Star Wars: The Last Jedi


In any Star Wars film sparks will fly and stuff will burn.

(2017) Science Fiction (Disney) Daisy Ridley, John Boyega, Oscar Isaac, Mark Hamill, Adam Driver, Carrie Fisher, Laura Dern, Andy Serkis, Domhnall Gleeson, Lupita Nyong’o, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Frank Oz, Benicio Del Toro, Justin Theroux, Billie Lourd, Joonas Suotomo, Amanda Lawrence, Jimmy Vee, Veronica Ngo. Directed by Rian Johnson

In the annals of all things cinematic, no film franchise has ever elicited as much anticipation as the Star Wars franchise has with every film that’s come out since the first one. Say what you want about their fandom, they are among the most loyal of any fanbase for just about anything anywhere; many of its fans go back to the first 1977 film forty years before the latest one came out.

And there are no signs of the franchise slowing down anytime soon. Not only is there a standalone Han Solo film coming out this summer, but earlier this year it was announced that another trilogy has been approved by Disney (to nobody’s surprise) after the current trilogy concludes next year. Rian Johnson, director of this episode, will be overseeing it although whether that means he will be directing all three of the films, writing them or acting more like a kind of Yoda for the filmmakers who will be involved with the fourth trilogy remains to be seen.

While this is the longest of the films to date, for the most part it doesn’t seem that way thanks to incredible special effects which have become and remained the norm for the series. Like The Force Awakens there seems like a lot of story lines that were cobbled from other films in the series (a last stand on an ice planet? C’mon, guys) and elsewhere. On top of that there are all sorts of threads going on here and while they seem to reach a conclusion, it still feels like we’re slogging through story more than we should be.

But there is a whole lot to like about the movie as well. One of the main things is Mark Hamill. He has delivered one of his best performances ever and certainly his best Luke Skywalker ever. I worried early on that he would be curmudgeonly “get off my lawn” Luke for the whole movie but thankfully he shows some growth, particularly in the final act. The film ends on a grace note that is as magical a moment as you’ll find in the entire series.

There are other fine performances and storylines here but Ridley as Rey was not as compelling as she was previously. Boyega also seems to be written as kind of a one-note character. Laura Dern is a welcome addition to the Star Wars Universe, giving a performance that matches some of the veteran cast members note for note. Oscar Isaac seems to be developing into a very interesting character and the storyline with Rose (Tran) was one of the best in the film. However, I think the movie will be long-remembered for being Carrie Fisher’s last appearance as Princess Lea (Episode IX director J.J. Abrams has stated that Fisher won’t be appearing in any form in that movie).

On the other hand, there’s Snoke, the Supreme Leader of the First Order who is played via motion capture by the great Andy Serkis. When you have maybe the best motion capture performer of all time to utilize it seems a bloody shame to use so little of him. He is almost casually dispatched early in the movie which may end up being a tactical error or not. The Emperor surrogate role now falls to Adam Driver as Kylo Ren who may not be wholly evil after all as Anakin Skywalker was. But can anyone be both Darth Vader and Emperor Palpatine at once? That remains to be seen.

This is superior entertainment and helped 2017 end on a record-breaking note. While many fans sniped over some of the story points (even Hamill reportedly wasn’t happy about the direction his charcter was taking) there’s no doubt that the franchise is as healthy as it ever was. Most people reading this have likely already seen the film multiple times in the theaters and await with varying degrees of eagerness for it to become available for their home collections. Well, so is this critic.

REASONS TO GO: As always, the special effects are as breathtaking as any in the movies. The action sequences are also top of the line. Hamill delivers his best performance of the series.
REASONS TO STAY: The buildup for Snoke led to somewhat of a letdown. The story is unnecessarily convoluted and once again feels like it was borrowed from other episodes..
FAMILY VALUES: As you would expect from a film of this franchise there is all sorts of action and violence.
TRIVIAL PURSUIT: In addition to playing Luke Skywalker, Hamill also played a CGI character who can be seen putting money into BB-8 during the casino scene.
CRITICAL MASS: As of 2/1/18: Rotten Tomatoes: 91% positive reviews. Metacritic: 85/100.
COMPARISON SHOPPING: Star Wars Episode II: Attack of the Clones
FINAL RATING: 7.5/10
NEXT:
Scorched Earth

Advertisements

Brigsby Bear


Luke Skywalker trains a young Jedi in the ways of children’s television programming.

