New Releases for the Week of July 5, 2019


SPIDER-MAN: FAR FROM HOME

(Columbia/Marvel) Tom Holland, Samuel L. Jackson, Zendaya, Cobie Smulders, Jake Gyllenhaal, JB Smoove, Jacob Batalon, Marisa Tomei, Jon Favreau. Directed by Jon Watts

The first post-Snap Marvel Cinematic Universe movie sees Spider-Man going on a school trip to Europe where he is recruited by SHIELD to face an interdimensional threat.

See the trailer, clips, interviews and video featurettes here
For more on the movie this is the website
Genre: Superhero
Now Playing: Wide Release
Rating: PG-13 (for sci-fi violence, some language and brief suggestive moments)

Midsommar

(A24) Florence Pugh, Jack Reynor, William Jackson Harper, Vilhelm Blomgran. A grieving young American couple head to Sweden with a group of friends to take place in a once-in-a-lifetime summer festival in a remote Swedish village near the Arctic circle. But when the festivities get underway in a land of non-stop sunlight, something malignant and evil is plainly afoot.

See the trailer, clips and video featurettes here
For more on the movie this is the website  
Genre: Horror
Now Playing: Wide Release
Rating: R (for disturbing ritualistic violence and grisly images, strong sexual content, graphic nudity, drug use and language)

ALSO OPENING IN ORLANDO/DAYTONA:

The 16th Episode
Framing John DeLorean
Oh Baby

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Framing John DeLorean
In the Aisles
My Days of Mercy
Oh Baby
Toni Morrison: The Pieces I Am
Wild Rose

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Breaker
Oh Baby

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Oh Baby

SCHEDULED FOR REVIEW:

Midsommar
Spider-Man: Far From Home
Wild Rose

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New Releases for the Week of July 6, 2018


ANT-MAN AND THE WASP

(Disney/Marvel) Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Michael Peña, Walton Goggins, Bobby Cannavale, Judy Greer, Tip “T.I.” Harris, Hannah John-Kamen. Directed by Peyton Reed

Scott Lang deals with the consequences of his decisions made during Captain America: Civil War, trying to balance his responsibilities as a father and as a superhero. When Hank Pym and Hope Van Dyne come to him with an urgent mission with personal ramifications for them both, Scott wants to help but wonders how his choices will effect his relationship with his daughter.

See the trailer, interviews, video featurettes and a promo here.
For more on the movie this is the website.

Release Formats: Standard, 3D, D-BOX, D-BOX 3D, Dolby, IMAX, IMAX 3D, RPX, RPX 3D, XD, XD-3D
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for some sci-fi action violence)

Boundaries

(Sony Classics) Vera Farmiga, Christopher Plummer, Lewis MacDougall, Christopher Lloyd. A struggling single mom and her precocious son are forced to drive her freewheeling, pot-dealing devil-may-care father across the country after he is kicked out of the nursing home she put him in.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Old Mill Playhouse, Regal Winter Park Village

Rating: R (for drug material, language, some sexual references and nude sketches)

The First Purge

(Universal/Blumhouse) Y’lan Noel, Lex Scott Davis, Marisa Tomei, Joivan Wade. This is where it all began; the New Founding Fathers’ solution to crime – let everyone get it all out of their system in one night be it looting, assault or murder. It’s a lot different than the Purge we’ve come to know.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release (opened Wednesday)

Rating: R (for strong disturbing violence throughout, pervasive language, some sexuality and drug use)

Na Band Na Baraati

(HUM) Komal Farooqi, Saram Jaffery, Ali Kazmi, Zuhair Jaffery. A Pakistani family living in Toronto has their hands full planning a wedding for both their sons. Traditions from their homeland collide with expectations in a new world that they don’t entirely understand; nor does it understand them.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Touchstar Southchase

Rating: NR

No Postage Necessary

(Two Roads) George Blagden, Charleene Closshey, Robbie Kay, Raymond J. Barry. A convicted computer hacker, barred from using the Internet and not quite scraping by working minimum wage jobs, takes to stealing mail to make ends meet. He reads a letter a beautiful young woman wrote to her husband, a Marine killed in Afghanistan. Intrigued, he begins to fall in love with her. Hoping to be the man she deserves and the man he’s always thought he could be, he tries to turn his life around but the past has a way of catching up with you

