The Lucky One


The Lucky One

Zac Efron and Taylor Schilling save the last dance for each other.

(2012) Romance (Warner Brothers) Zac Efron, Taylor Schilling, Blythe Danner, Jay R. Ferguson, Riley Thomas Stewart, Adam Lefevre Robert Terrell Hayes, Joe Chrest, Russ Comegys, Sharon Morris, Ann McKenzie, Kendal Tuttle, Courtney J. Clark, Jillian Batherson. Directed by Scott Hicks

 

The novels of Nicholas Sparks and the films that are based on them tend to sparkle with a certain patina of sentiment. They are filmed in rich autumnal colors, through hazy lenses smeared with Vaseline. They are the stuff of modern day fairy tales.

Logan Thibault (Efron) is a Marine serving in Iraq. While on his last tour he goes on a raid of a home and comes under heavy fire from snipers. He watches as men from his company and others are cut down by the insurgents.

The next morning he and his men are lounging around the now-secured area when he spies a photograph in the rubble. Curious, he walks over to it, bends over and picks it up to see a beautiful blonde  – when an explosion wipes out the men he’d just been standing with.

The rest of his tour he survives again and again, sometimes without rhyme or reason. One of his fellow Marines jokes that the girl in the picture is his guardian angel. Logan isn’t laughing though; he thinks she might just be.

After leaving the Marines he goes to visit his sister and her family in Colorado but it’s clear he has issues. He’s jumpy, morose and when startled reacts violently. He knows he can’t stay with his sister and her bratty sons; he decides to go find the woman in the photograph. By pure happenstance he stumbles on a picture of the lighthouse in the back of the photo with the woman and decides to hoof it from Colorado to Louisiana.

Six years later, he arrives in Louisiana with scarcely a bunion, his impossibly well-behaved German Shepard Zeus by his side. He shows the picture around town and is led to the local pet groomer’s where he finds the object of his search, Beth Clayton (Schilling). She is divorced from Keith (Ferguson), the town sheriff and son of the powerful Judge Clayton (LeFevre) and at the moment an uneasy peace exists between them, threatened by Keith’s alcohol abuse. Beth lives with her son Ben (Stewart) and her grandma Ellie (Danner) and their business is sorely in need of some help. Beth mistakes Logan for a respondent to her want ad but something about him – the fact that he confessed to having walked from Colorado to Louisiana made her a bit reluctant to hire him. However Ellie – who possesses a Sense About These Things – hires him on the spot, hoping he’ll re-ignite Beth’s spark.

Boy does he ever. It takes a few games of chess with Ben (who takes to the newcomer like a tick to a Golden Retriever), a fully clothed outdoor shower for the two of them together and a couple of beers and before you can say Logan’s Your Uncle, Ben the two of them are canoodling.

But the suspicious Sheriff doesn’t like having his ex hanging around another man and when he finds out that he has the Picture, he blabs it to Beth whom Logan neglected to mention that little tidbit of information to. Who had that picture and why will lead Beth to break things off with Logan, even though everyone and their cousin Moe knows that he’s The One for her. What will it take to get the two of them together? How about a freakish rainstorm?

Yup, this is Nicholas Sparks through and through, laden with coincidences and conveniences. In an interview, he talked about the book having a theme of destiny and fate, items he claims he doesn’t believe in himself. Me, I don’t buy it – most of Sparks’ books have an element of events conspiring to bring true love together by the final chapter, or tearing them apart.

Efron plays the taciturn Logan and we all know that he saw a lot of Bad Things over there because he’s supposed to be haunted. We can tell he’s haunted because his expression never changes. Ever. And his periwinkle blue eyes seem to look right through things. Efron may not be the most expressive actor on the planet but I know he can act. I’ve seen him do it in other movies. I think he either decided to play Logan as a soul-dead person, or he was told to by the director. Either way it was a poor choice. Even so, he has enough natural charisma that I actually liked his character. Go figure.