(2017) Dramedy (Sony Classics) Kyle Mooney, Mark Hamill, Jane Adams, Greg Kinnear, Matt Walsh, Michaela Watkins, Ryan Simpkins, Christopher Sullivan, Alexa Demie, Jorge Lendeborg Jr., Chris Provost, Claire Danes, Chance Crimin, Beck Bennett, Andy Samberg, Kate Lyn Shell, Kiera Milan Hendricks, Ellery Davidson, Ashlyn Brooke Anderson, Marilee Crockett. Directed by Dave McCary

 

We are a product of our upbringing and so much of what we experience as children makes us into the adults we become. Those of us who grew up with certain children’s television shows bear the marks of the lessons they taught us, even if we only got them subconsciously.

James (Mooney) has grown up in an unusual situation. He has been isolated by loving parents (Hamill, Adams) who have encouraged him to watch Brigsby Bear, a sci-fi television show in which the titular character fights alongside the Smiley Sisters against the nefarious Sunstealer. While the lessons are a little unorthodox, James is completely enchanted by the world of Brigsby Bear and has every episode on tape. That is, until his world comes crashing down on him.

He finds himself in a different situation with the knowledge that the world he previously inhabited was not what he was led to believe it was. Even his beloved Brigsby Bear was fake – the show didn’t exist. Alone, rudderless, without any sort of anchor, James remains obsessed with Brigsby Bear. He decides that he alone can finish the show properly and he endeavors to do just that.

There is a lot going on in this movie. Part of it is a commentary on the obsessive fandom that dominates our pop culture at present. Some of it is about the power of imagination to change one’s circumstances. Some of it is a pure nostalgia rush. All of it works.

Mooney, a current cast member on SNL, has an off-beat charm that allows the character of James to be childlike without descending into mawkishness. Mooney manages to surround himself with a terrific cast; Hamill is at his very best in a brief but important role and then there’s Kinnear who plays a sympathetic policeman. Kinnear is one of the very best actors working today especially when it comes to being likable onscreen. I think Hollywood takes him a bit for granted; he hasn’t gotten the role yet that will take him to the next level but he has the capability of getting there.

The bargain basement SFX may look a bit primitive to most viewers but they work in the context of the story. Some critics found that the movie descended into sweetness but I have to disagree; it needed that sweetness, otherwise it becomes just another cynical stab at fandom. I suspect that most critics don’t understand the whole concept behind fandom simply because critics are supposed to be objective. Fans are most assuredly not. Yes, there can be a negative side to obsessive fanboy-ism but there is also a positive side as well. There is nothing wrong with believing in something when there is so little to believe in these days.

This is one of my favorite films of the year. Not everyone will agree with me – it may be a little too out there for some. Others, like the critics I referred to, think it might be a little too light and sweet for their tastes. Me though, this works to perfection. It hits every emotional note dead on. This is one of three films that I think is the best of 2017. Whether it will finish first, second or third will likely depend on my mood when I go to assemble my list. If I’m thinking about this movie however, you can bet my mood will be getting better by the moment.

