Seeking a Friend for the End of the World


Seeking a Friend for the End of the World

Keira Knightley and Steve Carell are not impressed with the dailies.

(2012) Dark Comedy (Focus) Steve Carell, Keira Knightley, Melanie Lynskey, William Petersen, Connie Britton, Adam Brody, Derek Luke, Gillian Jacobs, T.J. Miller, Patton Oswalt, Rob Corddry, Mark Moses, Bob Stephenson, Martin Sheen, Melinda Dillon, Tonita Castro, Jim O’Heir. Directed by Lorene Scafaria

 

What would you do if you knew that you were going to die? Not just you, but everyone and everything? All that we have made, all that we have done – all gone. What would you do? Where would you go? Who would you want to be with when the end comes?

That’s the question that confronts Dodge Peterson (Carell). Actually, it confronts everybody. An asteroid named Mathilda (and how sad that the instrument of our destruction is called Mathilda) is on its way on a collision course with Earth. Attempts to divert the 80-mile wide rock have failed miserably and in 21 days, it will crash into our world, killing all living things and, in all likelihood, a few dead things as well.

His wife, upon hearing the news, makes a run for it with someone she actually loves as opposed to her husband whom she has been cheating on for quite awhile anyway. Dodge, an insurance salesman, makes a few desultory attempts to go to work but as it becomes clear that society will be soon breaking down completely, he gives up on that.

His maid (Castro) comes in as always, preferring to keep herself occupied and gently reminds Dodge to pick up some window cleaner. Returning home from the store through the park, he notices some young people embracing. Despondent, he ingests the entire bottle of cleaning product and lies down.

He wakes up the next morning, feeling a bit ill but having the cleanest esophagus in town. He also has a dog whose leash is tied up to his ankle with a note reading only “Sorry” on Dodge’s chest. He takes the dog home. He also runs into Penny (Knightley), a neighbor who has lived in the same complex for three months but whom he hasn’t gotten to know although she is well aware of his wife’s indiscretions – and those of her boyfriend as well which is how Dodge comes to learn of his wife’s infidelity.

Angry, he throws out all of her stuff and in the process finds a box of his mementos including some pictures. As he takes a trip down memory lane while taking sips from a bottle of prescription cough syrup that his wife left behind, he notices Penny sitting on his balcony, crying. He invites her in after agreeing not to rape her; in exchange, she promises not to steal anything. She is distraught not just because the world is ending but because she broke up with the loser boyfriend (Brody) that she left England for and now will never see her family again because all air travel has stopped (and cell phones and land lines are useless since nobody is sticking around to keep those systems running).

It also turns out that Penny has been getting some of his mail mistakenly and has just now remembered to give it to him. Among the letters is one from his first love Olivia, who he’d broken up with long ago and who had gone on to marry someone else. But, the letter says, she’s divorced now and is looking to reconnect with the true love of her life – Dodge.

He realizes that he needs to go find her because this might – okay, will be – his last chance at true love. However, there is rioting going on, increasing in violence and as it becomes apparent the apartment complex will be overrun, Dodge finds Penny and begs her to drive him to his home town where he can find Olivia (his own car got taken out by a suicide jumper). He promises in return that he knows a guy with a plane who can fly her to England.

On that note, they set off. On the way they run into a variety of people, including a trucker (Petersen) who doesn’t want to wait for the asteroid to incinerate him and an ex of Penny’s named Speck (Luke) who is planning on riding out the asteroid in an underground bunker with a six month supply of potato chips and who is eager to have Penny stay as breeding stock. What Penny and Dodge find on their journey to be with the ones they love is not what they expect.

From the initial sound of it you might think this is a movie about death but it’s not. It’s a movie about life. It’s a movie about how precious life is and a reminder that we are all under a death sentence – we just don’t have the date marked down on our calendars just yet.