Schilling doesn’t generate a lot of heat with Efron and really doesn’t do much to make me think Beth is worth walking down the block for, let alone thousands of miles. Danner alone gives her role anything that can be qualified as memorable.

Yet despite all this I liked the movie much more than I thought I would and certainly much more than other critics did. I liked the story line and I liked Efron and I liked the dogs (there are LOTS of them) and I liked the Louisiana setting. I walked out with a good feeling and even though the movie is terribly flawed, I would still count it as a success just for that reason.

REASONS TO GO: Much better than I expected it to be. I liked Efron in this, although I would have liked a bit more expressiveness from him. Nicely photographed.

REASONS TO STAY: A little too over-reliant on coincidence.

FAMILY VALUES: There is some war and domestic violence as well as a bit of sexuality and drinking.

TRIVIAL PURSUIT: The filmmakers changed the location of the film to Louisiana from North Carolina where the book was set.

CRITICAL MASS: As of 5/5/12: Rotten Tomatoes: 21% positive reviews. Metacritic: 38/100.The reviews are solidly negative.

COMPARISON SHOPPING: Message in a Bottle

ARMED FORCES LOVERS: The studio screened the film in advance on military installations throughout the world as a way of saying thank you to the men and women in uniform.

FINAL RATING: 6/10

NEXT: The Five-Year Engagement

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Avatar

A gunship moves through one of the majestic landscapes of Pandora.

(20th Century Fox) Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Michelle Rodriguez, Giovanni Ribisi, Joel David Moore, CCH Pounder, Wes Studi, Laz Alonso, Peter Mensah, Matt Gerald. Directed by James Cameron

A race with superior technology has a responsibility to protect those races that are less advanced than they. However, the history of humankind has shown that to rarely be the case in those sorts of situations.

In the year 2154, Marine Jake Sully (Worthington) was a grunt whose spine was injured during a campaign in Venezuela, leaving him confined to a wheelchair. His identical twin brother was a scientist who had been leaving for the wondrous world of Pandora, an Earth-sized moon orbiting a gas giant in a distant solar system, as part of the avatar program. The journey was supposed to take five years of cryo-sleep just to arrive but it would never happen; Jake’s brother was killed during a mugging.

Pandora’s atmosphere is toxic to humans. The planet is full of flora and fauna, much of which is aggressive and lethal. There is an indigenous race of humanoids called the Na’Vi, a race of 10-12 foot tall tailed bipeds that have a great deal in common with Native Americans. Even their language sounds similar.

Humans communicate with the Na’Vi through avatars, genetically engineered creatures utilizing human and Na’Vi DNA that humans link through a machine that transfers the human’s mind into the avatar allowing the human to experience what the avatar sees, tastes and touches. The Na’Vi call the avatars “dreamwalkers” because when the humans return to their own bodies, the avatars lose consciousness and appear to sleep.

Because avatars are so hideously expensive, it is determined that Jake will take his brother’s place on Pandora despite the fact that he has had no training in an avatar and is abysmally ignorant of Pandora and its dangers. When Jake arrives on Na’Vi he finds a bit of a power struggle going on in the human fortress-encampment between the scientists, led by Dr. Grace Augustine (Weaver), a cantankerous botanist, and Col. Miles Quaritch (Lang), a gung-ho ex-Marine employed as a mercenary by the RDA Corporation and its smarmy representative Parker Selfridge (Ribisi) – notice the similarity to the word “selfish” here – who are after a rare mineral called, somewhat irreverently, unobtanium. One particular Na’Vi settlement sits on a particularly rich deposit of the stuff.

The Na’Vi don’t trust the humans and with good reason. The humans look around Pandora and see a dangerous world whose resources exist for their exploitation for corporate gain. The Na’Vi sees a living world that is beautiful and inter-connected.