REASONS TO GO: This is one of those rare movies that hit all the right notes. Those who grew up with 80s children shows will certainly get the warm fuzzies. Mooney has a real offbeat charm. Kinnear is one of the most underrated actors working today.
REASONS TO STAY: Some may find it a little too obscure.
FAMILY VALUES: There is some drug usage and teen partying, brief sexuality and some fairly adult themes.
TRIVIAL PURSUIT: McCary is a writer on Saturday Night Live who is making his feature directing debut.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 12/28/17: Rotten Tomatoes: 80% positive reviews. Metacritic: 68/100.
COMPARISON SHOPPING: Death to Smoochy
FINAL RATING: 10/10
NEXT:
An Inconvenient Sequel: Truth to Power

New Releases for the Week of December 15, 2017


STAR WARS: THE LAST JEDI

(Disney) Daisy Ridley, Mark Hamill, Oscar Isaac, Carrie Fisher, Laura Dern, John Boyega, Adam Driver, Domhnall Gleeson, Andy Serkis.  Directed by Rian Johnson

Rey, having utilized some of her nascent Jedi powers, has found Luke Skywalker but he is unwilling to teach any more disciples the secrets of the Force. At last, begrudgingly, he is convinced but the more Rey discovers about the Force the more she discovers about her mysterious past.

See the trailer and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D, RPX, D-Box, Dolby Atmos
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for scenes of sci-fi action and violence)

Ferdinand

(20th Century Fox) Starring the voices of John Cena, Kate McKinnon, Jeremy Sisto, Anthony Anderson. A big-hearted bull is mistaken for a wild beast and brought to the arena to be a fighting bull. Knowing that he won’t come out of the arena alive, he attempts an escape to get back home where he belongs along with his misfit friends.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard 
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for rude humor, action and some thematic elements)

Wonder Wheel

(Focus) Kate Winslet, Jim Belushi, Juno Temple, Justine Timberlake. Four lives intersect in the Coney Island of the 1950s; an emotionally volatile former actress now working as a waitress in a clam joint; her rough and tumble carousel operator husband; a lifeguard with dreams of becoming a playwright and the estranged daughter of the waitress and her husband who is hiding out from gangsters in her father’s apartment.

See the trailer and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Altamonte Mall, Cinemark Artegon Marketplace, Regal Oviedo Mall, Regal Winter Park Village, Rialto Spanish Springs

Rating: PG-13 (for thematic content including some sexuality, language and smoking)

ALSO OPENING IN ORLANDO/DAYTONA:

Love Ni Bhavi
The Tribes of Palos Verdes

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Dealt
Love Ni Bhavi
Oro
The Shape of Water
The Tribes of Palos Verdes
Youth

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hedgehogs
Love Ni Bhavi

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Unrest

SCHEDULED FOR REVIEW:

Ferdinand
The Shape of Water
Star Wars: The Last Jedi
Unrest

New Releases for the Week of August 18, 2017


THE HITMAN’S BODYGUARD

(Summit) Ryan Reynolds, Samuel L. Jackson, Gary Oldman, Salma Hayek, Elodie Yung, Richard E. Grant, Joaquim de Almeida, Sam Hazeldine. Directed by Patrick Hughes

A vicious dictator is going on trial in front of the international court and only one man can put him away – one of the world’s most successful assassins. However, the ex-fearless leader has put out a hit on the hitman and things don’t look good for him to make it to the trial. A bodyguard is assigned to the killer and it has to be said the two don’t exactly hit it off but if they are going to survive they’ll have to put aside their differences or die in a really spectacular fashion.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action Comedy
Now Playing: Wide Release

Rating: R (for strong violence and language throughout)

Brigsby Bear

(Sony Classics) Kyle Mooney, Mark Hamill, Jane Adams, Greg Kinnear. The children’s television show Brigsby Bear Adventures has been playing for an audience of one – James. When the show abruptly ends, James is motivated to finish the story himself taking him into a land of imagination he never knew he had within him.

See the trailer, clips and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Regal Winter Park Village

Rating: PG-13 (for thematic elements, brief sexuality, drug material and teen partying)

Dawson City: Frozen Time

(Kino Lorber) Bill Morrison, Chris “Mad Dog” Russo, Kathy Jones-Gates, Michael Gates. In 1978, a bulldozer working its way through a parking lot in Dawson City, a former gold rush town in the Yukon and discovered a cache of over 500 films that had been buried there since the silent film era. Many of the films had been thought to be lost forever. After an extensive restoration process, the newsreels and films are ready to be shown to the public, depicting an era in history and in Dawson City itself that is long gone. This film has been described as being like stepping into a time capsule.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: NR

Leap!

