Fahrenheit 11/9


Trump supporters wearing their thoughts on their sleeves.

(2018) Documentary (Briarcliff/AnnapurnaMichael Moore, Donald J. Trump, Barack Obama, Nancy Pelosi, Hilary Clinton, Bill Maher, Bernie Sanders, Chris Matthews, George Stephanopoulos, Wendy Williams, Roger Ailes, Megyn Kelly, John Podesta, Roger Stone, Paul Ryan, Joe Scarborough, Larry King, Steve Bannon, Jared Kushner, Ashleigh Banfield, April Cook-Hawkins, Brooke Baldwin. Directed by Michael Moore

 

During the 2016 Presidential election, one of the lone voices on the left predicting that Trump would win was gadfly and documentarian Michael Moore. The favored son of Flint, Michigan takes the time to illustrate just how this came to pass when virtually nobody thought it would – other than Trump and his followers.

This is perhaps Moore’s most serious documentary, with less of the stunts that characterize his other films (although he does attempt to make a citizen’s arrest of Michigan governor Rick Snyder and dares politicians to drink a glass of Flint water) and gives the movie a bit of a bleaker turn than most of his other work.

Moore doesn’t pull punches and he doesn’t always play fair with his facts; some of his commentary is a bit of a stretch and like that guy whose sense of humor isn’t always apparent, you’re never sure if he’s kidding or not.

Moore spends most of the movie illustrating how corporate America has essentially bought our democracy and has turned it into their own private ATM, making sure legislation favors the wealthy and the corporate at the expense of the working class and of course the poor – two classes that are virtually indistinguishable now. He does show glimmers of hope with the Parkland students rising up and leading a massive national march for gun control, and profiling politicians like Rashida Tlaib and Alexandra Ocasio-Cortez who might just make a difference in years to come.

Those who lean to the right in their political thinking are not likely to see this, but then again, this movie isn’t really for them – it’s more of a call to arms for the left which Moore criticizes has become complacent and self-destructive. We must all stand together, he opines – or as the Founding fathers might have added, we will all hang separately.

REASONS TO SEE: Adequately explains what got us to this point. Smart and occasionally mind-blowing.
REASONS TO AVOID: A little bit scattershot and at the end of the day, probably doesn’t accomplish what it set out to.
FAMILY VALUES: There is a fair amount of profanity and some sexual innuendo.
TRIVIAL PURSUIT: While the film made its official world premiere at the Toronto International Film Festival, Moore hosted a special premiere in his home town of Flint, Michigan (which figures heavily in the movie) four days later.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, Redbox, Vudu, YouTube
CRITICAL MASS: As of 1/15/20: Rotten Tomatoes: 82% positive reviews: Metacritic: 69/100.
COMPARISON SHOPPING: Fahrenheit 9/11
FINAL RATING: 7/10
NEXT:
Life, Itself

Hail, Satan?


Freedom of religion means ALL religions.

(2019) Documentary (Magnolia) Lucien Greaves, Jex Blackmore, Nicholas Crowe, Malcolm Jarry, Michael Wiener, Stu DeHaan, Jason Rapert, Anton LaVey, Megyn Kelly. Directed by Penny Lane

As a general rule, we as a species are pretty dense. You can talk until you’re blue in the face using unassailable logic and still the rest of us don’t get it. It’s not that we’re that dumb, it’s just that we don’t listen very well. Sometimes to get our attention, you have to shake things up somewhat.

In 2013, Malcolm Jarry, Lucien Greaves and a few other interested parties founded The Satanic Temple. Utilizing imagery and iconographies designed to shock people out of apathy, the group initially was formed to combat what the founders saw as increasing Evangelical Christian presence in government. They did it with humor and intelligence, linking Florida governor Rick Scott to legislation that would allow Bible passages to be used in public schools.

Although the spokesman for the Temple was initially an actor playing Greaves, it became evident to Greaves he would have to become the face of the group in order to be more effective. Before long, he was attracting a lot of like-minded people to the group, many of them self-identifying as outsiders and misfits, some of them from the heavy metal community and others from the goth community (such as Jex Blackmore from the latter).

The group came to major notoriety when they opposed monuments at state capitals in Oklahoma and Arkansas by suggesting that since Christian monuments were being erected, they should be allowed to erect an 8-foot tall bronze statue of Baphomet, a version of Satan, on the same ground. Christians of course didn’t take kindly to it but one had to admire their pluck and their logic.

The documentary gives us an intimate look at the Temple and those who are part of it, particularly the articulate and charismatic Greaves but also Blackmore, a fiery and passionate feminist who led the Detroit chapter of the Temple. Acclaimed documentary director Lane pulls no punches in a falling out between Blackmore and the Temple recently over remarks she made supporting violence against the current ruling party.

However, that’s more of a distraction. The ongoing legal fights the Temple have going and their stated goal of religious plurality (which is what the founding fathers envisioned originally) and their absolute opposition to attempts to turn our republic into a theocracy are very much the focus here. Lane allows Greaves, Jarry, Blackmore and others to make the Temple’s case in a calm and sober manner – but not without a sly wink and twinkling eyes. However, it should be noted that many of the Temple members interviewed here use assumed names and hide their identities in other ways so as not to cause their families any unnecessary discomfort. People look upon Satanists as evil and vile; while that perception in the case of the Temple isn’t correct, the stereotype persists.

Incidentally, despite the name the Temple does not literally worship Satan or evil. They see Satan as the ultimate rebel (the famous Byron quote “Better to rule in Hell than serve in Heaven” is applicable here) against the status quo. While they borrow the iconography of devil worship as depicted by the “satanic panic” news hysteria of the late 80s and 90s (horned goat masks, robes, nudity and so on), they aren’t about sacrificing babies or animals or anything else. For my part, I wonder if their usage of such symbols isn’t providing free advertising for evangelicals.

One of the things that is telling about the differences between the Satanic Temple and Christianity is that while the basic laws of the Christian church tell you what you shalt not do, the Seven Tenets of the Satanic Temple tell you what you should do – treat others with respect and compassion, to use scientific understanding as a foundation for belief, to forgive the mistakes of others because humans are fallible, to not impinge on the freedom of others, to render inviolate the bodies of others, and to inspire nobility of thought and compassion despite the often contradictory nature of the written and spoken word. Fine concepts to live by if you ask me.

=The movie played the recent Florida Film Festival and is likely to show up again at the Enzian or perhaps some other local theater. Don’t mistake this for a film promoting hedonism, excess and corruption; in seeing a movie about a group who might appear shocking and anathema to you, you might just find your own point of view changing for the better.

REASONS TO SEE: Greaves is a charismatic spokesman. A serious subject is tackled with some humor.
REASONS TO AVOID: Some where their misfit badges a bit too stridently.
FAMILY VALUES: The is some profanity and graphic nudity.
TRIVIAL PURSUIT: Shortly after the documentary came out, The Satanic Temple was granted religious exemption status by the IRS.
CRITICAL MASS: As of 4/25/19: Rotten Tomatoes: 96% positive reviews: Metacritic: 76/100.
COMPARISON SHOPPING: J.R. “Bob” Dobbs and the Church of the Subgenius
FINAL RATING: 8.5/10
NEXT:
Red Joan