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Universal Cineplex

Rating: PG-13 (for some drug references and brief language)

Whitney

(Miramax/Roadside Attractions) Whitney Houston, Cissy Houston, Bobby Brown, Kevin Costner. She was one of the most distinctive voices of her generation and one of the greatest female vocalists ever. She had everything; a loving family, a skyrocketing career, fame and talent beyond measure. Her meteoric rise was matched by a startling fall ending in the tragedy of a life ended too soon. This is her story, buttressed by plenty of interview and performance footage.

See the trailer here.
For more on the movie this is the website
Release Formats: Standard
Genre: Music Documentary
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Universal Cineplex, AMC West Oaks, Old Mill Playhouse, Regal Ormond Beach, Regal Waterford Lakes, Regal Winter Park Village
Rating: PG-13 (for some thematic elements and language)

ALSO OPENING IN ORLANDO/DAYTONA:

Neither Wolf Nor Dog
Pantham

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Ava
En El Septimo Dia
Pantham
Tej I Love You
Under the Tree

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Amma I Love You
Bleeding Steel
Tej I Love You

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Amma I Love You
Pantham
Tej I Love You

SCHEDULED FOR REVIEW:

Ant-Man and the Wasp
The First Purge
Whitney

Spider-Man: Homecoming


Spider-Man is torn between two worlds.

(2017) Superhero (Columbia/Marvel) Tom Holland, Michael Keaton, Robert Downey Jr., Marisa Tomei, Jon Favreau, Gwyneth Paltrow, Zendaya, Donald Glover, Jacob Batalon, Laura Harrier, Tony Revolori, Bokeem Woodbine, Tyne Daly, Abraham Attah, Hannibal Buress, Jennifer Connelly (voice), Kenneth Choi, Selenis Leyva, Angourie Rice, Martin Starr, Garcelle Beauvais. Directed by Jon Watts

 

One of the biggest news stories in the Marvel Cinematic Universe in the last couple of years was the deal between Columbia and Disney that allowed Spider-Man to finally be part of the MCU. While he made his first appearance in the essentially Avengers tale Captain America: Civil War last year, Peter Parker (Holland) a.k.a. Spider-Man gets his own movie and thankfully it’s one of the very best of the franchise.

Holland is the third actor to play the webslinger after Tobey Maguire and Andrew Garfield both tried their hand at it and in many ways he’s much closer to the comic book original than either Maguire and Garfield who both had a bit of a swagger to them. Holland is a more humble Parker and while he has a bit of a smartass quip-oriented style, he still has a lack of self-confidence that manifests in his unrequited crush for fellow Scholastic Academic Bowl teammate Liz (Harrier).

He gets the benefit of having Keaton as the big bad, The Vulture a.k.a. Adrian Toomes. Collecting alien tech after helping with the clean-up of New York City following the Chitauri invasion of the first Avengers movie, When an unctuous city official (Daly) kicks him off the project leaving his business high and dry, he instead uses the tech to create weapons to help him steal further tech that allows him to develop weapons for criminals.

Parker is aided by Tony Stark (Downey) a.k.a. Iron Man who essentially sees him as a kid who is just learning his way through his powers – which is an accurate enough assessment – but fails to take into account Parker’s heart and will to contribute. The relationship between the two is strained but the two actors have a chemistry which makes it fun whenever the two are onscreen together. Eventually despite having the enhanced spider-suit taken away from him (that Stark gifted him with in the first place), Parker shows his mettle as a hero and proves his place in the Marvel Cinematic Universe.

The action set pieces can be CGI-heavy although some of them are pretty impressive, particularly one on a Staten Island Ferry and another one in an abandoned factory. This is thankfully not an origin story (there have already been two of them) but we still get Spidey at a nascent point in his career as a crimefighter. That was a wise choice. We see Parker as a high school kid; this is before he heads off to be a photographer at the Daily Bugle or a college student at ESU. That’s a good place to start him off.