(Weinstein) Starring the voices of Elle Fanning, Dane DeHaan, Carly Rae Jepsen, Maddie Ziegler. An orphan girl who dreams of being a prima ballerina travels from Brittany to Paris to follow her dream. A case of mistaken identity leads her to become a pupil at the Grand Opera House in a Paris that is full of enchantment, music and magic.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for some impolite humor and action)

Logan Lucky

(Bleecker Street) Channing Tatum, Adam Driver, Daniel Craig, Katie Holmes. Two brothers, cursed by bad luck all their lives, attempt to steal a windfall of cash from the Charlotte Motor Speedway. Enlisting the aid of Joe Bang, one of the great demolition experts of all time, they merely have to break him out of prison where he is in-car-cer-rated and then get him back inside without anyone noticing. Piece of cake. Incidentally, this is Steven Soderburgh’s return to the big screen in like four years. Think of this as the unholy love child of The Dukes of Hazzard, <em and Oceans 11.

See the trailer, clips and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action Comedy
Now Playing: Wide Release

Rating: PG-13 (for language and some crude comments)

Lost in Paris

(Oscilloscope Laboratories) Fiona Gordon, Dominique Abel, Emmanuelle Riva, Pierre Richard. Fiona visits Paris for the first time in her life to assist her Aunt Martha. Fiona has always repressed her feelings but when she meets Dom, a homeless man who is absolutely unafraid of expressing his feelings or his thoughts. The City of Lights will never be the same.

See the trailer, clips, interviews and B-roll video here
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village

Rating: NR

Step

(Fox Searchlight) Paula Dofat, Blessin Giraldo, Cori Grainger, Tayla Solomon. This documentary follows a step dancing team from inner city Baltimore as they embark on competitions throughout the city and navigate their senior year in high school.

See the trailer, clips and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal Winter Park Village

Rating: PG (for thematic elements and some language)

Turn it Around: The Story of East Bay Punk

(Abramorama) Billy Joe Armstrong, Iggy Pop, Jello Biafra, Laurence Livermore. San Francisco has always been the center of the Bay Area music scene. For a brief shining moment, a group of committed men and women ran a punk co-op out of a former warehouse in Berkeley that became a creative cauldron that changed the face of punk music – and pop culture – forever and put the East Bay in the forefront of the Bay Area musical firmament.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater

Rating: NR

Wind River

(Weinstein) Jeremy Renner, Graham Greene, Tantoo Cardinal, Elizabeth Olsen. A grisly murder scene is discovered on a Native American tribal reservation. An FBI agent is called in to investigate and he ends up teaming with a veteran game tracker to run the killer to ground.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Amstar Lake Mary, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village, Rialto Spanish Springs

Rating: R (for strong violence, a rape, disturbing images, and language)

ALSO OPENING IN ORLANDO/DAYTONA:

Bareilly Ki Barfi
Fairy Tale: Dragon Cry
From the Land of the Moon
Imperfections
Shot Caller

ALSO OPENING IN MIAMI:

Anando Brahma
Fairy Tale: Dragon Cry
Menashe
Once Upon a Time 3D
The Only Living Boy in New York
The Untamed
Whose Streets?

ALSO OPENING IN TAMPA:

6 Days
Anando Brahma
The Ancient Magus Bride
Bareilly Ki Barfi
Fairy Tale: Dragon City
The Midwife
Shot Caller

ALSO OPENING IN JACKSONVILLE:

68 Kill
Anando Brahma
The Ancient Magus Bride

SCHEDULED FOR REVIEW:

68 Kill
Brigsby Bear
Dawson City: Frozen in Time
The Hitman’s Bodyguard
Logan Lucky
Menashe
The Only Living Boy in New York
Turn It Around: The Story of East Bay Punk
Whose Streets?
Wind River

Star Wars: The Force Awakens


Home at last!