Carell plays the subdued, somewhat wallflower-ish guy better than anybody; he’s done it well in such movies as Crazy, Stupid, Love and Dan in Real Life. This is his best performance to date. Dodge is a man who hasn’t lived life; life has just happened to him, and he feels a certain sense that he’s missing something. He comes to live for the first time in those final days, and not just because he shows up at parties that become orgies, or stopping in restaurants where everybody is determined to party the rest of their lives away. For the first time, he is doing something instead of being done to and it empowers him in ways you might not imagine.

Knightley is an Oscar nominee who has proved in other movies that she’s not just a pretty face. She is continuing to grow as an actress. Penny is a free-spirited sort who has made a mess of her romantic life, putting her in a position that she is far from the places and people she loves when it is too late to get back to them. Penny is a bit kooky, but Knightley subdues that aspect of her personality, making her more of a person who marches to her own beat rather than someone who has to wear her quirkiness on her sleeve, which is a refreshing change given how many offbeat indie heroines I’ve seen lately.

The underlying theme here is that life is meant to be lived and none of us know how much time we really have. There’s no sense in living a life of regret because there will come a time when it is time to pay the piper and when we justify our lives to whatever higher power you believe in, it is the regret we must justify with the least amount of ammunition to do it with. I found this movie uplifting, despite the subject matter. When we left our screening, Da Queen and I overheard a teenage girl complaining to her boyfriend that the movie was too depressing. Perhaps she lacks the life experience to see past the end of the world aspect – it is in the title after all, so it shouldn’t be a surprise – but there is a rich subtext going on here that is very much worth exploring. The worst aspect of this movie is that I think the studio made a mistake in when they released this. Despite the apocalyptic element of the movie, it really doesn’t fit in as a summer film. It might have been better served as a fall or holiday release. I think people are more in tune with this kind of movie at that time of year.

REASONS TO GO: Gives much pause for thought. Strangely uplifting even though the subject is a bit depressing.
REASONS TO STAY: Inconsistent. Lacks a sense of social anarchy that would surely occur.
FAMILY VALUES: There is a little bit of drug use, a little bit of violence and quite a bit of foul language, some of it sexual.
TRIVIAL PURSUIT: The wife of Dodge Peterson is played by Steve Carell’s real-life wife, Nancy. Presumably, she isn’t cheating on him in real life either.
CRITICAL MASS: As of 6/30/12: Rotten Tomatoes: 51% positive reviews. Metacritic: 59/100. The reviews are pretty polarized.
COMPARISON SHOPPING: Miracle Mile
VINYL LOVERS: Penny has an extensive collection of vinyl records from the 60s, 70s and 80s as well as a pretty sweet audio set-up.
FINAL RATING: 7/10
NEXT: Abraham Lincoln: Vampire Hunter

A Christmas Story


A Christmas Story
How could you deny this face a Daisy Red Rider BB Gun?

(1983) Holiday Comedy (MGM) Peter Billingsley, Melinda Dillon, Darren McGavin, Ian Petrella, Scott Schwartz, R.D. Robb, Tedde Moore, Zack Ward, Yano Anaya, Jeff Gillen, Jean Shepherd (voice). Directed by Bob Clark

The Christmases of our childhood are special and priceless. Sometimes a single Christmas can be defined by the things we get, but sometimes what we get is more than the presents we’re given.

Ralphie Parker (Billingsley) lives in an Indiana town in 1940; a very Norman Rockwell kind of place with department stores, middle schools and Chinese restaurants. Ralphie is a pretty normal kid who wants just one thing for Christmas; a Daisy Red Rider BB Gun. He knows exactly the one he wants; it has a compass in the stock as well as a sundial; he even knows the serial number.

Unfortunately, no adult in their right mind is willing to get that kind of gift for him. He could shoot his eye out with that thing. So he does what he can to convince those in charge that he deserves the gift of his dreams and will use it safely. Unfortunately, he has to contend with a whole lot of things, like the school bully Scut Farkas (Ward) and his minion Grover Dill (Anaya). On his side is his little brother Randy (Petrella) and his friend Flick (Schwartz) who is foolish enough to affix his tongue to a frozen metal post with predictable results.

