Spectral


You see dead people.

(2016) Sci-Fi Horror (Netflix/Legendary) James Badge Dale, Emily Mortimer, Bruce Greenwood, Max Martini, Cory Hardrict, Clayne Crawford, Gonzalo Menendez, Ursula Parker, Aaron Serban, Stephen Root, Royce Pierreson, Jimmy Akingbola, Philip Bulcock, Ryan Robbins, Dylan Smith, Louis Ozawa Changchien, James D. Dever, Mark O’Neal, Michael Bodie, Declan Hannigan  Directed by Nic Mathieu

 

There are more things in heaven and earth than are dreamt of by the minds of mortal men. Sometimes the minds of mortal men think up some amazing things. Some of those things are way too dangerous and should be left alone.

A group of elite U.S. soldiers are in the country of Moldova whose government has collapsed. They are attacked by something strange; glowing vaguely human beings that might be ghosts who kill with a single touch. The commander of the U.S. force (Greenwood) calls in DARPA scientist Mark Clyne (Dale) who developed goggles that allow men to see the invisible to the naked eye spectral beings.

He is accompanied by Fran Madison (Mortimer), a CIA analyst who believes that the deaths are the result of some super-weapon that the insurgents have developed. Using the goggles that Dr. Clyne built, the soldiers determine that the specters can’t be harmed with small arms fire. Clyne modifies searchlights so that they can see the specters more easily. They also find out that the creatures, which can move through solid walls, can’t go through iron. They modify their explosive devices so that they fire iron filings at the things.

The soldiers find a laboratory and discover to their shock that these specters were the results of weapons experiments in which human beings were duplicated with advanced 3D printers and are kept alive by the brains of the originals. However, control was lost of the experiment and now the city is full of these specters and it won’t take long before they overrun everything.

This was originally developed at Universal as part of their deal with Legendary who had just separated from their long-time distributors at Warner Brothers. However, when push came to shove the studio declined to release the film and Netflix eventually snapped it up. So Netflix essentially got a ready-made (relatively) big budget genre film.

Dale has been on the ragged edge of leading man duties for awhile and this should have been a career boost but sadly it likely won’t be now. That’s a shame; he’s a fine actor and while I don’t think this particular role really benefits him well, he at least does a decent enough job with an underwritten role that is largely a video game character.

In fact the whole movie reminded me of a video game. Sort of like Call of Duty meets Aliens with a dash of Ghostbusters thrown in only with the humor excised. That might work for some but I think it’s a serious miscalculation. People who like videogames want to have some control rather than passively watch someone else’s vision. The filmmakers would have been better served to make this less of a videogame cinematic.

The special effects aren’t half bad in some places and while the plot tends to meander a little bit, it doesn’t do so enough to make the film incomprehensible. I can see why Universal hesitated about releasing this wide; it seems to appeal to a niche audience and given that most videogame adaptations have been epic failures both critically and at the box office, I’m not sure that a videogame adaptation of a game that doesn’t exist would do any better. It seems tailor-made for Netflix and while I thought it was a bit disappointing, it is entertaining enough and interesting enough to be worth a look.

REASONS TO GO: Some of the special effects are nifty.
REASONS TO STAY: The plot is a little bit convoluted.
FAMILY VALUES: There are some intense sci-fi action sequences.
TRIVIAL PURSUIT: James Badge Dale and Max Martini also played military roles in 13 Hours.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 3/26/17: Rotten Tomatoes: 80% positive reviews. Metacritic: No score yet.
COMPARISON SHOPPING: The Objective
FINAL RATING: 5.5/10
NEXT: The Salesman

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Captain Phillips


Tom Hanks draws the line at being waterboarded for another Oscar.

Tom Hanks draws the line at being waterboarded for another Oscar.

(2013) True Life Drama (Columbia) Tom Hanks, Barkhad Abdi, Barkhad Abdirahman, Faysal Ahmed, Mahat M. Ali, Michael Chernus, Catherine Keener, David Warshofsky, Corey Johnson, Chris Mulkey, Max Martini, Yul Vazquez, Omar Berdouni, Mohamed Ali, Issak Farah Samatar, Angus MacInnes, Amr El-Bayoumi, Stacha Hicks, Maria Dizzia, Georgia Goodman. Directed by Paul Greengrass

Most of us at one time or another will face a situation that will put our resolve to the test. Who we are and where our moral compass points to are defined by those moments. Few of us however will face that moment in a life or death situation where not only our own lives hang in the balance but other lives as well.

Richard Phillips (Hanks) of Vermont is a ship captain, a man used to commanding a merchant vessel filled with cargo, transporting it from one spot in the world to another. He’s not overly fond of the run up the West African coast past Somalia, a trouble spot from which piracy has become a commonplace means of acquiring wealth but it’s a job and he approaches it as such. He literally kisses his wife (Keener) goodbye at the airport, grabs his lunchpail and hardhat and goes to work.

But whereas he adopts a very blue collar approach to his job, he is certainly a leader. He expects his men to do their jobs efficiently and well and tends to be a bit of a hard ass. His officers respect him and while there is some grumbling among the union rank and file, isn’t there always?

For Muse (Abdi), life is much less clear cut. He lives in an impoverished Somali fisherman off of coastal waters that have been overfished to the point that they are literally barren of life. A local warlord insists that Muse and other village men go out and hijack another ship, even though they had just successfully taken another ship the previous week. Muse knows that this cycle will continue and has his eyes on a big score, enough so he can take what proceeds he can and move his family somewhere safer.