Home at last!

(2015) Science Fiction (Disney) Harrison Ford, Daisy Ridley, John Boyega, Oscar Isaac, Carrie Fisher, Adam Driver, Lupita Nyong’o, Andy Serkis, Mark Hamill, Domhnall Gleeson, Anthony Daniels, Max von Sydow, Peter Mayhew, Gwendoline Christie, Simon Pegg, Pip Torrens, Greg Grunberg, Kiran Shah, Andrew Jack, Warwick Davis, Sasha Frost. Directed by JJ Abrams

So, no joke, this is the cinematic event of the year – and one of the biggest event movies ever. Certainly it’s box office explosion, mowing down box office records like so many innocent civilians at the hands of Stormtroopers, gives credence to that. People weren’t just excited to see it – they were absolutely insane to see it. Many have gone back and seen it three or four or more times since it opened. But is it worth all the hype?

As the iconic opening crawl informs us, thirty years has passed since the Empire has fallen and the Republic was re-established. From the ashes of the Empire has risen the First Order, run by the shadowy Supreme Leader Snoke (Serkis) who appears via hologram as kind of a gigantic mummified cross between Abe Lincoln and C3PO (Daniels). Who appears later on in the film. C3PO, not Abe Lincoln.

I digress. Everyone is looking for Luke Skywalker (Hamill), the last Jedi Knight who has disappeared after some sort of catastrophe involving training new Jedi Knights that went horribly wrong. The First Order wants to stop him from doing what the Resistance (tacitly supported by the Republic) want him to do – to lead them to victory against the First Order. To that end, they have sent cocky pilot Poe Dameron (Isaac) to the desert world Jakku to retrieve a map which leads to Skywalker. However, the First Order led by their Sith-like leader Kylo Ren (Driver) show up and Dameron is forced to give the chip containing the map to his trusty droid BB8 (kind of like a Beach Ball with the top of a droid on it – perhaps that’s what BB stands for) and sends him rolling off to the nearest settlement. He’s captured and interrogated but eventually rescued by Fin (Boyega), a Stormtrooper who develops a conscience.

BB8 discovers Rey (Ridley), a metal scavenger who has been on her own since her parents left her on Jakku to fend for herself. In the meantime, Fin and Dameron get separated and Fin finds Rey and BB8 but with the Emp…er, First Order hot on their heels, they escape in what turns out to be a familiar spaceship.

Once away they run into familiar faces and new ones, and discover that an all-new and improved solar-powered Death Star is getting ready to do its worst. The new Resistance heroes must go to this new weapon and destroy it, but that is no easy task, even with the old Rebellion heroes on their side.

After the prequel trilogy left the Star Wars fandom and moviegoers in general underwhelmed, I can safely say that this had a pretty high bar to meet, but it has done so in spades. Frankly put, this is one of the best movies of the year and I never thought I’d say that about a Star Wars film. As you’d expect, the special effects are marvelous and mostly achieved through practical means. However, there’s more to the film than that.

Let’s talk about the story a little bit. Some have complained that there are too many similar elements to the very first film, which is now titled Episode IV: A New Hope in canon. That’s a pretty fair complaint and it is occasionally distracting, but the storylines aren’t terribly identical. I do wish they’d used something other than a desert planet to open the movie with although I suspect that the universe has more desert planets than those with greenery. But one can have a fairly barren terrain without having the same sand dunes that characterized Tatooine. However, the important thing is that the story has retained that epic quality that characterized the first trilogy (not the prequels so much).

That said, the acting here is marvelous. Ford in particular brings Han Solo back to life, giving him the same gruff, roguish qualities in the first trilogy but tempering it with melancholy – there have been events in his life since the fall of the Empire that have been bitter and some even tragic. Not all of those are gone into with much detail, but let’s just say that as a father and a husband he makes a good smuggler.

