(2010) Coming of Age Drama (Marlboro Road Gang) Matt Bush, Kerry Bishé, Edward Burns, Max Baker, Anna Wood, Brian Delate, Marsha Dietlein, Jay Patterson, Harper Dill, Michele Harris, Vanessa Ray, Callie Thorne, Anna Wood. Directed by Edward Burns
What do you want to be when you grow up? We get asked that question a lot when we’re a child. Usually we have some really cool idea of what we want to do – an astronaut, a cowboy, a teacher – but as we get older, we find something else that occupies our imagination. But still, the question persists throughout our lives, which begs the question whether we ever really grow up at all.
Johnny Rizzo (Bush) is living the dream. He works as a call-in radio host for a sports talk show in a small town in Northern California. He loves what he does. He also loves Claire (Wood), his fiancée who has bigger plans for Johnny. She’d made him promise that if he wasn’t making $50K by the time he was 25. Well, he’s just turned a quarter century and it’s time to pay the piper. Even though he’s doing his dream job and is happy and content, Johnny is also a man of his word so it’s off to New York to interview with his prospective father-in-law for a position as a warehouse manager at a cardboard box factory which is nobody’s dream job.
Once there he hooks up with his Uncle Terry (Burns) who is a hedonistic ladies man. Like Claire, he thinks that Johnny needs to make some changes – he thinks Johnny needs to get laid. So he takes his nephew in hand to Long Island to “get some strange,” as he puts it. So Johnny goes, knowing that he isn’t going to cheat on his fiancée but unwilling to disappoint his uncle, who is probably more about finding a married woman to have an affair with.
While there he meets Brooke, a free spirit who he connects with from the get-go. She’s a tennis instructor who thinks he’s an idiot to give up on his dream for a bigger salary job. Of course the two fall for each other in a big way, bringing up a moral dilemma for Johnny – he’s committed to Claire who he’s plainly not suited for but can he break that commitment and still be a nice guy?
Edward Burns is what I think of as a niche director which sounds a lot worse than it is. What I mean by that is that he consistently does movies that approach life and love from the viewpoint of working class mokes from the burbs of New York (generally Long Island where Burns grew up). As an actor I’ve always considered him a bit of a poor man’s Ben Affleck which again, sounds a lot worse than it is.
This isn’t one of Burns’ best in either role. His Uncle Terry really is a bit of a stretch for him. Not that he isn’t capable of this kind of role but he really isn’t convincing here. He’s a bit of a lynchpin too which makes it worse; what he needed here was someone who could have been more outrageous. As a director, he didn’t really cast this part very well but budgetary constraints and all. You know what I’m saying. Still, he’s entertaining enough in the part to be memorable which helps. He just needed more here.
Bishé really steals the show here. She takes what is essentially a typical indie free spirit role and runs with it. I like what she does here; she’s down to earth and never makes this a caricature. She’s sexy as hell and, unlike a lot of indie roles here, without shame or apology. It’s part of who she is and she doesn’t feel compelled to obscure it with self-conscious cuteness.
Bush doesn’t fare quite as well. He’s a good-looking guy with an aw-shucks demeanor but he’s kind of bland here. I know he’s supposed to be a nice guy (hey it’s the title of the freakin’ movie and all) but that doesn’t mean he has to be vanilla. I think he’s following the lead of his romantic interest and trying to avoid the quirky indie leading man cliché but he takes it a bit too far which leaves the audience with a character without character. By the middle of the movie I was less interested in him than in the female lead which, when you’re the title character in a movie, bodes a bit ill.
I think they would have benefitted from making Claire less of a materialistic harpy. There really isn’t any competition between Johnny’s two love interests and that takes the tension out of the film. If Claire was really loving and supportive it would have made for a more compelling decision. What we’re left with is a case where the audience is wondering why he stayed around as long as he did. There really is nothing to recommend Claire as a romantic partner to anyone other than that she’s pretty and quite frankly Johnny isn’t that shallow a character, or shouldn’t be. Maybe he is and I’m missing something.
Anyway with a few tweaks this could have been a really interesting romantic comedy. As it is, it’s pretty good entertainment and worth checking out for the performance of Bishé alone.
WHY RENT THIS: Reasonably romantic without being sentimental. Burns is always entertaining.
WHY RENT SOMETHING ELSE: Writers needed to work a little harder.
FAMILY VALUES: There is a little bit of sexuality and some salty language.
TRIVIAL PURSUIT: The movie was shot in ten days by a crew of three who worked for free, although they would share in any profits the micro-budgeted ($25,000) movie would make.
NOTABLE HOME VIDEO EXTRAS: There is some choppy, grainy audition footage. There is also a special edition (???) that also includes an interview with director Edward Burns. Why?
BOX OFFICE PERFORMANCE: Not available.
COMPARISON SHOPPING: Adventureland
FINAL RATING: 6/10
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