For Muse and the three men in his command – young Bilal (Abdirahman), on his first mission; Elmi (Ali) the clever driver and mechanic, and Najee (Ahmed) who chews khef leaves nonstop, making him aggressive and angry which is never a good combination. They spot the Maersk Alabama making its way up the coast and recognize this as their golden once-in-a-lifetime opportunity.

Captain Phillips watches the skiff approach at speed and knows instinctively that these men aren’t there to fish. His pleas for assistance are at first met with skepticism but after he fends off one attack, the second leads to a confrontation that will eventually involve the U.S. Navy, a lifeboat and a hair-trigger situation that could lead to the deaths of not only the pirates but Captain Phillips himself.

Greengrass, who previously gave us a docudrama called United 93 which was one of the best (if not the best) movies on the events of 9-11 yet, is adept at taking a situation that was headline news, enough so that most of us know how it ends and nonetheless keeps us on the edge of our seats. Much of that falls to Hanks, one of the most beloved actors of his generation. Few actors are as likable as Hanks who is not so much the guy next door but the guy down the street who lets you borrow his riding lawnmower on a scorching Saturday afternoon in August. The man is able to project such decency that we are immediately drawn into concern for Phillips’ safety even despite the kind of New England frosty demeanor.

Most of us who are fairly aware of the world around us know pretty much what happened during the real events surrounding Captain Phillips and the Maersk Alabama in 2009 but most of us aren’t fully aware of the details. That allows us to be caught up in the tension and atmosphere and given the likability of Hanks we become fully invested in his fate.

Greengrass also makes the pirates somewhat victims of circumstance; you get the sense young Muse (who in reality was 18 years old when these events transpired) would have preferred a more honest day’s work. He has few options however and does what he must; the rail-thin Abdi gets some sympathy despite the brutality of some of his crew who are a hair’s breadth from losing it the longer things go.

It should be mentioned that the crew members of the Maersk Alabama have disagreed vociferously with the way events were portrayed in the film and have brought suit against the parent company and Phillips, claiming his recklessness brought them into waters he knew hijackings had taken place in, all to save money by shortening the trip.

That said, the movie works as entertainment and is certainly going to make a lot of best-of-the-year lists come December. Few heroes measure up to their own legend and I’m sure the real Captain Phillips probably doesn’t hold a candle to the Tom Hanks version. Regardless of how events actually played out, this was nevertheless an extraordinary event that will put your emotions through a wringer as depicted here and that can be an exhilarating thing.

REASONS TO GO: Edge of the seat suspense. Terrific performances by Hanks and Abdi as the adversaries.

REASONS TO STAY: A little too much shaky-cam for my comfort.

FAMILY VALUES:  There is a bit of substance abuse, a good deal of violence as well as a couple of bloody images, and sustained tension throughout. There are a few bad words here and there.

TRIVIAL PURSUIT: The shipboard filming was done aboard the Alexander Maersk, sister ship to the Maersk Alabama.

CRITICAL MASS: As of 10/21/13: Rotten Tomatoes: 94% positive reviews. Metacritic: 83/100.

COMPARISON SHOPPING: Argo

FINAL RATING: 8/10

NEXT: Tomorrow, When the War Began

New Releases for the Week of October 11, 2013


Captain Phillips

CAPTAIN PHILLIPS

(Columbia) Tom Hanks, Catherine Keener, Barkhad Abdi, Max Martini, Yul Vazquez, Michael Chernus, Chris Mulkey, Angus MacInnes. Directed by Paul Greengrass

The captain of a cargo ship is on a routine run off the coast of Somalia when his radar picks up a couple of small boats headed towards his vessel at speed. Something about it feels wrong and he communicates his concerns to the authorities. They think it’s probably nothing more than a couple of Somali fishing boats but he’s still uneasy. His fears turn out to be real as his ship is boarded by armed pirates, beginning a real-life crisis that would grab world headlines.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard, IMAX (opens Thursday night)

Genre True Life Drama

Rating: PG-13 (for sustained intense sequences of menace, some violence with bloody images, and for substance use)

Ghost Team One

(The Film Arcade) Carlos Santos, JR Villarreal, Fernanda Romero, Meghan Falcone. A couple of slacker roommates accidentally wake the dead during a party. What to do? Call in a paranormal investigator who turns out to be a mega-hottie. Both of the roomies are into her in a big way but someone else has his eye on her – the demon they’ve inadvertently summoned.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror Comedy

Rating: R (for strong sexual content, brief graphic nudity, pervasive language, some drug use and violence)

 Machete Kills

(Reliance) Danny Trejo, Michelle Rodriguez, Sofia Vergara, Mel Gibson. The return of the ex-Mexican Federale from the Grindhouse trailer and his own feature film. This time he has been personally recruited by the President of the United States to take out a revolutionary and an arms dealer who have teamed up to start a reign of terror and war across the globe. One man against an army of thugs? When that one man is Machete, that’s all you need. When Machete takes out the trash, it stays took.

See the trailer, promos and a clip here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday night)

Genre: Action

Rating: R (for strong bloody violence throughout, language and some sexual content)

Romeo and Juliet

(Relativity) Hailee Steinfeld, Douglas Booth, Stellan Skarsgaard, Paul Giamatti. The classic Shakespeare tragedy gets a new treatment. While the film is set in the traditional setting of the original play, it is meant to be geared towards young people who may not have experienced that play although may have heard of it. Perhaps they should show the title characters texting their dialogue to one another.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romance

Rating: PG-13 (for some violence and thematic elements)