Ridley and Boyega, who share the heroic role, both show a good deal of screen charisma and promise as the new kids on the block. They both realize they don’t have to carry the film, but something tells me either one or both could if they had to. Boyega, particularly, has an incredible amount of potential, not just here but in all of the films he’s been in. His character is the most interesting one of the new ones, although Kylo Ren has some definite Daddy issues that no doubt are going to develop into something else.

The movie moves along at breakneck speed; even the pauses are well-placed and well-paced. It’s not a short movie but it never feels long. Considering all the expectations that were heaped on this property that Disney paid $4 billion for, it’s good to see that for once not only were those expectations met but exceeded. Looks like Disney has gotten an excellent return on their investment.

REASONS TO GO: Spectacular! Recaptures everything about the first trilogy that made it great. Will appeal to kids and adults as well. Surprisingly good performances.
REASONS TO STAY: Story a little too much like the very first movie.
FAMILY VALUES: Some sci-fi violence.
TRIVIAL PURSUIT: Abrams preferred to use actual locations and practical effects over green screen and CGI in order to be more aesthetically similar to the first trilogy.
CRITICAL MASS: As of 12/28/15: Rotten Tomatoes: 94% positive reviews. Metacritic: 81/100.
COMPARISON SHOPPING: Star Wars Episode IV: A New Hope
FINAL RATING: 9.5/10
NEXT: Hitchcock/Truffaut

New Releases for the Week of December 18, 2015


Star Wars Episode VII The Force AwakensSTAR WARS: THE FORCE AWAKENS

(Disney) Daisy Ridley, Mark Hamill, Carrie Fisher, Harrison Ford, Oscar Isaac, Adam Driver, Max von Sydow, John Boyega, Simon Pegg, Lupita Nyong’o. Directed by J.J. Abrams

The wait is finally over as the most eagerly anticipated movie in maybe a decade finally debuts in theaters and everyone is going gaga over it. I’d give a plot summary here but does it really matter? The reviews have been strong, word of mouth is as usual critical from the fanboys and aging fans are reliving their youth all over the globe, and that can’t be a bad thing. Merry Christmas, Disney accountants!

See the trailer, promos, interviews and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sci-fi action violence)

Alvin and the Chipmunks: Road Chip

(20th Century Fox) Jason Lee, Justin Long (voice), Kimberly Williams-Paisley, Matthew Gray Gubler (voice). The chipmunks and Dave take their act on the road. Just as long as it takes them away from wherever I am.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family Comedy
Now Playing: Wide Release

Rating: PG-13 (for some thematic elements and brief suggestive material)

The Assassin

(Well Go USA) Qi Shu, Chen Chang, Satoshi Tsumabuki, Dahong Ni. A young woman, abducted as a child from her home by a general of the army, trained into adulthood to be an assassin, is ordered to kill the man she is betrothed to. She must discover why she was chosen for this job and in doing so confront her past before she makes the choice to leave the only life she’s ever known or murder the only man she’s ever loved.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Martial Arts
Now Playing: Enzian Theater

Rating: NR

Bajirao Mastani

(Eros International) Priyanka Chopra, Deepika Padukone, Ranveer Singh, Mahesh Manjrekar. In ancient India, a cunning general and his second wife are fated to be caught in events that are sweeping through the sub-continent. This true story has the production values of an epic and may be one of the most sumptuously filmed movies to ever come out of that country.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance Adventure
Now Playing: AMC Loew’s Universal Citiplex, Touchstar Southchase

Rating: NR

Dilwale

(Red Chillies) Shah Rukh Khan, Kajol, Kriri Sanon, Varun Dhawan. A little bit like Romeo and Juliet, two families that compete in business, in politics and in just about everything else are separated when one family moves away. Fifteen years afterwards, the children meet again and sparks fly – as well as romantic ones.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Touchstar Southchase