Tomei plays a different kind of Aunt May. In the comics and in the movies, we’re used to seeing an elderly May (although Sally Field’s version was a bit younger in the Garfield iteration than Rosemary Harris in the Maguire version) but here she’s a hottie. The dynamic between May and Peter was always a central one in the early comic books; I would have liked to have seen it developed a lot more here but there are always future sequels.

Despite a couple of missteps this is a very fine addition to the MCU and certain to keep fans happy and waiting for further appearances in the MCU by Spider-Man which should begin with the upcoming Avengers: Infinity Wars feature next year. This is the closest that the movies have come to nailing the comic book Spider-Man onscreen and I for one are happy that they did.

REASONS TO GO: Holland gives maybe the best portrayal of Peter Parker to date. Spider-Man is brought neatly into the MCU. The relationship between Parker and Stark is fun. The movie that is closest in tone to the comic book yet.
REASONS TO STAY: There’s a little bit of CGI overload. I would have liked to have seen more of Aunt May.
FAMILY VALUES: There are all sorts of profanity, violence, sexuality and occasional drug use.
TRIVIAL PURSUIT: Originally Samuel L. Jackson as Nick Fury was going to play Peter Parker’s mentor but the producers decided to go with Downey/Stark instead. Also, J.K. Simmons was in talks to reprise his role as J. Jonah Jameson from the Sam Raimi trilogy but he opted to go with Commissioner Gordon in the DCEU instead.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 11/25/17: Rotten Tomatoes: 92% positive reviews. Metacritic: 73/100
COMPARISON SHOPPING: Weird Science
FINAL RATING: 8/10
NEXT:
Dunkirk

New Releases for the Week of July 7, 2017


SPIDER-MAN: HOMECOMING

(Columbia/Marvel) Tom Holland, Michael Keaton, Robert Downey Jr., Marisa Tomei, Jon Favreau, Gwyneth Paltrow, Zendaya, Donald Glover, Tyne Daly. Directed by Jon Watts

Peter Parker makes his long-awaited feature film debut in the Marvel Cinematic Universe after a well-received appearance in Captain America:  Civil War. Here, the young wall-crawler gets used to his life as a high school sophomore while contending with his nascent superpowers. Supported by Tony Stark, the young superhero feels constrained by Stark’s attempts to keep him facing more neighborhood concerns but with the emergence of the Vulture, a villain who has an axe to grind of his own, everything and everyone Peter holds dear is in danger.

See the trailer, interviews, featurettes and a clip here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sci-fi action violence, some language and brief suggestive comments)

The Big Sick

(Lionsgate/Amazon) Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano. Based on the real-life courtship of Pakistan-born comedian Nanjiani, he falls in love with a white American grad student. They have a difficult time navigating their cultural differences as well as their parents disapproval but when Emily falls prey to a mysterious life-threatening illness Kumail must try to get through the crisis with her parents and fend off the emotional tug-of-war that follows.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Disney Springs, Regal Winter Park Village

Rating: R  (for language including some sexual references)

OPENING IN ORLANDO/DAYTONA

Cartels
Mom
Ninnu Kori

ALSO OPENING IN MIAMI:

Guest in London
The Journey
Letters from Baghdad
Maudie
Moka
Mom
Ninnu Kori
The Ornithologist
The Painting
The Skyjacker’s Tale
Undercover Grandpa

ALSO OPENING IN TAMPA:

The Hero
Mom
Ninnu Kori
Undercover Grandpa

ALSO OPENING IN JACKSONVILLE:

The Hero
Moka
Mom
Ninnu Kori

Captain America: Civil War


Captain America in an All-American studio apartment.

Captain America in an All-American studio apartment.

(2016) Superhero (Disney/Marvel) Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Daniel Brűhl, Frank Grillo, William Hurt, Martin Freeman, Marisa Tomei, John Kani, John Slattery, Hope Davis, Alfre Woodard. Directed by Anthony and Joe Russo

 

In this post-911 world, we often have to consider the importance of security versus freedom. How much power do we allow our government to have? Is it worth giving up our freedom to be protected? And when does it stop being worth it?