He has a mom (Dillon) with the patience of a saint but a firm and steadfast refusal to let him get the BB gun. His old man (McGavin) is far too busy dealing with the neighbor’s mutts who drive him crazy, as well as the anticipation of the arrival of a major award, which turns out to be a lamp in the shape of a woman’s leg with a fishnet stocking on it. He sticks it in the front window, mortifying Ralphie’s mom.

When Ralphie gives one final try to see if the big man – Santa (Gillen) will come through but when he goes to the local department store to ask the Man in the Suit for his beloved BB gun, the response is “You’ll shoot your eye out with one of those things, kid. Ho ho ho” followed by a shove by his jolly boot. With Christmas days away and nowhere left to turn, how could this be anything but the worst Christmas ever?

This has become a modern classic of the holiday movie genre and the most bizarre part is that it was directed by the man best known for directing Porky’s. If two movies on the same filmography could be more diametrically opposed, I can’t think of any. While A Christmas Story has a feeling of Americana (courtesy of Jean Shepherd, who wrote the collection of short stories the movie is based on and also narrates), the other is raunchy and outrageous at times, a precursor to things like American Pie.

McGavin and Dillon are perfectly cast in this. Dillon, who was cast based on her work in Close Encounters of the Third Kind, is much more of an idealized American mom here. She is patient (for the most part – don’t think of cursing in front of her though) and nurturing although there are times her patience grows thin. McGavin, who was mostly known as Carl Kolchak on the “Night Stalker”  television series, was cast when Jack Nicholson turned down the role and the movie benefitted I think. McGavin is equal parts loving dad, bumbling husband and antagonized neighbor. He mutters vague expletives that the movie serves to keep from being specific, which makes it actually funnier.

Billingsley is not the most talented child actor that ever came down the pike, but he does a decent job here. Most of the child actors here are by modern standards somewhat wooden, but they were more or less equal to the standards of the time. It helps that Shepherd moves much of the plot along with his narration, leaving the kids less to do.

Shepherd was the kind of writer who inspired people like Garrison Keillor and Spalding Gray; he was quite a raconteur and left behind a body of work that is as impressive as any 20th century author, but it will be this movie he will most be remembered for. Like Charles Dickens, his insights into human nature and the power of Christmas to make things better are timeless and needed. Sometimes things just come into confluence as if guided by fate, unseen hands or whatever – this is one of those things. Not a bad legacy to leave behind, y’know?

WHY RENT THIS: One of those timeless movies of Americana that have to do with family, love and Daisy Red Rider BB Guns.

WHY RENT SOMETHING ELSE: The humor may be a bit too dry for some..

FAMILY VALUES: There is some mild violence and swearing, although there are allusions to much worse language than is actually used onscreen.

TRIVIAL PURSUIT: The house that was featured in the exterior shots was actually in Cleveland, not in Indiana where the movie is set. A fan of the film bought the home in 2005, refurbishing the interior to match the movie. It opened in 2006, along with a gift shop and museum dedicated to the movie in the house next door which the fan also purchased. You can learn more about the house and the movie at their website here.

NOTABLE DVD EXTRAS: Because the movie is a classic and has gone through several DVD releases, there are a plethora of features out there in the various iterations. While the original DVD just contains the film and the trailer, the Blu-Ray and Special Edition include a couple of games, a fascinating featurette on the Daisy Red Rider BB Gun, Jean Shepherd reading two of his stories for a radio show, an 18-minute “Another Christmas Story” which features the now-adult members of the cast reminiscing about their time filming the movie and its impact on their lives and a funny featurette known as “The Leg Lamp: Shining Light of Freedom.” The Ultimate edition contains all of these and the scripted “Flash Gordon” scene that was eventually cut from the film, as well as a recipe book, cookie cutters and an apron (it comes in a cookie tin).

BOX OFFICE PERFORMANCE: $20.6M on an unreported production budget; although it’s likely that the movie broke even at best during its theatrical run, it has more than earned its keep on cable and home video.

FINAL RATING: 7.5/10

TOMORROW: The Holly and The Quill continues.