Rating: NR

Hitchcock/Truffaut

(Cohen) Alfred Hitchcock, Francois Truffaut, Matthieu Amalric (voice), Martin Scorsese. One of the most influential books in the history of filmmaking is the interview between French New Wave director Truffaut and the Master of Suspense Hitchcock. Two of the all-time best in the business (many say Hitchcock was the best) talk about directing with a candidness that they might never have given during a mainstream interview. The book made from the interview has influenced many of the greatest directors of this generation; excerpts from the original interviews and commentary on what the book meant to their careers are included.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: PG-13 (for suggestive material and violent images)

Sisters

(Universal) Tina Fey, Amy Poehler, John Cena, Maya Rudolph. Two very different sisters – one a divorced mouse, the other a single party animal, come home to discover their parents are putting their childhood home up for sale. Distraught, they decide to relive their glory years one last time with a blow-out party that will perhaps provide the catharsis they need and the laughs that we need.

See the trailer, clips, a promo, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content and language throughout, and for drug use)

Kingsman: The Secret Service


Accessories are important for the true gentleman.

Accessories are important for the true gentleman.

(2015) Spy Action (20th Century Fox) Colin Firth, Samuel L. Jackson, Michael Caine, Taron Egerton, Mark Strong, Sophie Cookson, Sofia Boutella, Mark Hamill, Jack Davenport, Geoff Bell, Samantha Womack, Jordan Long, Tobi Bakare, Nicholas Banks, Edward Holcroft, Morgan Watkins, Jack Cutmore-Scott, Hanna Alstrom, Fiona Hampton, Lily Travers. Directed by Matthew Vaughn

The spy movies of the late 60s and onward have a certain place in the cultural psyche. They represent a particular era, sure, but they also represent the fight between good and evil, our fascination with technology and a certain sense of humor about life in the modern age. Our attitudes towards women, patriotism, freedom and what constitutes a gentleman have been largely shaped by these films.

Gary “Eggsy” Unwin (Egerton) is growing up aimlessly in a working class London neighborhood. His dad died when he was a baby and his mom (Womack) has taken up with a local thug (Bell) named Dean. Dean abuses his mom but Gary isn’t strong enough to stand up for her or for himself. Dean despises him and ridicules him for it.

But Eggsy has a good heart to go along with his Cockney accent and when he gets arrested for stealing the car of one of Dean’s underlings and leading the police on a merry chase, he knows he can’t call home. Therefore, he calls the number on the back of an amulet once given to his mother by a gentlemen who came to inform her of the death of Eggsy’s father, remembering that if he called that number and read a certain phrase, help of whatever nature was needed would be forthcoming.

It comes in the form of Harry Hart (Firth), a debonair and well-dressed gentleman who tells Eggsy that in fact, his father once saved Harry’s life and that Harry wanted to repay that debt by offering his son the opportunity to try out for a position in the same super secret organization that his father served in and that Harry in fact serves in now – the Kingsmen. No, not the “Louie, Louie” bunch.

The Kingsmen are a secret, non-government affiliated group of highly trained, highly skilled gentlemen. They aren’t spies particularly; what they do is prevent bad things from happening. They have a seemingly unlimited budget and there are only a set number of them; when one dies they are replaced. This is the group that Eggsy is about to join – if he can survive the process of selecting the winning applicant, that is and it is a brutal one, focusing on teamwork, thinking on one’s feet and assessing dangerous situations. Most of the applicants are upper class snobs, although Eggsy befriends Roxy (Cookson), a female applicant (who gets her share of grief from the snobs, as does Eggsy) and Merlin (Strong), the tech wizard of the Kingsmen and the right hand of Arthur (Caine), head of the organization.

In the meantime, a tech billionaire named Valentine has big, bad plans. See, he’s a little bit concerned about climate change. Okay, he’s a lot concerned about climate change. He’s given up on the government doing anything about it and has decided that to make humankind’s carbon footprint smaller he needs to make the population smaller. His plan is to use a special cell phone signal through special SIM cards in free cell phones he’s given away to nearly everyone trigger a violent, murderous rage in those who hear it. Only those wealthy, beautiful few who he’s personally approached and implanted a microchip that cancels out the signal in their heads will be immune to the carnage, especially after they all are safely ensconced in bunkers around the world.