Following the events of The Avengers: Age of Ultron the Avengers have continued to operate without the guidance of Tony Stark (Downey) a.k.a. Iron Man but they still continue to clean out the remnants of Hydra and travel the globe to stop threats of terrorism and barbarity. They are on one such mission to stop Crossbones (Grillo) from obtaining a biological weapon. They do stop the former SHIELD agent turned supervillain but at a staggering cost.

The nations of the world can no longer stand idly by while their citizens are reduced to collateral damage. They sign a treaty known as the Sokovia Accords (named for the fictional country that was decimated by the Avengers battle with Ultron) to put the Avengers under United Nations control, only sent on missions approved by the Security Council.

Stark has put his pen to paper and signed already and expects his good friend Steve Rogers (Evans) a.k.a. Captain America to do the same but to Stark’s shock, Rogers refuses. He feels that the Avengers will not only function less effectively as the tools of bureaucrats and politicians, but that without self-autonomy, more lives will be lost than saved.

It’s not an easy question and not everyone falls on the same side. The Avengers eventually become two different teams, at war with one another. Things get worse when Bucky Barnes (Stan) – a.k.a. the Winter Soldier and Cap’s friend from pre-World War II Brooklyn has had the mind control that was implanted into him by Hydra used to send him on a rampage that ends up with a high-profile murder. T’challa (Boseman) a.k.a. The Black Panther, ruler of the fictional African nation of Wakanda, rich in minerals (including the rare vibranium that is what Cap’s shield is constructed out of) and technology, vows to take down Barnes and execute him. Cap can’t let that happen as it, strictly speaking, isn’t Bucky’s fault.

So it is friends against friends, the U.S. government against the Avengers, Iron Man against Captain America. No matter what, this won’t end well and the Marvel Cinematic Universe will be changed permanently as a result.

This is in some ways the most complicated and thought-provoking film in Marvel’s history. It does tackle a subject that has real world ramifications and comes up with no easy answers – it also doesn’t cop out either, which is to the filmmaker’s credit. When those who ask why the Marvel films are so much more popular than the DC films (at least currently), the simple answer is that Marvel is making better movies. With the exception of some of the Batman films (by Messrs. Burton and Nolan) Marvel’s movies are more interesting, have more character development, and quite frankly are more fun to watch.

Civil War is a little bit darker in hue than the majority of Marvel’s films, but that doesn’t mean it’s set in Gotham. There are no real villains in it for one thing – yes, there is a character named Zemo (Brűhl) who shares a last name with old Marvel villain Baron Zemo who was a Nazi mad scientist and a Hydra operative, but this Zemo is actually in a lot of ways a sympathetic character who has reasons for his madness. And the conflict between Cap and Shellhead are between two heroes doing what they believe is right.

Downey in fact steals the film from Captain America; he is tortured by the damage he has done as a superhero and as a man. His relationship is tanking and he believes that the world would be a better place if the Avengers accepted some oversight and accountability. His anguish not only at what he has caused to occur but in the conflict with his friend Cap is palpable. Downey is an Oscar-nominated actor and this is by far his best performance as Iron Man yet.

The action sequences have to be at the core of any superhero film and they are spectacular here. There’s a fight at a German airport that may go down as one of the best in Marvel history and it utilizes the talents of many of the supporting characters and a couple of new ones, including the previously mentioned Black Panther but also the brand new Spider-Man (Holland). Holland may be the best Spider-Man yet (sorry Tobey Maguire and Andrew Garfield) and acquits himself well both as Spider-Man and as Peter Parker. Based on the snippet of him and Aunt May (Tomei) in this film, I am much more interested in seeing Spider-Man Homecoming next year than I already was.

All of the characters here other than a few who have little more than cameos are shown to be quite human and as humans are, imperfect. This makes the superheroes more relatable to everyone. Who hasn’t had relationship troubles, or felt like they didn’t belong, or chafed at having their autonomy taken from them, or mistrusted authority, or agonized over inventing a self-aware robot that nearly wiped out the human race? Okay, maybe not the last one.

