present here. When you’re watching one, you know intellectually that the team/individual is going to triumph. Nobody, after all, wants to go to a movie to see someone fail.

Therefore it’s the journey to that triumph that makes these sorts of movies successful and the reason McFarland USA succeeds is that the filmmakers in the person of director Niki (Whale Rider) Caro from New Zealand who shows a surprising empathy for the Mexican-American culture. We are shown how they support one another and the innate friendliness and warmth of the people. Sure, there’s crime (there is a scene where White mistakes a car club for a Latino gang and later a real gang takes on the car club) but there always is where there is poverty and there’s plenty of that to go around in McFarland.

Although the racial aspect is played up, the filmmakers surprisingly kind of gloss over the racism directed to the McFarland team (one elitist runner makes a few cracks but is shut down by one of the runners for McFarland early in the movie) and towards the McFarland community in general; I would have liked to have seen that avenue explored a little more but I’m not surprised that it wasn’t; Disney is sensitive about such things and tend to turn a blind eye even in films in which those elements are a central feature. The Mouse, after all, prefers a world where such ugliness doesn’t exist.

But exist it does, so you’ll have to just assume that the team endured rougher treatment than is shown here. Generally speaking, the film isn’t about that in any case – the movie celebrates the sense of community that the Mexican-Americans of McFarland have created.

Costner tends to thrive on these sorts of roles and he does so here, giving White a kind of craggy resourcefulness and a willingness to learn about the culture into which he’s been thrust (he goes out on a Saturday morning to pick cabbage with his students in order to experience what they’re going through). The more he bonds with his team, the more about the culture he becomes involved with.  After missing his daughter’s birthday dinner, he throws her a quinceanera, a Mexican celebration of a young girl’s 15th birthday which is a really big deal in that culture. It’s one of the movie’s most charming scenes.

Most of the Hispanic cast is solid, with Mora getting plaudits as a friendly store owner and Leyva as a skeptical dad who wants to pull his sons from the team – every moment they’re practicing with the team they’re not working in the fields and that means money not going into the family’s pocket or more to the point, food not going onto their table. Riva plays his wife, one of those no-nonsense practical Mexican wives that in Southern California are as common as palm trees and as beautiful in their own way as the Pacific.

Some critics have accused the movie about being patronizing towards Hispanics in that the movie portrays White as the unifying force that brings the team together and inspires them to win, sort of a “they couldn’t have done it without him great white hope” sort of thing. I didn’t see it that way; for one thing, the reality of the situation is that this predominantly Hispanic high school did have a white cross country coach and he did lead them to an amazing run of success, but the movie isn’t about a white guy showing the Hispanics how to do it – if anything, he learns more from them than they do from him.

 

I found myself drawn in by the film. Sure it has all the cliches of a typical underdog true life sports movie, but then again I’m a sucker for those cliches so it doesn’t bother me quite so much. What I really liked was the sense of family and community spirit that the movie celebrates. While I can’t say for certain that every Hispanic community is like that, I know that they do continue to exist and I, for one, wouldn’t mind living in that sort of community myself.

REASONS TO GO: Nicely promotes a sense of family and community. Some very nice cinematography.
REASONS TO STAY: A little bit formulaic. Could have tackled racism aspect harder.
FAMILY VALUES: Some mild language, brief violence and some thematic concerns.
TRIVIAL PURSUIT: Costner attended high school for one year in Visalia, only 40 miles north of McFarland.
CRITICAL MASS: As of 3/3/15: Rotten Tomatoes: 78% positive reviews. Metacritic: 60/100.
COMPARISON SHOPPING: Hoosiers
FINAL RATING: 6.5/10
NEXT: Maps to the Stars

New Releases for the Week of February 20, 2015


The DUFFTHE DUFF

(CBS) Mae Whitman, Robbie Amell, Bella Thorne, Bianca A. Santos, Skyler Samuels, Romany Malco, Nick Eversman, Ken Jeong, Allison Janney. Directed by Ari Sandel

A young high school senior who is pretty content about her position in the school’s social hierarchy is shocked to discover that she’s better known around campus as the DUFF – Designated Ugly Fat Friend. Working to rehabilitate her image with a slick but charming football player, she takes on the school’s official designator of labels (doesn’t every school have one?) to find that the only label that’s important is the one you give yourself. Or something along those lines.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Teen Comedy
Now Playing: Wide Release
Rating: PG-13 (for crude and sexual material throughout, some language and teen partying)

Hot Tub Time Machine 2

(Paramount/MGM) Rob Corddry, Adam Scott, Chevy Chase, Craig Robinson. Having used the Hot Tub Time Machine to make their lives better, the three buddies find that using the time machine for their own purposes has a cost of its own.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Sci-Fi Comedy
Now Playing: Wide Release
Rating: R (for crude sexual content and language throughout, graphic nudity, drug use and some violence)

McFarland USA

(Disney) Kevin Costner, Maria Bello, Morgan Saylor, Vincent Martella. In a Central California high school mostly made up of the children of Hispanic farm workers, school and work in the fields are all any of them have to look forward to. However, some of them are fast – that attracts the attention of new PE coach Jim White who proposes to establish a cross country team. The group’s devotion to family, incredible work ethic and belief in one another will take a little known farming community high school and transform it into a place of champions.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: True Sports Drama
Now Playing: Wide Release
Rating: PG (for thematic material, some violence and language)