It’s a mad plan, certainly but Valentine is deadly serious about it. He’s even hired himself a mercenary army and constructed a lair within a mountain. You know he’s got to be a villain with a mountain lair. In any case, with Valentine’s powerful connections, getting to him won’t be easy and preventing an anarchic Armageddon even less so but that’s what the Kingsmen are there for, after all – to save the day.

Vaughn has made films based on Mark Millar comic series before (as this film is) and the collaborations between the two have been fruitful, producing the fine superhero film Kick-Ass for example. Vaughn has become one of my favorite directors of late with some excellent genre films to his credit. He knows how to make a film visually spectacular and hit all the right buttons in the fanboy psyche while not taking the movies so seriously that they become ponderous. His movies are almost always deeply entertaining.

And this one is no exception. Colin Firth as an action hero seems like a pretty unlikely casting, but it works here. Firth actually performed a surprising amount of his own stunts, but handles the role well, keeping a Bond-like facade of cool while kicking the butts of a group of Dean’s thugs, or some of Valentine’s flunkies, or a church full of homicidal fundamentalists.

Samuel L. Jackson makes a fine villain. Given several personality quirks (he gets violently ill at the sight of blood for example) by the writers, Jackson gives the character a lisp that makes him all the more memorable which is in the grand tradition of Bond villains. While the lisp does occasionally fall off, Jackson gives the character the right amount of menace to make for a formidable foe but enough goofiness to give the film a lighter tone. He also gets a nifty assassin in Gazelle (Boutella), who has no legs but on her Pistorius-like artificial limbs is fast, graceful and deadly as she is able to unfold sword blades from those artificial legs while in mid-air. Tres cool.

There are a lot of asides to the spy movies and television series of history; a reference to the Get Smart! shoe phone for example, or the glasses worn by super-spy Harry Palmer in films like The Billion Dollar Baby and The Ipcress Files. Clearly there are several Bond references although many are turned on their ear; Valentine at one point has a speech in which he says “This is the part where I reveal to you all my plans, and then come up with a slow and convoluted way for you to die, and you come up with a convoluted way to escape and stop me. Except this isn’t that kind of movie” at which point he shoots his nemesis in the head, much like Indiana Jones once shot a swordsman making fancy moves before he could attack.

Egerton shows a lot of potential, although I can’t say he’s a slam-dunk future star. He’s got charisma but he wasn’t really asked to carry this movie (as well he shouldn’t have been) and so I’m not certain he can rise above the gimmicks and gadgets, of which there are plenty here. The jury is out on him for me, although I can see him eventually ascending to a leading man status.

The humor here is mostly dry although there are some broad physical jokes here from time to time. Those who find the English wit not to their liking may consider this not their cup of tea, although I enjoyed this a great deal. In fact, this is the most entertaining movie I’ve seen thus far this year (which isn’t saying much) and one of the most entertaining I’ve seen in the first quarter of any year (which is saying a lot) ever. For those looking for a fun time at the movies, this is your best bet at least until some of the more anticipated movies of the spring start appearing next month. I certainly wouldn’t complain if this became the start of a new Fox franchise.

REASONS TO GO: Highly entertaining. Great action sequences. Strong performances throughout.
REASONS TO STAY: Relies a bit on gimmickry and gadgetry. May be too droll for some.
FAMILY VALUES: Plenty of violence and mayhem, some pretty crude language and some sexuality and brief nudity.
TRIVIAL PURSUIT: The menswear shop on Savile Row which is the entrance to the Kingsman headquarters is based on Huntsman, a real store in the area. Because shooting in the actual shop would have been impractical, a set was built copying many of the characteristics of the original although production designer Paul Kirby added his own touches to give the set its own personality.
CRITICAL MASS: As of 2/22/15: Rotten Tomatoes: 73% positive reviews. Metacritic: 59/100.
COMPARISON SHOPPING: This Means War
FINAL RATING: 7/10
NEXT: Hot Tub Time Machine 2