The plot here is dense and for those not really immersed in the Marvel Universe, it may all be too much. In many ways, this is the first Marvel film I felt that it would be actually advantageous to have seen all of the ones preceding it in order to understand it better. It can still stand on its own, but I have to admit that the more you know about the MCU, the easier this will go down. There are also a whole lot of characters here and their relationships and motivations may not be clear to everyone. I suppose that’s just a byproduct of having so many films in the MCU now.

The Russos have shown themselves very capable directors. While I don’t think this film quite measures up to Captain America: The Winter Soldier in terms of quality, it’s damn close. The brothers have been handed the reins to the next to Avengers films and this one shows that the franchise is in safe hands.

REASONS TO GO: Great battle sequences. Excellent debate starter (security vs. freedom). Portrays the heroes as fallible and human.
REASONS TO STAY: A little too much plot and character. Occasionally confusing, particularly to casual viewers.
FAMILY VALUES: All sorts of superhero violence, action and mayhem, more than you can shake a stick at.
TRIVIAL PURSUIT: At 2 hours and 27 minutes long, this is the longest Marvel movie to date.
CRITICAL MASS: As of 6/16/16: Rotten Tomatoes: 90% positive reviews. Metacritic: 75/100.
COMPARISON SHOPPING: Marvel’s The Avengers
FINAL RATING: 7.5/10
NEXT: My Love, Don’t Cross That River

The Big Short


Christian Bale is overwhelmed by script submissions.

Christian Bale is overwhelmed by script submissions.

(2015) True Life Drama (Paramount) Steve Carell, Ryan Gosling, Christian Bale, Brad Pitt, Marisa Tomei, Rafe Spall, Hamish Linklater, Jeremy Strong, Adepero Oduye, Jeffry Griffin, Finn Wittrock, John Magaro, Selena Gomez, Anthony Bourdain, Melissa Leo, Karen Gillan, Margot Robbie, Stanley Wong, Rajeev Jacob, Vanessa Cloke, Leslie Castay. Directed by Adam McKay

The financial meltdown of 2008 was the worst economic event since the Great Depression. Millions lost their jobs and their homes. The repercussions of that event continue to be felt, but many don’t understand how it happened – and how it could happen again.

Dr. Michael Burry (Bale) is a one-eyed manager of a small hedge fund in San Jose, California who discovers that securities based on mortgages – once thought to be nearly recession-proof as the going wisdom is that most people pay their mortgages on time – are actually filled with mortgages that are much riskier, with balloon payments that will commence in 2007 that the homeowners will never be able to pay and create an economic meltdown. He wants to essentially bet against these securities as he knows they are doomed to fail; such securities don’t exist so he goes to Wall Street to places like Goldman Sachs to have them create those securities. He is nearly laughed out of the building but they are happy to take his money – in fact, nearly all of his fund’s cash which doesn’t sit too well with some of the investors.

Mark Baum (Carell) is also a hedge fund manager based at Morgan Stanley who has an anger management issue (Baum, not Morgan Stanley). His team discovers from investment banker Jared Vennett (Gosling) – who also serves as the film’s narrator – that these securities exist and that there’s a good chance that investing in these securities will result in runaway wealth. Baum, who has a hate on for the industry he works in, after talking to a number of bankers and securities industry insiders, becomes certain that Vennett is on to something and risks a good deal of his fund’s capital to buy these securities.

Two ambitious young Colorado-based hedge fund managers – Charlie Geller (Magaro) and Jamie Shipley (Wittrock) also discover these securities through happenstance but their fund is too small and too unknown to be able to get a seat at the table to bid on securities like that. They enlist Ben Rickert (Pitt), a disillusioned former Wall Street titan who has become something of a paranoid recluse, out of the game until Geller and Shipley manage to reel him back in.

All of these players discover first-hand the venal stupidity of the banking industry whose blindness led to the near-collapse of the world economy; the corruption and absolute greed that was behind that blindness staggered even these members of the same financial industry.