Jake goes on his first mission into the forest accompanied by fellow rookie Norm Spellman (Moore) and Dr. Augustine and immediately gets himself into trouble, winding up being chased by a rhino-like creature (with the head of a hammerhead shark) into a chasm where he is separated from his fellow avatars. Day turns into night and the forest becomes even more dangerous as a pack of black canine-like creatures attacks Jake. He is saved by one of the Na’Vi, the beautiful Neytiri (Saldana) who has nothing but contempt for the avatars,who as she puts it walk through the forest like ignorant children and “see nothing.” However, when a jellyfish-like lifeform becomes curious about Jake, Neytiri interprets this as a sign and takes Jake to their village.

There her father Eytukan (Studi), the clan chief and her mother Moat (Pounder), the shaman of the clan, make the determination that Jake should be trained as a hunter for the clan. Tsu-tey (Alonso), the clan’s best hunter who is also heir to the position of chief and as thus betrothed to Neytiri, is skeptical that this can be done.

My son characterized the plot as “Dances With Aliens” and he has a point. There are many similarities between the plots of Avatar and Dances With Wolves but this definitely has its own take on it. The conflict between the needs of the corporation and the world of the Na’Vi eventually come to a head. There are some intense battle sequences but in all honesty, these are not why you come to see this movie.

Never before in motion picture history has so complete an alien environment ever been created. The look of Pandora is astonishing and realistic. It is certainly alien with some familiar elements; lush vegetation, grasses and trees and many unusual flora and fauna. There is literally no way to take it all in with a single viewing which is what the filmmakers intended undoubtedly.

Some movies become event movies simply on the basis of hype and a precious few because they are game changers. Star Wars was one of the latter and so is Avatar. This is a movie that many will see simply because everyone will be talking about it and they want to get in on the conversation. Director Cameron has once again proven himself one of the most visionary directors of his generation. While some think of him as the director of Titanic, the biggest-grossing movie of all time, his legacy may rest with Avatar. This will literally change how movies get made.

The acting is surprisingly good. Weaver has made a career of delivering strong, capable performances and her Grace Augustine may rank with Ripley as the character most associated with her in the future. Worthington delivers a star-making performance that has already landed him the lead in high-profile movies and undoubtedly will continue to do so. He has all the qualities to be a big star and while his performance in Terminator Salvation hints at it, he delivers big time here. Michelle Rodriguez, an actress I’ve never really connected with before, is superb as a sympathetic pilot.

The movie runs two hours and forty minutes which is a bit long; the 3D glasses are bulky and uncomfortable and I wound up with a sore nose where the glasses rested. I have to admit that Cameron’s strong point is not dialogue and some of the characters utter lines that made me groan out loud. His points on corporate greed and its role in wiping out the ecology of our own world, the treatment of aboriginal races and the general irresponsibility of humankind are well-taken but at times he uses a 2×4 to whack us over the head with it when an ostrich feather would have done the trick.

Reviews for this movie are almost superfluous other than to pile on superlatives for a movie that richly deserves them. Avatar may be the closest thing to a visit to an alien world that most of us will get to experience in our lifetimes, but I’m sure most people have either already seen it or were planning to see it anyway without my endorsement. Still, count me in among the endorsers of this film; widely-hyped, intensely scrutinized and greatly anticipated, it delivers as one of the year’s very best.

REASONS TO GO: The visuals, the visuals, the visuals. This is a detailed, realistic world that has an internal logic. Even the elements of the fantastic make sense.

REASONS TO STAY: The movie is probably about 20-30 minutes too long and can cause a bit of sensory overload at times. Some of the film’s points get hammered in a bit too strongly.

FAMILY VALUES: A fair bit of violence and some language, but pretty much okay for most audiences.

TRIVIAL PURSUIT: The avatars have five fingers and toes while the Na’Vi have four.

HOME OR THEATER: This absolutely must be experienced on the big screen, preferably in 3D and in the IMAX format if you have a theater equipped for it nearby.

FINAL RATING: 9/10

TOMORROW: World Trade Center