Based on a nonfiction book by Michael Lewis, the film takes some real-life people involved in the market (Burry) as well as creates fictional ones – some out of whole cloth and some based on others (Baum, based on real-life hedge fund manager Steve Eisman), McKay does a credible job in taking some fairly esoteric financial market concepts like CDOs and credit default swaps.

He has gathered an eclectic but solid cast that brings to life the arrogance and testosterone-infused world of finance. It is definitely a boys club with an aggressive attitude with an absolute focus on money. Carell gives Baum a moral compass – maybe more of one than the other characters in the film – but also an angry streak that comes from a family tragedy. In many ways, Baum is the most compelling character in the movie because while all of the characters have an agenda, Baum’s is more than just making money.

I also like Bale as the real-life Dr. Burry, who prefers to be barefoot, rarely wears a suit and tie, and blasts metal in his office when he’s stressing out. His characters is a little bit more complex than the others and we don’t really get a decent grasp on him, which something tells me is true of the real guy. Pitt brings a little bit of New Age gravitas here as well.

McKay is known for his comedies and there is a kind of black humor here. His tongue is often planted firmly in cheek as he uses various celebrities in incongruous situations to explain various things in the script (like a naked Margo Robbie in a bathtub explaining the subprime mortgage market, or singer Serena Gomez in a casino talking about CDOs) and we are told that certain things actually happened but more interestingly, that some things actually didn’t as depicted in the film. You have to give him points for honesty.

I imagine your political outlook will drive how much you enjoy the film to a certain extent; those who are fairly left-wing in nature and distrustful of industry will no doubt find this film much more to their liking than those who are right-wing and who might look at this as tarring an entire industry with the same brush because of the actions of a relative few. The Big Short takes the point of view that the stupidity, shortsightedness and corruption was industry-wide and implies to a large extent that the culture of the financial industry of the bro-tastic almighty dollar have a big hand in driving that corruption.

The Big Short does a credible job of explaining a fairly complicated and often confusing situation that brought the economy to its knees, and warns that many of the same factors remain in place that may yet again take the economy down for another plunge. It reminds us that despite the blatant fraud that took place, only one person – and he relatively low on the totem pole – ever was tried and jailed for his role in an event that created so much human misery. This is an outstanding movie that may disturb some because the “heroes” of the story made enormous profits from that misery (a fact pointed out by Pitt’s Ben Rickert) and that the tone overall is somewhat snarky. I found that the tone made the events somewhat easier to bear and while I don’t condone profiting from the pain of others, I can say that at least none of the protagonists broke any laws, which is a fairly low bar for cinematic heroism but given the industry depicted here, probably about as high a bar as can be expected.

REASONS TO GO: Really explains some of the very confusing information about the 2008 crisis well. Extremely solid performances from the cast. Occasionally funny.
REASONS TO STAY: A very dry subject matter.
FAMILY VALUES: Plenty of profanity, some nudity and sexuality.
TRIVIAL PURSUIT: This is the first film directed by Adam McKay in which Will Ferrell doesn’t star.
CRITICAL MASS: As of 1/10/16: Rotten Tomatoes: 87% positive reviews. Metacritic: 81/100.
COMPARISON SHOPPING: Margin Call
FINAL RATING: 8.5/10
NEXT: Point Break (2015)

New Releases for the Week of December 25, 2015


ConcussionCONCUSSION

(Columbia) Will Smith, Alec Baldwin, Albert Brooks, Gugu Mbatha-Raw, David Morse, Arliss Howard, Mike O’Malley, Eddie Marsan, Luke Wilson. Directed by Peter Landesman

Dr. Bennett Omalu, a forensic Neuropathologist working in Pittsburgh, is presented with a strange situation; a favored son of the city, a former football star, dies suddenly penniless, his very personality rumored to have changed completely. As he investigates he discovers something shocking; repeated head traumas, such as those routinely suffered by football players, leads to some terrifying consequences. However in bringing his findings to the public, he finds himself in a fight with a corporation that owns a day of the week – the National Football League. However, Dr. Omalu refuses to back down and becomes maybe the greatest advocate that pro athletes have ever had.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material including some disturbing images, and language)

The Big Short

(Paramount) Ryan Gosling, Christian Bale, Steve Carell, Marisa Tomei. As the economy came to the verge of collapse in 2008, a group of financial outsiders, seeing what the big banks had done to the economy knew that they would likely not get much more than a slap on the wrist. They decided on a bold scheme to get their share, taking on some of the biggest crooks in the history of mankind – and winning.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Dramedy
Now Playing: Wide Release

Rating: R (for pervasive language and some sexuality/nudity)

Daddy’s Home

(Paramount) Will Ferrell, Mark Wahlberg, Linda Cardellini, Thomas Haden Church. A white bread radio executive has married a divorced woman with two kids, and is trying to be the best dad possible to them, although frankly they don’t want anything to do with him. Still, he tries and hopes for the best – until their biological father shows up, forcing him to compete with the guy for the attention of the kids. The ante gets upped again and again until the stakes become ridiculous.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for thematic elements, crude and suggestive content, and for language)

The Danish Girl

(Focus) Eddie Redmayne, Alicia Vikander, Amber Heard, Ben Whishaw. Danish painter Einar Wegener was married to a fellow painter and seemingly happy with his life. However, a request from his wife, seemingly simple and innocuous, leads him to a profound change and the realization that he is a woman trapped in a man’s body. Desperate to find a solution, he takes a risk that at the time was unthinkable – but may be his only hope for happiness and peace.

See the trailer, clips, featurettes and Q&A sessions here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Springs, Regal Winter Park Village

Rating: R (for some sexuality and full nudity)

The Hateful Eight

(Weinstein) Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Bruce Dern. A bounty hunter, taking his quarry back to Red Rock, Wyoming to hang shortly after the end of the Civil War, finds himself snowed in with six other strangers in a Rocky Mountain stagecoach stop. Soon it becomes clear that not all of the men are being completely candid about who they are – and that not everyone holed up to wait out the storm is going to make it out alive. The movie will be playing in digital 70mm print approximation (few theaters across the country will have the real thing), and will be opening in wide release on January 8th in standard 35mm digital.

See the trailer, clips, interviews, a promo, a featurette, B-roll video and a Q&A session here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Western
Now Playing: AMC Disney Springs, Regal Waterford Lakes

Rating: R (for strong bloody violence, a scene of violent sexual content, language and some graphic nudity)

Joy

(20th Century Fox) Jennifer Lawrence, Bradley Cooper, Robert De Niro, Elizabeth Rohm. Coming from a working class background, nobody ever figured Joy would ever amount to much but nobody counted on her unshakable will. She goes on to found a business empire, navigating the cutthroat waters of modern business to become one of the most successful female entrepreneurs in the United States. This is the latest offering from director David O. Russell, who has become the nearest thing to a sure Oscar nominee as there’s been in the last few years.

See the trailer, clips, interviews and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for brief strong language)

Point Break

(Warner Brothers) Edgar Ramirez, Luke Bracey, Ray Winstone, Teresa Palmer. A young maverick FBI Agent infiltrates a group of extreme athletes who are suspected of pulling off daring robberies utilizing skills involving some of the most dangerous activities known to humans. The deeper the agent gets, the more he gets swept into their world. Eager to prove their innocence he begins to lose sight of his job and the protection of innocent lives. Can he bring these guys to justice before people die for their thrill-seeking ways – or will he ultimately prove their innocence?

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Action
Now Playing: Wide Release

Rating: R (for violence, thematic material involving perilous activity, some sexuality, language and drug material)

Youth

(Fox Searchlight) Michael Caine, Harvey Keitel, Jane Fonda, Rachel Weisz. Two lifelong friends vacation at a resort in the Swiss Alps as they contemplate oncoming retirement. Befriended by a young actor struggling to make sense of his latest role, one – a musician – is urged by his daughter not to retire just yet while the other – a screenwriter – labors to finish what may well be his last screenplay aided by his muse, who may or may not be true inspiration.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater
Rating: R (for graphic nudity, some sexuality, and language)